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Spike Milligan

Spike Milligan

1918–2002 · lived 83 years -- --

Spike Milligan was a prolific and celebrated comedian, musician, writer, and actor, best known as one of the most influential figures of the British comedy scene. He was a principal writer and performer of the iconic radio comedy series 'The Goon Show', which revolutionized British broadcasting with its surreal humor and anarchic style. Milligan's work often blended absurdity, wordplay, and satire, reflecting his unique and often melancholic worldview. His contributions extended beyond comedy to poetry and prose, where he explored themes of war, love, and everyday life with a distinctively quirky and poignant touch.

n. 1918-04-16, Ahmadnagar · m. 2002-02-27, Rye

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Jumbo Jet

I saw a little elephant standing in my garden,
I said 'You don't belong in here', he said 'I beg you pardon?',
I said 'This place is England, what are you doing here?',
He said 'Ah, then I must be lost' and then 'Oh dear, oh dear'.
'I should be back in Africa, on Saranghetti's Plain',
'Pray, where is the nearest station where I can catch a train?'.
He caught the bus to Finchley and then to Mincing lane,
And over the Embankment, where he got lost, again.
The police they put him in a cell, but it was far too small,
So they tied him to a lampost and he slept against the wall.
But as the policemen lay sleeping by the twinkling light of dawn,
The lampost and the wall were there, but the elephant was gone!
So if you see an elephant, in a Jumbo Jet,
You can be sure that Africa's the place he's trying to get!
Read full poem
Bio

Identification and basic context

Spike Milligan, born Terence Alan Milligan, was a British comedian, writer, musician, and actor. He is widely regarded as a pioneer of modern British comedy and a key figure in the surreal and anarchic humor that characterized much of 20th-century British entertainment. His comedic genius was often intertwined with a profound sensitivity and a sometimes dark, melancholic outlook on life. Milligan was a lifelong advocate for peace, deeply affected by his experiences in World War II.

Childhood and education

Milligan was born in the Raj during the British rule of India, to an Irish father and an English mother. His early life was marked by constant movement due to his father's service in the British Army, leading to him attending several schools. He was largely self-educated, developing a keen, albeit unconventional, intellect and a precocious sense of humor. His experiences growing up in India and later in England shaped his unique perspective, blending cultural influences and a sense of being an outsider.

Literary trajectory

Milligan's literary career began in earnest alongside his burgeoning comedy career. His most famous contributions were as a writer and performer for 'The Goon Show' (1951-1960), a groundbreaking BBC radio comedy series that redefined British humor with its surrealism, wordplay, and absurdist sketches. He later turned his hand to writing books, including autobiographical accounts of his wartime experiences and collections of his poetry and prose. His writing style often mirrored his comedic approach: eccentric, witty, and deeply personal, often blurring the lines between reality and imagination.

Works, style, and literary characteristics

Milligan's most significant literary works include his autobiographical series detailing his experiences during World War II, such as "Adolf Hitler: My Part in His Downfall" (1971). He also published several volumes of poetry, often whimsical and poignant, like "Silly Verse for Kids" (1958) and "Verse of the Year" (1980). His style is characterized by its unique blend of silliness and seriousness, wordplay, unexpected juxtapositions, and a deeply personal, often melancholic, voice. He explored themes of war, the absurdity of bureaucracy, love, and the simple joys and sorrows of life. His poetry, while sometimes seemingly simple, often carries profound emotional weight and a distinctive rhythmic quality.

Cultural and historical context

Milligan's career spanned the post-war era in Britain, a period of significant social and cultural change. He was a product of and a major influence on the burgeoning British entertainment industry, particularly radio and television comedy. His association with 'The Goon Show' placed him at the center of a cultural phenomenon that reflected a post-war disillusionment with traditional authority and a yearning for new forms of expression. His wartime experiences profoundly shaped his anti-war sentiments, which permeated much of his work.

Personal life

Milligan's personal life was marked by considerable emotional turbulence, including struggles with depression and a form of post-traumatic stress disorder stemming from his wartime experiences. He was married twice and had children. His relationships were often complex, and his mental health challenges were a recurring theme he openly addressed, often with his characteristic dark humor. He was known for his eccentricities and his deeply sensitive nature.

Recognition and reception

Milligan received widespread recognition for his comedic and literary contributions. 'The Goon Show' achieved immense popularity and enduring critical acclaim. His books were also well-received, particularly his autobiographical accounts. He was honored with numerous awards and accolades throughout his career. His influence on subsequent generations of comedians and writers is undeniable, solidifying his place as a legendary figure in British popular culture.

Influences and legacy

Milligan's unique brand of surreal humor and linguistic innovation influenced countless comedians and writers. His work has been studied for its groundbreaking use of radio as a medium and its anarchic spirit. He is credited with paving the way for alternative comedy. His poetic output, though perhaps less widely known than his comedic work, is cherished for its originality and emotional resonance.

Interpretation and critical analysis

Critics often analyze Milligan's work through the lens of existentialism and absurdism, noting how his humor serves as a coping mechanism for the inherent chaos and suffering in life, particularly in the context of war. His blending of the profoundly silly with the deeply tragic is a key element of his artistic appeal, prompting discussions about the nature of comedy, trauma, and the human condition.

Curiosities and lesser-known aspects

Milligan was an accomplished jazz musician and often incorporated music into his performances and writings. He was also an avid painter. Despite his public persona as a zany comedian, he was known to be intensely private and often struggled with the pressures of fame. He famously detested the imperial system and campaigned for Britain to adopt the metric system.

Death and memory

Spike Milligan passed away in 2002. His death was widely mourned, and his legacy continues to be celebrated through retrospectives, re-releases of his work, and continued academic and popular interest in his unique contributions to comedy and literature.

Poems

17

Jumbo Jet

I saw a little elephant standing in my garden,
I said 'You don't belong in here', he said 'I beg you pardon?',
I said 'This place is England, what are you doing here?',
He said 'Ah, then I must be lost' and then 'Oh dear, oh dear'.
'I should be back in Africa, on Saranghetti's Plain',
'Pray, where is the nearest station where I can catch a train?'.
He caught the bus to Finchley and then to Mincing lane,
And over the Embankment, where he got lost, again.
The police they put him in a cell, but it was far too small,
So they tied him to a lampost and he slept against the wall.
But as the policemen lay sleeping by the twinkling light of dawn,
The lampost and the wall were there, but the elephant was gone!
So if you see an elephant, in a Jumbo Jet,
You can be sure that Africa's the place he's trying to get!
505

On the Ning Nang Nong

On the Ning Nang Nong
Where the Cows go Bong!
and the monkeys all say BOO!
There's a Nong Nang Ning
Where the trees go Ping!
And the tea pots jibber jabber joo.
On the Nong Ning Nang
All the mice go Clang
And you just can't catch 'em when they do!
So its Ning Nang Nong
Cows go Bong!
Nong Nang Ning
Trees go ping
Nong Ning Nang
The mice go Clang
What a noisy place to belong
is the Ning Nang Ning Nang Nong!!
326

Contagion

Elephants are contagious!
Be careful how you tread.
An Elephant that's been trodden on
Should be confined to bed!
Leopards are contagious too.
Be careful tiny tots.
They don't give you a temperature
But lots and lots - of spots.
The Herring is a lucky fish
From all disease inured.
Should he be ill when caught at sea;
Immediately - he's cured!
319

Feelings

There must be a wound!
No one can be this hurt
and not bleed.
How could she injure me so?
No marks
No bruise
Worse!
People say 'My, you're looking well'
.....God help me!
She's mummified me -
ALIVE!
317

Mirror, Mirror

A young spring-tender girl
combed her joyous hair
'You are very ugly' said the mirror.
But,
on her lips hung
a smile of dove-secret loveliness,
for only that morning had not
the blind boy said,
'You are beautiful'?
310

Unto Us...

Somewhere at some time
They committed themselves to me
And so, I was!
Small, but I WAS!
Tiny, in shape
Lusting to live
I hung in my pulsing cave.
Soon they knew of me
My mother --my father.
I had no say in my being
I lived on trust
And love
Tho' I couldn't think
Each part of me was saying
A silent 'Wait for me
I will bring you love!'
I was taken
Blind, naked, defenseless
By the hand of one
Whose good name
Was graven on a brass plate
in Wimpole Street,
and dropped on the sterile floor
of a foot operated plastic waste
bucket.
There was no Queens Counsel
To take my brief.
The cot I might have warmed
Stood in Harrod's shop window.
When my passing was told
My father smiled.
No grief filled my empty space.
My death was celebrated
With tickets to see Danny la Rue
Who was pretending to be a woman
Like my mother was.
304

Maveric

Maveric Prowles
Had Rumbling Bowles
That thundered in the night.
It shook the bedrooms all around
And gave the folks a fright.
The doctor called;
He was appalled
When through his stethoscope
He heard the sound of a baying hound,
And the acrid smell of smoke.
Was there a cure?
'The higher the fewer'
The learned doctor said,
Then turned poor Maveric inside out
And stood him on his head.
'Just as I though
You've been and caught
An Asiatic flu -
You musn't go near dogs I fear
Unless they come near you.'
Poor Maveric cried.
He went cross-eyed,
His legs went green and blue.
The doctor hit him with a club
And charged him one and two.
And so my friend
This is the end,
A warning to the few:
Stay clear of doctors to the end
Or they'll get rid of you.
282

Bazonka

Say Bazonka every day
That's what my grandma used to say
It keeps at bay the Asian Flu'
And both your elbows free from glue.
So say Bazonka every day
(That's what my grandma used to say)
Don't say it if your socks are dry!
Or when the sun is in your eye!
Never say it in the dark
(The word you see emits a spark)
Only say it in the day
(That's what my grandma used to say)
Young Tiny Tim took her advice
He said it once, he said it twice
he said it till the day he died
And even after that he tried
To say Bazonka! every day
Just like my grandma used to say.
Now folks around declare it's true
That every night at half past two
If you'll stand upon your head
And shout Bazonka! from your bed
You'll hear the word as clear as day
Just like my grandma used to say!
276

Welcome Home

Unaware of my crime
they stood me in the dock.
I was sentenced to life....
without her.
Strange trial.
No judge.
No jury.
I wonder who my visitors will be.
272

The Dog Lovers

So they bought you
And kept you in a
Very good home
Cental heating
TV
A deep freeze
A very good home-
No one to take you
For that lovely long run-
But otherwise
'A very good home'
They fed you Pal and Chun
But not that lovely long run,
Until, mad with energy and boredom
You escaped- and ran and ran and ran
Under a car.
Today they will cry for you-
Tomorrow they will but another dog.
268

Quotes

21

Videos

50

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