Come Gather Round Me, Parnellites

COME gather round me, Parnellites,
And praise our chosen man;
Stand upright on your legs awhile,
Stand upright while you can,
For soon we lie where he is laid,
And he is underground;
Come fill up all those glasses
And pass the bottle round.


And here's a cogent reason,
And I have many more,
He fought the might of England
And saved the Irish poor,
Whatever good a farmer's got
He brought it all to pass;
And here's another reason,
That parnell loved a lass.


And here's a final reason,
He was of such a kind
Every man that sings a song
Keeps Parnell in his mind.
For Parnell was a proud man,
No prouder trod the ground,
And a proud man's a lovely man,
So pass the bottle round.


The Bishops and the party
That tragic story made,
A husband that had sold hiS wife
And after that betrayed;
But stories that live longest
Are sung above the glass,
And Parnell loved his countrey
And parnell loved his lass.

Chosen


The lot of love is chosen. I learnt that much
Struggling for an image on the track
Of the whirling Zodiac.
Scarce did he my body touch,
Scarce sank he from the west
Or found a subtetranean rest
On the maternal midnight of my breast
Before I had marked him on his northern way,
And seemed to stand although in bed I lay.
I struggled with the horror of daybreak,
I chose it for my lot! If questioned on
My utmost pleasure with a man
By some new-married bride, I take
That stillness for a theme
Where his heart my heart did seem
And both adrift on the miraculous stream
Where -- wrote a learned astrologer --
The Zodiac is changed into a sphere.

Colonel Martin

THE Colonel went out sailing,
He spoke with Turk and Jew,
With Christian and with Infidel,
For all tongues he knew.
'O what's a wifeless man?' said he,
And he came sailing home.
He rose the latch and went upstairS
And found an empty room.
The Colonel went out sailing.
'I kept her much in the country
And she was much alone,
And though she may be there,' he said,
'She may be in the town.
She may be all alone there,
For who can say?' he said.
'I think that I shall find her
In a young man's bed.'
The Colonel went out sailing.


III
The Colonel met a pedlar,
Agreed their clothes to swop,
And bought the grandest jewelry
In a Galway shop,
Instead of thread and needle
put jewelry in the pack,
Bound a thong about his hand,
Hitched it on his back.
The Colonel wcnt out sailing.
The Colonel knocked on the rich man's door,
'I am sorry,' said the maid,
'My mistress cannot see these things,
But she is still abed,
And never have I looked upon
Jewelry so grand.'
'Take all to your mistress,'
And he laid them on her hand.
The Colonel went out sailing.
And he went in and she went on
And both climbed up the stair,
And O he was a clever man,
For he his slippers wore.
And when they came to the top stair
He ran on ahead,
His wife he found and the rich man
In the comfort of a bed.
The Colonel went out sailing.
The Judge at the Assize Court,
When he heard that story told,
Awarded him for damages
Three kegs of gold.
The Colonel said to Tom his man,



'Harness an ass and cart,
Carry the gold about the town,
Throw it in every patt.'
The Colonel went out sailing.


VII
And there at all street-corners
A man with a pistol stood,
And the rich man had paid them well
To shoot the Colonel dead;
But they threw down their pistols
And all men heard them swear
That they could never shoot a man
Did all that for the poor.
The Colonel went out sailing.


VIII
'And did you keep no gold, Tom?
You had three kegs,' said he.
'I never thought of that, Sir.'
'Then want before you die.'
And want he did; for my own grand-dad
Saw the story's end,
And Tom make out a living
From the seaweed on the strand.
The Colonel went out sailing.

Brown Penny

I WHISPERED, 'I am too young,'
And then, 'I am old enough';
Wherefore I threw a penny
To find out if I might love.
'Go and love, go and love, young man,
If the lady be young and fair.'
Ah, penny, brown penny, brown penny,
I am looped in the loops of her hair.
O love is the crooked thing,
There is nobody wise enough
To find out all that is in it,
For he would be thinking of love
Till the stars had run away
And the shadows eaten the moon.
Ah, penny, brown penny, brown penny,
One cannot begin it too soon.

Blood And The Moon

BLESSED be this place,
More blessed still this tower;
A bloody, arrogant power
Rose out of the race
Uttering, mastering it,
Rose like these walls from these
Storm-beaten cottages --
In mockery I have set
A powerful emblem up,
And sing it rhyme upon rhyme
In mockery of a time
HaIf dead at the top.
Alexandria's was a beacon tower, and Babylon's
An image of the moving heavens, a log-book of the
sun's journey and the moon's;
And Shelley had his towers, thought's crowned powers
he called them once.
I declare this tower is my symbol; I declare
This winding, gyring, spiring treadmill of a stair is my
ancestral stair;
That Goldsmith and the Dean, Berkeley and Burke
have travelled there.
Swift beating on his breast in sibylline frenzy blind
Because the heart in his blood-sodden breast had
dragged him down into mankind,
Goldsmith deliberately sipping at the honey-pot of his
mind,
And haughtier-headed Burke that proved the State a
tree,
That this unconquerable labyrinth of the birds, century
after century,
Cast but dead leaves to mathematical equality;
And God-appointed Berkeley that proved all things a
dream,
That this pragmatical, preposterous pig of a world, its
farrow that so solid seem,
Must vanish on the instant if the mind but change its
theme;
i{Saeva Indignatio} and the labourer's hire,
The strength that gives our blood and state magnanimity
of its own desire;
Everything that is not God consumed with intellectual
fire.
III
The purity of the unclouded moon
Has flung its atrowy shaft upon the floor.
Seven centuries have passed and it is pure,
The blood of innocence has left no stain.
There, on blood-saturated ground, have stood
Soldier, assassin, executioner.
Whether for daily pittance or in blind fear
Or out of abstract hatred, and shed blood,


But could not cast a single jet thereon.
Odour of blood on the ancestral stair!
And we that have shed none must gather there
And clamour in drunken frenzy for the moon.


IV
Upon the dusty, glittering windows cling,
And seem to cling upon the moonlit skies,
Tortoiseshell butterflies, peacock butterflies,
A couple of night-moths are on the wing.
Is every modern nation like the tower,
Half dead at the top? No matter what I said,
For wisdom is the property of the dead,
A something incompatible with life; and power,
Like everything that has the stain of blood,
A property of the living; but no stain
Can come upon the visage of the moon
When it has looked in glory from a cloud.

Before The World Was Made

If I make the lashes dark
And the eyes more bright
And the lips more scarlet,
Or ask if all be right
From mirror after mirror,
No vanity's displayed:
I'm looking for the face I had
Before the world was made.


What if I look upon a man
As though on my beloved,
And my blood be cold the while
And my heart unmoved?
Why should he think me cruel
Or that he is betrayed?
I'd have him love the thing that was
Before the world was made.

Baile And Aillinn

ARGUMENT. Baile and Aillinn were lovers, but Aengus, the
Master of Love, wishing them to he happy in his own land
among the dead, told to each a story of the other's death, so
that their hearts were broken and they died.


I HARDLY hear the curlew cry,


Nor thegrey rush when the wind is high,
Before my thoughts begin to run
On the heir of Uladh, Buan's son,
Baile, who had the honey mouth;
And that mild woman of the south,
Aillinn, who was King Lugaidh's heir.
Their love was never drowned in care
Of this or that thing, nor grew cold
Because their hodies had grown old.
Being forbid to marry on earth,
They blossomed to immortal mirth.


About the time when Christ was born,
When the long wars for the White Horn
And the Brown Bull had not yet come,
Young Baile Honey Mouth, whom some
Called rather Baile Little-Land,
Rode out of Emain with a band
Of harpers and young men; and they
Imagined, as they struck the way
To many-pastured Muirthemne,
That all things fell out happily,
And there, for all that fools had said,
Baile and Aillinn would be wed.
They found an old man running there:
He had ragged long grass-coloured hair;
He had knees that stuck out of his hose;
He had puddle-water in his shoes;
He had half a cloak to keep him dry,
Although he had a squirrel's eye.


wandering hirds and rushy beds,
You put such folly in our heads
With all this crying in the wind,
No common love is to our mind,
And our poor kate or Nan is less
Than any whose unhappiness
Awoke the harp-strings long ago.
Yet they that know all things hut know
That all this life can give us is
A child's laughter, a woman's kiss.
Who was it put so great a scorn
In thegrey reeds that night and morn
Are trodden and broken hy the herds,
And in the light bodies of birds



The north wind tumbles to and fro
And pinches among hail and snow?
That runner said: 'I am from the south;
I run to Baile Honey-Mouth,
To tell him how the girl Aillinn
Rode from the country of her kin,
And old and young men rode with her:
For all that country had been astir
If anybody half as fair
Had chosen a husband anywhere
But where it could see her every day.
When they had ridden a little way
An old man caught the horse's head
With: ''You must home again, and wed
With somebody in your own land.''
A young man cried and kissed her hand,
''O lady, wed with one of us'';
And when no face grew piteous
For any gentle thing she spake,
She fell and died of the heart-break.'
Because a lover's heart s worn out,
Being tumbled and blown about
By its own blind imagining,
And will believe that anything
That is bad enough to be true, is true,
Baile's heart was broken in two;
And he, being laid upon green boughs,
Was carried to the goodly house
Where the Hound of Uladh sat before
The brazen pillars of his door,
His face bowed low to weep the end
Of the harper's daughter and her friend
For athough years had passed away
He always wept them on that day,
For on that day they had been betrayed;
And now that Honey-Mouth is laid
Under a cairn of sleepy stone
Before his eyes, he has tears for none,
Although he is carrying stone, but two
For whom the cairn's but heaped anew.


We hold, because our memory is
Sofull of that thing and of this,
That out of sight is out of mind.
But the grey rush under the wind
And the grey bird with crooked bill
rave such long memories that they still
Remember Deirdre and her man;
And when we walk with Kate or Nan
About the windy water-side,
Our hearts can Fear the voices chide.
How could we be so soon content,



Who know the way that Naoise went?
And they have news of Deirdre's eyes,
Who being lovely was so wise --
Ah! wise, my heart knows well how wise.


Now had that old gaunt crafty one,
Gathering his cloak about him, mn
Where Aillinn rode with waiting-maids,
Who amid leafy lights and shades
Dreamed of the hands that would unlace
Their bodices in some dim place
When they had come to the matriage-bed,
And harpers, pacing with high head
As though their music were enough
To make the savage heart of love
Grow gentle without sorrowing,
Imagining and pondering
Heaven knows what calamity;
'Another's hurried off,' cried he,
'From heat and cold and wind and wave;
They have heaped the stones above his grave
In Muirthemne, and over it
In changeless Ogham letters writ --
Baile, that was of Rury's seed.
But the gods long ago decreed
No waiting-maid should ever spread
Baile and Aillinn's marriage-bed,
For they should clip and clip again
Where wild bees hive on the Great Plain.
Therefore it is but little news
That put this hurry in my shoes.'
Then seeing that he scarce had spoke
Before her love-worn heart had broke.
He ran and laughed until he came
To that high hill the herdsmen name
The Hill Seat of Laighen, because
Some god or king had made the laws
That held the land together there,
In old times among the clouds of the air.
That old man climbed; the day grew dim;
Two swans came flying up to him,
Linked by a gold chain each to each,
And with low murmuring laughing speech
Alighted on the windy grass.
They knew him: his changed body was
Tall, proud and ruddy, and light wings
Were hovering over the harp-strings
That Edain, Midhir's wife, had wove
In the hid place, being crazed by love.
What shall I call them? fish that swim,
Scale rubbing scale where light is dim
By a broad water-lily leaf;



Or mice in the one wheaten sheaf
Forgotten at the threshing-place;
Or birds lost in the one clear space
Of morning light in a dim sky;
Or, it may be, the eyelids of one eye,
Or the door-pillars of one house,
Or two sweet blossoming apple-boughs
That have one shadow on the ground;
Or the two strings that made one sound
Where that wise harper's finger ran.
For this young girl and this young man
Have happiness without an end,
Because they have made so good a friend.
They know all wonders, for they pass
The towery gates of Gorias,
And Findrias and Falias,
And long-forgotten Murias,
Among the giant kings whose hoard,
Cauldron and spear and stone and sword,
Was robbed before earth gave the wheat;
Wandering from broken street to street
They come where some huge watcher is,
And tremble with their love and kiss.
They know undying things, for they
Wander where earth withers away,
Though nothing troubles the great streams
But light from the pale stars, and gleams
From the holy orchards, where there is none
But fruit that is of precious stone,
Or apples of the sun and moon.
What were our praise to them? They eat
Quiet's wild heart, like daily meat;
Who when night thickens are afloat
On dappled skins in a glass boat,
Far out under a windless sky;
While over them birds of Aengus fly,
And over the tiller and the prow,
And waving white wings to and fro
Awaken wanderings of light air
To stir their coverlet and their hair.
And poets found, old writers say,
A yew tree where his body lay;
But a wild apple hid the grass
With its sweet blossom where hers was,
And being in good heart, because
A better time had come again
After the deaths of many men,
And that long fighting at the ford,
They wrote on tablets of thin board,
Made of the apple and the yew,
All the love stories that they knew.



Let rush and hird cry out their fill
Of the harper's daughter if they will,
Beloved, I am not afraid of her.
She is not wiser nor lovelier,
And you are more high of heart than she,
For all her wanderings over-sea;
But I'd have bird and rush forget
Those other two; for never yet
Has lover lived, but longed to wive
Like them that are no more alive.

At Galway Races

THERE where the course is,
Delight makes all of the one mind,
The riders upon the galloping horses,
The crowd that closes in behind:
We, too, had good attendance once,
Hearers and hearteners of the work;
Aye, horsemen for companions,
Before the merchant and the clerk
Breathed on the world with timid breath.
Sing on: somewhere at some new moon,
We'll learn that sleeping is not death,
Hearing the whole earth change its tune,
Its flesh being wild, and it again
Crying aloud as the racecourse is,
And we find hearteners among men
That ride upon horses.

Are You Content?

I CALL on those that call me son,
Grandson, or great-grandson,
On uncles, aunts, great-uncles or great-aunts,
To judge what I have done.
Have I, that put it into words,
Spoilt what old loins have sent?
Eyes spiritualised by death can judge,
I cannot, but I am not content.
He that in Sligo at Drumcliff
Set up the old stone Cross,
That red-headed rector in County Down,
A good man on a horse,
Sandymount Corbets, that notable man
Old William pollexfen,
The smuggler Middleton, Butlers far back,
Half legendary men.
Infirm and aged I might stay
In some good company,
I who have always hated work,
Smiling at the sea,
Or demonstrate in my own life
What Robert Browning meant
By an old hunter talking with Gods;
But I am not content.

An Image From A Past Life

He. Never until this night have I been stirred.
The elaborate starlight throws a reflection
On the dark stream,
Till all the eddies gleam;
And thereupon there comes that scream
From terrified, invisible beast or bird:
Image of poignant recollection.


She. An image of my heart that is smitten through
Out of all likelihood, or reason,
And when at last,
Youth's bitterness being past,
I had thought that all my days were cast
Amid most lovely places; smitten as though
It had not learned its lesson.


He. Why have you laid your hands upon my eyes?
What can have suddenly alarmed you
Whereon 'twere best
My eyes should never rest?
What is there but the slowly fading west,
The river imaging the flashing skies,
All that to this moment charmed you?


She. A Sweetheart from another life floats there
As though she had been forced to linger
From vague distress
Or arrogant loveliness,
Merely to loosen out a tress
Among the starry eddies of her hair
Upon the paleness of a finger.


He. But why should you grow suddenly afraid
And start -- I at your shoulder --
Imagining
That any night could bring
An image up, or anything
Even to eyes that beauty had driven mad,
But images to make me fonder?


She. Now She has thrown her arms above her head;
Whether she threw them up to flout me,
Or but to find,
Now that no fingers bind,
That her hair streams upon the wind,
I do not know, that know I am afraid
Of the hovering thing night brought me.