Poemas neste tema
Alma
Fernando Pessoa
Wake with the Sun, wake with the morn
Wake with the Sun, wake with the morn
Wake with the coming day,
Be with the dew and the flush new born,
But, unlike them, stay.
Mists fall of from what thou art
They are what we see.
Come and enter into our heart
And let life be.
The morn belongs to the empty world
Men are later here.
Come and let life be slowly unfurled
Off thee like fear.
And in thy terrible being but thou
Sans body nor soul
Pour all thy balm on my saddened brow,
And make my hope whole!
04/07/1917
Wake with the coming day,
Be with the dew and the flush new born,
But, unlike them, stay.
Mists fall of from what thou art
They are what we see.
Come and enter into our heart
And let life be.
The morn belongs to the empty world
Men are later here.
Come and let life be slowly unfurled
Off thee like fear.
And in thy terrible being but thou
Sans body nor soul
Pour all thy balm on my saddened brow,
And make my hope whole!
04/07/1917
4 382
João Airas
Toda-las cousas eu vejo partir
Toda-las cousas eu vejo partir
do modo en como soiam seer,
e vejo as gentes partir de fazer
ben que soiam (tal tempo non ven!)
mais non se pode o coraçon partir
do meu amigo de mi querer ben.
Pero que ome parte o coraçon
das cousas que ama, per bõa fé,
e parte-se ome da terra onde é,
e parte-se ome du [mui] gran prol ten,
non se pode parti-lo coraçon
do meu amigo de mi querer ben.
Toda-las cousas eu vejo mudar:
mudam-se os tempos e muda-se o al,
muda-se a gente en fazer ben ou mal,
mudam-se os ventos e toda outra ren,
mais non se pode o coraçon mudar
do meu amigo de mi querer ben.
do modo en como soiam seer,
e vejo as gentes partir de fazer
ben que soiam (tal tempo non ven!)
mais non se pode o coraçon partir
do meu amigo de mi querer ben.
Pero que ome parte o coraçon
das cousas que ama, per bõa fé,
e parte-se ome da terra onde é,
e parte-se ome du [mui] gran prol ten,
non se pode parti-lo coraçon
do meu amigo de mi querer ben.
Toda-las cousas eu vejo mudar:
mudam-se os tempos e muda-se o al,
muda-se a gente en fazer ben ou mal,
mudam-se os ventos e toda outra ren,
mais non se pode o coraçon mudar
do meu amigo de mi querer ben.
1 473
Fernando Pessoa
TO A HAND
TO A HAND
Give me thy hand. With my wounded eyes
I would see what this hand contains:
Ah, what a world of hopes here lies!
What a world of feelings and doubts and pains!
Oh to thing that this hand in itself contains
The mystery of mysteries.
This hand has a meaning thou dost not know,
A meaning deeper than human fears;
This hand perchance in times long ago
Wiped off strange and unnatural tears;
Perhaps its gesture was full of snears
Perchance its clenching was full of woe.
There is that in thy hand my soul doth dream
And the shades that haunt my mind;
The howl of the wind and the flow of the stream,
The flow of the stream and the howl of the wind,
All that is horrible and undefined
Of the things that are in the things that seem.
As I look at thy hand my mind is rife
Of thoughts and memories deeper than rhyme;
Thy hand is a part af my soul's deep life,
And I knew thy hand ere the birth of time,
And in ages past it led me to crime,
(...)
A world of woes and of fears and sighs
And love that better had been hate,
And crimes and wars and victories,
And the painful fall of many a state –
All these and more that the heart abate
My raving soul in thy hand descries.
No painter mad, not a fetichist
O'er thy hand would be thus held blind.
At mere blank thought of its being kissed
By my lips I thrill with a fear none find
In the waking thoughts-of a human mind
Save when reason by its own self is missed.
Thy hand has a meaning thou dost not know,
A meaning deeper than human fears;
It has aught of the sea and of the sun's glow
And the seasons too and the months and years,
And the colour hidden in human tears
And the form and number in human woe.
Thy hand was a lofty and empty home,
A collar of pearls and a castle keep;
Thy hand knows well all the thoughts that roam,
Thy hand is the music eternal and deep
That long ere birth held my soul asleep
In a palace quaint with a curious dome.
How finely made is this hand of thine
With its fingers tapering and white,
Soft and palely warm and fine;
There is something in it of day and night.
Ah, dearest child, could I read aright
The text before me deep and divine.
There's a kind of Fact that persists and hangs
O'er thy hand, as on a scratched scroll:
Tis as if some thought had buried its fangs
In a unknown part of my soul.
In a land far in me a bell doth toll,
And my heart aches wild as it shrinks or clangs.
There is aught of new and wild and unreal
In thy hand where my look is pained:
Tis as if hand in itself could see all
Horrible thought, where fear is gained
By a drollness mad and dimly sustained
As of some wide hint out of the Ideal.
There is aught of Personal, of It, of Such
In thy hand o'er me there steals
A sense of dread like a murder's clutch;
I know not how, my hand in thine feels
An eternal thing hand my mad brain reels
As if eternity we could touch.
I see that hand not a hand, but whence
This horrible Fact that creeps in me!
Ah, I have of thy hand the seeing intense
But aught more than hand in that place I see
That abrupt elusion did make to be
Between thought of things and what we call sense.
My thought doth look at thy hand direct
Without eyes or sense or aught of this,
And my reason at such a thing is wrecked
Into such a fear that both pain hand bliss
Are plunged in conscious unconsciousness
For that is no hand that my dreams detect.
And I gaze yet more hand I shake from me
The dream of time and the dream of space,
And as a drowner who sinks in the sea
I dream of the wonders of all we trace
In everything and I plunge full-face
In the sense of what more than seems to be.
There is aught of lovely, wild and unbrute
In thy hand, and I love it well;
In fearing more than pain thoughts of hell
By a sudden portal in the Visible
I have a glimpse of the Absolute.
The sight of thy hand of a horrible heaven
The portals mute throws open again
Thy hand is like music, in it I again
Passing a wild fear and a bitter pain
Weird things more weird than the sense of Seven.
All things stare mystery at my mind,
But thy hand most, to oblivion conn'd
Thrilled with a mute life not all defined,
What is thy hand in itself beyond
The scope of sense where the heart is fond,
The realm of thought where the soul is blind?
Where is the soul that thy hand reveals
In its own there-self till its thought affrights?
What bells are those that say HAND in peals
That traverse impossible infinites?
What fills with lightnings of hands the nights
Where the sense of dread into thoughts congeals?
Take thy hand away; for I now shall dream
Of strange and grotesque and unnatural lands
Watered by many a painful stream
Whose waves are hands, whose banks of hands
Of gardens with trees whose leaves are hands
And a white stiff hand covering the sun's gleam.
(...)
Then, oh horror worst, they begin to live
With a vital life, and to grasp and clutch,
And to twitch and squirm till my thoughts unweave,
And like worms and snails that my throat should touch
My soul qualms and retches at horror such
At fear's transcendent superlative.
And what more doth follow I cannot say,
But it seems that madly I traverse, lone,
Tracts of hells where a hand doth stay
In such a manner that if a groan
Of a madman could in its soul be known
It would be to it as to night is day.
And my thoughts drag on in their weary strain;
Wild and grotesque, or quick or slow,
Uncouth and unseemly they reel in my brain,
Startingly mad as they go,
As a sudden laugh in the midst of woe
Or a clown in a funeral train.
Alexander Search
January, 1906
Give me thy hand. With my wounded eyes
I would see what this hand contains:
Ah, what a world of hopes here lies!
What a world of feelings and doubts and pains!
Oh to thing that this hand in itself contains
The mystery of mysteries.
This hand has a meaning thou dost not know,
A meaning deeper than human fears;
This hand perchance in times long ago
Wiped off strange and unnatural tears;
Perhaps its gesture was full of snears
Perchance its clenching was full of woe.
There is that in thy hand my soul doth dream
And the shades that haunt my mind;
The howl of the wind and the flow of the stream,
The flow of the stream and the howl of the wind,
All that is horrible and undefined
Of the things that are in the things that seem.
As I look at thy hand my mind is rife
Of thoughts and memories deeper than rhyme;
Thy hand is a part af my soul's deep life,
And I knew thy hand ere the birth of time,
And in ages past it led me to crime,
(...)
A world of woes and of fears and sighs
And love that better had been hate,
And crimes and wars and victories,
And the painful fall of many a state –
All these and more that the heart abate
My raving soul in thy hand descries.
No painter mad, not a fetichist
O'er thy hand would be thus held blind.
At mere blank thought of its being kissed
By my lips I thrill with a fear none find
In the waking thoughts-of a human mind
Save when reason by its own self is missed.
Thy hand has a meaning thou dost not know,
A meaning deeper than human fears;
It has aught of the sea and of the sun's glow
And the seasons too and the months and years,
And the colour hidden in human tears
And the form and number in human woe.
Thy hand was a lofty and empty home,
A collar of pearls and a castle keep;
Thy hand knows well all the thoughts that roam,
Thy hand is the music eternal and deep
That long ere birth held my soul asleep
In a palace quaint with a curious dome.
How finely made is this hand of thine
With its fingers tapering and white,
Soft and palely warm and fine;
There is something in it of day and night.
Ah, dearest child, could I read aright
The text before me deep and divine.
There's a kind of Fact that persists and hangs
O'er thy hand, as on a scratched scroll:
Tis as if some thought had buried its fangs
In a unknown part of my soul.
In a land far in me a bell doth toll,
And my heart aches wild as it shrinks or clangs.
There is aught of new and wild and unreal
In thy hand where my look is pained:
Tis as if hand in itself could see all
Horrible thought, where fear is gained
By a drollness mad and dimly sustained
As of some wide hint out of the Ideal.
There is aught of Personal, of It, of Such
In thy hand o'er me there steals
A sense of dread like a murder's clutch;
I know not how, my hand in thine feels
An eternal thing hand my mad brain reels
As if eternity we could touch.
I see that hand not a hand, but whence
This horrible Fact that creeps in me!
Ah, I have of thy hand the seeing intense
But aught more than hand in that place I see
That abrupt elusion did make to be
Between thought of things and what we call sense.
My thought doth look at thy hand direct
Without eyes or sense or aught of this,
And my reason at such a thing is wrecked
Into such a fear that both pain hand bliss
Are plunged in conscious unconsciousness
For that is no hand that my dreams detect.
And I gaze yet more hand I shake from me
The dream of time and the dream of space,
And as a drowner who sinks in the sea
I dream of the wonders of all we trace
In everything and I plunge full-face
In the sense of what more than seems to be.
There is aught of lovely, wild and unbrute
In thy hand, and I love it well;
In fearing more than pain thoughts of hell
By a sudden portal in the Visible
I have a glimpse of the Absolute.
The sight of thy hand of a horrible heaven
The portals mute throws open again
Thy hand is like music, in it I again
Passing a wild fear and a bitter pain
Weird things more weird than the sense of Seven.
All things stare mystery at my mind,
But thy hand most, to oblivion conn'd
Thrilled with a mute life not all defined,
What is thy hand in itself beyond
The scope of sense where the heart is fond,
The realm of thought where the soul is blind?
Where is the soul that thy hand reveals
In its own there-self till its thought affrights?
What bells are those that say HAND in peals
That traverse impossible infinites?
What fills with lightnings of hands the nights
Where the sense of dread into thoughts congeals?
Take thy hand away; for I now shall dream
Of strange and grotesque and unnatural lands
Watered by many a painful stream
Whose waves are hands, whose banks of hands
Of gardens with trees whose leaves are hands
And a white stiff hand covering the sun's gleam.
(...)
Then, oh horror worst, they begin to live
With a vital life, and to grasp and clutch,
And to twitch and squirm till my thoughts unweave,
And like worms and snails that my throat should touch
My soul qualms and retches at horror such
At fear's transcendent superlative.
And what more doth follow I cannot say,
But it seems that madly I traverse, lone,
Tracts of hells where a hand doth stay
In such a manner that if a groan
Of a madman could in its soul be known
It would be to it as to night is day.
And my thoughts drag on in their weary strain;
Wild and grotesque, or quick or slow,
Uncouth and unseemly they reel in my brain,
Startingly mad as they go,
As a sudden laugh in the midst of woe
Or a clown in a funeral train.
Alexander Search
January, 1906
4 552
Fernando Pessoa
MANIA OF DOUBT
MANIA OF DOUBT
All things unto me are queries
That from normalness depart,
And their ceaseless asking wearies
My heart.
Things are and seem, and nothing bears
The secret of the life it wears.
All thing’s presence e’er is asking
Questions of disturbing pain
With dreadful hesitation tasking
My brain
How false is truth? How much doth seem
Since dreams are all and all’s a dream.
Before mystery my will faileth
Torn with war within the mind,
.............
Alexander Search
All things unto me are queries
That from normalness depart,
And their ceaseless asking wearies
My heart.
Things are and seem, and nothing bears
The secret of the life it wears.
All thing’s presence e’er is asking
Questions of disturbing pain
With dreadful hesitation tasking
My brain
How false is truth? How much doth seem
Since dreams are all and all’s a dream.
Before mystery my will faileth
Torn with war within the mind,
.............
Alexander Search
4 654
Fernando Pessoa
28 - ISIS
In the cool pillared portico
That gives white entrance to her moods
Start-lovely stand in a mule row
The statues of her pulchritudes.
Twelve are they and the mind doth gather
Their separate seen lives to one sense;
The thirteenth, which is all together,
Means her soul and its confluence.
Five statues mean the senses five,
Seven are her mysteries of Thought.
The thirteenth seems somehow to live
Beside her life and know it not.
The summer lies outside her shades,
The breezes creep into her halls,
And from her windowed loss the glades
Are something that the soul recalls.
She built her house with heavenly types
Of building in her inner seeing.
The sun makes the long pillars stripes
On the cold hard floors of her being.
Yet she is absent and despairing,
Her statues await her New Hour,
And from the shadows of her hearing
The whisper of the drones doth flower.
This was not anyhow nor when.
All was as cool as dreams are cool
When breezes creep up to our pain
And we are laid beside a pool,
And a far larger pool arises
In our restored imagining,
And all our body's sense despises
Our innate lack of fin and wing.
Still by her portico I stopped.
The shadows there were clear and fast.
Slightly, as with a kiss, I hoped,
And Having, like a swallow passed.
That gives white entrance to her moods
Start-lovely stand in a mule row
The statues of her pulchritudes.
Twelve are they and the mind doth gather
Their separate seen lives to one sense;
The thirteenth, which is all together,
Means her soul and its confluence.
Five statues mean the senses five,
Seven are her mysteries of Thought.
The thirteenth seems somehow to live
Beside her life and know it not.
The summer lies outside her shades,
The breezes creep into her halls,
And from her windowed loss the glades
Are something that the soul recalls.
She built her house with heavenly types
Of building in her inner seeing.
The sun makes the long pillars stripes
On the cold hard floors of her being.
Yet she is absent and despairing,
Her statues await her New Hour,
And from the shadows of her hearing
The whisper of the drones doth flower.
This was not anyhow nor when.
All was as cool as dreams are cool
When breezes creep up to our pain
And we are laid beside a pool,
And a far larger pool arises
In our restored imagining,
And all our body's sense despises
Our innate lack of fin and wing.
Still by her portico I stopped.
The shadows there were clear and fast.
Slightly, as with a kiss, I hoped,
And Having, like a swallow passed.
4 660
Fernando Pessoa
SEPARATED FROM THEE...
POEMAS VÁRIOS EM INGLÊS
SEPARATED FROM THEE...
Separated from thee, treasure of my heart,
By earth despised, from sympathy free,
Yet winds may quaver and hearts may waver,
I'll never forget thee.
Soft seem the chimes of boyhood sweet
To one who is no more free,
But let winds quaver and men's hearts waver,
I'll never forget thee.
In a dim vision, from school hailing
Myself a boyish form, I see,
And winds have quavered and men's hearts wavered,
But I'll not forgotten thee.
Since first thy form divine I saw,
While from school I came with glee,
Winds have quavered and men's hearts wavered,
But I've forgotten thee.
Since a simple boyish passion
I entertained for thee
Though winds have quavered and men's hearts wavered,
I've forgotten thee.
The stars shine bright, the moon looks love,
From over the moonlit sea.
Winds have quavered and men's hearts wavered
And thou hast forgotten me.
Separated from thee, treasure of my heart,
By earth despised, from sympathy free,
Yet may quaver and hearts may waver,
But I'll never forget thee.
May 12, 1901
SEPARATED FROM THEE...
Separated from thee, treasure of my heart,
By earth despised, from sympathy free,
Yet winds may quaver and hearts may waver,
I'll never forget thee.
Soft seem the chimes of boyhood sweet
To one who is no more free,
But let winds quaver and men's hearts waver,
I'll never forget thee.
In a dim vision, from school hailing
Myself a boyish form, I see,
And winds have quavered and men's hearts wavered,
But I'll not forgotten thee.
Since first thy form divine I saw,
While from school I came with glee,
Winds have quavered and men's hearts wavered,
But I've forgotten thee.
Since a simple boyish passion
I entertained for thee
Though winds have quavered and men's hearts wavered,
I've forgotten thee.
The stars shine bright, the moon looks love,
From over the moonlit sea.
Winds have quavered and men's hearts wavered
And thou hast forgotten me.
Separated from thee, treasure of my heart,
By earth despised, from sympathy free,
Yet may quaver and hearts may waver,
But I'll never forget thee.
May 12, 1901
5 395
Ruy Cinatti
De monte a monta
De monte a monta, o meu grito
soa, soa, como voz
de um eco do infinito
ecoando em todos nós.
Timor cresce como um grito
ecoando em todos nós.
soa, soa, como voz
de um eco do infinito
ecoando em todos nós.
Timor cresce como um grito
ecoando em todos nós.
2 395
Luís Represas
Pedra no charco
Caiu uma pedra no charco,
caiu um penedo no rio,
caiu mais um cabo da boa esperança no mar,
prá gente se agarrar.
Deixámos de ver as nuvens
que nos tapavam o céu,
pudemos sentir de perto a meiguice do tempo
onde a gente se escondeu.
É que hoje
nasceu mais um dia.
É que hoje
nasceu mais alguém.
É que hoje
nasceu um poeta na serra com a estrela da manhã.
Foi quando os lobos uivaram,
foi quando o lince miou,
as ovelhas não tinham fome
e a alcateia repousou.
E entre os uivos e os miados
o poeta abriu o choro.
E entre os vales e os cabeços,
cavalgando uma alcateia
o poema deslizou.
caiu um penedo no rio,
caiu mais um cabo da boa esperança no mar,
prá gente se agarrar.
Deixámos de ver as nuvens
que nos tapavam o céu,
pudemos sentir de perto a meiguice do tempo
onde a gente se escondeu.
É que hoje
nasceu mais um dia.
É que hoje
nasceu mais alguém.
É que hoje
nasceu um poeta na serra com a estrela da manhã.
Foi quando os lobos uivaram,
foi quando o lince miou,
as ovelhas não tinham fome
e a alcateia repousou.
E entre os uivos e os miados
o poeta abriu o choro.
E entre os vales e os cabeços,
cavalgando uma alcateia
o poema deslizou.
1 223
Fernando Pessoa
When shall we rest?
When shall we rest?
The ceaseless waves
They have no quest.
The trees peace-ripe.
Their lifeless life
From sorrow saves.
When shall we go?
Wither? We care
Nothing to know.
Sorrow is here.
Aught may us cheer
Now of dim there.
What in us shall
Cease and leave peace?
Life holds in thrall
Our joy like pain,
Our loss-like gain,
Our stayed release.
Love cannot bless.
Bliss cannot live.
Joy's short caress
Passes like wind
Suddenly thinned
We dream and grieve.
Outward from us
There lies the land
Less luminous,
Where we may rest,
Leaving all quest,
Wishing no strand.
Ready the bark
For our repose.
Let us embark.
The sea is lone?
We are alone,
Pain but pain shows.
Remember nought.
Cease like a light
Suddenly not.
Merge like a dream
Into the stream
Of its own night.
25/04/1917
The ceaseless waves
They have no quest.
The trees peace-ripe.
Their lifeless life
From sorrow saves.
When shall we go?
Wither? We care
Nothing to know.
Sorrow is here.
Aught may us cheer
Now of dim there.
What in us shall
Cease and leave peace?
Life holds in thrall
Our joy like pain,
Our loss-like gain,
Our stayed release.
Love cannot bless.
Bliss cannot live.
Joy's short caress
Passes like wind
Suddenly thinned
We dream and grieve.
Outward from us
There lies the land
Less luminous,
Where we may rest,
Leaving all quest,
Wishing no strand.
Ready the bark
For our repose.
Let us embark.
The sea is lone?
We are alone,
Pain but pain shows.
Remember nought.
Cease like a light
Suddenly not.
Merge like a dream
Into the stream
Of its own night.
25/04/1917
4 508
Celso Emilio Ferreiro
Longa noite de pedra
O teito é de pedra.
De pedra son os muros
i as tebras.
De pedra o chan
i as reixas.
As portas,
as cadeas,
o aire,
as fenestras,
as olladas,
son de pedra.
Os corazós dos homes
que ao lonxe espreitan
feitos están
tamén
de pedra.
I eu, morrendo
nesta longa noite
de pedra.
De pedra son os muros
i as tebras.
De pedra o chan
i as reixas.
As portas,
as cadeas,
o aire,
as fenestras,
as olladas,
son de pedra.
Os corazós dos homes
que ao lonxe espreitan
feitos están
tamén
de pedra.
I eu, morrendo
nesta longa noite
de pedra.
1 719
Fernando Pessoa
32 - HER FINGERS TOYED ABSENTLY WITH HER RINGS
A SENSATIONIST POEM
Her fingers toyed absently with her rings
There are fallen angels in the way you look
And great bridges over silent streams in your smile.
Your gestures are a lonely princess dreaming over a book
At a windows over a lake, on some distant isle.
If I were to stretch my hand and touch your that would be
Dawn behind the turrets of a city in some East.
The words hidden in my gesture would be moon light on the sea
Of your being something in my soul like gaiety in a feast
Let your silence tell me of the numberless dreams that are you,
Let the drooping of your eyelids veil landscapes that are you,
I ask no more than that you should come into my dreams and be true
To the wider seas within me and my inner eternal day.
Blossoms, blossoms, blossoms along the road of your going to speak.
Eighteenth century gardens, so sad in the middle of our dreaming them now,
Are the way you are conscious of yourself on your eyelids, by your lips, through your cheek.
O the road to Nowhere all for us and we there and a new God this to allow!
Do not scatter the silence that is the palace where our consciousness
Is now living at unity our duplicate lives of one soul.
What are we, in our dream of each other, but a picture which is
The masterpiece of a painter that never painted at all?
1916
Her fingers toyed absently with her rings
There are fallen angels in the way you look
And great bridges over silent streams in your smile.
Your gestures are a lonely princess dreaming over a book
At a windows over a lake, on some distant isle.
If I were to stretch my hand and touch your that would be
Dawn behind the turrets of a city in some East.
The words hidden in my gesture would be moon light on the sea
Of your being something in my soul like gaiety in a feast
Let your silence tell me of the numberless dreams that are you,
Let the drooping of your eyelids veil landscapes that are you,
I ask no more than that you should come into my dreams and be true
To the wider seas within me and my inner eternal day.
Blossoms, blossoms, blossoms along the road of your going to speak.
Eighteenth century gardens, so sad in the middle of our dreaming them now,
Are the way you are conscious of yourself on your eyelids, by your lips, through your cheek.
O the road to Nowhere all for us and we there and a new God this to allow!
Do not scatter the silence that is the palace where our consciousness
Is now living at unity our duplicate lives of one soul.
What are we, in our dream of each other, but a picture which is
The masterpiece of a painter that never painted at all?
1916
8 539
Fernando Pessoa
HEART-MUSIC
HEART-MUSIC
Learning almost upon thy breast
I heard thy heart's life – made unrest...
And thy heart's beating has a sound
that reminds me of aught I heard long ago,
Long before this life, but what
I do not know, I do not know...
'Twas something going round and round
Something of terrible and of strange
That even now doth shake my soul.
I strive to remember – I fail, I fail
The unmemoried memory doth shake my soul.
'Twas something terrible and strange,
Going round and going round,
And it had a sound like thy heart's beat...
The memory hangs on my soul's darkness
But notion from my mind went round and round
And now thy heart – hath such a sound.
Alexander Search
December 1905
Learning almost upon thy breast
I heard thy heart's life – made unrest...
And thy heart's beating has a sound
that reminds me of aught I heard long ago,
Long before this life, but what
I do not know, I do not know...
'Twas something going round and round
Something of terrible and of strange
That even now doth shake my soul.
I strive to remember – I fail, I fail
The unmemoried memory doth shake my soul.
'Twas something terrible and strange,
Going round and going round,
And it had a sound like thy heart's beat...
The memory hangs on my soul's darkness
But notion from my mind went round and round
And now thy heart – hath such a sound.
Alexander Search
December 1905
4 384
Maria Gertrudes Novais
Partiste
Numa densa nuvem, partiste!
Ficou o eco da tua voz
E o doce afago do teu olhar.
Este amor, que em mim persiste,
Põe a minha alma mais triste
Por te não poder beijar.
Também eu um dia irei,
Contigo aí ficarei
Para te acariciar,
Talvez então nesse dia,
Eu sinta mais alegria
E já não queira voltar.
Ficou o eco da tua voz
E o doce afago do teu olhar.
Este amor, que em mim persiste,
Põe a minha alma mais triste
Por te não poder beijar.
Também eu um dia irei,
Contigo aí ficarei
Para te acariciar,
Talvez então nesse dia,
Eu sinta mais alegria
E já não queira voltar.
780
Fernando Pessoa
DESOLATION
DESOLATION
Here where the rugged hills
Their gnarled loose bases grip into the earth,
And nothing save the sorrow of our birth
From seeing the seeing spirit fills,
Here where, among the grim, deserted stones,
Na hope of green for desertness atones,
Or water's sound
Make sweet the solitude around,
Here may I lay
This day
My head
Upon the ground and say
No better bed
Can he who has but himself for life have,
Nor better grave.
The sterile part
Of love, feeling, was given me.
Fom the humanness even of a broken heart
God set me free.
Out of my destiny no flower was made
To grow.
All in me fated was not even to fade
Or e'en a vain and transient glory show.
The very need
For love or joy or the human part of thought,
Pride, and the abstract greed
For truth, that lifts the heart and doth allot
A value of self and world to consciousness –
Even this bliss
My empty heart has not.
O weary born,
Faded begun.
Gone from unseen shores to seen shores forlorn,
Sent out of sun-gone unto unborn sun!
The singer of his wish
To sing no song,
The poor spendthrift rich
With knowing not fo, what to long.
The Hyperion dispossessed
Ere birth
Of that sun-mansion set out beyond rest
Above the wide-lit stretches of the earth.
The uncrowned king
That never saw the land
Of which he oft doth sing,
And whose lost path he cannot understand
Nor know to dream steps him there to bring.
The priest deferred
From the inner shrine.
The thought but never uttered word,
The fore spilt wine,
The anxiousness for hope, the cold divine
Of anguish that no anguish human is,
The solitary pine
On the cold hill of consciousness.
The hour
The lord
Returns
Back to the polluted bower,
Home to the intransitable ford,
Again to the ice-padlocked burns:
The shadow
Fixedly thrown
On the green meadow
By a tree overgrown
With leaves, but fruitless, flowerless and lone.
The last
Sight of a shore
Which the unhalting ship doth pass
And where it never shall pass more;
But where the heart-dim sailor knows
Homes are happy because not his,
Lips warm because never his lips to kiss,
Gardens fair because therein grows
The unfound rose,
Hours soft, fate fresh, life a real fair elf
Because somewhere outside himself.
16/10/1916
Here where the rugged hills
Their gnarled loose bases grip into the earth,
And nothing save the sorrow of our birth
From seeing the seeing spirit fills,
Here where, among the grim, deserted stones,
Na hope of green for desertness atones,
Or water's sound
Make sweet the solitude around,
Here may I lay
This day
My head
Upon the ground and say
No better bed
Can he who has but himself for life have,
Nor better grave.
The sterile part
Of love, feeling, was given me.
Fom the humanness even of a broken heart
God set me free.
Out of my destiny no flower was made
To grow.
All in me fated was not even to fade
Or e'en a vain and transient glory show.
The very need
For love or joy or the human part of thought,
Pride, and the abstract greed
For truth, that lifts the heart and doth allot
A value of self and world to consciousness –
Even this bliss
My empty heart has not.
O weary born,
Faded begun.
Gone from unseen shores to seen shores forlorn,
Sent out of sun-gone unto unborn sun!
The singer of his wish
To sing no song,
The poor spendthrift rich
With knowing not fo, what to long.
The Hyperion dispossessed
Ere birth
Of that sun-mansion set out beyond rest
Above the wide-lit stretches of the earth.
The uncrowned king
That never saw the land
Of which he oft doth sing,
And whose lost path he cannot understand
Nor know to dream steps him there to bring.
The priest deferred
From the inner shrine.
The thought but never uttered word,
The fore spilt wine,
The anxiousness for hope, the cold divine
Of anguish that no anguish human is,
The solitary pine
On the cold hill of consciousness.
The hour
The lord
Returns
Back to the polluted bower,
Home to the intransitable ford,
Again to the ice-padlocked burns:
The shadow
Fixedly thrown
On the green meadow
By a tree overgrown
With leaves, but fruitless, flowerless and lone.
The last
Sight of a shore
Which the unhalting ship doth pass
And where it never shall pass more;
But where the heart-dim sailor knows
Homes are happy because not his,
Lips warm because never his lips to kiss,
Gardens fair because therein grows
The unfound rose,
Hours soft, fate fresh, life a real fair elf
Because somewhere outside himself.
16/10/1916
4 476
Fernando Pessoa
MEANTIME
MEANTIME
Far away, far away,
Far away from here...
There is no worry after joy
Or away from fear
Far away from here.
Her lips were not very red,
Nor her hair quite gold.
Her hands played with rings.
She did not let me hold
Her hands playing with gold.
She is something past,
Far away from pain.
Joy can touch her not, nor hope
Enter her domain,
Neither love in vain.
Perhaps at some day beyond
Shadows and light
She will think of me and make
All me a delight
All away from sight.
Far away, far away,
Far away from here...
There is no worry after joy
Or away from fear
Far away from here.
Her lips were not very red,
Nor her hair quite gold.
Her hands played with rings.
She did not let me hold
Her hands playing with gold.
She is something past,
Far away from pain.
Joy can touch her not, nor hope
Enter her domain,
Neither love in vain.
Perhaps at some day beyond
Shadows and light
She will think of me and make
All me a delight
All away from sight.
5 047
Fernando Pessoa
30 - L'INCONNUE
L'INCONNUE
Let thy hand set
My hair back. Look
Into mine eyes.
There runs a brook
Right through the heat
Of my hushed cries.
Let thy hand rest
Upon my brow.
Let thine eyes smile
Into the unrest
Of mine eyes now
Thine for a while.
Ay, forget not
To let that touch
Be felt by me,
Light like a thought
Of it, and such
As hope can be.
Let thy hand sweep
Over my hair
One little while.
I seem asleep
But cannot bear
To feel me smile.
All things have failed.
All hopes are dead.
All joys are brief.
Ay, let thy hand,
As if it quailed
From feeling sad,
Give me relief!
No matter if
None understand.
Ay, on my brow
Let thy hand be.
What life is now
Is worth so little
That pain seems brittle
And thought a slough.
Put my hair back
From my brow's pain.
There runs a track
Of lightness through
My heavy brain.
What does this mean?
These are words set
To an idle tune.
What I regret
Hath never been.
Lest my rest fret,
True rest, come soon!
Let thy hand set
My hair back. Look
Into mine eyes.
There runs a brook
Right through the heat
Of my hushed cries.
Let thy hand rest
Upon my brow.
Let thine eyes smile
Into the unrest
Of mine eyes now
Thine for a while.
Ay, forget not
To let that touch
Be felt by me,
Light like a thought
Of it, and such
As hope can be.
Let thy hand sweep
Over my hair
One little while.
I seem asleep
But cannot bear
To feel me smile.
All things have failed.
All hopes are dead.
All joys are brief.
Ay, let thy hand,
As if it quailed
From feeling sad,
Give me relief!
No matter if
None understand.
Ay, on my brow
Let thy hand be.
What life is now
Is worth so little
That pain seems brittle
And thought a slough.
Put my hair back
From my brow's pain.
There runs a track
Of lightness through
My heavy brain.
What does this mean?
These are words set
To an idle tune.
What I regret
Hath never been.
Lest my rest fret,
True rest, come soon!
4 437
Fernando Pessoa
APPROACHING
APPROACHING
With dragging steps severe, like creeping hate,
Through the black silence of my conscious brain
I hear madness advance, and feel with pain
The ground it treads on writhe and palpitate.
How to avoid its coming soon or late
How not to feel the mind’s grand vainly strain,
But rooted lie awaiting its dread reign
That cometh inopposable as fate?
If only madness came as lightning doth –
Suddenly – that were the least greatest ill...
But oh! to feel with consciousness’ clear sight
Reason’s day go to twilight in swift growth,
And the twilight of reason, pale and chill,
Darken towards impenetrable night.
Alexander Search, 23/03/1909
With dragging steps severe, like creeping hate,
Through the black silence of my conscious brain
I hear madness advance, and feel with pain
The ground it treads on writhe and palpitate.
How to avoid its coming soon or late
How not to feel the mind’s grand vainly strain,
But rooted lie awaiting its dread reign
That cometh inopposable as fate?
If only madness came as lightning doth –
Suddenly – that were the least greatest ill...
But oh! to feel with consciousness’ clear sight
Reason’s day go to twilight in swift growth,
And the twilight of reason, pale and chill,
Darken towards impenetrable night.
Alexander Search, 23/03/1909
4 286
Fernando Pessoa
EPITAPH - Here lies who thought himself the best
EPITAPH
Here lies who thought himself the best
Of poet’s in the world’s extend;
In life he had not joy nor rest.
He filled with madness many a song,
And at whatever age he died
Thus many days he lived too long.
He lived im powerless egotism,
His soul tumultuous and disordered
By thought and feeling’s endless schism.
In everything he had a foe
And without courage bore his part
In life’s interminable woe.
He was a slave to grief and fear
And incoherent thoughts he had
And wishes unto madness near.
Those whom he loved, by arts of ill
He treated worse than foes; but he
His own worst enemy was still.
He of himself did ever sing,
Incapable of modesty,
Lock’d in his wild imagining.
Useless was all his toiless trouble
Empty of sense his fears and pains
And many of them were ignoble.
Vile thus and worthless his distress;
His words, though bitterer far than hate,
His bitter soul could not express.
.........
Let not a healthy mind pollute
His grave, but fitly there will pass
The traitor and the prostitute;
The drunkard and the wencher there
May pass, but quick, lest they should ponder,
Perchance, that pleasure is but air.
Each weak and execrable mind
Which plagued man with its rotteness
Its conscious master here will find.
Conscious, for in him he could tell
Madness and ill were what they were,
But neither did he will to quell.
Pass by therefore ye who can weep,
Let rotteness work in neglect,
While the rough winds the dead leaves sweep.
His slumbering brother to the sod
Not even in imagining
Disturb not with the name of God.
But let him lie and peace for ever
Far from the eyes and mouth of men
And from what him from them did sever.
He was a thing that God had wrought
And to the sin of having lived
He joined the crime of having thought.
Alexander Search, Julho de 1907
Here lies who thought himself the best
Of poet’s in the world’s extend;
In life he had not joy nor rest.
He filled with madness many a song,
And at whatever age he died
Thus many days he lived too long.
He lived im powerless egotism,
His soul tumultuous and disordered
By thought and feeling’s endless schism.
In everything he had a foe
And without courage bore his part
In life’s interminable woe.
He was a slave to grief and fear
And incoherent thoughts he had
And wishes unto madness near.
Those whom he loved, by arts of ill
He treated worse than foes; but he
His own worst enemy was still.
He of himself did ever sing,
Incapable of modesty,
Lock’d in his wild imagining.
Useless was all his toiless trouble
Empty of sense his fears and pains
And many of them were ignoble.
Vile thus and worthless his distress;
His words, though bitterer far than hate,
His bitter soul could not express.
.........
Let not a healthy mind pollute
His grave, but fitly there will pass
The traitor and the prostitute;
The drunkard and the wencher there
May pass, but quick, lest they should ponder,
Perchance, that pleasure is but air.
Each weak and execrable mind
Which plagued man with its rotteness
Its conscious master here will find.
Conscious, for in him he could tell
Madness and ill were what they were,
But neither did he will to quell.
Pass by therefore ye who can weep,
Let rotteness work in neglect,
While the rough winds the dead leaves sweep.
His slumbering brother to the sod
Not even in imagining
Disturb not with the name of God.
But let him lie and peace for ever
Far from the eyes and mouth of men
And from what him from them did sever.
He was a thing that God had wrought
And to the sin of having lived
He joined the crime of having thought.
Alexander Search, Julho de 1907
5 132
Fernando Pessoa
31 - HORIZON
HORIZON
I
Unheard-of fathoms in the deep sea,
In cool caves deep
(The spoils of battle are not for thee)
For ever sleep.
No upward vision or shining mount
Rewards thy pain.
The secret angel keepeth no count
Of thy lost gain.
On the sphynx's mouth the tale is dead,
The path grass grown.
Our sorrow shall follow where thout hast led,
Through the Unknown.
Waitest thou hidden, or quiet rest
What silence forbids?
Give us at least thy unobtained quest
And the flowered meads.
I
Unheard-of fathoms in the deep sea,
In cool caves deep
(The spoils of battle are not for thee)
For ever sleep.
No upward vision or shining mount
Rewards thy pain.
The secret angel keepeth no count
Of thy lost gain.
On the sphynx's mouth the tale is dead,
The path grass grown.
Our sorrow shall follow where thout hast led,
Through the Unknown.
Waitest thou hidden, or quiet rest
What silence forbids?
Give us at least thy unobtained quest
And the flowered meads.
3 875
Bocage
A Camões
Camões, grande Camões, quão semelhante
Acho teu fado ao meu quando os cotejo!
Igual causa nos fez perdendo o Tejo
Arrostar co sacrílego gigante:
Como tu, junto ao Ganges sussurrante
Da penúria cruel no horror me vejo;
Como tu, gostos vãos, que em vão desejo,
Também carpindo estou, saudoso amante:
Lubíbrio, como tu, da sorte dura,
Meu fim demando ao Céu, pela certeza
De que só terei paz na sepultura:
Modelo meu tu és... Mas, ó tristeza!...
Se te imito nos transes da ventura,
Não te imito nos dons da natureza.
Acho teu fado ao meu quando os cotejo!
Igual causa nos fez perdendo o Tejo
Arrostar co sacrílego gigante:
Como tu, junto ao Ganges sussurrante
Da penúria cruel no horror me vejo;
Como tu, gostos vãos, que em vão desejo,
Também carpindo estou, saudoso amante:
Lubíbrio, como tu, da sorte dura,
Meu fim demando ao Céu, pela certeza
De que só terei paz na sepultura:
Modelo meu tu és... Mas, ó tristeza!...
Se te imito nos transes da ventura,
Não te imito nos dons da natureza.
2 341
Fernando Pessoa
Mother of things impossible,
Mother of things impossible,
Sister of what can never be,
Thou whose closed lips will never tell
The words whose lack is misery
Sit by my side while I ignore.
Smile by my ignorance of thee,
And my lost solitude restore.
O life is sad as things unwilled,
Love is the day that never comes
To those blind as my soul, and filled
With that presade of coming drums
When the city shall fall, that haunts
The inner vision whose night hums
In us while death startingly chaunts.
O interpret my soul to me!
Give me no truth, no sight, no road,
But take from me the misery
Of conciousness and the unseen goal
Of seeking ever what doth seem.
Lighten with being-near my load!
O let me hold thy hand and dream!
22/07/1916
Sister of what can never be,
Thou whose closed lips will never tell
The words whose lack is misery
Sit by my side while I ignore.
Smile by my ignorance of thee,
And my lost solitude restore.
O life is sad as things unwilled,
Love is the day that never comes
To those blind as my soul, and filled
With that presade of coming drums
When the city shall fall, that haunts
The inner vision whose night hums
In us while death startingly chaunts.
O interpret my soul to me!
Give me no truth, no sight, no road,
But take from me the misery
Of conciousness and the unseen goal
Of seeking ever what doth seem.
Lighten with being-near my load!
O let me hold thy hand and dream!
22/07/1916
4 462
Fernando Pessoa
21 - SISTER CECILY
SISTER CECILY
Alas for Sister Cecily!
To whom prayeth she,
Till feet are numb and pained knees torn
And pale lips inward driven,
Eye-lifting orisons at morn,
Low-lidded prayers at even?
She prayeth to Mary Mother and Queen,
Who still hath been
Who keepeth child and maid from harm,
Our Lady with eyes of dole,
With a lily along her conscious arm
And a virgin's aureole.
For of the Virgin it is said
That she hath bled
At seven pains for her sad son
And therefore for us all,
Whose souls by heavenly hands are spun
Out of the same white wool.
So to her prayeth Cecily
That all may be
Washed pure in the perennial fount
Where the saints meet,
And given to reach the Shining Mount
Though with torn feet.
And though she know me not, nor pray
For me, oh! may
Her prayer for man's woe make me part
Of what she says,
So a vague rest fall on my heart
Because she prays.
Alas for Sister Cecily!
To whom prayeth she,
Till feet are numb and pained knees torn
And pale lips inward driven,
Eye-lifting orisons at morn,
Low-lidded prayers at even?
She prayeth to Mary Mother and Queen,
Who still hath been
Who keepeth child and maid from harm,
Our Lady with eyes of dole,
With a lily along her conscious arm
And a virgin's aureole.
For of the Virgin it is said
That she hath bled
At seven pains for her sad son
And therefore for us all,
Whose souls by heavenly hands are spun
Out of the same white wool.
So to her prayeth Cecily
That all may be
Washed pure in the perennial fount
Where the saints meet,
And given to reach the Shining Mount
Though with torn feet.
And though she know me not, nor pray
For me, oh! may
Her prayer for man's woe make me part
Of what she says,
So a vague rest fall on my heart
Because she prays.
4 162
Manuel Alegre
Debaixo das Oliveiras
Este foi o mês em que cantei
dentro de minha casa
debaixo
das oliveiras.
O mês em que a brisa me pôs nas mãos
uma harpa de folhas
e a terra me emprestou
sua flauta e sua lua.
Maré viva. Meu sangue atravessado
por um cometa visível a olho nu
tangido por satélites e aves de arribação
navegado por peixes desconhecidos.
Este foi o mês em que cantei
como quem morre e ressuscita
no terceiro dia
de cada sílaba.
O mês em que subi a uma colina
dentro de minha casa
olhei a terra e o mar
depois cantei
como quem faz com duas pedras
o primeiro lume. Palavras
e pedras. Palavras e lume
de uma vida.
Este foi o mês em que fui a um lugar santo
dentro de minha casa.
O mês em que saí dos campos
e me banhei no rio como quem se baptiza
e cantei debaixo das oliveiras
as mãos cheias de terra. Palavras
e terra
de uma vida.
Este foi o mês em que cantei
como quem espelha ao vento suas cinzas
e cresce de seu próprio adubo
carregado de folhas. Palavras
e folhas
de uma vida.
O mês em que a mulher
tocou meus ombros com sua graça
e me deu a beber
a água pura do seu poço.
Este foi o mês em que o filho
derramou dentro de mim
o orvalho e o sol
de sua manhã.
O mês em que cantei
como quem de si se perde e reencontra
nas coisas novamente nomeadas.
Este foi o mês em que atravessei montanhas
e cheguei a um lugar onde as palavras
escorriam leite e mel.
MILAGRE MILAGRE gritaram dentro de mim
as aves todas da floresta.
Então reparei que era o lugar do poema
o lugar santo onde cantei
entre mulher e o filho
como quem dá graças.
Este foi o mês em que cantei
dentro de minha casa
debaixo
das oliveiras.
dentro de minha casa
debaixo
das oliveiras.
O mês em que a brisa me pôs nas mãos
uma harpa de folhas
e a terra me emprestou
sua flauta e sua lua.
Maré viva. Meu sangue atravessado
por um cometa visível a olho nu
tangido por satélites e aves de arribação
navegado por peixes desconhecidos.
Este foi o mês em que cantei
como quem morre e ressuscita
no terceiro dia
de cada sílaba.
O mês em que subi a uma colina
dentro de minha casa
olhei a terra e o mar
depois cantei
como quem faz com duas pedras
o primeiro lume. Palavras
e pedras. Palavras e lume
de uma vida.
Este foi o mês em que fui a um lugar santo
dentro de minha casa.
O mês em que saí dos campos
e me banhei no rio como quem se baptiza
e cantei debaixo das oliveiras
as mãos cheias de terra. Palavras
e terra
de uma vida.
Este foi o mês em que cantei
como quem espelha ao vento suas cinzas
e cresce de seu próprio adubo
carregado de folhas. Palavras
e folhas
de uma vida.
O mês em que a mulher
tocou meus ombros com sua graça
e me deu a beber
a água pura do seu poço.
Este foi o mês em que o filho
derramou dentro de mim
o orvalho e o sol
de sua manhã.
O mês em que cantei
como quem de si se perde e reencontra
nas coisas novamente nomeadas.
Este foi o mês em que atravessei montanhas
e cheguei a um lugar onde as palavras
escorriam leite e mel.
MILAGRE MILAGRE gritaram dentro de mim
as aves todas da floresta.
Então reparei que era o lugar do poema
o lugar santo onde cantei
entre mulher e o filho
como quem dá graças.
Este foi o mês em que cantei
dentro de minha casa
debaixo
das oliveiras.
3 816
Bocage
O poeta asseteado por amor
Ó Céus! Que sinto nalma! Que tormento!
Que repentino frenesi me anseia!
Que veneno a ferver de veia em veia
Me gasta a vida, me desfaz o alento!
Tal era, doce amada, o meu lamento;
Eis que esse deus, que em prantos se recreia,
Me diz: <Contemplar Ursulina um só momento!
>>Insano! Eu bem te vi dentre a luz pura
De seus olhos travessos, e cum tiro
Puni tua sacrílega loucura:
>>De morte, por piedade hoje te firo;
Vai pois, vai merecer na sepultura
À tua linda ingrata algum suspiro.>>
Que repentino frenesi me anseia!
Que veneno a ferver de veia em veia
Me gasta a vida, me desfaz o alento!
Tal era, doce amada, o meu lamento;
Eis que esse deus, que em prantos se recreia,
Me diz: <Contemplar Ursulina um só momento!
>>Insano! Eu bem te vi dentre a luz pura
De seus olhos travessos, e cum tiro
Puni tua sacrílega loucura:
>>De morte, por piedade hoje te firo;
Vai pois, vai merecer na sepultura
À tua linda ingrata algum suspiro.>>
2 207