Poems List

Ten Thousand Men A Day

Ten Thousand Men A Day

All the world was wearying,
All the world was sad;
Everything was shadow-filled;
Things were going bad.
Then a rumour stirred all hearts
As a wind stirs trees-
Ten thousand men a day
Coming over seas!


Soon we saw them marching by-
God! what a sight!-
Shoulders back, and heads erect,
Faces full of light.
Smiling like a morn in May,
Moving like a breeze,
Ten thousand men a day
Coming over seas.


Weary soldiers worn with war
Lifted up their eyes,
Shadows seemed to lift a bit,
Dawn was in the skies.
Hope sprang to troubled hearts,
Strength to tired knees:
Ten thousand men a day
Were coming over seas.


France and England swarmed with them,
Khaki-clad and young,
Filled with all the joy of life-
Into line they swung.
Waning valour rose anew
At the sight of these
Ten thousand men a day
Coming over seas.


Still they come-and still they come
In their strength and pride.
Victory with radiant mien
Marches on beside.
Victory is here to stay,
Every heart agrees,
With ten thousand men a day
Coming over seas.
446

Sunshine And Shadow

Sunshine And Shadow

Life has its shadows, as well as its sun;
Its lights and its shades, all twined together.
I tried to single them out, one by one,

Single and count them, determining whether
There was less blue than there was grey,
And more of the deep night than of the day.
But dear me, dear me, my task’s but begun,
And I am not half way into the sun.

For the longer I look on the bright side of earth,
The more of the beautiful do I discover;
And really, I never knew what life was worth

Till I searched the wide storehouse of happiness over.
It is filled from the cellar well up to the skies,
With things meant to gladden the heart and the eyes.
The doors are unlocked, you can enter each room,
That lies like a beautiful garden in bloom.

Yet life has its shadow, as well as its sun;
Earth has its storehouse of joy and sorrow.
But the first is so wide – and my task’s but begun –

That the last must be left for a far-distant morrow.
I will count up the blessings God gave in a row,
But dear me! When I get through them, I know
I shall have little tine left for the rest,
For life is a swift-flowing river at best.
449

Summer Song

Summer Song

The meadow lark’s trill and the brown thrush’s whistle
From morning to evening fill all the sweet air,

And my heart is as light as the down of a thistle –
The world is so bright and the earth is so fair.

There is life in the wood, there is bloom on the meadow;
The air drops with songs that the merry birds sing.

The sunshine has won, in the battle with shadow,
And she’s dressed the glad earth with robes of the spring.

The bee leaves his hive for the field of red clover
And the vale where the daisies bloom white as the snow,

And a mantle of warm yellow sunshine hangs over
The calm little pond, where the pale lillies grow.

In the woodland beyond it, a thousand gay voices
Are singing in chorus some jubilant air.

The bird and the bee and all nature rejoices,
The world is so bright, and the earth is so fair.

I am glad as a child, in this beautiful weather;
I have tossed all my burdens and trials away;

My heart is as light – yes, as light as a feather; I
am care-free, and careless, and happy to-day.

Can it be there approaches a dark, dreary to-morrow?
Can shadows e’er fall on this beautiful earth?

Ah! To-day is my own! No forebodings of sorrow
Shall darken my skies, or shall dampen my mirth.
399

Sounds From The Baseball Field

Sounds From The Baseball Field

Batter in the home place,
That was nobly done;
Try and get the first base-
Run!
Run
! RUN!
Ah, there, short stop, will you miss?
Hear the people cheer and hiss,
Hear them yell and shout.
Twinkling legs and flying feet(
Oh, I wonder who will beat!)
Faster, faster, out!
Umpire, umpire, go along;
That was wrong, sir, that was wrong.


Pitcher pitches, four balls,
'Take your base, my man.'
Toward the second now he crawls'
Steal it if you can.'
Oh, the ball has gone so high,
Can they catch it on the fly?
Ah, there is no doubt,
He will get his third, I vow-
Pshaw! the ball has got there now,
'Two men out!'
Umpire, umpire, that was wrong;
Go along, sir, go along.


One man on the first base,
Not a single run.
Boys are warming to the race-
Now look out for fun.
Pitcher's arm maybe is tired;
Batter sudden seems inspired,
Grounds the ball to win.
Run there, run there, run your best,
I am screaming with the rest
'Two men in!'
Umpire, umpire, go away;
Dead wrong, dead wrong, sir, I say.


What's the matter now, pray?
Taking breath, that's all;
But the restless people say
'Play ball, play ball.'
One ball, two strikes, two balls-'Foul.'
Umpire calls, and people howl:
'What is he about?'
Run, run, run, run, Run,



Run
, RUN!
Half the inning now is done,
'Three men out!'
Umpire, umpire, go along;
You are always, always wrong.
324

Spectres

Spectres


How terrible these nights are when alone
With our scarred hearts, we sit in solitude,
And some old sorrow, to the world unknown,
Does suddenly with silent steps intrude.


After the guests departed, and the light
Burned dimly in my room, there came to me,
As noiselessly as shadows of the night,
The spectre of a woe that used to be.


Out of the gruesome darkness and the gloom
I saw it peering; and, in still despair,
I watched it gliding swift across the room,
Until it came and stood beside my chair.


Why, need I tell thee what its shape or name?
Thou hast thy secret hidden from the light:
And be it sin or sorrow, woe or shame,
Thou dost not like to meet it in the night.


And yet it comes. As certainly as death,
And far more cruel since death ends all pain,
On lonesome nights we feel its icy breath,
And turn and face the thing we fancied slain.


With shrinking hearts, we view the ghastly shape;
We look into its eyes with fear and dread,
And know that we can never more escape
Until the grave doth fold us with the dead.


On the swift maelstrom of the eddying world
We hurl our woes, and think they are no more.
But round and round by dizzy billows whirled,
They reach out sinewy arms and swim to shore.
381

Songs Of A Country Home

Songs Of A Country Home

I

Who has not felt his heart leap up, and glow
What time the tulips first begin to blow,
Has one sweet joy, still left for him to know.


It is like early loves' imagining;
That fragile pleasure, which the Tulips bring,
When suddenly we see them, in the Spring.


Not all the gardens later royal train,
Not great triumphant Roses, when they reign,
Can bring that delicate delight again.


II


One of the sweetest hours is this;
(Of all I think we like it best
A little restful oasis,
Between the breakfast, and the post.
Just south of coffee, and of toast,
Just north of daily task and duty;
Just west of dreams, this Island gleams,
A fertile spot of peace and beauty.


We wander out across the lawn;
We idle by a bush in bloom;
The Household pets come following on;
Or if the day is one of gloom,
We loiter in a pleasant room
Or from a casement, lean and chatter.
Then comes the mail, like sudden hail,
And off we scatter.


III


When roses die, in languid August days,
We leave the Garden, to its fallen ways;
And seek the shelter of wide porticos,
Where Honeysuckle, in defiance blows
Undaunted by the Sun's too ardent rays.


The matron Summer, turns a wistful gaze
Across green valleys, back to tender Mays;
And something of her large contentment goes,
When roses die.


Yet all her subtle fascination stays
To lure us into idle sweet delays.
The lowered awning, by the hammock shows
Inviting nooks for dreaming and repose;
Oh, restful are the pleasures of those days



When roses die.

IV

The summer folk, fled back to town;
The green woods changed to red and brown;
A sound upon the frosty air
Of windows closing everywhere.


And then the log, lapped by a blaze.
Oh, what is better than these days;
With books and friends and love a-near;
Go on, gay world, but leave me here.
537

Sorrow's Uses

Sorrow's Uses

The uses of sorrow I comprehend
Better and better at each year’s end.


Deeper and deeper I seem to see
Why and wherefore it has to be


Only after the dark, wet days
Do we fully rejoice in the sun’s bright rays.


Sweeter the crust tastes after the fast
Than the sated gourmand’s finest repast.


The faintest cheer sounds never amiss
To the actor who once has heard a hiss.


To one who the sadness of freedom knows,
Light seem the fetters love may impose.


And he who has dwelt with his heart alone,
Hears all the music in friendship’s tone.


So better and better I comprehend,
How sorrow ever would be our friend.
453

Song Of The Aviator

Song Of The Aviator

You may thrill with the speed of your thoroughbred steed,
You may laugh with delight as you ride the ocean,
You may rush afar in your touring car,
Leaping, sweeping, by things that are creeping-
But you never will know the joy of motion
Till you rise up over the earth some day,
And soar like an eagle, away-away.


High and higher above each spire,
Till lost to sight is the tallest steeple,
With the winds you chase in a valiant race,
Looping, swooping, where mountains are grouping,
Hailing them comrades, in place of people.
Oh! vast is the rapture the birdman knows,
As into the ether he mounts and goes.


He is over the sphere of human fear;
He has come into touch with things supernal.
At each man's gate death stands await;
And dying, flying, were better than lying
In sick-beds, crying for life eternal,
Better to fly half-way to God
Than to burrow too long like a worm in the sod.
383

Song Of The Spirit

Song Of The Spirit

Too sweet and too subtle for pen or for tongue
In phrases unwritten and measures unsung,
As deep and as strange as the sounds of the sea,
Is the song that my spirit is singing to me.


In the midnight and tempest when forest trees shiver,
In the roar of the surf, and the rush of the river,
In the rustle of leaves and the fall of the rain,
And on the low breezes I catch the refrain.


From the vapours that frame and envelop the earth,
And beyond, from the realms where my spirit had birth,
From the mists of the land and the fogs of the sea,
For ever and ever the songs come to me.


I know not its wording - its import I know -
For the rhythm is broken, the measure runs low,
When vexed or allured by the things of this life
My soul is merged into its pleasures or strife.


When up to the hill tops of beauty and light
My soul like a lark in the ether takes flight,
And the white gates of heaven shine brighter and nearer,
The song of the spirit grows sweeter and clearer.


Up, up to the realms where no mortal has trod -
Into space and infinity near to my God -
With whiteness, and silence, and beautiful things,
I am bourne when the voice of eternity sings.


When once in the winds or the dropp of the rain
Thy spirit shall listen and hear the refrain,
Thy soul shall soar up like a bird on the breeze,
And the things that have pleased thee will never more please.
416

Smoke

Smoke


Last summer, lazing by the sea,
I met a most entrancing creature,
Her black eyes quite bewildered me---
She had a Spanish cast of feature.


She often smoked a cigarette,
And did it in the cutest fashion.
Before a week passed by she set
My young heart in a raging passion.


I swore I loved her as my life,
I gave her gems (don't tell my tailor).
She promised to become my wife,
But whispered, 'Papa is my jailer.'


'We must be very sly, you see,
For Papa will not list to reason.
You must not come to call on me
Until he's gone from home a season.


'I'll send you word, now don't forget,
Take this as pledge, I will remember.'
She gave me a perfumed cigarette,
And turned and left me with September.


To-day she sent her 'cards' to me.
'My presence asked' to see her marry
That millionaire old banker C---
She has my 'presents,' so I'll tarry.


And still I feel a keen regret
(About the jewels that I gave her)
I've smoked the little cigarette---
It had a most delicious flavour.
401

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Identification and basic context

Ella Wheeler Wilcox was an American poet and novelist, born in Wisconsin. She is best known for her popular and inspirational poetry, often characterized by its accessible language and optimistic or sentimental themes. Wilcox achieved considerable fame during her lifetime, becoming one of the most widely read and commercially successful poets of her era. Her work often explored themes of love, nature, spirituality, and the power of positive thought, resonating with a broad audience. She wrote primarily in English and was a significant voice in American popular literature during the late 19th and early 20th centuries.

Childhood and education

Wilcox grew up in a rural setting in Wisconsin and showed an early inclination towards writing, composing her first poem at the age of seven. Her formal education was limited; she attended the University of Wisconsin for a brief period but left to pursue her literary ambitions. Despite this, she was a voracious reader and a self-taught individual, largely shaping her own intellectual and artistic development. Her early life experiences, including financial struggles within her family, likely contributed to her later focus on themes of perseverance and positive outlook.

Literary trajectory

Wilcox's literary career began in her youth, with poems appearing in local and then national publications. Her first book of poetry, "The Beautiful and the Ugly," was published in 1877, but it was her poem "The Beautiful World" (later retitled "The World Beautiful") that brought her widespread recognition. She went on to publish numerous volumes of poetry and prose, becoming a prolific and popular writer. Her work evolved in terms of its thematic focus, often emphasizing self-help, spiritualism, and a cheerful disposition, which cemented her reputation as a poet of encouragement and optimism. She was also a regular contributor to newspapers and magazines, further expanding her reach.

Works, style, and literary characteristics

Wilcox's most famous works include poetry collections like "Poems of Passion" (1883), "The Beautiful World" (1890), and "Sonnets of Sorrow and Triumph" (1907), as well as the inspirational prose work "The Art of Being Alive" (1913). Her dominant themes revolve around love, loss, nature, the spiritual realm, and the importance of a positive mental attitude. Her style is generally characterized by simplicity, directness, and a strong emotional appeal, making her poetry highly accessible to a broad readership. She often employed traditional forms like the sonnet but was also known for her lyrical and often aphoristic verse. Her poetic voice is typically warm, empathetic, and encouraging, aiming to uplift and inspire. While not known for radical formal innovations, her strength lay in her ability to articulate common sentiments and philosophical ideas in memorable and quotable ways. Her association with popular poetry and the self-help genre often meant her work was distinguished from more experimental or avant-garde literary movements of her time.

Cultural and historical context

Wilcox wrote during a period of significant social and cultural change in the United States, including the Gilded Age, the Progressive Era, and the rise of the New Thought movement, which emphasized the power of the mind to influence one's circumstances. Her optimistic and spiritual themes aligned well with the prevailing mood of self-improvement and the search for meaning that characterized this era. She was a contemporary of other popular poets and writers, and her work was widely circulated through newspapers and magazines, reflecting the growing mass media landscape. Her accessible style and reassuring messages provided a form of comfort and guidance to many readers navigating the complexities of modern life.

Personal life

Wilcox experienced personal hardships, including her father's early death and the family's subsequent financial difficulties, which likely influenced her later emphasis on resilience and financial independence. She married Robert Wilcox in 1884, and their relationship provided stability. She was known to be interested in spiritualism and New Thought philosophy, which permeated her writing and offered a framework for her optimistic outlook. Her public persona was one of warmth and approachability, and she engaged actively with her audience through her writings.

Recognition and reception

Wilcox achieved immense popularity during her lifetime, becoming one of the best-selling poets in the United States. Her work was widely published, translated, and read, earning her considerable fame and financial success. She was often referred to as "the people's poet." While she enjoyed broad popular appeal and critical acknowledgment of her ability to connect with readers, her work was sometimes viewed by literary elites as sentimental or lacking in artistic depth compared to more formally complex poets. Nevertheless, her place in popular culture and her impact on readers seeking comfort and inspiration are undeniable.

Influences and legacy

Wilcox was influenced by contemporary popular poets and by the philosophical currents of her time, such as New Thought and the broader interest in spirituality and positive thinking. Her legacy lies in her enduring popularity and her contribution to the genre of inspirational poetry. She influenced many subsequent writers in the self-help and inspirational genres, and her poems continue to be quoted and shared for their uplifting messages. While not typically considered a canonical figure in "high" literature, her work remains significant for its widespread appeal and its role in shaping popular literary tastes and providing solace to generations of readers.

Interpretation and critical analysis

Scholarly interpretation of Wilcox's work often focuses on its role within the context of popular literature, the New Thought movement, and the rise of women writers in the late 19th and early 20th centuries. Critics analyze her thematic focus on optimism and self-reliance, and her accessible style, as key factors in her broad appeal. Debates may arise regarding the artistic merit of her sentimentalism versus the genuine emotional resonance of her message.

Curiosities and lesser-known aspects

Wilcox was known for her belief in reincarnation and her interest in occult and spiritualist phenomena. She was also a proponent of vegetarianism. Her prolific output and sustained popularity made her a significant literary entrepreneur of her day. Despite her sentimental image, she was also a strong advocate for women's rights and empowerment, often weaving themes of independence and self-worth into her poetry.

Death and memory

Ella Wheeler Wilcox died in New York City at the age of 69. Her death was widely noted in the press, reflecting her considerable public profile. Her memory is preserved through the continued availability of her books and her frequent inclusion in anthologies of popular American poetry. Her poems remain widely circulated online and in popular culture, continuing to offer messages of hope and encouragement to new generations of readers.