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Solitude

Solitude


Laugh, and the world laughs with you;
Weep, and you weep alone.
For the sad old earth must borrow it's mirth,
But has trouble enough of its own.
Sing, and the hills will answer;
Sigh, it is lost on the air.
The echoes bound to a joyful sound,
But shrink from voicing care.


Rejoice, and men will seek you;
Grieve, and they turn and go.
They want full measure of all your pleasure,
But they do not need your woe.
Be glad, and your friends are many;
Be sad, and you lose them all.
There are none to decline your nectared wine,
But alone you must drink life's gall.


Feast, and your halls are crowded;
Fast, and the world goes by.
Succeed and give, and it helps you live,
But no man can help you die.
There is room in the halls of pleasure
For a long and lordly train,
But one by one we must all file on
Through the narrow aisles of pain.
734

Sign-Board

Sign-Board


I will paint you a sign, rumseller,
And hang it above your door;
A truer and better signboard
Than ever you had before.
I will paint with the skill of a master,
And many shall pause to see
This wonderful piece of painting,
So like the reality.


I will paint yourself, rumseller,
As you wait for that fair young boy,
Just in the morning of manhood,
A mother's pride and joy.
He has no thought of stopping,
But you greet him with a smile,
And you seem so blithe and friendly,
That he pauses to chat awhile.


I will paint you again, rumseller,
I will paint you as you stand,
With a foaming glass of liquor
Extended in your hand.
He wavers, but you urge him-
Drink, pledge me just this one!
And he takes the glass and drains it,
And the hellish work is done.


And next I will paint a drunkard-
Only a year has flown,
But into that loathsome creature
The fair young boy has grown.
The work was sure and rapid.
I will paint him as he lies
In a torpid, drunken slumber,
Under the wintry skies.


I will paint the form of the mother
As she kneels at her darling's side,
Her beautiful boy that was dearer
Than all the world beside.
I will paint the shape of a coffin,
Labeled with one word-'lost,'
I will paint all this, rumseller,
And will paint it free of cost.


The sin and the shame and the sorrow,
The crime and the want and the woe



That are born there in your workshop,
No hand can paint, you know.
But I'll paint you a sign, rumseller,
And many shall pause to view
This wonderful swinging signboard,
So terribly, fearfully true.
334

Slain

Slain


Hollow a grave where the willows wave,
And lay him under the grasses,
Where the pitying breeze bloweth up from the seas,
And murmurs a chant as it passes.


Lay the beautiful face and the form of grace
Away from the gaze of mortal.
Let us hope that his soul has gained the goal
Over the shining portal.


Hope! Ah! we thrill with a terrible chill.
Ah! pen, can you tell the story
Of the one who died in his manhood's pride,
Slain in the morn of his glory?


There's a blemish of shame on the dear one's name,
For he died as the drunkard dieth.
The ruddy wine-mug was the fiend who dug
The grave where our darling lieth.


O God! and his soul, was it lost in the bowl?
Has it gone where the wicked goeth?
Shall he bear the sin, and the tempter go in
Where the beautiful city gloweth?


Hush! O my heart! act well thy part,
Nor question a Father's kindness,
And strive not to see the thing hid from thee
By a veil of earthly blindness.


But all through the wine may there shimmer and shine,
As it glimmers and glows in the glasses,
A coffin and grave, and the willows that wave
Over our dead 'neath the grasses.
381

Shovel And Tongs

Shovel And Tongs

The Poker proposed to the shovel
That they should be man and wife,
'I think,' said he, 'that we could agree
As we journey along through life.'


The Shovel blushed as she answered,
'I thank you kindly, Mister,
But my promise belongs to the faithful Tongs,
So I only can be your sister.'


And when the couple were married
The Stove gave the Shovel away;
And it seemed too bad that the Poker, poor lad,
Was the Tongs' best man on that day.


But the Poker soon after was wedded
To the hearth broom, slender and slick;
And 'twas whispered about Mrs. Tongs was put out
Because he found comfort so quick.
400

Sestina

Sestina


I wandered o'er the vast green plains of youth,
And searched for Pleasure. On a distant height
Fame's silhouette stood sharp against the skies.
Beyond vast crowds that thronged a broad highway
I caught the glimmer of a golden goal,
While from a blooming bower smiled siren Love.


Straight gazing in her eyes, I laughed at Love,
With all the haughty insolence of youth,
As past her bower I strode to seek my goal.
'Now will I climb to glory's dizzy height, '
I said, ' for there above the common way
Doth pleasure dwell companioned by the skies.'


But when I reached that summit near the skies,
So far from man I seemed, so far from Love'
Not here, ' I cried, 'doth Pleasure find her way, '
Seen from the distant borderland of youth.
Fame smiles upon us from her sun-kissed height,
But frowns in shadows when we reach the goal.


Then were mine eyes fixed on that glittering goal,
Dear to all sense-sunk souls beneath the skies.
Gold tempts the artist from the lofty height,
Gold lures the maiden from the arms of Love,
Gold buys the fresh ingenuous heart of youth,
'And gold, ' I said, 'will show me Pleasure's way.'


But ah! the soil and discord of that way,
Where savage hordes rushed headlong to the goal,
Dead to the best impulses of their youth,
Blind to the azure beauty of the skies;
Dulled to the voice of conscience and of love,
They wandered far from Truth's eternal height.


Then Truth spoke to me from that noble height,
Saying: 'Thou didst pass Pleasure on the way,
She with the yearning eyes so full of Love,
Whom thou disdained to seek for glory's goal.'
Two blending paths beneath God's arching skies
Lead straight to Pleasure. Ah, blind heart of youth,
Not up fame's height, not toward the base god's goal,
Doth Pleasure make her way, but 'neath calm skies
Where Duty walks with Love in endless youth.
396

Robin's Mistake

Robin's Mistake

What do you think Red Robin
Found by a mow of hay?
Why, a flask brimful of liquor,
That the mowers brought that day
To slake their thirst in the hayfield.
And Robin he shook his head:
'Now, I wonder what they call it,
And how it tastes?' he said.


'I have seen the mowers drink it-
Why isn't it good for me?
So I'll just draw out the stopper
And get at the stuff, and see!'
But alas! for the curious Robin,
One draught, and he burned his throat
From his bill to his poor crop's lining,
And he could not utter a note.


And his head grew light and dizzy,
And he staggered left and right,
Tipped over the flask of brandy,
And spilled it, every mite.
But after awhile he sobered,
And quietly flew away,
And he never has tasted liquor,
Or touched it, since that day.


But I heard him say to his kindred.
In the course of a friendly chat,
'These men think they are above us,
Yet they drink such stuff as that!
Oh, the poor degraded creatures!
I am glad I am only a bird!'
Then he flew up over the meadow,
And that was all I heard.
416

Searching

Searching


These quiet Autumn days,
My soul, like Noah's dove, on airy wings
Goes out and searches for the hidden things

Beyond the hills of haze.

With mournful, pleading cries,
Above the waters of the voiceless sea
That laps the shore of broad Eternity,

Day after day, it flies,

Searching, but all in vain,
For some stray leaf that it may light upon,
And read the future, as the days agone -

Its pleasures, and its pain.

Listening patiently
For some voice speaking from the mighty deep,
Revealing all the things that it doth keep

In secret there for me.

Come back and wait, my soul!
Day after day thy search has been in vain.
Voiceles and silent o'er the future's plain

Its mystic waters roll.

God, seeing, knoweth best,
And in His time the waters shall subside,
And thou shalt know what lies beneath the tide,

Then wait, my soul, and rest.
303

Response

Response


I said this morning, as I leaned and threw
My shutters open to the Spring's surprise,
'Tell me, O Earth, how is it that in you
Year after year the same fresh feelings rise?
How do you keep your young exultant glee?
No more those sweet emotions come to me.
'I note through all your fissures how the tide
Of healthful life goes leaping as of old;
Your royal dawns retain their pomp and pride;
Your sunsets lose no atom of their gold.
How can this wonder be?' My soul's fine ear
Leaned, listening, till a small voice answered near:
'My days lapse never over into night;
My nights encroach not on the rights of dawn.
I rush not breathless after some delight;
I waste no grief for any pleasure gone.
My July noons burn not the entire year.
Heart, hearken well!' 'Yes, yes; go on; I hear.'
'I do not strive to make my sunsets' gold
Pave all the dim and distant realms of space.
I do not bid my crimson dawns unfold
To lend the midnight a fictitious grace.
I break no law, for all God's laws are good.
Heart, hast thou heard?' 'Yes, yes; and understood.'
399

Rich And Poor

Rich And Poor

By the castle-gate my lady stands,
Viewing broad acres and spreading lands.


Hill and valley and mead and plain
Are all her own, with their wealth of grain.


In the richest of rich robes she is dressed,
A jewel blazes upon her breast;


And her brow is decked with a diadem
That glitters with many a precious gem.


But what to the Lady Wendoline
Rich satin garments or jewels fine?


Or ripening harvests, or spreading lands-
See! she is wringing her milk-white hands!


And her finger is stained with crimson dew
Where the ring with the diamond star cut through.


And a look of pain and wild despair
Rests on the face, so young and fair.


To-morrow will be her bridal day,
And she will barter herself away


For added wealth and a titled name;
'Tis the curse of her station, and whose the blame!


She loathes the man who will call her wife,
And moans o'er her hapless, loveless life.


The joys of wooing she cannot know;
My lord, her father, has willed it so.


She's a piece of merchandise, bought and sold
For name, position, and bags of gold.


But people must wed in their own degree,
Though hearts may break in their agony.


Under the hill, in the castle's shade,
At a cottage door sits an humble maid;


In her cheek the blushes come and go
As she stitches away on a robe like snow;


And she sings aloud in her happiness-
In a joy she cannot hide or repress.


Close at her side her lover stands,



Watching the nimble, sun-browned hands


As they draw the needle to and fro
Through the robe as white as drift of snow.
Both hearts are singing a wordless lay,


For the morrow will be their bridal day.


They have only their hands, their love, their health,
In place of title, position, and wealth.
But which is the rich, and which the poor,


The maid at the gate, or the maid in the door?
389

Realisation

Realisation


Hers was a lonely, shadowed lot;
Or so the unperceiving thought,
Who looked no deeper than her face,
Devoid of chiselled lines of grace –
No farther than her humble grate,
And wondered how she bore her fate.


Yet she was neither lone nor sad;
So much of love her spirit had,
She found an ever-flowing spring
Of happiness in everything.


So near to her was Nature’s heart
It seemed a very living part
Of her own self; and bud and blade,
And heat and cold, and sun and shade,
And dawn and sunset, Spring and Fall,
Held raptures for her, one and all.
The year’s four changing seasons brought
To her own door what thousands sought
In wandering ways and did not find –
Diversion and content of mind.


She loved the tasks that filled each day –
Such menial duties; but her way
Of looking at them lent a grace
To things the world deemed commonplace.


Obscure and without place or name,
She gloried in another’s fame.
Poor, plain and humble in her dress,
She thrilled when beauty and success
And wealth passed by, on pleasure bent;
They made earth seem so opulent.
Yet none of quicker sympathy,
When need or sorrow came, than she.
And so she lived, and so she died.


She woke as from a dream. How wide
And wonderful the avenue
That stretched to her astonished view!
And up the green ascending lawn
A palace caught the rays of dawn.
Then suddenly the silence stirred
With one clear keynote of a bird;
A thousand answered, till ere long
The air was quivering bits of song.
She rose and wandered forth in awe,
Amazed and moved by all she saw,
For, like so many souls who go


Away from earth, she did not know



The cord was severed.

Down the street,
With eager arms stretched forth to greet,
Came one she loved and mourned in youth;
Her mother followed; then the truth
Broke on her, golden wave on wave,
Of knowledge infinite. The grave,
The body and the earthly sphere
Were gone! Immortal life was here!
They led her through the Palace halls;
From gleaming mirrors on the walls
She saw herself, with radiant mien,
And robed in splendour like a queen,
While glory round about her shone.
‘All this, ’ Love murmured, ‘is your own.’
And when she gazed with wondering eye,
And questioned whence and where and why,
Love answered thus: ‘All Heaven is made
By thoughts on earth; your walls were laid,
Year after year, of purest gold;
The beauty of your mind behold
In this fair palace; ay, and more
Waits farther on, so vast your store.
I was not worthy when I died
To take my place here at your side;
I toiled through long and weary years
From lower planes to these high spheres;
And through the love you sent from earth
I have attained a second birth.
Oft when my erring soul would tire
I felt the strength of your desire;
I heard you breathe my name in prayer,
And courage conquered weak despair.
Ah! earth needs heaven, but heaven indeed
Of earth has just as great a need!

Across the terrace with a bound
There sped a lambkin with a hound
(Dumb comrades of the old earth land)
And fondled her caressing hand.
392

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Identification and basic context

Ella Wheeler Wilcox was an American poet and novelist, born in Wisconsin. She is best known for her popular and inspirational poetry, often characterized by its accessible language and optimistic or sentimental themes. Wilcox achieved considerable fame during her lifetime, becoming one of the most widely read and commercially successful poets of her era. Her work often explored themes of love, nature, spirituality, and the power of positive thought, resonating with a broad audience. She wrote primarily in English and was a significant voice in American popular literature during the late 19th and early 20th centuries.

Childhood and education

Wilcox grew up in a rural setting in Wisconsin and showed an early inclination towards writing, composing her first poem at the age of seven. Her formal education was limited; she attended the University of Wisconsin for a brief period but left to pursue her literary ambitions. Despite this, she was a voracious reader and a self-taught individual, largely shaping her own intellectual and artistic development. Her early life experiences, including financial struggles within her family, likely contributed to her later focus on themes of perseverance and positive outlook.

Literary trajectory

Wilcox's literary career began in her youth, with poems appearing in local and then national publications. Her first book of poetry, "The Beautiful and the Ugly," was published in 1877, but it was her poem "The Beautiful World" (later retitled "The World Beautiful") that brought her widespread recognition. She went on to publish numerous volumes of poetry and prose, becoming a prolific and popular writer. Her work evolved in terms of its thematic focus, often emphasizing self-help, spiritualism, and a cheerful disposition, which cemented her reputation as a poet of encouragement and optimism. She was also a regular contributor to newspapers and magazines, further expanding her reach.

Works, style, and literary characteristics

Wilcox's most famous works include poetry collections like "Poems of Passion" (1883), "The Beautiful World" (1890), and "Sonnets of Sorrow and Triumph" (1907), as well as the inspirational prose work "The Art of Being Alive" (1913). Her dominant themes revolve around love, loss, nature, the spiritual realm, and the importance of a positive mental attitude. Her style is generally characterized by simplicity, directness, and a strong emotional appeal, making her poetry highly accessible to a broad readership. She often employed traditional forms like the sonnet but was also known for her lyrical and often aphoristic verse. Her poetic voice is typically warm, empathetic, and encouraging, aiming to uplift and inspire. While not known for radical formal innovations, her strength lay in her ability to articulate common sentiments and philosophical ideas in memorable and quotable ways. Her association with popular poetry and the self-help genre often meant her work was distinguished from more experimental or avant-garde literary movements of her time.

Cultural and historical context

Wilcox wrote during a period of significant social and cultural change in the United States, including the Gilded Age, the Progressive Era, and the rise of the New Thought movement, which emphasized the power of the mind to influence one's circumstances. Her optimistic and spiritual themes aligned well with the prevailing mood of self-improvement and the search for meaning that characterized this era. She was a contemporary of other popular poets and writers, and her work was widely circulated through newspapers and magazines, reflecting the growing mass media landscape. Her accessible style and reassuring messages provided a form of comfort and guidance to many readers navigating the complexities of modern life.

Personal life

Wilcox experienced personal hardships, including her father's early death and the family's subsequent financial difficulties, which likely influenced her later emphasis on resilience and financial independence. She married Robert Wilcox in 1884, and their relationship provided stability. She was known to be interested in spiritualism and New Thought philosophy, which permeated her writing and offered a framework for her optimistic outlook. Her public persona was one of warmth and approachability, and she engaged actively with her audience through her writings.

Recognition and reception

Wilcox achieved immense popularity during her lifetime, becoming one of the best-selling poets in the United States. Her work was widely published, translated, and read, earning her considerable fame and financial success. She was often referred to as "the people's poet." While she enjoyed broad popular appeal and critical acknowledgment of her ability to connect with readers, her work was sometimes viewed by literary elites as sentimental or lacking in artistic depth compared to more formally complex poets. Nevertheless, her place in popular culture and her impact on readers seeking comfort and inspiration are undeniable.

Influences and legacy

Wilcox was influenced by contemporary popular poets and by the philosophical currents of her time, such as New Thought and the broader interest in spirituality and positive thinking. Her legacy lies in her enduring popularity and her contribution to the genre of inspirational poetry. She influenced many subsequent writers in the self-help and inspirational genres, and her poems continue to be quoted and shared for their uplifting messages. While not typically considered a canonical figure in "high" literature, her work remains significant for its widespread appeal and its role in shaping popular literary tastes and providing solace to generations of readers.

Interpretation and critical analysis

Scholarly interpretation of Wilcox's work often focuses on its role within the context of popular literature, the New Thought movement, and the rise of women writers in the late 19th and early 20th centuries. Critics analyze her thematic focus on optimism and self-reliance, and her accessible style, as key factors in her broad appeal. Debates may arise regarding the artistic merit of her sentimentalism versus the genuine emotional resonance of her message.

Curiosities and lesser-known aspects

Wilcox was known for her belief in reincarnation and her interest in occult and spiritualist phenomena. She was also a proponent of vegetarianism. Her prolific output and sustained popularity made her a significant literary entrepreneur of her day. Despite her sentimental image, she was also a strong advocate for women's rights and empowerment, often weaving themes of independence and self-worth into her poetry.

Death and memory

Ella Wheeler Wilcox died in New York City at the age of 69. Her death was widely noted in the press, reflecting her considerable public profile. Her memory is preserved through the continued availability of her books and her frequent inclusion in anthologies of popular American poetry. Her poems remain widely circulated online and in popular culture, continuing to offer messages of hope and encouragement to new generations of readers.