Ella Wheeler Wilcox

Ella Wheeler Wilcox

1850–1919 · lived 68 years US US

Ella Wheeler Wilcox was an American poet and author known for her inspirational and often sentimental verse. Her poetry resonated widely with the public for its accessible style and optimistic themes, which frequently touched on love, nature, and positive thinking. Wilcox achieved significant popularity during her lifetime, with her works being widely published and embraced by readers seeking comfort and encouragement. She became a prominent voice, particularly in the late 19th and early 20th centuries, for her ability to distill complex emotions and life philosophies into memorable, quotable lines that continue to be recognized.

n. 1850-11-05, Janesville · m. 1919-10-30, Condado de New Haven

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Custer: Book Second

Custer: Book Second

I

Oh, for the power to call to aid, of mine
Own humble Muse, the famed and sacred nine.
Then might she fitly sing, and only then,
Of those intrepid and unflinching men
Who knew no homes save ever moving tents,
And who 'twixt fierce unfriendly elements
And wild barbarians warred. Yet unfraid,
Since love impels thy strains, sing, sing, my modest maid.


II


Relate how Custer in midwinter sought
Far Washita's cold shores; tell why he fought
With savage nomads fortressed in deep snows.
Woman, thou source of half the sad world's woes
And all its joys, what sanguinary strife
Has vexed the earth and made contention rife
Because of thee! For, hidden in man's heart,
Ay, in his very soul, of his true self a part,


III


The natural impulse and the wish belongs
To win thy favor and redress thy wrongs.
Alas! for woman, and for man, alas!
If that dread hour should ever come to pass,
When, through her new-born passion for control,
She drives that beauteous impulse from his soul.
What were her vaunted independence worth
If to obtain she sells her sweetest rights of birth?


IV


God formed fair woman for her true estateMan's
tender comrade, and his equal mate,
Not his competitor in toil and trade.
While coarser man, with greater strength was made
To fight her battles and her rights protect.
Ay! to protect the rights of earth's elect
(The virgin maiden and the spotless wife)
From immemorial time has man laid down his life.


V


And now brave Custer's valiant army pressed
Across the dangerous desert of the West,
To rescue fair white captives from the hands
Of brutal Cheyenne and Comanche bands,
On Washita's bleak banks. Nine hundred strong
It moved its slow determined way along,



Past frontier homes left dark and desolate
By the wild Indians' fierce and unrelenting hate;


VI


Past forts where ranchmen, strong of heart and bold,
Wept now like orphaned children as they told,
With quivering muscles and with anguished breath,
Of captured wives, whose fate was worse than death;
Past naked bodies whose disfiguring wounds
Spoke of the hellish hate of human hounds;
Past bleaching skeleton and rifled grave,
On pressed th' avenging host, to rescue and to save.


VII


Uncertain Nature, like a fickle friend,
(Worse than the foe on whom we may depend)
Turned on these dauntless souls a brow of wrath
And hurled her icy jav'lins in their path.
With treacherous quicksands, and with storms that blight,
Entrapped their footsteps and confused their sight.
'Yet on,' urged Custer, 'on at any cost,
No hour is there to waste, no moment to be lost.'


VIII


Determined, silent, on they rode, and on,
Like fabled Centaurs, men and steeds seemed one.
No bugle echoed and no voice spoke near,
Lest on some lurking Indian's list'ning ear
The sound might fall. Through swift descending snow
The stealthy guides crept, tracing out the foe;
No fire was lighted, and no halt was made
From haggard gray-lipped dawn till night lent friendly shade.


IX


Then, by the shelt'ring river's bank at last,
The weary warriors paused for their repast.
A couch of ice and falling shows for spread
Made many a suffering soldier's chilling bed.
They slept to dream of glory and delight,
While the pale fingers of the pitying night
Wove ghostly winding sheets for that doomed score
Who, ere another eve, should sleep to wake no more.


X


But those who slept not, saw with startled eyes
Far off, athwart dim unprotecting skies,
Ascending slowly with majestic grace,



A lustrous rocket, rising out of space.
'Behold the signal of the foe,' cried one,
The field is lost before the strife's begun.
Yet no! for see! yon rays spread near and far;
It is the day's first smile, the radiant morning star.


XI


The long hours counting till the daylight broke,
In whispered words the restless warriors spoke.
They talked of battles, but they thought of home
(For hearts are faithful though the feet may roam).
Brave Hamilton, all eager for the strife,
Mused o'er that two-fold mystery-death and life;
'And when I die,' quoth he, 'mine be the part
To fall upon the field, a bullet in my heart.'


XII


At break of dawn the scouts crept in to say
The foe was camped a rifle shot away.
The baying of a dog, an infant's cry
Pierced through the air; sleep fled from every eye.
To horse! to arms! the dead demand the dead!
Let the grand charge upon the lodge be led!
Let the Mosaic law, life for a life
Pay the long standing debt of blood. War to the knife!


XIII


So spake each heart in that unholy rage
Which fires the brain, when war the thoughts engage.
War, hideous war, appealing to the worst
In complex man, and waking that wild thirst
For human blood which blood alone can slake.
Yet for their country's safety, and the sake
Of tortured captives moaning in alarm
The Indian must be made to fear the law's strong arm.


XIV


A noble vengeance burned in Custer's breast,
But, as he led his army to the crest,
Above the wigwams, ready for the charge
He felt the heart within him, swelling large
With human pity, as an infant's wail
Shrilled once again above the wintry gale.
Then hosts of murdered children seemed to rise;
And shame his halting thought with sad accusing eyes,


XV



And urge him on to action. Stern of brow
The just avenger, and the General now,
He gives the silent signal to the band
Which, all impatient, waits for his command.
Cold lips to colder metal press; the air
Echoes those merry strains which mean despair
For sleeping chieftain and for toiling squaw,
But joy to those stern hearts which glory in the law


XVI


Of murder paying murder's awful debt.
And now four squadrons in one charge are met.
From east and west, from north and south they come,
At call of bugle and at roll of drum.
Their rifles rain hot hail upon the foe,
Who flee from danger in death's jaws to go.
The Indians fight like maddened bulls at bay,
And dying shriek and groan, wound the young ear of day.


XVII


A pallid captive and a white-browed boy
Add to the tumult piercing cries of joy,
As forth they fly, with high hope animate.
A hideous squaw pursues them with her hate;
Her knife descends with sickening force and sound;
Their bloody entrails stain the snow-clad ground.
She shouts with glee, then yells with rage and falls
Dead by her victims' side, pierced by avenging balls.


XVIII


Now war runs riot, carnage reigns supreme.
All thoughts of mercy fade from Custer's scheme.
Inhuman methods for inhuman foes,
Who feed on horrors and exult in woes.
To conquer and subdue alone remains
In dealing with the red man on the plains.
The breast that knows no conscience yields to fear,
Strike! let the Indian meet his master now and here.


XIX


With thoughts like these was Custer's mind engaged.
The gentlest are the sternest when enraged.
All felt the swift contagion of his ire,
For he was one who could arouse and fire
The coldest heart, so ardent was his own.
His fearless eye, his calm intrepid tone,
Bespoke the leader, strong with conscious power,
Whom following friends will bless, while foes will curse and cower.



XX


Again they charge! and now among the killed
Lies Hamilton, his wish so soon fulfilled,
Brave Elliott pursues across the field
The flying foe, his own young life to yield.
But like the leaves in some autumnal gale
The red men fall in Washita's wild vale.
Each painted face and black befeathered head
Still more repulsive seems with death's grim pallor wed.


XXI


New forces gather on surrounding knolls,
And fierce and fiercer war's red river rolls.
With bright-hued pennants flying from each lance
The gayly costumed Kiowas advance.
And bold Comanches (Bedouins of the land)
Infuse fresh spirit in the Cheyenne band.
While from the ambush of some dark ravine
Flash arrows aimed by hands, unerring and unseen.


XXIII


The hours advance; the storm clouds roll away;
Still furious and more furious grows the fray.
The yellow sun makes ghastlier still the sight
Of painted corpses, staring in its light.
No longer slaves, but comrades of their griefs,
The squaws augment the forces of their chiefs.
They chant weird dirges in a minor key,
While from the narrow door of wigwam and tepee


XXIII


Cold glittering eyes above cold glittering steel
Their deadly purpose and their hate reveal.
The click of pistols and the crack of guns
Proclaim war's daughters dangerous as her sons.
She who would wield the soldier's sword and lance
Must be prepared to take the soldier's chance.
She who would shoot must serve as target, too;
The battle-frenzied men, infuriate now pursue.


XXIV


And blood of warrior, woman and papoose,
Flow free as waters when some dam breaks loose;
Consuming fire, the wanton friend of war
(Whom allies worship and whom foes abhor)
Now trails her crimson garments through the street,



And ruin marks the passing of her feet.
Full three-score lodges smoke upon the plain,
And all the vale is strewn with bodies of the slain.


XXV


And those who are not numbered with the dead
Before all-conquering Custer now are led.
To soothe their woes, and calm their fears he seeks;
An Osage guide interprets while he speaks.
The vanquished captives, humbled, cowed and spent
Read in the victor's eye his kind intent.
The modern victor is as kind as brave;
His captive is his guest, not his insulted slave.


XXVI


Mahwissa, sister of the slaughtered chief
Of all the Cheyennes, listens; and her grief
Yields now to hope; and o'er her withered face
There flits the stealthy cunning of her race.
Then forth she steps, and thus begins to speak:
'To aid the fallen and support the weak
Is man's true province; and to ease the pain
Of those o'er whom it is his purpose now to reign.


XXVII


'Let the strong chief unite with theirs his life,
And take this black-eyed maiden for a wife.'
Then, moving with an air of proud command,
She leads a dusky damsel by the hand,
And places her at wondering Custer's side,
Invoking choicest blessings on the bride
And all unwilling groom, who thus replies.
'Fair is the Indian maid, with bright bewildering eyes,


XXVIII


'But fairer still is one who, year on year,
Has borne man's burdens, conquered woman's fear;
And at my side rode mile on weary mile,
And faced all deaths, all dangers, with a smile,
Wise as Minerva, as Diana brave,
Is she whom generous gods in kindness gave
To share the hardships of my wandering life,
Companion, comrade, friend, my loved and loyal wife.


XXIX


'The white chief weds but one. Take back thy maid.'
He ceased, and o'er Mahwissa's face a shade



Of mingled scorn and pity and surprise
Sweeps as she slow retreats, and thus replies:
'Rich is the pale-faced chief in battle fame,
But poor is he who but one wife may claim.
Wives are the red-skinned heroes' rightful spoil;
In war they prove his strength, in times of peace they toil.'


XXX


But hark! The bugle echoes o'er the plains
And sounds again those merry Celtic strains
Which oft have called light feet to lilting dance,
But now they mean the order to advance.
Along the river's bank, beyond the hill
Two thousand foemen lodge, unconquered still.
Ere falls night's curtain on this bloody play,
The army must proceed, with feint of further fray.


XXXI


The weary warriors mount their foam-flecked steeds,
With flags unfurled the dauntless host proceeds.
What though the foe outnumbers two to one?
Boldness achieves what strength oft leaves undone;
A daring mein will cause brute force to cower,
And courage is the secret source of power.
As Custer's column wheels upon their sight
The frightened red men yield the untried field by flight.


XXXII


Yet when these conquering heroes sink to rest,
Dissatisfaction gnaws the leader's breast,
For far away across vast seas of snows
Held prisoners still by hostile Arapahoes
And Cheyennes unsubdued, two captives wait.
On God and Custer hangs their future fate.
May the Great Spirit nerve the mortal's arm
To rescue suffering souls from worse than death's alarm.


XXXIII


But ere they seek to rescue the oppressed,
The valiant dead, in state, are laid to rest.
Mourned Hamilton, the faithful and the brave,
Nine hundred comrades follow to the grave;
And close behind the banner-hidden corse
All draped in black, walks mournfully his horse;
While tears of sound drip through the sunlit day.
A soldier may not weep, but drums and bugles may.


XXXIV



Now, Muse, recount, how after long delays
And dangerous marches through untrodden ways,
Where cold and hunger on each hour attend,
At last the army gains the journey's end.
An Indian village bursts upon the eye;
Two hundred lodges, sleep-encompassed lie,
There captives moan their anguished prayers through tears,
While in the silent dawn the armied answer nears.


XXXV


To snatch two fragile victims from the foe
Nine hundred men have traversed leagues of snow.
Each woe they suffered in a hostile land
The flame of vengeance in their bosoms fanned.
They thirst for slaughter, and the signal wait
To wrest the captives from their horrid fate.
Each warrior's hand upon his rifle falls,
Each savage soldier's heart for awful bloodshed calls.


XXXVI


And one, in years a youth, in woe a man,
Sad Brewster, scarred by sorrow's blighting ban,
Looks, panting, where his captive sister sleeps,
And o'er his face the shade of murder creeps.
His nostrils quiver like a hungry beast
Who scents anear the bloody carnal feast.
He longs to leap down in that slumbering vale
And leave no foe alive to tell the awful tale.


XXXVII


Not so, calm Custer. Sick of gory strife,
He hopes for rescue with no loss of life;
And plans that bloodless battle of the plains
Where reasoning mind outwits mere savage brains.
The sullen soldiers follow where he leads;
No gun is emptied, and no foeman bleeds.
Fierce for the fight and eager for the fray
They look upon their Chief in undisguised dismay.


XXXVIII


He hears the murmur of their discontent,
But sneers can never change a strong mind's bent.
He knows his purpose and he does not swerve.
And with a quiet mien and steady nerve
He meets dark looks where'er his steps may go,
And silence that is bruising as a blow,
Where late were smiles and words of ardent praise.



So pass the lagging weeks of wearying delays.

XXXIX

Inaction is not always what it seems,
And Custer's mind with plan and project teems.
Fixed in his peaceful purpose he abides
With none takes counsel and in none confides;
But slowly weaves about the foe a net
Which leaves them wholly at his mercy, yet
He strikes no fateful blow; he takes no life,
And holds in check his men, who pant for bloody strife.


XL


Intrepid warrior and skilled diplomate,
In his strong hands he holds the red man's fate.
The craftiest plot he checks with counterplot,
Till tribe by tribe the tricky foe is brought
To fear his vengeance and to know his power.
As man's fixed gaze will make a wild beast cower,
So these crude souls feel that unflinching will
Which draws them by its force, yet does not deign to kill.


XLI


And one by one the hostile Indians send
Their chiefs to seek a peaceful treaty's end.
Great councils follow; skill with cunning copes
And conquers it; and Custer sees his hopes
So long delayed, like stars storm hidden, rise
To radiate with splendor all his skies.
The stubborn Cheyennes, cowed at last by fear,
Leading the captive pair, o'er spring-touched hills appear.


XLII


With breath suspended, now the whole command
Waits the approach of that equestrian band.
Nearer it comes, still nearer, then a cry,
Half sob, half shriek, goes piercing God's blue sky,
And Brewster, like a nimble-footed doe,
Or like an arrow hurrying from a bow,
Shoots swiftly through the intervening space
And that lost sister clasps, in sorrowing love's embrace.


XLIII


And men who leaned o'er Hamilton's rude bier
And saw his dead dear face without a tear,
Strong souls who early learned the manly art
Of keeping from the eye what's in the heart,



Soldiers who look unmoved on death's pale brow,
Avert their eyes, to hide their moisture now.
The briny flood forced back from shores of woe,
Needs but to touch the strands of joy to overflow.


XLIV


About the captives welcoming warriors crowd,
All eyes are wet, and Brewster sobs aloud.
Alas, the ravage wrought by toil and woe
On faces that were fair twelve moons ago.
Bronzed by exposure to the heat and cold,
Still young in years, yet prematurely old,
By insults humbled and by labor worn,
They stand in youth's bright hour, of all youth's graces shorn.


XLV


A scanty garment rudely made of sacks
Hangs from their loins; bright blankets drape their backs;
About their necks are twisted tangled strings
Of gaudy beads, while tinkling wire and rings
Of yellow brass on wrists and fingers glow.
Thus, to assuage the anger of the foe
The cunning Indians decked the captive pair
Who in one year have known a lifetime of despair.


XLVI


But love can resurrect from sorrow's tomb
The vanished beauty and the faded bloom,
As sunlight lifts the bruised flower from the sod,
Can lift crushed hearts to hope, for love is God.
Already now in freedom's glad release
The hunted look of fear gives place to peace,
And in their eyes at thought of home appears
That rainbow light of joy which brightest shines through tears.


XLVII


About the leader thick the warriors crowd;
Late loud in censure, now in praises loud,
They laud the tactics, and the skill extol
Which gained a bloodless yet a glorious goal.
Alone and lonely in the path of right
Full many a brave soul walks. When gods requite
And crown his actions as their worth demands,
Among admiring throngs the hero always stands.


XLVIII



Back to the East the valorous squadrons sweep;
The earth, arousing from her long, cold sleep,
Throws from her breast the coverlet of snow,
Revealing Spring's soft charms which lie below.
Suppressed emotions in each heart arise,
The wooer wakens and the warrior dies.
The bird of prey is vanquished by the dove,
And thoughts of bloody strife give place to thoughts of love.


XLIX


The mighty plains, devoid of whispering trees,
Guard well the secrets of departed seas.
Where once great tides swept by with ebb and flow
The scorching sun looks down in tearless woe.
And fierce tornadoes in ungoverned pain
Mourn still the loss of that mysterious main.
Across this ocean bed the soldiers fly-
Home is the gleaming goal that lures each eager eye.


L


Like some elixir which the gods prepare,
They drink the viewless tonic of the air,
Sweet with the breath of startled antelopes
Which speed before them over swelling slopes.
Now like a serpent writhing o'er the moor,
The column curves and makes a slight detour,
As Custer leads a thousand men away
To save a ground bird's nest which in the footpath lay.


LI


Mile following mile, against the leaning skies
Far off they see a dull dark cloud arise.
The hunter's instinct in each heart is stirred,
Beholding there in one stupendous herd
A hundred thousand buffaloes. Oh great
Unwieldy proof of Nature's cruder state,
Rough remnant of a prehistoric day,
Thou, with the red man, too, must shortly pass away.


LII


Upon those spreading plains is there not room
For man and bison, that he seals its doom?
What pleasure lies and what seductive charm
In slaying with no purpose but to harm?
Alas, that man, unable to create,
Should thirst forever to exterminate,
And in destruction find his fiercest joy.
The gods alone create, gods only should destroy.



LIII


The flying hosts a straggling bull pursue;
Unerring aim, the skillful Custer drew.
The wounded beast turns madly in despair
And man and horse are lifted high in air.
The conscious steed needs not the guiding rein;
Back with a bound and one quick cry of pain
He springs, and halts, well knowing where must fall
In that protected frame, the sure death dealing ball.


LIV


With minds intent upon the morrow's feast,
The men surround the carcass of the beast.
Rolled on his back, he lies with lolling tongue,
Soon to the saddle savory steaks are hung.
And from his mighty head, great tufts of hair
Are cut as trophies for some lady fair.
To vultures then they leave the torn remains
Of what an hour ago was monarch of the plains.


LV


Far off, two bulls in jealous war engage,
Their blood-shot eye balls roll in furious rage;
With maddened hoofs they mutilate the ground
And loud their angry bellowings resound;
With shaggy heads bent low they plunge and roar,
Till both broad bellies drip with purple gore.
Meanwhile, the heifer, whom the twain desire,
Stands browsing near the pair, indifferent to their ire.


LVI


At last she lifts her lazy head and heeds
The clattering hoofs of swift advancing steeds.
Off to the herd with cumb'rous gait she runs
And leaves the bulls to face the threatening guns.
No more for them the free life of the plains,
Its mating pleasures and its warring pains.
Their quivering flesh shall feed unnumbered foes,
Their tufted tails adorn the soldiers' saddle bows.


LVII


Now into camp the conquering hosts advance;
On burnished arms the brilliant sunbeams glance.
Brave Custer leads, blonde as the gods of old;
Back from his brow blow clustering locks of gold,
And, like a jewel in a brook, there lies,



Far in the depths of his blue guarded eyes,
The thought of one whose smiling lips upcurled,
Mean more of joy to him than plaudits of the world.


LVIII


The troops in columns of platoons appear
Close to the leader following. Ah, here
The poetry of war is fully seen,
Its prose forgotten; as against the green
Of Mother Nature, uniformed in blue,
The soldiers pass for Sheridan's review.
The motion-music of the moving throng,
Is like a silent tune, set to a wordless song.


LIX


The guides and trailers, weird in war's array,
Precede the troops along the grassy way.
They chant wild songs, and with loud noise and stress,
In savage manner savage joy express.
The Indian captives, blanketed in red,
On ponies mounted, by the scouts are led.
Like sumach bushes, etched on evening skies,
Against the blue-clad troops, this patch of color lies.


LX


High o'er the scene vast music billows bound,
And all the air is liquid with the sound
Of those invisible compelling waves.
Perchance they reach the low and lonely graves
Where sleep brave Elliott and Hamilton,
And whisper there the tale of victory won;
Or do the souls of soldiers tried and true
Come at the bugle call, and march in grand review?


LXI


The pleased Commander watches in surprise
This splendid pageant surge before his eyes.
Not in those mighty battle days of old
Did scenes like this upon his sight unfold.
But now it passes. Drums and bugles cease
To dash war billows on the shores of Peace.
The victors smile on fair broad bosomed Sleep
While in her soothing arms, the vanquished cease to weep
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Bio

Identification and basic context

Ella Wheeler Wilcox was an American poet and novelist, born in Wisconsin. She is best known for her popular and inspirational poetry, often characterized by its accessible language and optimistic or sentimental themes. Wilcox achieved considerable fame during her lifetime, becoming one of the most widely read and commercially successful poets of her era. Her work often explored themes of love, nature, spirituality, and the power of positive thought, resonating with a broad audience. She wrote primarily in English and was a significant voice in American popular literature during the late 19th and early 20th centuries.

Childhood and education

Wilcox grew up in a rural setting in Wisconsin and showed an early inclination towards writing, composing her first poem at the age of seven. Her formal education was limited; she attended the University of Wisconsin for a brief period but left to pursue her literary ambitions. Despite this, she was a voracious reader and a self-taught individual, largely shaping her own intellectual and artistic development. Her early life experiences, including financial struggles within her family, likely contributed to her later focus on themes of perseverance and positive outlook.

Literary trajectory

Wilcox's literary career began in her youth, with poems appearing in local and then national publications. Her first book of poetry, "The Beautiful and the Ugly," was published in 1877, but it was her poem "The Beautiful World" (later retitled "The World Beautiful") that brought her widespread recognition. She went on to publish numerous volumes of poetry and prose, becoming a prolific and popular writer. Her work evolved in terms of its thematic focus, often emphasizing self-help, spiritualism, and a cheerful disposition, which cemented her reputation as a poet of encouragement and optimism. She was also a regular contributor to newspapers and magazines, further expanding her reach.

Works, style, and literary characteristics

Wilcox's most famous works include poetry collections like "Poems of Passion" (1883), "The Beautiful World" (1890), and "Sonnets of Sorrow and Triumph" (1907), as well as the inspirational prose work "The Art of Being Alive" (1913). Her dominant themes revolve around love, loss, nature, the spiritual realm, and the importance of a positive mental attitude. Her style is generally characterized by simplicity, directness, and a strong emotional appeal, making her poetry highly accessible to a broad readership. She often employed traditional forms like the sonnet but was also known for her lyrical and often aphoristic verse. Her poetic voice is typically warm, empathetic, and encouraging, aiming to uplift and inspire. While not known for radical formal innovations, her strength lay in her ability to articulate common sentiments and philosophical ideas in memorable and quotable ways. Her association with popular poetry and the self-help genre often meant her work was distinguished from more experimental or avant-garde literary movements of her time.

Cultural and historical context

Wilcox wrote during a period of significant social and cultural change in the United States, including the Gilded Age, the Progressive Era, and the rise of the New Thought movement, which emphasized the power of the mind to influence one's circumstances. Her optimistic and spiritual themes aligned well with the prevailing mood of self-improvement and the search for meaning that characterized this era. She was a contemporary of other popular poets and writers, and her work was widely circulated through newspapers and magazines, reflecting the growing mass media landscape. Her accessible style and reassuring messages provided a form of comfort and guidance to many readers navigating the complexities of modern life.

Personal life

Wilcox experienced personal hardships, including her father's early death and the family's subsequent financial difficulties, which likely influenced her later emphasis on resilience and financial independence. She married Robert Wilcox in 1884, and their relationship provided stability. She was known to be interested in spiritualism and New Thought philosophy, which permeated her writing and offered a framework for her optimistic outlook. Her public persona was one of warmth and approachability, and she engaged actively with her audience through her writings.

Recognition and reception

Wilcox achieved immense popularity during her lifetime, becoming one of the best-selling poets in the United States. Her work was widely published, translated, and read, earning her considerable fame and financial success. She was often referred to as "the people's poet." While she enjoyed broad popular appeal and critical acknowledgment of her ability to connect with readers, her work was sometimes viewed by literary elites as sentimental or lacking in artistic depth compared to more formally complex poets. Nevertheless, her place in popular culture and her impact on readers seeking comfort and inspiration are undeniable.

Influences and legacy

Wilcox was influenced by contemporary popular poets and by the philosophical currents of her time, such as New Thought and the broader interest in spirituality and positive thinking. Her legacy lies in her enduring popularity and her contribution to the genre of inspirational poetry. She influenced many subsequent writers in the self-help and inspirational genres, and her poems continue to be quoted and shared for their uplifting messages. While not typically considered a canonical figure in "high" literature, her work remains significant for its widespread appeal and its role in shaping popular literary tastes and providing solace to generations of readers.

Interpretation and critical analysis

Scholarly interpretation of Wilcox's work often focuses on its role within the context of popular literature, the New Thought movement, and the rise of women writers in the late 19th and early 20th centuries. Critics analyze her thematic focus on optimism and self-reliance, and her accessible style, as key factors in her broad appeal. Debates may arise regarding the artistic merit of her sentimentalism versus the genuine emotional resonance of her message.

Curiosities and lesser-known aspects

Wilcox was known for her belief in reincarnation and her interest in occult and spiritualist phenomena. She was also a proponent of vegetarianism. Her prolific output and sustained popularity made her a significant literary entrepreneur of her day. Despite her sentimental image, she was also a strong advocate for women's rights and empowerment, often weaving themes of independence and self-worth into her poetry.

Death and memory

Ella Wheeler Wilcox died in New York City at the age of 69. Her death was widely noted in the press, reflecting her considerable public profile. Her memory is preserved through the continued availability of her books and her frequent inclusion in anthologies of popular American poetry. Her poems remain widely circulated online and in popular culture, continuing to offer messages of hope and encouragement to new generations of readers.

Poems

273

Platonic

Platonic


I knew it the first of the summer,
I knew it the same at the end,
That you and your love were plighted,
But couldn’t you be my friend?
Couldn’t we sit in the twilight,

Couldn’t we walk on the shore
With only a pleasant friendship
To bind us, and nothing more?


There was not a word of folly
Spoken between us two,
Though we lingered oft in the garden
Till the roses were wet with dew.
We touched on a thousand subjects –
The moon and the worlds above, -
And our talk was tinctured with science,
And everything else, save love.

A wholly Platonic friendship
You said I had proven to you

Could bind a man and a woman
The whole long season through,
With never a thought of flirting,

Though both were in their youth,
What would you have said, my lady,
If you had known the truth!

What would you have done, I wonder,

Had I gone on my knees to you
And told you my passionate story,
There in the dusk and the dew?


My burning, burdensome story,
Hidden and hushed so long –
My story of hopeless loving –
Say, would you have thought it wrong?

But I fought with my heart and conquered,
I hid my wound from sight;
You were going away in the morning,
And I said a calm goodnight.
But now when I sit in the twilight,
Or when I walk by the sea
That friendship, quite Platonic,
Comes surging over me.
And a passionate longing fills me
For the roses, the dusk, the dew;
For the beautiful summer vanished,
For the moonlight walks – and you.
379

Poverty And Wealth

Poverty And Wealth

The stork flew over a town one day,
And back of each wing an infant lay;
One to a rich man’s home he brought,
And one he left at a labourer’s cot.
The rich man said, ‘My son shall be
A lordly ruler o’er land and sea.’
The labourer sighed, ‘’Tis the good God’s will
That I have another mouth to fill.’
The rich man’s son grew strong and fair,
And proud with the pride of a millionaire.
His motto in life was, ‘Live while you may, ’
And he crowded years in a single day.
He bought position and name and place,
And he bought him a wife with a handsome face.
He journeyed over the whole wide world,
But discontent his heart lay curled
Like a serpent hidden in leaves and moss,
And life seemed hollow and gold was dross.
He scoffed at woman, and doubted God,
And died like a beast and went back to the sod.
The son of the labourer tilled the soil,
And thanked God daily for health and toil.
He wedded for love in his youthful prime,
And two lives chorded in tune and time.
His wants were simple, and simple his creed,
To trust God fully: it served his need,
And lightened his labour, and helped him to die
With a smile on his lips and a hope in his eye.
When all is over and all is done,
Now which of these men was the richer one?
388

Perfectness

Perfectness


All perfect things are saddening in effect.
The autumn wood robed in its scarlet clothes,
The matchless tinting on the royal rose
Whose velvet leaf by no least flaw is flecked,
Love's supreme moment, when the soul unchecked
Soars high as heaven, and its best rapture knows—
These hold a deeper pathos than our woes,
Since they leave nothing better to expect.
Resistless change, when powerless to improve,
Can only mar. The gold will pale to gray;
Nothing remains tomorrow as to-day;
The lose will not seem quite so fait, and love
Must find its measures of delight made less.
Ah, how imperfect is all Perfectness!
329

PH. Best & Co.'s Lager-Beer

PH. Best & Co.'s Lager-Beer

In every part of the thrifty town,
Whether my course be up or down,
In lane, and alley, and avenue,
Painted in yellow, and red, and blue,
This side and that, east and west,
Was this flaunting sign-board of 'Ph. Best.'


'Twas hung high up, and swung in the air
With a swaggering, bold-faced, 'devil-may-careIt-
is-none-of-your-business' sort of way;
Or, as if dreading the light o' the day,
It hung low, over a basement-stair,
And seemed ashamed when you saw it there.


Or it shone like a wicked and evil eye
From a 'restaurant' door on passers-by,
And seemed with a twinkling wink to say:
'Are you bound for hell? Then step this way;
This is the ticket-office of sin;
If you think of purchasing, pray, walk in.'


Or it glared from a window where the light
Of the lamps within shone full and bright,
And seemed to be saying, 'Come out of the storm!
Come into my haven snug and warm;
I will give you warmth from the flowing bowl,
And all I ask is your purse and soul.'


But whether on window, door, or stair,
Wherever I went, it was always there;
Painted in yellow, and red, and blue,
It stared from alley and avenue:
It was north, and south, and east, and west,
The lager-beer of this Philip Best.


And who was Philip Best, you ask?
Oh! he was a man, whose noble task
Was the brewing of beer-good beer, first-class-
That should sparkle, and bubble, and boil in the glass:
Should sparkle and flow till drank, and then
Feast like a vampire on brains of men.


Ah! Philip Best, you have passed from view,
But your name and your works live after you.
Come, brothers, raise him a monument,
Inscribed, 'Here lies the man who sent



A million of souls to the depths of hell;
Turned genius and worth to the prison-cell;


Stole bread from the mouth of the hungry child:
Made the father a brute, and the mother wild;
Filled happy homes with dread unrest:
Oh! a very great man was Philip Best.
O Ph. Best! you have passed from view,
But your nameand your deeds live after you.'
340

Peek-A-Boo

Peek-A-Boo


The cunningest thing that a baby can do
Is the very first time it plays peek-a-boo;


When it hides its pink little face in its hands,
And crows, and shows that it understands


What nurse, and mamma and papa, too,
Mean when they hide and cry, 'Peek-a-boo, peek-a-boo.'


Oh, what a wonderful thing it is,
When they find that baby can play like this;


And everyone listens, and thinks it true
That baby's gurgle means 'Peek-a-boo, peek-a-boo';


And over and over the changes are rung
On the marvelous infant who talks so young.


I wonder if any one ever knew
A baby that never played peek-a-boo, peek-a-boo.


'Tis old as the hills are. I believe
Cain was taught it by Mother Eve;


For Cain was an innocent baby, too,
And I am sure he played peek-a-boo, peek-a-boo.


And the whole world full of the children of men,
Have all of them played that game since then.


Kings and princes and beggars, too,
Everyone has played peek-a-boo, peek-a-boo.


Thief and robber and ruffian bold,
The crazy tramp and the drunkard old,


All have been babies who laughed and knew
How to hide, and play peek-a-boo, peek-a-boo.
373

Pardoned Out

Pardoned Out

I’m pardoned out. Again the stars
Shine on me with their myriad eyes.
So long I’ve peered ‘twixt iron bars,
I’m awed by this expanse of skies.
The world is wider than I thought,
And yet ‘tis not so wide, I know,
But into its remotest spot
My tale of shame can go.

I’m pardoned out. Old Father Time
Who seemed to halt in horror, when
I strained my manhood by a crime,
With steady step moves on again,
And through the black appalling night,
That walled me in a gloom accurst,
The wonder of the morning light
In sudden glory burst.

I’m pardoned out. I shall be knows
No more by number, but by name.
And yet each whispering wind has blown
Abroad the story of my shame.
I dread to see men shrink away
With startled looks of scorn or fear,
When in life’s crowded marts some day,
That name falls on their ear.

I’m pardoned out, ah God! to roam
Like some whipped dog among my kind.
I have no friends, I have no home,
Save these bleak walls I leave behind.
How can I face the world of men,

My comrades in the days of yore?
Oh! hide me in my cell again,
And, warden lock the door.
403

Over The Alley

Over The Alley

Here in my office I sit and write
Hour on hour, and day on day,
With no one to speak to from morn till night,
Though I have a neighbour just over the way.
Across the alley that yawns between
A maiden sits sewing the whole day long;
A face more lovely is seldom seen
In hall or castle or country throng.

Her curling tresses are golden brown;
Her eyes, I think, are violet blue,
Though her long, thick lashes are always down,
Jealously hiding the orbs from view;
Her neck is slender, and round, and white,

And this way and that way her soft hair blows,
As there in the window from morn till night,
She sits in her beauty, and sings and sews.

And I in my office chair, lounge and dream,
In an idle way, of a sweet 'might be, '
While the maid at her window sews her seam,
With never a glance or a thought for me.
Perhaps she is angry because I look
So long and so often across the way,
Over the top of my ledger-book;
But those stolen glances brighten the day.

And I am blameless of any wrong; She
is the transgressor, by sitting there
And making my eyes turn oft and long
To a face so delicate, pure and fair.
Work is forgotten; the page lies clean,
Untouched by the pen, while hours go by.
Oh, maid of the pensive air and mien!
Give me one glance of your violet eye.

Drop your thimble or spool of thread
Down in the alley, I pray, my sweet,
Or the comb or ribbon from that fair head,
That I may follow with nimble feet;
For how can I tell you my heart has gone
Across the alley, and lingers there,
Till I know your name, my beautiful one?
How could I venture, and how could I dare?

Just one day longer I'll wait and dream,
And then, if you grant me no other way,
I shall write you a letter: 'Maid of the seam,
You have stolen my property; now give pay,
Beautiful robber and charming thief!
Give me one glance for the deed you've done.'
Thus shall I tell you my loss and grief,


Over the alley, my beautiful one.
441

Over The May Hill

Over The May Hill

All through the night time, and all through the day time,
Dreading the morning and dreading the night,
Nearer and nearer we drift to the May time
Season of beauty and season of blight,
Leaves on the linden, and sun on the meadow,
Green in the garden, and bloom everywhere,
Gloom in my heart, and a terrible shadow,
Walks by me, sits by me, stands by my chair.


Oh, but the birds by the brooklet are cheery,
Oh, but the woods show such delicate greens,
Strange how you droop and how soon you are weary-
Too well I know what that weariness means.
But how could I know in the crisp winter weather
(Though sometimes I notices a catch in your breath),
Riding and singing and dancing together,
How could I know you were racing with death?


How could I know when we danced until morning,
And you were the gayest of all the gay crowd-
With only that shortness of breath for a warning,
How could I know that you danced for a shroud?
Whirling and whirling through moonlight and star-light,
Rocking as lightly as boats on the wave,
Down in your eyes shone a deep light-a far light,
How could I know 'twas the light to your grave?


Day by day, day by day, nearing and nearing,
Hid under greenness, and beauty and bloom,
Cometh the shape and the shadow I'm fearing,
'Over the May hill' is waiting your tomb.
The season of mirth and of music is over-
I have danced my last dance, I have sung my last song,
Under the violets, under the clover,
My heart and my love will be lying ere long.
356

Our Lives

Our Lives

Our lives are songs. God writes the words,
And we set them to music at pleasure;
And the song grows glad, or sweet, or sad,
As we choose to fashion the measure.


We must write the music, whatever the song,
Whatever its rhyme, or metre;
And if it is sad, we can make it glad,
Or if sweet, we can make it sweeter.


One has a song that is free and strong;
But the music he writes is minor;
And the sad, sad strain is replete with pain,
And the singer becomes a repiner.


And he thinks God gave him a dirge-like lay,
Nor knows that the words are cheery;
And the song seems lonely and solemn-only
Because the music is dreary.


And the song of another has through the words
An under current of sadness;
But he sets it to music of ringing chords,
And makes it a pean of gladness.


So whether our songs are sad or not,
We can give the world more pleasure,
And better ourselves, by setting the words
To a glad, triumphant measure.


1872
417

Our Atlas

Our Atlas

Not Atlas, with his shoulders bent beneath the weighty world,
Bore such a burden as this man, on whom the Gods have hurled
The evils of old festering lands-yea, hurled them in their might
And left him standing all alone, to set the wrong things right.


It is the way the Fates have done since first Time's race began!
They open up Pandora's box before some chosen man;
And then, aloof, they wait and watch, to see if he will find
And wake the slumbering God that dwells in every mortal's mind.


Erect, our modern Atlas stands, with brave uplifted head,
And there is courage in his eyes, if in his heart be dread.
Not dread of foes, but dread of friends, who may not pull together,
To bring the lurching ship of State safe through the stormy weather.


Oh, never were there wilder waves or more stupendous seas,
Or rougher rocks or bleaker winds, or darker days than these.
Not Washington, not Lincoln knew so grave an hour of Time
As he who now stands face to face with War's world-shaking crime.


His brain is clear, his soul is brave, his heart is just and right,
He asks no honours of the earth, but favour in God's sight;
His aim is not to wear a crown or win imperial power,
But to use wisely for the race life's terrible great hour.


O Liberty, who lights the world with rays that come from God,
Shine on Columbia's troubled track, and make it bright and broad;
Shine on each heart, and give it strength to meet its pains and losses,
And give supernal strength to one who bears the whole world's crosses;
Take from his thought the fear of friends who may not pull together,
And bring the glorious ship of State safe through wild waves and weather.
462

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