Poems List

Refuted

Refuted


‘Anticipation is sweeter than realisation.’

It may be, yet I have not found it so.
In those first golden dreams of future fame
I did not find such happiness as came

When toil was crowned with triumph. Now I know

My words have recognition, and will go
Straight to some listening heart, my early aim,
To win the idle glory of a name,

Pales like a candle in the noonday’s glow.

So with the deeper joys of which I dreamed:
Life yields more rapture than did childhood’s fancies,
And each year brings more pleasure than I waited.

Friendship proves truer than of old it seemed,
And, all beyond youth’s passion-hued romances,
Love is more perfect than anticipated.
407

Presumption

Presumption


Whenever I am prone to doubt or wonder


I check myself, and say, 'That mighty One
Who made the solar system cannot blunder And
for the best all things are being done.'


Who set the stars on their eternal courses
Has fashioned this strange earth by come sure plan.
Bow low, bow low to those majestic forces,
Nor dare to doubt their wisdom - puny man.

You cannot put one little star in motion,
You cannot shape one single forest leaf,
Nor fling a mountain up, nor sink an ocean,
Presumptuous pigmy, large with unbelief.
You cannot bring one dawn of regal splendour
Nor bid the day to shadowy twilight fall,
Nor send the pale moon forth with radiance tender,
And dare you doubt the One who has done all?

'So much is wrong, there is such pain - such sinning.'
Yet look again - behold how much is right!
And He who formed the world from its beginning
Knows how o guide it upward to the light.
Your task, O man, is not to carp and cavil
At God's achievements, but with purpose strong
To cling to good, and turn away from evil That
is the way to help the world along.
347

Queries

Queries


Well, how has it been with you since we met
That last strange time of a hundred times?
When we met to swear that we could forget—
I your caresses, and you my rhymes—
The rhyme of my lays that rang like a bell,
And the rhyme of my heart with yours, as well?
How has it been since we drank that last kiss,
That was bitter with lees of the wasted wine,
When the tattered remains of a threadbare bliss,
And the worn-out shreds of a joy divine,
With a year's best dreams and hopes, were cast
Into the rag-bag of the Past?
Since Time, the rag-buyer, hurried away,


With a chuckle of glee at a bargain made,
Did you discover, like me, one day,
That, hid in the folds of those garments frayed,
Were priceless jewels and diadems—
The soul's best treasures, the heart's best gems?
Have you, too, found that you could not supply
The place of those jewels so rare and chaste?
Do all that you borrow or beg or buy
Prove to be nothing but skilful paste?
Have you found pleasure, as I found art,
Not all-sufficient to fill your heart?
Do you sometimes sigh for the tattered shreds
Of the old delight that we cast away,
And find no worth in the silken threads
Of newer fabrics we wear to-day?
Have you thought the bitter of that last kiss
Better than sweets of a later bliss?
What idle queries!—or yes or no—
Whatever your answer, I understand
That there is no pathway by which we can go
Back to the dead past's wonderland;
And the gems he purchased from me, from you,
There is no rebuying from Time, the Jew
315

Poverty And Wealth

Poverty And Wealth

The stork flew over a town one day,
And back of each wing an infant lay;
One to a rich man’s home he brought,
And one he left at a labourer’s cot.
The rich man said, ‘My son shall be
A lordly ruler o’er land and sea.’
The labourer sighed, ‘’Tis the good God’s will
That I have another mouth to fill.’
The rich man’s son grew strong and fair,
And proud with the pride of a millionaire.
His motto in life was, ‘Live while you may, ’
And he crowded years in a single day.
He bought position and name and place,
And he bought him a wife with a handsome face.
He journeyed over the whole wide world,
But discontent his heart lay curled
Like a serpent hidden in leaves and moss,
And life seemed hollow and gold was dross.
He scoffed at woman, and doubted God,
And died like a beast and went back to the sod.
The son of the labourer tilled the soil,
And thanked God daily for health and toil.
He wedded for love in his youthful prime,
And two lives chorded in tune and time.
His wants were simple, and simple his creed,
To trust God fully: it served his need,
And lightened his labour, and helped him to die
With a smile on his lips and a hope in his eye.
When all is over and all is done,
Now which of these men was the richer one?
376

Preaching Vs Practice

Preaching Vs Practice

It is easy to sit in the sunshine
And talk to the man in the shade;
It is easy to float in a well-trimmed boat,
And point out the places to wade.


But once we pass into the shadows,
We murmur and fret and frown,
And, our length from the bank, we shout for a plank,
Or throw up our hands and go down.


It is easy to sit in your carriage,
And counsel the man on foot,
But get down and walk, and you'll change your talk,
As you feel the peg in your boot.


It is easy to tell the toiler
How best he can carry his pack,
But no one can rate a burden's weight
Until it has been on his back.


The up-curled mouth of pleasure,
Can prate of sorrow's worth,
But give it a sip, and a wryer lip,
Was never made on earth.
336

PH. Best & Co.'s Lager-Beer

PH. Best & Co.'s Lager-Beer

In every part of the thrifty town,
Whether my course be up or down,
In lane, and alley, and avenue,
Painted in yellow, and red, and blue,
This side and that, east and west,
Was this flaunting sign-board of 'Ph. Best.'


'Twas hung high up, and swung in the air
With a swaggering, bold-faced, 'devil-may-careIt-
is-none-of-your-business' sort of way;
Or, as if dreading the light o' the day,
It hung low, over a basement-stair,
And seemed ashamed when you saw it there.


Or it shone like a wicked and evil eye
From a 'restaurant' door on passers-by,
And seemed with a twinkling wink to say:
'Are you bound for hell? Then step this way;
This is the ticket-office of sin;
If you think of purchasing, pray, walk in.'


Or it glared from a window where the light
Of the lamps within shone full and bright,
And seemed to be saying, 'Come out of the storm!
Come into my haven snug and warm;
I will give you warmth from the flowing bowl,
And all I ask is your purse and soul.'


But whether on window, door, or stair,
Wherever I went, it was always there;
Painted in yellow, and red, and blue,
It stared from alley and avenue:
It was north, and south, and east, and west,
The lager-beer of this Philip Best.


And who was Philip Best, you ask?
Oh! he was a man, whose noble task
Was the brewing of beer-good beer, first-class-
That should sparkle, and bubble, and boil in the glass:
Should sparkle and flow till drank, and then
Feast like a vampire on brains of men.


Ah! Philip Best, you have passed from view,
But your name and your works live after you.
Come, brothers, raise him a monument,
Inscribed, 'Here lies the man who sent



A million of souls to the depths of hell;
Turned genius and worth to the prison-cell;


Stole bread from the mouth of the hungry child:
Made the father a brute, and the mother wild;
Filled happy homes with dread unrest:
Oh! a very great man was Philip Best.
O Ph. Best! you have passed from view,
But your nameand your deeds live after you.'
327

Platonic

Platonic


I knew it the first of the summer,
I knew it the same at the end,
That you and your love were plighted,
But couldn’t you be my friend?
Couldn’t we sit in the twilight,

Couldn’t we walk on the shore
With only a pleasant friendship
To bind us, and nothing more?


There was not a word of folly
Spoken between us two,
Though we lingered oft in the garden
Till the roses were wet with dew.
We touched on a thousand subjects –
The moon and the worlds above, -
And our talk was tinctured with science,
And everything else, save love.

A wholly Platonic friendship
You said I had proven to you

Could bind a man and a woman
The whole long season through,
With never a thought of flirting,

Though both were in their youth,
What would you have said, my lady,
If you had known the truth!

What would you have done, I wonder,

Had I gone on my knees to you
And told you my passionate story,
There in the dusk and the dew?


My burning, burdensome story,
Hidden and hushed so long –
My story of hopeless loving –
Say, would you have thought it wrong?

But I fought with my heart and conquered,
I hid my wound from sight;
You were going away in the morning,
And I said a calm goodnight.
But now when I sit in the twilight,
Or when I walk by the sea
That friendship, quite Platonic,
Comes surging over me.
And a passionate longing fills me
For the roses, the dusk, the dew;
For the beautiful summer vanished,
For the moonlight walks – and you.
366

Peek-A-Boo

Peek-A-Boo


The cunningest thing that a baby can do
Is the very first time it plays peek-a-boo;


When it hides its pink little face in its hands,
And crows, and shows that it understands


What nurse, and mamma and papa, too,
Mean when they hide and cry, 'Peek-a-boo, peek-a-boo.'


Oh, what a wonderful thing it is,
When they find that baby can play like this;


And everyone listens, and thinks it true
That baby's gurgle means 'Peek-a-boo, peek-a-boo';


And over and over the changes are rung
On the marvelous infant who talks so young.


I wonder if any one ever knew
A baby that never played peek-a-boo, peek-a-boo.


'Tis old as the hills are. I believe
Cain was taught it by Mother Eve;


For Cain was an innocent baby, too,
And I am sure he played peek-a-boo, peek-a-boo.


And the whole world full of the children of men,
Have all of them played that game since then.


Kings and princes and beggars, too,
Everyone has played peek-a-boo, peek-a-boo.


Thief and robber and ruffian bold,
The crazy tramp and the drunkard old,


All have been babies who laughed and knew
How to hide, and play peek-a-boo, peek-a-boo.
354

Perfectness

Perfectness


All perfect things are saddening in effect.
The autumn wood robed in its scarlet clothes,
The matchless tinting on the royal rose
Whose velvet leaf by no least flaw is flecked,
Love's supreme moment, when the soul unchecked
Soars high as heaven, and its best rapture knows—
These hold a deeper pathos than our woes,
Since they leave nothing better to expect.
Resistless change, when powerless to improve,
Can only mar. The gold will pale to gray;
Nothing remains tomorrow as to-day;
The lose will not seem quite so fait, and love
Must find its measures of delight made less.
Ah, how imperfect is all Perfectness!
316

Over The May Hill

Over The May Hill

All through the night time, and all through the day time,
Dreading the morning and dreading the night,
Nearer and nearer we drift to the May time
Season of beauty and season of blight,
Leaves on the linden, and sun on the meadow,
Green in the garden, and bloom everywhere,
Gloom in my heart, and a terrible shadow,
Walks by me, sits by me, stands by my chair.


Oh, but the birds by the brooklet are cheery,
Oh, but the woods show such delicate greens,
Strange how you droop and how soon you are weary-
Too well I know what that weariness means.
But how could I know in the crisp winter weather
(Though sometimes I notices a catch in your breath),
Riding and singing and dancing together,
How could I know you were racing with death?


How could I know when we danced until morning,
And you were the gayest of all the gay crowd-
With only that shortness of breath for a warning,
How could I know that you danced for a shroud?
Whirling and whirling through moonlight and star-light,
Rocking as lightly as boats on the wave,
Down in your eyes shone a deep light-a far light,
How could I know 'twas the light to your grave?


Day by day, day by day, nearing and nearing,
Hid under greenness, and beauty and bloom,
Cometh the shape and the shadow I'm fearing,
'Over the May hill' is waiting your tomb.
The season of mirth and of music is over-
I have danced my last dance, I have sung my last song,
Under the violets, under the clover,
My heart and my love will be lying ere long.
344

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Identification and basic context

Ella Wheeler Wilcox was an American poet and novelist, born in Wisconsin. She is best known for her popular and inspirational poetry, often characterized by its accessible language and optimistic or sentimental themes. Wilcox achieved considerable fame during her lifetime, becoming one of the most widely read and commercially successful poets of her era. Her work often explored themes of love, nature, spirituality, and the power of positive thought, resonating with a broad audience. She wrote primarily in English and was a significant voice in American popular literature during the late 19th and early 20th centuries.

Childhood and education

Wilcox grew up in a rural setting in Wisconsin and showed an early inclination towards writing, composing her first poem at the age of seven. Her formal education was limited; she attended the University of Wisconsin for a brief period but left to pursue her literary ambitions. Despite this, she was a voracious reader and a self-taught individual, largely shaping her own intellectual and artistic development. Her early life experiences, including financial struggles within her family, likely contributed to her later focus on themes of perseverance and positive outlook.

Literary trajectory

Wilcox's literary career began in her youth, with poems appearing in local and then national publications. Her first book of poetry, "The Beautiful and the Ugly," was published in 1877, but it was her poem "The Beautiful World" (later retitled "The World Beautiful") that brought her widespread recognition. She went on to publish numerous volumes of poetry and prose, becoming a prolific and popular writer. Her work evolved in terms of its thematic focus, often emphasizing self-help, spiritualism, and a cheerful disposition, which cemented her reputation as a poet of encouragement and optimism. She was also a regular contributor to newspapers and magazines, further expanding her reach.

Works, style, and literary characteristics

Wilcox's most famous works include poetry collections like "Poems of Passion" (1883), "The Beautiful World" (1890), and "Sonnets of Sorrow and Triumph" (1907), as well as the inspirational prose work "The Art of Being Alive" (1913). Her dominant themes revolve around love, loss, nature, the spiritual realm, and the importance of a positive mental attitude. Her style is generally characterized by simplicity, directness, and a strong emotional appeal, making her poetry highly accessible to a broad readership. She often employed traditional forms like the sonnet but was also known for her lyrical and often aphoristic verse. Her poetic voice is typically warm, empathetic, and encouraging, aiming to uplift and inspire. While not known for radical formal innovations, her strength lay in her ability to articulate common sentiments and philosophical ideas in memorable and quotable ways. Her association with popular poetry and the self-help genre often meant her work was distinguished from more experimental or avant-garde literary movements of her time.

Cultural and historical context

Wilcox wrote during a period of significant social and cultural change in the United States, including the Gilded Age, the Progressive Era, and the rise of the New Thought movement, which emphasized the power of the mind to influence one's circumstances. Her optimistic and spiritual themes aligned well with the prevailing mood of self-improvement and the search for meaning that characterized this era. She was a contemporary of other popular poets and writers, and her work was widely circulated through newspapers and magazines, reflecting the growing mass media landscape. Her accessible style and reassuring messages provided a form of comfort and guidance to many readers navigating the complexities of modern life.

Personal life

Wilcox experienced personal hardships, including her father's early death and the family's subsequent financial difficulties, which likely influenced her later emphasis on resilience and financial independence. She married Robert Wilcox in 1884, and their relationship provided stability. She was known to be interested in spiritualism and New Thought philosophy, which permeated her writing and offered a framework for her optimistic outlook. Her public persona was one of warmth and approachability, and she engaged actively with her audience through her writings.

Recognition and reception

Wilcox achieved immense popularity during her lifetime, becoming one of the best-selling poets in the United States. Her work was widely published, translated, and read, earning her considerable fame and financial success. She was often referred to as "the people's poet." While she enjoyed broad popular appeal and critical acknowledgment of her ability to connect with readers, her work was sometimes viewed by literary elites as sentimental or lacking in artistic depth compared to more formally complex poets. Nevertheless, her place in popular culture and her impact on readers seeking comfort and inspiration are undeniable.

Influences and legacy

Wilcox was influenced by contemporary popular poets and by the philosophical currents of her time, such as New Thought and the broader interest in spirituality and positive thinking. Her legacy lies in her enduring popularity and her contribution to the genre of inspirational poetry. She influenced many subsequent writers in the self-help and inspirational genres, and her poems continue to be quoted and shared for their uplifting messages. While not typically considered a canonical figure in "high" literature, her work remains significant for its widespread appeal and its role in shaping popular literary tastes and providing solace to generations of readers.

Interpretation and critical analysis

Scholarly interpretation of Wilcox's work often focuses on its role within the context of popular literature, the New Thought movement, and the rise of women writers in the late 19th and early 20th centuries. Critics analyze her thematic focus on optimism and self-reliance, and her accessible style, as key factors in her broad appeal. Debates may arise regarding the artistic merit of her sentimentalism versus the genuine emotional resonance of her message.

Curiosities and lesser-known aspects

Wilcox was known for her belief in reincarnation and her interest in occult and spiritualist phenomena. She was also a proponent of vegetarianism. Her prolific output and sustained popularity made her a significant literary entrepreneur of her day. Despite her sentimental image, she was also a strong advocate for women's rights and empowerment, often weaving themes of independence and self-worth into her poetry.

Death and memory

Ella Wheeler Wilcox died in New York City at the age of 69. Her death was widely noted in the press, reflecting her considerable public profile. Her memory is preserved through the continued availability of her books and her frequent inclusion in anthologies of popular American poetry. Her poems remain widely circulated online and in popular culture, continuing to offer messages of hope and encouragement to new generations of readers.