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Older Than You

Older Than You

We are younger in years! Yes, that is true;
But in some things we are older than you.
For instance, you sometimes say with a smile,
'It will do to drink wine once in a while.'
We say, 'It will not do at all!'
Wine is an imp of old Alcohol.
So are gin and beer, and cider, too.
If you drink up them, they will eat up you.


'Cider is not a strong drink,' you say.
Ah! but, my friend, it opens the way
For brandy and whiskey to follow fast.
It has done it many a time in the past.
It tempts and teases the appetite.
Let it alone, boys, keep to the right;
Onward and upward we mean to go.
Heaven is reached that way, you know.


People who drink are behind the time.
They are back with darkness, and woe, and crime.
This age is progressive. You people who drink,
Though ever so little, just pause and think-
Think of the anguish that liquor makes;
Think of the hearts that it burdens and breaks.
Let it alone: stop drinking to-day-
This is what we, the children, say.
372

Noblesse Oblige

Noblesse Oblige

I hold it the duty of one who is gifted
And specially dowered I all men’s sight,

To know no rest till his life is lifted
Fully up to his great gifts’ height.

He must mould the man into rare completeness,
For gems are only in gold refined.

He must fashion his thoughts into perfect sweetness,
And cast out folly and pride from his mind.

For he who drinks from a god’s gold fountain
Of art of music or rhythmic song

Must sift from his soul the chaff of malice,
And weed from his heart the roots of wrong.

Great gifts should be worn, like a crown befitting,
And not like gems in a beggar’s hands!

And the toil must be constant and unremitting
Which lifts up the king to the crown’s demands.
479

Now I lay Me

Now I lay Me

When I pass from earth away,
Palsied though I be and gray,
May my spirit keep so young
That my failing, faltering tongue
Frames that prayer so dear to me
Taught me at my mother's knee:


'Now I lay me down to sleep,'


(Passing to Eternal rest
On the loving parent breast)


'I pray the Lord my soul to keep;'


(From all danger safe and calm
In the hollow of His palm


'If I should die before I wake,'


(Drifting with a bated breath
Out of slumber into death,)


'I pray the Lord my soul to take.'


(From the body's claim set free
Sheltered in the Great to be.)
Simple prayer of trust and truth
Taught me in my early youth-
Let my soul its beauty keep
When I lay me down to sleep.
451

My Vision

My Vision

Wherever my feet may wander
Wherever I chance to be,
There comes, with the coming of even' time
A vision sweet to me.
I see my mother sitting
In the old familiar place,
And she rocks to the tune her needles sing,
And thinks of an absent face.


I can hear the roar of the city
AAbout me now as I write;
But over an hundred miles of snow
My thought-steeds fly tonight,
To the dear little cozy cottage,
And the room where mother sits,
And slowly rocks in her easy chair
And thinks of me as she knits.


Sometimes with the merry dancers
When my feet are keeping time,
And my heart beats high, as young hearts will,
To the music's rhythmic chime.
My spirit slips over the distance
Over the glitter and whirl,
To my mother who sits, and rocks, and knits,
And thinks of her "little girl."


And when I listen to voices that flatter,
And smile, as women do,
To whispered words that may be sweet,
But are not always true;
I think of the sweet, quaint picture
Afar in quiet ways,
And I know one smile of my mother's eyes
Is better than all their praise.


And I know I can never wander
Far from the path of right,
Though snares are set for a woman's feet
In places that seem most bright.
For the vision is with me always,
Wherever I chance to be,
Of mother sitting, rocking, and knitting,
Thinking and praying for me.
426

New And Old

New And Old

I and new love, in all its living bloom,
Sat vis-à-vis, while tender twilight hours
Went softly by us, treading as on flowers.

Then suddenly I saw within the room

The old love, long since lying in its tomb.
It dropped the cerecloth from its fleshless face
And smiled on me, with a remembered grace

That, like the noontide, lit the gloaming gloom.

Upon its shroud there hung the grave’s green mould,
About it hung the odour of the dead;
Yet from its cavernous eyes such light was shed

That all my life seemed gilded, as with gold;
Unto the trembling new love “Go, ” I said,
“I do not need thee, for I have the old.”
406

My Friend

My Friend

When first I looked upon the face of Pain
I shrank repelled, as one shrinks from a foe
Who stands with dagger poised, as for a blow.
I was in search of Pleasure and of Gain;
I turned aside to let him pass: in vain;
He looked straight in my eyes and would not go.
'Shake hands,' he said; 'our paths are one, and so
We must be comrades on the way, 'tis plain.'
I felt the firm clasp of his hand on mine;
Through all my veins it sent a strengthening glow.
I straightway linked my arm in his, and lo!
He led me forth to joys almost divine;
With God's great truths enriched me in the end:
And now I hold him as my dearest friend.
410

My Home

My Home

This is the place that I love the best,
A little brown house, like a ground-bird's nest,
Hid among grasses, and vines, and trees,
Summer retreat of the birds and bees.


The tenderest light that ever was seen
Sifts through the vine-made window screen--
Sifts and quivers, and flits and falls
On home-made carpets and gray-hung walls.


All through June the west wind free
The breath of clover brings to me.
All through the languid July day
I catch the scent of new-mown hay.


The morning-glories and scarlet vine
Over the doorway twist and twine;
And every day, when the house is still,
The humming-bird comes to the window-sill.


In the cunningest chamber under the sun
I sink to sleep when the day is done;
And am waked at morn, in my snow-white bed,
By a singing bird on the roof o'erhead.


Better than treasures brought from Rome,
Are the living pictures I see at home--
My aged father, with frosted hair,
And mother's face, like a painting rare.


Far from the city's dust and heat,
I get but sounds and odors sweet.
Who can wonder I love to stay,
Week after week, here hidden away,
In this sly nook that I love the best--
This little brown house like a ground-bird's nest?
353

Music In The Flat

Music In The Flat

When Tom and I were married, we took a little flat;
I had a taste for singing and playing and all that.
And Tom, who loved to hear me, said he hoped

I would not stop
All practice, like so many wives who let their

music drop.
So I resolved to set apart an hour or two each day
To keeping vocal chords and hands in trim to sing and play.

The second morning I had been for half and hour or more
At work on Haydn’s masses, when a tap came at my door.
A nurse, who wore a dainty cap and apron, and a smile,
Ran down to ask if I would cease my music for awhile.
The lady in the flat above was very ill, she said,
And the sound of my piano was distracting to her head.


A fortnight’s exercises lost, ere I began them, when,
The following morning at my door, there came that tap again;
A woman with an anguished face implored me to forego
My music for some days to come – a man was dead below.
I shut down my piano till the corpse had left the house,
And spoke to Tom in whispers and was quiet as a mouse.


A week of labour limbered up my stiffened hand and voice,
I stole an extra hour from sleep, to practice and rejoice;
When, ting-a-ling, the door-bell rang a discord in my trill –
The baby in the flat across was very, very ill.
For ten long days that infant’s life was hanging by a thread,
And all that time my instrument was silent as the dead.


So pain and death and sickness came in one perpetual row,
When babies were not born above, then tenants died below.
The funeral over underneath, some one fell ill on top,
And begged me, for the love of God, to let my music drop.
When trouble went not up or down, it stalked across the hall,
And so in spite of my resolve, I do not play at all.
355

Mother's Kisses

Mother's Kisses

Baby was playing and down he fell, down he fell, down he fell,
Mama will kiss him and make him well,
Oh! what a miracle this is!
Baby was running and stubbed his toe, stubbed his toe, stubbed his toe,
If mama will kiss him the pain will go-
Magical mother's kisses.


Once an angel fair and calm,
Brewed a wondrous soothing balm
From the sweet immortal flowers,
Growing in the heavenly bowers,


Then the mothers of the earth,
All were called and told its worth.
'But anoint your lips with this,'
Said the angel, 'and your kiss


Shall have magic in its touch.'
Now 'tis plain to see why such
Soothing balm for bruise or wound
In a mother's kiss is found.


Baby was playing and down he fell, down he fell, down he fell,
Mama will kiss him, and make him well,
Oh! what a miracle this is.
Baby was running and stubbed his toe, stubbed his toe, stubbed his toe,
If mama kisses him, pain will go-
Magical mother's kisses.
404

Moon And Sea

Moon And Sea

You are the moon, dear love, and I the sea:
The tide of hope swells high within my breast,
And hides the rough dark rocks of life’s unrest
When your fond eyes smile near in perigee.
But when that loving face is turned from me,
Low falls the tide, and the grim rocks appear,
And earth’s dim coast-line seems a thing to fear.
You are the moon, dear one, and I the sea.
347

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Identification and basic context

Ella Wheeler Wilcox was an American poet and novelist, born in Wisconsin. She is best known for her popular and inspirational poetry, often characterized by its accessible language and optimistic or sentimental themes. Wilcox achieved considerable fame during her lifetime, becoming one of the most widely read and commercially successful poets of her era. Her work often explored themes of love, nature, spirituality, and the power of positive thought, resonating with a broad audience. She wrote primarily in English and was a significant voice in American popular literature during the late 19th and early 20th centuries.

Childhood and education

Wilcox grew up in a rural setting in Wisconsin and showed an early inclination towards writing, composing her first poem at the age of seven. Her formal education was limited; she attended the University of Wisconsin for a brief period but left to pursue her literary ambitions. Despite this, she was a voracious reader and a self-taught individual, largely shaping her own intellectual and artistic development. Her early life experiences, including financial struggles within her family, likely contributed to her later focus on themes of perseverance and positive outlook.

Literary trajectory

Wilcox's literary career began in her youth, with poems appearing in local and then national publications. Her first book of poetry, "The Beautiful and the Ugly," was published in 1877, but it was her poem "The Beautiful World" (later retitled "The World Beautiful") that brought her widespread recognition. She went on to publish numerous volumes of poetry and prose, becoming a prolific and popular writer. Her work evolved in terms of its thematic focus, often emphasizing self-help, spiritualism, and a cheerful disposition, which cemented her reputation as a poet of encouragement and optimism. She was also a regular contributor to newspapers and magazines, further expanding her reach.

Works, style, and literary characteristics

Wilcox's most famous works include poetry collections like "Poems of Passion" (1883), "The Beautiful World" (1890), and "Sonnets of Sorrow and Triumph" (1907), as well as the inspirational prose work "The Art of Being Alive" (1913). Her dominant themes revolve around love, loss, nature, the spiritual realm, and the importance of a positive mental attitude. Her style is generally characterized by simplicity, directness, and a strong emotional appeal, making her poetry highly accessible to a broad readership. She often employed traditional forms like the sonnet but was also known for her lyrical and often aphoristic verse. Her poetic voice is typically warm, empathetic, and encouraging, aiming to uplift and inspire. While not known for radical formal innovations, her strength lay in her ability to articulate common sentiments and philosophical ideas in memorable and quotable ways. Her association with popular poetry and the self-help genre often meant her work was distinguished from more experimental or avant-garde literary movements of her time.

Cultural and historical context

Wilcox wrote during a period of significant social and cultural change in the United States, including the Gilded Age, the Progressive Era, and the rise of the New Thought movement, which emphasized the power of the mind to influence one's circumstances. Her optimistic and spiritual themes aligned well with the prevailing mood of self-improvement and the search for meaning that characterized this era. She was a contemporary of other popular poets and writers, and her work was widely circulated through newspapers and magazines, reflecting the growing mass media landscape. Her accessible style and reassuring messages provided a form of comfort and guidance to many readers navigating the complexities of modern life.

Personal life

Wilcox experienced personal hardships, including her father's early death and the family's subsequent financial difficulties, which likely influenced her later emphasis on resilience and financial independence. She married Robert Wilcox in 1884, and their relationship provided stability. She was known to be interested in spiritualism and New Thought philosophy, which permeated her writing and offered a framework for her optimistic outlook. Her public persona was one of warmth and approachability, and she engaged actively with her audience through her writings.

Recognition and reception

Wilcox achieved immense popularity during her lifetime, becoming one of the best-selling poets in the United States. Her work was widely published, translated, and read, earning her considerable fame and financial success. She was often referred to as "the people's poet." While she enjoyed broad popular appeal and critical acknowledgment of her ability to connect with readers, her work was sometimes viewed by literary elites as sentimental or lacking in artistic depth compared to more formally complex poets. Nevertheless, her place in popular culture and her impact on readers seeking comfort and inspiration are undeniable.

Influences and legacy

Wilcox was influenced by contemporary popular poets and by the philosophical currents of her time, such as New Thought and the broader interest in spirituality and positive thinking. Her legacy lies in her enduring popularity and her contribution to the genre of inspirational poetry. She influenced many subsequent writers in the self-help and inspirational genres, and her poems continue to be quoted and shared for their uplifting messages. While not typically considered a canonical figure in "high" literature, her work remains significant for its widespread appeal and its role in shaping popular literary tastes and providing solace to generations of readers.

Interpretation and critical analysis

Scholarly interpretation of Wilcox's work often focuses on its role within the context of popular literature, the New Thought movement, and the rise of women writers in the late 19th and early 20th centuries. Critics analyze her thematic focus on optimism and self-reliance, and her accessible style, as key factors in her broad appeal. Debates may arise regarding the artistic merit of her sentimentalism versus the genuine emotional resonance of her message.

Curiosities and lesser-known aspects

Wilcox was known for her belief in reincarnation and her interest in occult and spiritualist phenomena. She was also a proponent of vegetarianism. Her prolific output and sustained popularity made her a significant literary entrepreneur of her day. Despite her sentimental image, she was also a strong advocate for women's rights and empowerment, often weaving themes of independence and self-worth into her poetry.

Death and memory

Ella Wheeler Wilcox died in New York City at the age of 69. Her death was widely noted in the press, reflecting her considerable public profile. Her memory is preserved through the continued availability of her books and her frequent inclusion in anthologies of popular American poetry. Her poems remain widely circulated online and in popular culture, continuing to offer messages of hope and encouragement to new generations of readers.