Poems List

Listen!

Listen!


Whoever you are as you read this,
Whatever your trouble or grief,

I want you to know and to heed this:
The day draweth near with relief.

No sorrow, no woe is unending,
Though heaven seems voiceless and dumb;

So sure as your cry is ascending,
So surely an answer will come.

Whatever temptation is near you,
Whose eyes on this simple verse fall;

Remember good angels will hear you
And help you to stand, if you call.

Though stunned with despair I beseech you,
Whatever your losses, your need,

Believe, when these printed words reach you,
Believe you were born to succeed.

You are stronger, I tell you, this minute,
Than any unfortunate fate!

And the coveted prize - you can win it;
While life lasts 'tis never too late!
354

Life's Scars

Life's Scars

They say the world is round, and yet
I often think it square,
So many little hurts we get
From corners here and there.
But one great truth in life I've found,
While journeying to the West-
The only folks who really wound
Are those we love the best.


The man you thoroughly despise
Can rouse your wrath, 'tis true;
Annoyance in your heart will rise
At things mere strangers do;
But those are only passing ills;
This rule all lives will prove;
The rankling wound which aches and thrills
Is dealt by hands we love.


The choicest garb, the sweetest grace,
Are oft to strangers shown;
The careless mien, the frowning face,
Are given to our own.
We flatter those we scarcely know,
We please the fleeting guest,
And deal full many a thoughtless blow
To those who love us best.


Love does not grow on every tree,
Nor true hearts yearly bloom.
Alas for those who only see
This cut across a tomb!
But, soon or late, the fact grows plain
To all through sorrow's test:
The only folks who give us pain
Are those we love the best.
613

Lines from

Lines from

I'd rather have my verses win
A place in common people's hearts,
Who, toiling through the strife and din
Of life's great thoroughfares, and marts,


May read some line my hand has penned;
Some simple verse, not fine, or grand,
But what their hearts can understand
And hold me henceforth as a friend,-


I'd rather win such quiet fame
Than by some fine thought, bolished so
But those of learned minds would know,
Just what the meaning of my song,--
To have the critics sound my name
In high-flown praises, loud and long.


I sing not for the critic's ear,
But for the masses. If they hear
Despite the turmoil, noise, and strife
Some least low note that gladdens life,
I shall be wholly satisfied,
Though critics to the end deride.
429

Life Is A Privilege

Life Is A Privilege

Life is a privilege. Its youthful days
Shine with the radiance of continuous Mays.
To live, to breathe, to wonder and desire,
To feed with dreams the heart’s perpetual fire,
To thrill with virtuous passions, and to glow
With great ambitions – in one hour to know
The depths and heights of feeling – God! in truth,
How beautiful, how beautiful is youth!


Life is a privilege. Like some rare rose
The mysteries of the human mind unclose.
What marvels lie in the earth, and air, and sea!
What stores of knowledge wait our opening key!
What sunny roads of happiness lead out
Beyond the realms of indolence and doubt!
And what large pleasures smile upon and bless
The busy avenues of usefulness!


Life is a privilege. Thought the noontide fades
And shadows fall along the winding glades,
Though joy-blooms wither in the autumn air,
Yet the sweet scent of sympathy is there.
Pale sorrow leads us closer to our kind,
And in the serious hours of life we find
Depths in the souls of men which lend new worth
And majesty to this brief span of earth.


Life is a privilege. If some sad fate
Sends us alone to seek the exit gate,
If men forsake us and as shadows fall,
Still does the supreme privilege of all
Come in that reaching upward of the soul
To find the welcoming Presence at the goal,
And in the Knowledge that our feet have trod
Paths that led from, and must wind back, to God.
601

Life's Harmonies

Life's Harmonies

Let no man pray that he know not sorrow,
Let no soul ask to be free from pain,
For the gall of to-day is the sweet of to-morrow,
And the moment's loss is the lifetime's gain.


Through want of a thing does its worth redouble,
Through hunger's pangs does the feast content,
And only the heart that has harbored trouble,
Can fully rejoice when joy is sent.


Let no man shrink from the bitter tonics
Of grief, and yearning, and need, and strife,
For the rarest chords in the soul's harmonies,
Are found in the minor strains of life.
418

Leudeman's-on-the-River

Leudeman's-on-the-River


Toward even when the day leans down,
To kiss the upturned face of night,
Out just beyond the loud-voiced town
I know a spot of calm delight.
Like crimson arrows from a quiver
The red rays pierce the water flowing,
While we go dreaming, singing, rowing,
To Leudeman's-on-the-River.


The hills, like some glad mocking-bird,
Send back our laughter and our singing,
While faint--and yet more faint is heard
The steeple bells all sweetly ringing.
Some message did the winds deliver
To each glad heart that August night,
All heard, but all heard not aright;
By Leudeman's-on-the-River.


Night falls as in some foreign clime,
Between the hills that slope and rise.
So dusk the shades at landing time,
We could not see each other's eyes.
We only saw the moonbeams quiver
Far down upon the stream! that night
The new moon gave but little light
By Leudeman's-on-the-River.


How dusky were those paths that led
Up from the river to the hall.
The tall trees branching overhead
Invite the early shades that fall.
In all the glad blithe world, oh, never
Were hearts more free from care than when
We wandered through those walks, we ten,
By Leudeman's-on-the-River.


So soon, so soon, the changes came.
This August day we two alone,
On that same river, not the same,
Dream of a night forever flown.
Strange distances have come to sever
The hearts that gayly beat in pleasure,
Long miles we cannot cross or measure--
From Leudeman's-on-the-River.


We'll pluck two leaves, dear friend, to-day.
The green, the russet! seems it strange
So soon, so soon, the leaves can change!
Ah, me! so runs all night away
This night wind chills me, and I shiver;
The summer time is almost past.
One more good-bye--perhaps the last



To Leudeman's-on-the-River.
391

Let Me Lean Hard

Let Me Lean Hard

Let me lean hard upon the Eternal Breast;
In all earth's devious ways, I sought for rest
And found it not. I will be strong, said I,
And lean upon myself. I will not cry
And importune all heaven with my complaint,
But not my strength fails, and I fall, I faint:
Let me lean hard.


Let me lean hard upon the unfailing Arm.
I said I will walk on, I fear no harm,
The spark divine within my soul will show
The upward pathway where my feet should go,
But now the heights to which I msot aspire
Are lost in clouds. I stumble and I tire;
Let me lean hard.


Let me lean harder yet. That swerveless force
Which speeds the solar systems on their course
Can take, unfelt, the burden of my woe,
Which bears me to the dust and hurts me so;
I thought my strength enough for any fate,
But lo! I sink beneath my sorrow's weight:
Let me lean hard.
376

Karma

Karma


I

We cannot choose our sorrows. One there was
Who, reverent of soul, and strong with trust,
Cried, 'God, though Thou shouldst bow me to the dust,
Yet will I praise thy everlasting laws.
Beggared, my faith would never halt or pause,
But sing Thy glory, feasting on a crust.
Only one boon, one precious boon I must
Demand of Thee, O opulent great Cause.
Let Love stay with me, constant to the end,
Though fame pass by and poverty pursue.'
With freighted hold her life ship onward sailed;
The world gave wealth, and pleasure, and a friend,
Unmarred by envy, and whose heart was true.
But ere the sun reached midday, Love had failed.


II


Then from the depths, in bitterness she cried,
'Hell is on earth, and heaven is but a dream;
And human life a troubled aimless stream;
And God is nowhere. Would God so deride
A loving creature's faith?' A voice replied,
'The stream flows onward to the Source Supreme,
Where things that ARE replace the things that SEEM,
And where the deeds of all past lives abide.
Once at thy door Love languished and was spurned.
Who sorrow plants, must garner sorrow's sheaf.
No prayers can change the seedling in the sod.
By thine own heart Love's anguish must be learned.
Pass on, and know, as one made wise by grief,
That in thyself dwells heaven and hell and God.'
451

Last Love

Last Love

The first flower of the spring is not so fair
Or bright, as one the ripe midsummer brings.
The first faint note the forest warbler sings
Is not as rich with feeling, or so rare
As when, full master of his art, the air
Drowns in the liquid sea of song he flings
Like silver spray from beak, and breast, and wings.
The artist's earliest effort wrought with care,
The bard's first ballad, written in his tears,
Set by his later toil seems poor and tame.
And into nothing dwindles at the test.
So with the passions of maturer years
Let those who will demand the first fond flame,
Give me the heart's last love, for that is best.
404

It Might Have Been

It Might Have Been

We will be what we could be. Do not say,
'It might have been, had not this, or that, or this.'
No fate can keep us from the chosen way;
He only might who is.


We will do what we could do. Do not dream
Chance leaves a hero, all uncrowned to grieve.
I hold, all men are greatly what they seem;
He does, who could achieve.


We will climb where we could climb. Tell me not
Of adverse storms that kept thee from the height.
What eagle ever missed the peak he sought?
He always climbs who might.


I do not like the phrase 'It might have been!'
It lacks force, and life's best truths perverts:
For I believe we have, and reach, and win,
Whatever our deserts.
385

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Identification and basic context

Ella Wheeler Wilcox was an American poet and novelist, born in Wisconsin. She is best known for her popular and inspirational poetry, often characterized by its accessible language and optimistic or sentimental themes. Wilcox achieved considerable fame during her lifetime, becoming one of the most widely read and commercially successful poets of her era. Her work often explored themes of love, nature, spirituality, and the power of positive thought, resonating with a broad audience. She wrote primarily in English and was a significant voice in American popular literature during the late 19th and early 20th centuries.

Childhood and education

Wilcox grew up in a rural setting in Wisconsin and showed an early inclination towards writing, composing her first poem at the age of seven. Her formal education was limited; she attended the University of Wisconsin for a brief period but left to pursue her literary ambitions. Despite this, she was a voracious reader and a self-taught individual, largely shaping her own intellectual and artistic development. Her early life experiences, including financial struggles within her family, likely contributed to her later focus on themes of perseverance and positive outlook.

Literary trajectory

Wilcox's literary career began in her youth, with poems appearing in local and then national publications. Her first book of poetry, "The Beautiful and the Ugly," was published in 1877, but it was her poem "The Beautiful World" (later retitled "The World Beautiful") that brought her widespread recognition. She went on to publish numerous volumes of poetry and prose, becoming a prolific and popular writer. Her work evolved in terms of its thematic focus, often emphasizing self-help, spiritualism, and a cheerful disposition, which cemented her reputation as a poet of encouragement and optimism. She was also a regular contributor to newspapers and magazines, further expanding her reach.

Works, style, and literary characteristics

Wilcox's most famous works include poetry collections like "Poems of Passion" (1883), "The Beautiful World" (1890), and "Sonnets of Sorrow and Triumph" (1907), as well as the inspirational prose work "The Art of Being Alive" (1913). Her dominant themes revolve around love, loss, nature, the spiritual realm, and the importance of a positive mental attitude. Her style is generally characterized by simplicity, directness, and a strong emotional appeal, making her poetry highly accessible to a broad readership. She often employed traditional forms like the sonnet but was also known for her lyrical and often aphoristic verse. Her poetic voice is typically warm, empathetic, and encouraging, aiming to uplift and inspire. While not known for radical formal innovations, her strength lay in her ability to articulate common sentiments and philosophical ideas in memorable and quotable ways. Her association with popular poetry and the self-help genre often meant her work was distinguished from more experimental or avant-garde literary movements of her time.

Cultural and historical context

Wilcox wrote during a period of significant social and cultural change in the United States, including the Gilded Age, the Progressive Era, and the rise of the New Thought movement, which emphasized the power of the mind to influence one's circumstances. Her optimistic and spiritual themes aligned well with the prevailing mood of self-improvement and the search for meaning that characterized this era. She was a contemporary of other popular poets and writers, and her work was widely circulated through newspapers and magazines, reflecting the growing mass media landscape. Her accessible style and reassuring messages provided a form of comfort and guidance to many readers navigating the complexities of modern life.

Personal life

Wilcox experienced personal hardships, including her father's early death and the family's subsequent financial difficulties, which likely influenced her later emphasis on resilience and financial independence. She married Robert Wilcox in 1884, and their relationship provided stability. She was known to be interested in spiritualism and New Thought philosophy, which permeated her writing and offered a framework for her optimistic outlook. Her public persona was one of warmth and approachability, and she engaged actively with her audience through her writings.

Recognition and reception

Wilcox achieved immense popularity during her lifetime, becoming one of the best-selling poets in the United States. Her work was widely published, translated, and read, earning her considerable fame and financial success. She was often referred to as "the people's poet." While she enjoyed broad popular appeal and critical acknowledgment of her ability to connect with readers, her work was sometimes viewed by literary elites as sentimental or lacking in artistic depth compared to more formally complex poets. Nevertheless, her place in popular culture and her impact on readers seeking comfort and inspiration are undeniable.

Influences and legacy

Wilcox was influenced by contemporary popular poets and by the philosophical currents of her time, such as New Thought and the broader interest in spirituality and positive thinking. Her legacy lies in her enduring popularity and her contribution to the genre of inspirational poetry. She influenced many subsequent writers in the self-help and inspirational genres, and her poems continue to be quoted and shared for their uplifting messages. While not typically considered a canonical figure in "high" literature, her work remains significant for its widespread appeal and its role in shaping popular literary tastes and providing solace to generations of readers.

Interpretation and critical analysis

Scholarly interpretation of Wilcox's work often focuses on its role within the context of popular literature, the New Thought movement, and the rise of women writers in the late 19th and early 20th centuries. Critics analyze her thematic focus on optimism and self-reliance, and her accessible style, as key factors in her broad appeal. Debates may arise regarding the artistic merit of her sentimentalism versus the genuine emotional resonance of her message.

Curiosities and lesser-known aspects

Wilcox was known for her belief in reincarnation and her interest in occult and spiritualist phenomena. She was also a proponent of vegetarianism. Her prolific output and sustained popularity made her a significant literary entrepreneur of her day. Despite her sentimental image, she was also a strong advocate for women's rights and empowerment, often weaving themes of independence and self-worth into her poetry.

Death and memory

Ella Wheeler Wilcox died in New York City at the age of 69. Her death was widely noted in the press, reflecting her considerable public profile. Her memory is preserved through the continued availability of her books and her frequent inclusion in anthologies of popular American poetry. Her poems remain widely circulated online and in popular culture, continuing to offer messages of hope and encouragement to new generations of readers.