Poems List

Isaura

Isaura


Dost thou not tire, Isaura, of this play?
'What play?' Why, this old play of winning hearts!
Nay, now, lift not thine eyes in that feigned way:
'Tis all in vain—I know thee and thine arts.
Let us be frank, Isaura. I have made
A study of thee; and while I admire
The practised skill with which thy plans are laid,
I can but wonder if thou dost not tire.
Why, I tire even of Hamlet and Macbeth!
When overlong the season runs, I find
Those master-scenes of passion, blood, and death,
After a time do pall upon my mind.
Dost thou not tire of lifting up thine eyes
To read the story thou hast read so oft—
Of ardent glances and deep quivering sighs,
Of haughty faces suddenly grown soft?
Is it not stale, oh, very stale, to thee,
The scene that follows? Hearts are much the same;
The loves of men but vary in degree—
They find no new expressions for the flame.
Thou must know all they utter ere they speak,
As I know Hamlet's part, whoever plays.
Oh, does it not seem sometimes poor and weak?
I think thou must grow weary of their ways.
I pity thee, Isaura! I would be
The humblest maiden with her dream untold



Rather than live a Queen of Hearts, like thee,
And find life's rarest treasures stale and old.
I pity thee; for now, let come what may,
Fame, glory, riches, yet life will lack all.
Wherewith can salt be salted? And what way
Can life be seasoned after love doth pall?
436

Into The World

Into The World

Out over childhood's borders,
Manhood's brave banners unfurled,
Weighed down with precepts and orders
A boy has gone into the world.


Nobody thinks it pathetic-
For he is a strong-armed youth.
But where is the vision prophetic
To forecast his future with truth?


No more a child to be petted
And sheltered away from the strife;
Henceforth-a man to be fretted
And worn with the worries of life.


Henceforth a man with others
To scramble and push in the race,
To jostle and crowd with his brothers,
To struggle for gain and place.


Now though his heart is breaking,
Henceforth his lids must be dry;
Now though his soul is aching,
He must not utter a cry.


Now if his brain is troubled,
Now if his courage has gone,
Still must his strength be doubled,
Still must the battle go on.


Now if success shall crown him,
Oh, how the world will cheer.
Now if misfortune shall down him,
Oh, how the scoffer will jeer.


Virtue and truth attend him,
Into the vortex whirled,
God and His angels defend him-
A boy has gone into the world.
386

Is It Best?

Is It Best?

O mother who sips sweetened liquors!
Look down at the child on your breast;
Think, think of the rough path before him,
And ask yourself then, 'Is it best?
Shall I foster a love for this poison,
Instil the thirst into his veins?
In the fountain he seeks at my bosom
Sow the rank seeds of death, grief, and pains?


'Shall I give him the thirst of the drunkard,
Bequeath him the weapons of crime?
Can we look for a glass of pure water
Dipped up from a fountain of slime?
Can we look for brave men, strong and noble,
Where the parents drink poison for food?
When the body and soul are corrupted,
Can we look for the works to be good?'


Oh! think of the future before him!
There are perils you cannot remove.
Yet this, the great highway of sorrow-
Oh! guard him from this with your love.
There are rough paths enough in the future
For the feet of the child on your breast;
And lower the glass you are lifting,
And ask yourself, then, 'Is it best?'
325

Inspiration

Inspiration


Not like a daring, bold, aggressive boy,
Is inspiration, eager to pursue,
But rather like a maiden, fond, yet coy,
Who gives herself to him who best doth woo.

Once she may smile, or thrice, thy soul to fire,
In passing by, but when she turns her face,
Thou must persist and seek her with desire,
If thou wouldst win the favor of her grace.

And if, like some winged bird she cleaves the air,
And leaves thee spent and stricken on the earth,
Still must thou strive to follow even there,
That she may know thy valor and thy worth.

Then shall she come unveiling all her charms,
Giving thee joy for pain, and smiles for tears;
Then shalt thou clasp her with possessing arms,
The while she murmurs music in thine ears.

But ere her kiss has faded from thy cheek,
She shall flee from thee over hill and glade,
So must thou seek and ever seek and seek
For each new conquest of this phantom maid.
369

Independence Ode

Independence Ode

Columbia, fair queen in your glory!
Columbia, the pride of the earth!
We crown you with song- wreath and story;
We honour the day of your birth!

The wrath of a king and his minions
You braved, to be free, on that day;
And the eagle sailed up on strong pinions,
And frightened the lion at bay.

Since the chains and the shackles are broken,
And citizens now replace slaves,
Since the hearts of your heros have spoken
How dear they held freedom - by graves.

Your beautiful banner is blotless
As it floats to the breezes unfurled,
And but for one blemish, all spotless
Is the record you show to the world.

Like a scar on the features of beauty,
Lies Utah, sin-cursed to the west.
Columbia! Columbia! your duty
Is to wipe out that stain with the rest!

Not only in freedom, and science,
And letters, should you lead the earth;
But let the earth learn your reliance
In honour and true moral worth.

When Liberty's torch shall be lighted,
Let her brightest most far-reaching rays
Discover no wrong thats unrighted Go
challenge the jealous world's gaze!

Columbia, your star is ascending!
Columbia, all lands own your sway!
May your reign be as proud and unrending
As your glory is brilliant today.
414

In The Cup

In The Cup

There is grief in the cup!
I saw a proud mother set wine on the board;
The eyes of her son sparkled bright as she poured
The ruddy stream into the glass in his hand.
The cup was of silver; the lady was grand
In her satins and laces; her proud heart was glad
In the love of her fair, noble son; but, oh! sad,
Oh! so sad ere a year had passed by,
And the soft light had gone from her beautiful eye.
For the boy that she loved, with a love strong as death,
In the chill hours of morn with a drunkard's foul breath
And a drunkard's fierce oath, reeled and staggered his way
To his home, a dark blot on the face of the day.


There is shame in the cup!
The tempter said, 'Drink,' and a fair maiden quaffed
Till her cheeks glowed the hue of the dangerous draught.
The voice of the tempter spoke low in her ear
Words that once would have started the quick, angry tear,
But wine blunts the conscience, and wine dulls the brain,
She listened and smiled, and he whispered again.
He lifted the goblet: 'Once more,' he said, 'drink,'
And the soul of the maiden was lost in the brink.
There is death in the cup!
A man in God's image, strong, noble, and grand,
With talents that crowned him a prince of the land,
Sipped the ruddy red wine!-sipped it lightly at first,
Until from its chains broke the demon of thirst.
And thirst became master, and man became slave,
And he ended his life in the drunkard's poor grave.
Wealth, fame, talents, beauty, and life swallowed up,
Grief, shame, death, destruction, are all in the cup.
343

In the Long Run

In the Long Run

In the long run fame finds the deserving man.
The lucky wight may prosper for a day,
But in good time true merit leads the van,
And vain pretense, unnoticed, goes its way.
There is no Chance, no Destiny, no Fate,
But Fortune smiles on those who work and wait,
In the long run.


In the long run all goodly sorrow pays,
There is no better thing than righteous pain,
The sleepless nights, the awful thorn-crowned days,
Bring sure reward to tortured soul and brain.
Unmeaning joys enervate in the end,
But sorrow yields a glorious dividend
In the long run.


In the long run all hidden things are known,
The eye of truth will penetrate the night,
And good or ill, thy secret shall be known,
However well 't is guarded from the light.
All the unspoken motives of the breast
Are fathomed by the years and stand confest
In the long run.


In the long run all love is paid by love,
Though undervalued by the hosts of earth;
The great eternal Governemnt above
Keeps strict account and will redeem its worth.
Give thy love freely; do not count the cost;
So beautiful a thing was never lost
In the long run.
358

In India's Dreamy Land

In India's Dreamy Land

In India's land one listens aghast
To the people who scream and bawl;
For each caste yells at a lower caste,
And the Britisher yells at them all.
374

In France I Saw A Hill

In France I Saw A Hill

In France I saw a hill-a gentle slope
Rising above old tombs to greet the gleam
From soft spring skies. Beyond these skies dwells hope,
But those green graves bespeak a broken dream.


There was a row of narrow beds, new-made;
Each bore a starry banner and a cross.
And each the name of one who, ere he played
His rôle of warrior, met earth's final loss.


They were so young, so eager for the fray!
And thoughts of glory filled each boyish heart,
When over dangerous seas they sailed away
To face the foe and play some splendid part.


But in the tedious toil, the dull routine
Which must precede achievement on the field,
Disease, that secret enemy with mean
Sly tactics, forced them to disarm and yield.


So they were buried on that hill in France,
Before their ears had heard the battle din;
Before life gave them its dramatic chance-
A lasting fame, or glorious death to win.


Yet, looking up beyond their graves of green,
I seem to see them wearing band and star;
Men are rewarded in the Worlds Unseen
Not for the way they die, but what they are.
406

In England

In England

In England, there are wrongs no doubt,
Which should be righted; so men say,
Who seek to weed earth's garden out,
And give the roses right of way;
Yes, right of way, to fruit and rose,
Where now but poison ivy grows.


In England, there is wide unrest,
They tell me who should know; and yet
I saw but hedges, gayly dressed,
And eyes where love and kindness met;
Yes, love and kindness, met and made
Soft sunshine even in the shade.


In England, there are haunting things
Which follow one to other lands;
Like some pervading scent that clings
To laces touched by vanished hands;
Yes, touched by vanished hands, which made
A fragrance that defies the grave.


In England, centuries of art
Give common things a mellow tone;
And wake old memories in the heart
Of other lives the soul has known;
Yes, other lives in some past age
Start forth from canvas, and from page.


In England, there are simple joys,
The modern world has left all sweet;
In London's heart, are nooks where noise
Has entered but with slippered feet;
Yes, entered softly. Friend, believe,
To part from England is to grieve.
363

Comments (0)

Log in to post a comment.

NoComments

Identification and basic context

Ella Wheeler Wilcox was an American poet and novelist, born in Wisconsin. She is best known for her popular and inspirational poetry, often characterized by its accessible language and optimistic or sentimental themes. Wilcox achieved considerable fame during her lifetime, becoming one of the most widely read and commercially successful poets of her era. Her work often explored themes of love, nature, spirituality, and the power of positive thought, resonating with a broad audience. She wrote primarily in English and was a significant voice in American popular literature during the late 19th and early 20th centuries.

Childhood and education

Wilcox grew up in a rural setting in Wisconsin and showed an early inclination towards writing, composing her first poem at the age of seven. Her formal education was limited; she attended the University of Wisconsin for a brief period but left to pursue her literary ambitions. Despite this, she was a voracious reader and a self-taught individual, largely shaping her own intellectual and artistic development. Her early life experiences, including financial struggles within her family, likely contributed to her later focus on themes of perseverance and positive outlook.

Literary trajectory

Wilcox's literary career began in her youth, with poems appearing in local and then national publications. Her first book of poetry, "The Beautiful and the Ugly," was published in 1877, but it was her poem "The Beautiful World" (later retitled "The World Beautiful") that brought her widespread recognition. She went on to publish numerous volumes of poetry and prose, becoming a prolific and popular writer. Her work evolved in terms of its thematic focus, often emphasizing self-help, spiritualism, and a cheerful disposition, which cemented her reputation as a poet of encouragement and optimism. She was also a regular contributor to newspapers and magazines, further expanding her reach.

Works, style, and literary characteristics

Wilcox's most famous works include poetry collections like "Poems of Passion" (1883), "The Beautiful World" (1890), and "Sonnets of Sorrow and Triumph" (1907), as well as the inspirational prose work "The Art of Being Alive" (1913). Her dominant themes revolve around love, loss, nature, the spiritual realm, and the importance of a positive mental attitude. Her style is generally characterized by simplicity, directness, and a strong emotional appeal, making her poetry highly accessible to a broad readership. She often employed traditional forms like the sonnet but was also known for her lyrical and often aphoristic verse. Her poetic voice is typically warm, empathetic, and encouraging, aiming to uplift and inspire. While not known for radical formal innovations, her strength lay in her ability to articulate common sentiments and philosophical ideas in memorable and quotable ways. Her association with popular poetry and the self-help genre often meant her work was distinguished from more experimental or avant-garde literary movements of her time.

Cultural and historical context

Wilcox wrote during a period of significant social and cultural change in the United States, including the Gilded Age, the Progressive Era, and the rise of the New Thought movement, which emphasized the power of the mind to influence one's circumstances. Her optimistic and spiritual themes aligned well with the prevailing mood of self-improvement and the search for meaning that characterized this era. She was a contemporary of other popular poets and writers, and her work was widely circulated through newspapers and magazines, reflecting the growing mass media landscape. Her accessible style and reassuring messages provided a form of comfort and guidance to many readers navigating the complexities of modern life.

Personal life

Wilcox experienced personal hardships, including her father's early death and the family's subsequent financial difficulties, which likely influenced her later emphasis on resilience and financial independence. She married Robert Wilcox in 1884, and their relationship provided stability. She was known to be interested in spiritualism and New Thought philosophy, which permeated her writing and offered a framework for her optimistic outlook. Her public persona was one of warmth and approachability, and she engaged actively with her audience through her writings.

Recognition and reception

Wilcox achieved immense popularity during her lifetime, becoming one of the best-selling poets in the United States. Her work was widely published, translated, and read, earning her considerable fame and financial success. She was often referred to as "the people's poet." While she enjoyed broad popular appeal and critical acknowledgment of her ability to connect with readers, her work was sometimes viewed by literary elites as sentimental or lacking in artistic depth compared to more formally complex poets. Nevertheless, her place in popular culture and her impact on readers seeking comfort and inspiration are undeniable.

Influences and legacy

Wilcox was influenced by contemporary popular poets and by the philosophical currents of her time, such as New Thought and the broader interest in spirituality and positive thinking. Her legacy lies in her enduring popularity and her contribution to the genre of inspirational poetry. She influenced many subsequent writers in the self-help and inspirational genres, and her poems continue to be quoted and shared for their uplifting messages. While not typically considered a canonical figure in "high" literature, her work remains significant for its widespread appeal and its role in shaping popular literary tastes and providing solace to generations of readers.

Interpretation and critical analysis

Scholarly interpretation of Wilcox's work often focuses on its role within the context of popular literature, the New Thought movement, and the rise of women writers in the late 19th and early 20th centuries. Critics analyze her thematic focus on optimism and self-reliance, and her accessible style, as key factors in her broad appeal. Debates may arise regarding the artistic merit of her sentimentalism versus the genuine emotional resonance of her message.

Curiosities and lesser-known aspects

Wilcox was known for her belief in reincarnation and her interest in occult and spiritualist phenomena. She was also a proponent of vegetarianism. Her prolific output and sustained popularity made her a significant literary entrepreneur of her day. Despite her sentimental image, she was also a strong advocate for women's rights and empowerment, often weaving themes of independence and self-worth into her poetry.

Death and memory

Ella Wheeler Wilcox died in New York City at the age of 69. Her death was widely noted in the press, reflecting her considerable public profile. Her memory is preserved through the continued availability of her books and her frequent inclusion in anthologies of popular American poetry. Her poems remain widely circulated online and in popular culture, continuing to offer messages of hope and encouragement to new generations of readers.