Escritas

Poems List

If I Should Die

If I Should Die

If I should die, how kind you all would grow!
In that strange hour I would not have one foe.
There are no words too beautiful to say
Of one who goes forevermore away
Across that ebbing tide which has no flow.
With what new lustre my good deeds would glow!
If faults were mine, no one would call them so,
Or speak of me in aught but praise that day,
If I should die.
Ah, friends! before my listening ear lies low,
While I can hear and understand, bestow
That gentle treatment and fond love, I pray,
The lustre of whose late though radiant way
Would gild my grave with mocking light, I know,
If I should die.
429

If--

If--

If I were a raindrop, and you were a leaf,
I would burst from the cloud above you
And lie on your breast in a rapture of rest,
And love you, love you, love you.


If I were a brown bee, and you were a rose,
I would fly to you, love, nor miss you;
I would sip and sip from your nectared lip,
And kiss you, kiss you, kiss you.


If I were a doe, dear, and you were a brook,
Ah, what would I do then, think you?
I would kneel by the bank, in the grasses dank,
And drink you, drink you, drink you.
436

Idler's Song

Idler's Song

I sit in the twilight dim
At the close of an idle day,
And I list to the soft sweet hymn,
That rises far away,

And dies on the evening air.
Oh, all day long,
They sing their song,

Who toil in the valley there.

But never a song sing I,
Sitting with folded hands,
The hours pass me by Dropping
their golden sands -

And I list, from day to day,
To the 'tick, tick, tock'
Of the old brown clock,

Ticking my life away.

And I see the twilight fade,
And I see the night come on,
And then, in the gloom and shade,
I weep for the day that's gone -

Weep and wail in pain,
For the misspent day
That has flown away,

And will not come again.

Another morning beams,
And I forget the last,
And I sit in idle dreams
Till the day over - past.

Oh, the toiler's heart is glad!
When the day is gone
And the night comes on,

But mine is sore and sad.

For I dare not look behind!
No shining, golden sheaves
Can I ever hope to find:
Nothing but withered leaves.

Ah! dreams are very sweet!
But will not please
If only these

I lay at the Master's feet.

And what will the Master say
To dreams and nothing more?
Oh, idler, all the day!
Think, ere thy life is o'er!

And when the day grows late,
Oh, soul of sin!
Will He let you in,


There at the pearly gate?

Oh, idle heart, beware!
On, to the field of strife!

On, to the valley there!
And live a useful life!

Up, do not wait a day!
For the old brown clock,
With its 'tick, tick, tock, '

Is ticking your life away.
356

I Step Across The Mystic Border-Land

I Step Across The Mystic Border-Land

I step across the mystic border-land,
And look upon the wonder-world of Art.
How beautiful, how beautiful its hills!
And all its valleys, how surpassing fair!


The winding paths that lead up to the heights
Are polished by the footsteps of the great.
The mountain-peaks stand very near to God:
The chosen few whose feet have trod thereon
Have talked with Him. and with the angels walked.


Here are no sounds of discord-no profane
Or senseless gossip of unworthy things-
Only the songs of chisels and of pens,
Of busy brushes, and ecstatic strains
Of souls surcharged with music most divine.
Here is no idle sorrow, no poor grief
For any day or object left behind-
For time is counted precious, and herein
Is such complete abandonment of Self
That tears turn into rainbows, and enhance
The beauty of the land where all is fair,
Awed and afraid, I cross the border-land.
Oh, who am I, that I dare enter here
Where the great artists of the world have trod-
The genius-crowned aristocrats of Earth?
Only the singer of a little song;
Yet loving Art with such a mighty love
I hold it greater to have won a place
Just on the fair land's edge, to make my grave,
Than in the outer world of greed and gain
To sit upon a royal throne and reign.
364

I Will Be Worthy Of It

I Will Be Worthy Of It

It
I may not reach the heights I seek,
My untried strength may fail me;
Or, halfway up the mountain peak

Fierce tempests may assail me.
But though that place I never gain,
Herein lies the comfort for my pain –

I will be worthy of it.

I may not triumph in success,
Despite my earnest labour;
I may not grasp results that bless

The efforts of my neighbour.
But though my goal I never see,
This thought shall always dwell with me –

I will be worthy of it.

The golden glory of Love’s light
May never fall on my way;
My path may always lead through night,

Like some deserted by-way.
But though life’s dearest joy I miss,
There lies a nameless strength in this –

I will be worthy of it.
338

I Love You

I Love You

I love your lips when they're wet with wine
And red with a wild desire;
I love your eyes when the lovelight lies
Lit with a passionate fire.
I love your arms when the warm white flesh
Touches mine in a fond embrace;
I love your hair when the strands enmesh
Your kisses against my face.


Not for me the cold calm kiss
Of a virgin's bloodless love;
Not for me the saint's white bliss,
Nor the heart of a spotless dove.
But give me the love that so freely gives
And laughs at the whole world's blame,
With your body so young and warm in my arms,
It sets my poor heart aflame.


So kiss me sweet with your warm wet mouth,
Still fragrant with ruby wine,
And say with a fervor born of the South
That your body and soul are mine.
Clasp me close in your warm young arms,
While the pale stars shine above,
And we'll live our whole young lives away
In the joys of a living love.
490

How Salvator Won

How Salvator Won

The gate was thrown open, I rode out alone,
More proud than a monarch who sits on a throne.
I am but a jockey, yet shout upon shout
Went up from the people who watched me ride out;
And the cheers that rang forth from that warm-hearted crowd,
Were as earnest as those to which monarch e'er bowed.


My heart thrilled with pleasure so keen it was pain
As I patted my Salvator's soft silken mane;
And a sweet shiver shot from his hide to my hand
As we passed by the multitude down to the stand.


The great waves of cheering came billowing back,
As the hoofs of brave Tenny rang swift down the track;
And he stood there beside us, all bone and all muscle,
Our noble opponent, well trained for the tussle
That waited us there on the smooth, shining course.
My Salvator, fair to the lovers of horse,
As a beautiful woman is fair to man's sight-
Pure type of the thoroughbred, clean-limbed and bright,-
Stood taking the plaudits as only his due,
And nothing at all unexpected or new.


And then, there before us the bright flag is spread,
There's a roar from the grand stand, and Tenny's ahead;
At the sound of the voices that shouted 'a go!'
He sprang like an arrow shot straight from the bow.
I tighten the reins on Prince Charlie's great son-
He is off like a rocket, the race is begun.
Half-way down the furlong, their heads are together,
Scarce room 'twixt their noses to wedge in a feather;
Past grand stand, and judges, in neck-to-neck strife,
Ah, Salvator, boy! 'tis the race of your life.
I press my knees closer, I coax him, I urge,
I feel him go out with a leap and a surge;
I see him creep on, inch by inch, stride by stride,
While backward, still backward, falls Tenny beside.
We are nearing the turn, the first quarter is past'
Twixt leader and chaser the daylight is cast.
The distance elongates, still Tenny sweeps on,
As graceful and free-limbed and swift as a fawn;
His awkwardness vanished, his muscles all strained-
A noble opponent, well born and well trained.
I glanced o'er my shoulder, ha! Tenny, the cost
Of that one second's flagging, will be-the race lost.
One second's weak yielding of courage and strength,
And the daylight between us has doubled its length.



The first mile is covered, the race is mine-no!
For the blue blood of Tenny responds to a blow.
He shoots through the air like a ball from a gun,
And the two lengths between us are shortened to one.
My heart is contracted, my throat feels a lump,
For Tenny's long neck is at Salvator's rump;
And now with new courage, grown bolder and bolder,
I see him once more running shoulder to shoulder.
With knees, hands and body I press my grand steed;
I urge him, I coax him, I pray him to heed!
Oh, Salvator! Salvator! list to my calls,
For the blow of my whip will hurt both if it falls.
There's a roar from the crowd like the ocean in storm,
As close to my saddle leaps Tenny's great form,
One more mighty plunge, and with knee, limb and hand,
I lift my horse first by a nose past the stand.
We are under the string now-the great race is done,
And Salvator, Salvator, Salvator won!
Cheer, hoar-headed patriarchs; cheer loud, I say
'Tis the race of a century witnessed to-day!
Though ye live twice the space that's allotted to men
Ye never will see such a grand race again.
Let the shouts of the populace roar like the surf
For Salvator, Salvator, king of the turf!
He has broken the record of thirteen long years;
He has won the first place in a vast line of peers.
'Twas a neck-to-neck contest, a grand, honest race,
And even his enemies grant him his place.
Down into the dust let old records be hurled,
And hang out 2.05 in the gaze of the world.
427

High Noon

High Noon

Time’s finger on the dial of my life
Points to high noon! And yet the half-spent day
Leaves less than half remaining, for the dark,
Bleak shadows of the grave engulf the end.


To those who burn the candle to the stick,
The sputtering socket yields but little light.
Long life is sadder than early death.
We cannot count on raveled threads of age
Whereof to weave a fabric. We must use
The warp and woof the ready present yields
And toils while daylight lasts. When I bethink
How brief the past, the future still more brief,
Calls on to action, action! Not for me
Is time for retrospection or for dreams,
Not time for self-laudation or remorse.
Have I done nobly? Then I must not let
Dead yesterday unborn to-morrow shame.
Have I done wrong? Well, let the bitter taste
Of fruit that turned to ashes on my lip
Be my reminder in temptations hour,
And keep me silent when I could condemn.
Sometimes it takes the acid of a sin
To cleanse the clouded windows of our souls
So pity may shine through them.


Looking back,
My faults and errors seem like stepping-stones
That led the way to knowledge of the truth
And made me value virtue: sorrows shine
In rainbow colours o’er the gulf of years,
Where lie forgotten pleasures.

Looking forth,
Out to the westers sky still bright with noon,
I feel well spurred and booted for the strife
That ends not till Nirvana is attained.

Battling with fate, with men and with myself,
Up the steep summit of my life’s forenoon,
Three things I learned, three things of precious worth
To guide and help me down the western slope.
I have learned how to pray, and toil, and save.
To pray for courage to receive what comes,
Knowing what comes to be divinely sent.
To toil for universal good, since thus
And only thus can good come unto me.
To save, by giving whatsoe’er I have
To those who have not, this alone is gain.
385

How does Love speak?

How does Love speak?

In the faint flush upon the tell-tale cheek,
And in the pallor that succeeds it; by
The quivering lid of an averted eye -
The smile that proves the parent of a sigh:
Thus doth Love speak.


How does Love speak?
By the uneven heart-throbs, and the freak
Of bounding pulses that stand still and ache
While new emotions, like strange barges, make
Along vein-channels their disturbing course,
Still as the dawn, and with the dawn's swift force:
Thus doth Love speak.


How does Love speak?
In the avoidance of that which we seek
The sudden silence and reserve when near;
The eye that glistens with an unshed tear;
The joy that seems the counterpart of fear,
As the alarmed heart leads in the breast,
And knows, and names, and greets its godlike guest:
Thus doth Love speak.


How does Love speak?
In the proud spirit suddenly grown meek,
The haughty heart grown humble; in the tender
And unnamed light that floods the world with splendour;
In the resemblance which the fond eyes trace
In all fair things to one beloved face;
In the shy touch of hands that thrill and tremble;
In looks and lips that can no more dissemble:
Thus doth Love speak.


How does Love speak?
In wild words that uttered seem so weak
They shrink ashamed to silence; in the fire
Glance strikes with glance, swift flashing high and higher,
Like lightnings that precede the mighty storm
In the deep, soulful stillness; in the warm,
Impassioned tide that sweeps thro' throbbing veins,
Between the shores of keen delights and pains;
In the embrace where madness melts in bliss,
And in the convulsive rapture of a kiss:
Thus doth Love speak.
401

Haunted

Haunted


What are these nameless mysteries,
These subtleties of life and death,
That bring before our spirit eyes
The loved and lost; or, like a breath
Of lightest air, will touch the cheek,
And yet a wordless language speak?


In every breeze that blows, to-day,
One voice seems speaking unto me;
And north or south, whichever way
I turn my gaze, one face I see,
And closely, closely at my side
A mystic shadow seems to glide.


A motley crowd we move among,
We surge on with the mighty mass,
And yet no one in all the throng
Looks strangely on us as we pass.
No eye but mine own seems to see
The nameless thing that walks by me.


I cannot touch a proffered hand
But this strange shadow glides between.
Why came he from the spirit land?
What brought him from the world unseen?
Why am I troubled and oppressed
By the vague presence of my guest?


He was my friend! I should rejoice!
I loved him once! Why do I fear?
And yet I shudder as his voice
Speaks in the wind. I feel him near,
This restless spirit of the dead,
And shiver with a nameless dread.


I loved him once; he was my friend;
He held the first place in my heart,
And might have held it to the end.
But our two ways spread wide apart:
I kept the path upon the hill,
And he went down and down, until


He reached the depths of sin and shame,
And died as sots and drunkards die.
I ceased to even speak his name.
God knows I never thought that I,



Who blamed his lack of moral strength,
Might answer for his fall, at length!


O restless dead, lost friend of mine!
I might have saved you, had I tried.
I saw you lift the glass of wine,
And, seeing, had I warned you, cried,
'Touch not, taste not the drink accursed!'
I might have saved you from the thirst


That swallowed up your brain and soul.
But nay! I scorned you when you fell,
And, looking upward to my goal,
Left you to stagger down to hell.
Accusing spirit of the dead,
Your presence fills my heart with dread!
354

Comments (0)

ShareOn Facebook WhatsApp X
Log in to post a comment.

NoComments

Identification and basic context

Ella Wheeler Wilcox was an American poet and novelist, born in Wisconsin. She is best known for her popular and inspirational poetry, often characterized by its accessible language and optimistic or sentimental themes. Wilcox achieved considerable fame during her lifetime, becoming one of the most widely read and commercially successful poets of her era. Her work often explored themes of love, nature, spirituality, and the power of positive thought, resonating with a broad audience. She wrote primarily in English and was a significant voice in American popular literature during the late 19th and early 20th centuries.

Childhood and education

Wilcox grew up in a rural setting in Wisconsin and showed an early inclination towards writing, composing her first poem at the age of seven. Her formal education was limited; she attended the University of Wisconsin for a brief period but left to pursue her literary ambitions. Despite this, she was a voracious reader and a self-taught individual, largely shaping her own intellectual and artistic development. Her early life experiences, including financial struggles within her family, likely contributed to her later focus on themes of perseverance and positive outlook.

Literary trajectory

Wilcox's literary career began in her youth, with poems appearing in local and then national publications. Her first book of poetry, "The Beautiful and the Ugly," was published in 1877, but it was her poem "The Beautiful World" (later retitled "The World Beautiful") that brought her widespread recognition. She went on to publish numerous volumes of poetry and prose, becoming a prolific and popular writer. Her work evolved in terms of its thematic focus, often emphasizing self-help, spiritualism, and a cheerful disposition, which cemented her reputation as a poet of encouragement and optimism. She was also a regular contributor to newspapers and magazines, further expanding her reach.

Works, style, and literary characteristics

Wilcox's most famous works include poetry collections like "Poems of Passion" (1883), "The Beautiful World" (1890), and "Sonnets of Sorrow and Triumph" (1907), as well as the inspirational prose work "The Art of Being Alive" (1913). Her dominant themes revolve around love, loss, nature, the spiritual realm, and the importance of a positive mental attitude. Her style is generally characterized by simplicity, directness, and a strong emotional appeal, making her poetry highly accessible to a broad readership. She often employed traditional forms like the sonnet but was also known for her lyrical and often aphoristic verse. Her poetic voice is typically warm, empathetic, and encouraging, aiming to uplift and inspire. While not known for radical formal innovations, her strength lay in her ability to articulate common sentiments and philosophical ideas in memorable and quotable ways. Her association with popular poetry and the self-help genre often meant her work was distinguished from more experimental or avant-garde literary movements of her time.

Cultural and historical context

Wilcox wrote during a period of significant social and cultural change in the United States, including the Gilded Age, the Progressive Era, and the rise of the New Thought movement, which emphasized the power of the mind to influence one's circumstances. Her optimistic and spiritual themes aligned well with the prevailing mood of self-improvement and the search for meaning that characterized this era. She was a contemporary of other popular poets and writers, and her work was widely circulated through newspapers and magazines, reflecting the growing mass media landscape. Her accessible style and reassuring messages provided a form of comfort and guidance to many readers navigating the complexities of modern life.

Personal life

Wilcox experienced personal hardships, including her father's early death and the family's subsequent financial difficulties, which likely influenced her later emphasis on resilience and financial independence. She married Robert Wilcox in 1884, and their relationship provided stability. She was known to be interested in spiritualism and New Thought philosophy, which permeated her writing and offered a framework for her optimistic outlook. Her public persona was one of warmth and approachability, and she engaged actively with her audience through her writings.

Recognition and reception

Wilcox achieved immense popularity during her lifetime, becoming one of the best-selling poets in the United States. Her work was widely published, translated, and read, earning her considerable fame and financial success. She was often referred to as "the people's poet." While she enjoyed broad popular appeal and critical acknowledgment of her ability to connect with readers, her work was sometimes viewed by literary elites as sentimental or lacking in artistic depth compared to more formally complex poets. Nevertheless, her place in popular culture and her impact on readers seeking comfort and inspiration are undeniable.

Influences and legacy

Wilcox was influenced by contemporary popular poets and by the philosophical currents of her time, such as New Thought and the broader interest in spirituality and positive thinking. Her legacy lies in her enduring popularity and her contribution to the genre of inspirational poetry. She influenced many subsequent writers in the self-help and inspirational genres, and her poems continue to be quoted and shared for their uplifting messages. While not typically considered a canonical figure in "high" literature, her work remains significant for its widespread appeal and its role in shaping popular literary tastes and providing solace to generations of readers.

Interpretation and critical analysis

Scholarly interpretation of Wilcox's work often focuses on its role within the context of popular literature, the New Thought movement, and the rise of women writers in the late 19th and early 20th centuries. Critics analyze her thematic focus on optimism and self-reliance, and her accessible style, as key factors in her broad appeal. Debates may arise regarding the artistic merit of her sentimentalism versus the genuine emotional resonance of her message.

Curiosities and lesser-known aspects

Wilcox was known for her belief in reincarnation and her interest in occult and spiritualist phenomena. She was also a proponent of vegetarianism. Her prolific output and sustained popularity made her a significant literary entrepreneur of her day. Despite her sentimental image, she was also a strong advocate for women's rights and empowerment, often weaving themes of independence and self-worth into her poetry.

Death and memory

Ella Wheeler Wilcox died in New York City at the age of 69. Her death was widely noted in the press, reflecting her considerable public profile. Her memory is preserved through the continued availability of her books and her frequent inclusion in anthologies of popular American poetry. Her poems remain widely circulated online and in popular culture, continuing to offer messages of hope and encouragement to new generations of readers.