Poems List

Does It Pay?

Does It Pay?

If one poor burdened toiler o’er life’s road,
Who meets us by the way,

Goes on less conscious of his galling load,
Then life, indeed, does pay.

If we can show the troubled heart the gain
That lies always in loss,

Why, then, we too are paid for all the pain
Of bearing life’s hard cross.

If some despondent soul to hope is stirred,
Some sad lip made to smile,

By any act of ours, or any word,
Then, life has been worth while.
293

Desolation

Desolation


I think that the bitterest sorrow or pain
Of love unrequited, or cold death’s woe,
Is sweet, compared to that hour when we know

That some grand passion is on the wane.

When we see that the glory, and glow, and grace
Which lent a splendour to night and day,
Are surely fading, and showing grey

And dull groundwork of the commonplace.

When fond expressions on dull ears fall,
When the hands clasp calmly without one thrill,
When we cannot muster by force of will

The old emotions that came at call.

When the dream has vanished we fain would keep,
When the heart, like a watch, runs out of gear,
And all the savour goes out of the year,

Oh, then is the time – if we could – to weep!

But no tears soften this dull, pale woe;
We must sit and face it with dry, sad eyes.
If we seek to hold it, the swifter joy flies –

We can only be passive, and let it go.
468

Dell And I

Dell And I

In a mansion grand, just over the way,
Lives bonny, beautiful Dell;
You may have heard of this lady gay,
For she is a famous belle.
I live in a low cot opposite,
You never have heard of me;
For when the lady moon shines bright,
Who would a pale star see?
But ah, well, ah, well! I am happier far than Dell,
As strange as that may be.


Dell has robes of the richest kind-
Pinks and purples and blues.
And she worries her maid and frets her mind
To know which one to choose.
Which shall it be now, silk or lace?
In which will I be most fair?
She stands by the mirror with anxious face,
And her maid looks on in despair.
Ah, well, ah, well! I am not worried, you see, like Dell,
For I have but
one
to wear.


Dell has lovers of every grade,
Of every age and style;
Suitors flutter about the maid,
And bask in her word and smile.
She keeps them all, with a coquette's art,
As suits her mood or mirth,
And vainly wonders if in one heart
Of all true love has birth.
Ah, well, ah, well! I never question myself like Dell,
For I
know
a true heart's worth.


Pleasure to Dell seems stale and old,
Often she sits and sighs;
Life to me is a tale untold,
Each day is a glad surprise.
Dell with marry, of course, some day
After her belleship is run;
She will cavil the matter in worldly way
And wed Dame Fortune's son.
But, ah, well, sweet to tell, I shall not dally and choose like Dell,
For I love and am loved byone
.
415

Death Of Labour

Death Of Labour

Methought a great wind swept across the earth,
And all the toilers perished. Then I saw
Pale terror blanch the rosy face of mirth,
And careless eyes grow full of fear and awe.
The sounds of pleasure ceased; the laughing song
On folly's lip changed to an angry cures:
A nameless horror seized the idle throng,
And death and ruin filled the universe.
359

Daft

Daft


In the warm yellow smile of the morning,
She stands at the lattice pane,
And watches the strong young binders
Stride down to the fields of grain.
And she counts them over and over
As they pass her cottage door:
Are they six, she counts them seven;
Are they seven, she counts one more.

When the sun swings high in the heavens,
And the reapers go shouting home,
She calls to the household, saying,
'Make haste! for the binders have come
And Johnnie will want his dinner He
was always a hungry child';
And they answer, 'Yes, it ia waiting';
Then tell you, 'Her brain is wild.'

Again, in the hush of the evening,
When the work of the day is done,
And the binders go singing homeward
In the last red rays of the sun,
She will sit at the threshold waiting,
And with her withered face lights with joy:
'Come, Johnnie, ' she says, as they pass her,
'Come into the house, my boy.'

Five summers ago her Johnnie
Went out in the smile of the morn,
Singing across the meadow,
Striding down through the corn -
He towered above the binders,
Walking on either side,
And the mother's heart within her
Swelled with exultant pride.

For he was the light of the household His
brown eyes were wells of truth,
And his face was the face of the morning,
Lit with its pure, fresh youth,
And his song rang out from the hilltops
Like the mellow blast of a horn,
And he strode o'er the fresh shorn meadows,
And down through the rows of corn.

But hushed were the voices of singing,
Hushed by the presence of death,
As back to the cottage they bore him In
the noontide's scorching breath,
For the heat of the sun had slain him,
Had smitten the heart in his breast,
And he who towered above them


Lay lower than all the rest.

The grain grows ripe in the sunshine,
And the summers ebb and flow,
And the binders stride to their labour
And sing as they come and go;
But never again from the hilltops
Echoes the voice like a horn;
Never up from the meadows,
Never back from the corn.

Yet the poor, crazed brain of the mother
Fancies him always near;
She is blest in her strange delusion,

For she knoweth no pain nor fear,
And always she counts the binders
As they pass by her cottage door;


Are they six, she counts them seven;
Are they seven, she counts one more.
415

Curious Story

Curious Story

I heard such a curious story
Of Santa Claus. Once, so they say,
He set out to find what people were kind,
Before he took presents their way.
'This year I will give but to givers,
To those who make presents themselves.'
With a nod of his head, old Santa Claus said
To his band of bright officer elves:


'Go into the homes of the happy
Where Pleasure stands page at the door,
Watch well how they live, and report what they give
To the hordes of God's suffering poor.
Keep track of each cent and each moment,
Yea, tell me each word, too, they use,
To silver line clouds for earth's suffering crowds,
And tell me, too, when they refuse.'


So, into our homes flew the fairies,
Though never a soul of us knew,
And with pencil and book, they sat by us, and took
Each action, if false or if true.
White marks for the deeds done for others,
Black marks for the deeds done for self,
And nobody hid what he said or he did,
For no one, of course, sees an elf.


Well, Christmas came all in its season
And Santa Claus, so I am told,
With a very light pack of small gifts on his back
And his reindeers all left in the fold,
Set out on a leisurely journey,
And finished ere midnight, they say,
And there never had been such surprise and chagrin,
Before on the breaking of day


As there was on that bright Christmas morning
When stockings and cupboards and shelves
Were ransacked and sought in for gifts that were not in-
But wasn't it fun for the elves?
And what did I get? You confuse me-
I got not one thing, and that's true,
But had I suspected my actions detected
I would have had gifts-wouldn't you?
403

Courage

Courage


There is a courage, a majestic thing
That springs forth from the brow of pain, full-grown,
Minerva-like, and dares all dangers known,
And all the threatening future yet may bring;
Crowned with the helmet of great suffering;
Serene with that grand strength by martyrs shown,
When at the stake they die and make no moan,
And even as the flames leap up are heard to sing:
A courage so sublime and unafraid,
It wears its sorrows like a coat of mail;
And Fate, the archer, passes by dismayed,
Knowing his best barbed arrows needs must fail
To pierce a soul so armored and arrayed
That Death himself might look on it and quail.
404

Contentment

Contentment


If any line that I ever penned,
Or any word I have spoken,
Has comforted heart of foe or friend In
any way, why my life, I'll say,
Has reaped the reward of labour,
If aught I have said, or written, has made
Gladder the heart o' my neighbour.

If any deed that I ever did
Lightened a sad heart's sorrow,
If I have lifted a drooping lid
Up to the bright to-morrow,
Though the world knows not, nor gives me a thought,
Nor ever can know, nor praise me,
Yet still I shall say, to my heart alway,
That my life and labour repay me.

If in any way I have helped a soul,
Or given a spirit pleasure,
Then my cup of joy, I shall think is full
With an overflowing measure.
Though never an eye, but the one on high
Looks on my kindly action,
Yet, O my heart, we shall think of our part
In the drama, with satisfaction.
424

Conversion

Conversion


When this world's pleasures for my soul sufficed,
Ere my heart's plummet sounded depths of pain,
I call on Reason to control my brain,

And scoffed at that old story of Christ.

But when o'er burning wastes my feet had trod,
And all my life was desolate with loss,
With bleeding hands I clung about the cross,

And cried aloud, 'Man needs a suffering God! '
290

Come Back Clean

Come Back Clean

This is the song for a soldier
To sing as he rides from home
To the fields afar where the battles are
Or over the ocean's foam:
'Whatever the dangers waiting
In the lands I have not seen,
If I do not fall-if I come back at all,
Then I will come back clean.


'I may lie in the mud of the trenches,
I may reek with blood and mire,
But I will control, by the God in my soul,
The might of my man's desire.
I will fight my foe in the open,
But my sword shall be sharp and keen
For the foe within who would lure me to sin,
And I will come back clean.


'I may not leave for my children
Brave medals that I have worn,
But the blood in my veins shall leave no stains
On bride or on babes unborn;
And the scars that my body may carry
Shall not be from deeds obscene,
For my will shall say to the beast,
Obey
!
And I will come back clean.


'Oh, not on the fields of slaughter
And not in the prison-cell,
Or in hunger and cold is the story told
By war, of its darkest hell.
But the old, old sin of the senses
Can tell what that word may mean
To the soldiers' wives and to innocent lives,
And I will come back clean.'
410

Comments (0)

Log in to post a comment.

NoComments

Identification and basic context

Ella Wheeler Wilcox was an American poet and novelist, born in Wisconsin. She is best known for her popular and inspirational poetry, often characterized by its accessible language and optimistic or sentimental themes. Wilcox achieved considerable fame during her lifetime, becoming one of the most widely read and commercially successful poets of her era. Her work often explored themes of love, nature, spirituality, and the power of positive thought, resonating with a broad audience. She wrote primarily in English and was a significant voice in American popular literature during the late 19th and early 20th centuries.

Childhood and education

Wilcox grew up in a rural setting in Wisconsin and showed an early inclination towards writing, composing her first poem at the age of seven. Her formal education was limited; she attended the University of Wisconsin for a brief period but left to pursue her literary ambitions. Despite this, she was a voracious reader and a self-taught individual, largely shaping her own intellectual and artistic development. Her early life experiences, including financial struggles within her family, likely contributed to her later focus on themes of perseverance and positive outlook.

Literary trajectory

Wilcox's literary career began in her youth, with poems appearing in local and then national publications. Her first book of poetry, "The Beautiful and the Ugly," was published in 1877, but it was her poem "The Beautiful World" (later retitled "The World Beautiful") that brought her widespread recognition. She went on to publish numerous volumes of poetry and prose, becoming a prolific and popular writer. Her work evolved in terms of its thematic focus, often emphasizing self-help, spiritualism, and a cheerful disposition, which cemented her reputation as a poet of encouragement and optimism. She was also a regular contributor to newspapers and magazines, further expanding her reach.

Works, style, and literary characteristics

Wilcox's most famous works include poetry collections like "Poems of Passion" (1883), "The Beautiful World" (1890), and "Sonnets of Sorrow and Triumph" (1907), as well as the inspirational prose work "The Art of Being Alive" (1913). Her dominant themes revolve around love, loss, nature, the spiritual realm, and the importance of a positive mental attitude. Her style is generally characterized by simplicity, directness, and a strong emotional appeal, making her poetry highly accessible to a broad readership. She often employed traditional forms like the sonnet but was also known for her lyrical and often aphoristic verse. Her poetic voice is typically warm, empathetic, and encouraging, aiming to uplift and inspire. While not known for radical formal innovations, her strength lay in her ability to articulate common sentiments and philosophical ideas in memorable and quotable ways. Her association with popular poetry and the self-help genre often meant her work was distinguished from more experimental or avant-garde literary movements of her time.

Cultural and historical context

Wilcox wrote during a period of significant social and cultural change in the United States, including the Gilded Age, the Progressive Era, and the rise of the New Thought movement, which emphasized the power of the mind to influence one's circumstances. Her optimistic and spiritual themes aligned well with the prevailing mood of self-improvement and the search for meaning that characterized this era. She was a contemporary of other popular poets and writers, and her work was widely circulated through newspapers and magazines, reflecting the growing mass media landscape. Her accessible style and reassuring messages provided a form of comfort and guidance to many readers navigating the complexities of modern life.

Personal life

Wilcox experienced personal hardships, including her father's early death and the family's subsequent financial difficulties, which likely influenced her later emphasis on resilience and financial independence. She married Robert Wilcox in 1884, and their relationship provided stability. She was known to be interested in spiritualism and New Thought philosophy, which permeated her writing and offered a framework for her optimistic outlook. Her public persona was one of warmth and approachability, and she engaged actively with her audience through her writings.

Recognition and reception

Wilcox achieved immense popularity during her lifetime, becoming one of the best-selling poets in the United States. Her work was widely published, translated, and read, earning her considerable fame and financial success. She was often referred to as "the people's poet." While she enjoyed broad popular appeal and critical acknowledgment of her ability to connect with readers, her work was sometimes viewed by literary elites as sentimental or lacking in artistic depth compared to more formally complex poets. Nevertheless, her place in popular culture and her impact on readers seeking comfort and inspiration are undeniable.

Influences and legacy

Wilcox was influenced by contemporary popular poets and by the philosophical currents of her time, such as New Thought and the broader interest in spirituality and positive thinking. Her legacy lies in her enduring popularity and her contribution to the genre of inspirational poetry. She influenced many subsequent writers in the self-help and inspirational genres, and her poems continue to be quoted and shared for their uplifting messages. While not typically considered a canonical figure in "high" literature, her work remains significant for its widespread appeal and its role in shaping popular literary tastes and providing solace to generations of readers.

Interpretation and critical analysis

Scholarly interpretation of Wilcox's work often focuses on its role within the context of popular literature, the New Thought movement, and the rise of women writers in the late 19th and early 20th centuries. Critics analyze her thematic focus on optimism and self-reliance, and her accessible style, as key factors in her broad appeal. Debates may arise regarding the artistic merit of her sentimentalism versus the genuine emotional resonance of her message.

Curiosities and lesser-known aspects

Wilcox was known for her belief in reincarnation and her interest in occult and spiritualist phenomena. She was also a proponent of vegetarianism. Her prolific output and sustained popularity made her a significant literary entrepreneur of her day. Despite her sentimental image, she was also a strong advocate for women's rights and empowerment, often weaving themes of independence and self-worth into her poetry.

Death and memory

Ella Wheeler Wilcox died in New York City at the age of 69. Her death was widely noted in the press, reflecting her considerable public profile. Her memory is preserved through the continued availability of her books and her frequent inclusion in anthologies of popular American poetry. Her poems remain widely circulated online and in popular culture, continuing to offer messages of hope and encouragement to new generations of readers.