Poems List

Clara Morris (Written for a Benefit Given Mrs. Morris)

Clara Morris (Written for a Benefit Given Mrs. Morris)

The Radiant Ruler of Mystic Regions
Where souls of artists are fitted for birth,
Gathered together their lovely legions
And fashioned a woman to shine on earth.
They bathed her in splendor
They made her tender:
They gave her a nature both sweet and wild.
They gave her emotions
Like storm stirred oceans,
And they gave her the heart of a little child.


These Radiant Rulers (who are not human
Nor yet divine like the gods above)
Poured all their gifts in the soul of a woman
That fragile vessel meant only for love.
Still more they taught her,
Still more they brought her-
Till they gave her the world for a harp one day,
And they bade her string it-
They bade her ring it,
While the stars all wondered to hear her play.


She touched the strings in a master fashion,
She uttered the cry of a world's despair.
Its long-hid secret, its pent-up passion,
She gave to the winds in a vibrant air.
For ah! the heart of her,
That was the art of her,
Great with the feeling that makes men kin.
Art unapproachable,
Art all uncoachable,
Fragrance and flame from the spirit within.


The earth turns ever an ear unheeding
To the sorrows of art, as it cries for more:
And she played on the harp till her hands were bleeding
And her brow was bruised by the laurels she wore.
She knew the trend of it,
She knew the end of it.
Men heard the music and men felt the thrill.
Bound to the altar
Of art, could she falter?
Then came a silence-the music was still.


And yet in the echoes we seem to hear it
In waves unbroken it circles the earth:
And we catch in the light of her dauntless spirit
A gleam from the center that gave her birth.



Still is the fame of her
Felt in the name of her.
But low lies the harp that once thrilled to her strain.
No hand has taken it,
No hand can waken it-
For the soul of her art was her secret of pain.
430

Christ Crucified

Christ Crucified

Now ere I slept, my prayer had been that I might see my way
To do the will of Christ, our Lord and Master, day by day;
And with this prayer upon my lips, I knew not that I dreamed,
But suddenly the world of night a pandemonium seemed.
From forest, and from slaughter house, from bull ring, and from stall,
There rose an anguished cry of pain, a loud, appealing call;
As man – the dumb beast’s next of kin – with gun, and whip, and knife,
Went pleasure-seeking through the earth, blood-bent on taking life.
From trap, and cage, and house, and zoo, and street, that awful strain
Of tortured creatures rose and swelled the orchestra of pain.
And then methought the gentle Christ appeared to me and spoke:
‘I called you, but ye answered not’ – and in my fear I woke.


Then next I heard the roar of mills; and moving through the noise,
Like phantoms in an underworld, were little girls and boys.
Their backs were bent, their brows were pale, their eyes were sad and old;
But by the labour of their hands greed added gold to gold.
Again the Presence and the Voice: ‘Behold the crimes I see,
As ye have done it unto these, so have ye done to me.’


Again I slept. I seemed to climb a hard, ascending track;
And just behind me laboured one whose patient face was black.
I pitied him; but hour by hour he gained upon the path;
He stood beside me, stood upright – and then I turned in wrath.
‘Go back! ’ I cried. ‘What right have you to walk beside me here?
For you are black, and I am white.’ I paused struck dumb with fear.
For lo! the black man was not there, but Christ stood in his place;
And oh! the pain, the pain, the pain that looked from his dear face.


Now when I woke, the air was rife with that sweet, rhythmic din
Which tells the world that Christ has come to save mankind from sin.
And through the open door of church and temple passed a throng,
To worship Him, with bended knee with sermon, and with song.
But over all I heard the cry of hunted, mangled things;
Those creatures which are part of God, though they have hoofs and wings.


I saw the mill, the mine, and shop, the little slaves of greed;
I heard the strife of race with race, all sprung from one God-seed.
And then I bowed my head in shame, and in contrition cried –
‘Lo, after nineteen hundred years, Christ still is crucified.’
462

Certitude

Certitude


There was a time when I was confident
That God's stupendous mystery of birth
Was mine to know. The wonder of it lent
New ecstasy and glory to the earth.
I heard no voice that uttered it aloud,
Nor was it written for me on a scroll;
Yet, if alone or in the common crowd,
I felt myself a consecrated soul.
My child leaped in its dark and silent room
And cried, 'I am,' though all unheard by men.
So leaps my spirit in the body's gloom
And cries, 'I live! I shall be born again.'
Elate with certitude towards death I go,
Nor doubt, nor argue, since I know, I know!
285

Canada

Canada


England, father and mother in one,
Look on your stalwart son.


Sturdy and strong, with the valour of youth,
Where is another so lusty?
Coated and mailed, with the armour of truth,
Where is another so trusty?
Flesh of your flesh, and bone of your bone,
He is yours alone.


England, father and mother in one,
See the wealth of your son.


Forests primeval, and virginal sod,
Wheat-fields golden and splendid:
Riches of nature and opulent God
For the use of his children intended.
A courage that dares, and a hope that endures,


And a soul all yours.


England, father and mother in one,
Hear the cry of your son.


Little cares he for the glories of earth
Lying around and above him,
Yearning is he for the rights of his birth,
And the heart of his mother to love him.
Vast are your gifts to him, ample his store,
Now open your door.


England, father and mother in one,
Heed the voice of your son.


Proffer him place in your councils of state:
Let him sit near, and attend you.
Ponder his words in the hour of debate,
Strong is his arm to defend you.
Flesh of your flesh, and bone of your bone,
Give him his own.
388

Camouflage

Camouflage


Camouflage is all the rage.
Ladies in their fight with age-
Soldiers in their fight with foes-
Demagogues who mask and pose
In the guise of statesmen-girls
Black of eyes with golden curls-
Politicians, votes in mind,
Smiling, affable and kind,
All use camouflage to-day.
As you go upon your way,
Walk with caution, move with care;
Camouflage is everywhere!
456

Breaking The Day In Two

Breaking The Day In Two

When from dawn till noon seems one long day,
And from noon till night another,
Oh, then should a little boy come from play,
And creep into the arms of his mother.
Snugly creep and fall asleep,
O come, my baby, do;
Creep into my lap, and with a nap,
We'll break the day in two.


When the shadows slant for afternoon,
When the midday meal is over;
When the winds have sung themselves into a swoon,
And the bees drone in the clover.
Then hie to me, hie, for a lullaby-
Come, my baby, do;
Creep into my lap, and with a nap
We'll break the day in two.


We'll break it in two with a crooning song,
With a soft and soothing number;
For the day has no right to be so long
And keep my baby from slumber.
Then rock-a-by, rock, may white dreams flock
Like angels over you;
Baby's gone, and the deed is done
We've broken the day in two.
365

But One

But One

The year has but one June, dear friend;
The year has but one June;
And when that perfect month doth end,
The robin's song, though loud, though long,
Seems never quite in tune.
The rose, though still its blushing face
By bee and bird is seen,
May yet have lost that subtle grace—
That nameless spell the winds know
Which makes it garden's queen.
Life's perfect June, love's red, red rose,
Have burned and bloomed for me.
Though still youth's summer sunlight glows;
Though thou art kind, dear friend, I find
I have no heart for thee.
400

Beyond

Beyond


It seemeth such a little way to me
Across to that strange country – the Beyond;
And yet, not strange, for it has grown to be

The home of those whom I am so fond,
They make it seem familiar and most dear,
As journeying friends bring distant regions near.

So close it lies, that when my sight is clear
I think I almost see the gleaming strand.
I know I feel those who have gone from here

Come near enough sometimes, to touch my hand.
I often think, but for our veiled eyes,
We should find heaven right round about us lies.

I cannot make it seem a day to dread,
When from this dear earth I shall journey out
To that still dear country of the dead,

And join the lost ones, so long dreamed about.
I love this world, yet shall I love to go
And meet the friends who wait for me, I know.

I never stand above a bier and see
The seal of death set on some well-loved face
But that I think ‘One more to welcome me,

When I shall cross the intervening space
Between this land and that one “over there”;
One more to make the strange Beyond seem fair.’

And so for me there is no sting to death,
And so the grave has lost its victory.
It is but crossing – with a bated breath,

And white, set face – a little strip of sea,
To find the loved ones waiting on the shore,
More beautiful, more precious than before.
363

Bohemia

Bohemia


Bohemia, o'er thy unatlassed borders
How many cross, with half-reluctant feet,
And unformed fears of dangers and disorders,
To find delights, more wholesome and more sweet
Than ever yet were known to the "elite."


Herein can dwell no pretence and no seeming;
No stilted pride thrives in this atmosphere,
Which stimulates a tendency to dreaming.
The shores of the ideal world, from here,
Seem sometimes to be tangible and near.


We have no use for formal codes of fashion;
No "Etiquette f Courts" we emulate;
We know it needs sincerity and passion
To carry out the plans of God, or fate;
We do not strive to seem inanimate.


We call no time lost that we give to pleasure;
Life's hurrying river speeds to Death's great sea;
We cast out no vain plummet-line to measure
Imagined depths of that unknown To-Be,
But grasp the Now, and fill it full of glee.


All creeds have room here, and we all together
Devoutly worship at Art's sacred shrine;
But he who dwells once in thy golden weather,
Bohemia--sweet, lovely land of mine--
Can find no joy outside thy border-line.
329

Be Not Weary

Be Not Weary

Sometimes, when I am toil-worn and aweary,
And tired out with working long and well,
And earth is dark, and skies above are dreary,
And heart and soul are all too sick to tell,
These words have come to me like angel fingers
Pressing the spirit's eyelids down in sleep,
'Oh let us not be weary in well doing,
For in due season we shall surely reap.'

Oh, blessed promise! When I seem to hear it,
Whispered by angel voices on the air,
It breathes new life and courage to my spirit,
And gives me strength to suffer and forbear.
And I can wait most patiently for harvest,
And cast my seeds, nor ever faint, nor weep,
If I know surely that my work availeth,
And in God's season, I at last shall reap.

When mind and body were borne down completely,
And I have thought my efforts were all in vain,
These words have come to me so softly, sweetly,
And whispered hope, and urged me on again.
And though my labour seems all unavailing,
And all my striving fruitless, yet the Lord
Doth treasure up each little seed I scatter,
And sometime, sometime, I shall reap the reward.
410

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Identification and basic context

Ella Wheeler Wilcox was an American poet and novelist, born in Wisconsin. She is best known for her popular and inspirational poetry, often characterized by its accessible language and optimistic or sentimental themes. Wilcox achieved considerable fame during her lifetime, becoming one of the most widely read and commercially successful poets of her era. Her work often explored themes of love, nature, spirituality, and the power of positive thought, resonating with a broad audience. She wrote primarily in English and was a significant voice in American popular literature during the late 19th and early 20th centuries.

Childhood and education

Wilcox grew up in a rural setting in Wisconsin and showed an early inclination towards writing, composing her first poem at the age of seven. Her formal education was limited; she attended the University of Wisconsin for a brief period but left to pursue her literary ambitions. Despite this, she was a voracious reader and a self-taught individual, largely shaping her own intellectual and artistic development. Her early life experiences, including financial struggles within her family, likely contributed to her later focus on themes of perseverance and positive outlook.

Literary trajectory

Wilcox's literary career began in her youth, with poems appearing in local and then national publications. Her first book of poetry, "The Beautiful and the Ugly," was published in 1877, but it was her poem "The Beautiful World" (later retitled "The World Beautiful") that brought her widespread recognition. She went on to publish numerous volumes of poetry and prose, becoming a prolific and popular writer. Her work evolved in terms of its thematic focus, often emphasizing self-help, spiritualism, and a cheerful disposition, which cemented her reputation as a poet of encouragement and optimism. She was also a regular contributor to newspapers and magazines, further expanding her reach.

Works, style, and literary characteristics

Wilcox's most famous works include poetry collections like "Poems of Passion" (1883), "The Beautiful World" (1890), and "Sonnets of Sorrow and Triumph" (1907), as well as the inspirational prose work "The Art of Being Alive" (1913). Her dominant themes revolve around love, loss, nature, the spiritual realm, and the importance of a positive mental attitude. Her style is generally characterized by simplicity, directness, and a strong emotional appeal, making her poetry highly accessible to a broad readership. She often employed traditional forms like the sonnet but was also known for her lyrical and often aphoristic verse. Her poetic voice is typically warm, empathetic, and encouraging, aiming to uplift and inspire. While not known for radical formal innovations, her strength lay in her ability to articulate common sentiments and philosophical ideas in memorable and quotable ways. Her association with popular poetry and the self-help genre often meant her work was distinguished from more experimental or avant-garde literary movements of her time.

Cultural and historical context

Wilcox wrote during a period of significant social and cultural change in the United States, including the Gilded Age, the Progressive Era, and the rise of the New Thought movement, which emphasized the power of the mind to influence one's circumstances. Her optimistic and spiritual themes aligned well with the prevailing mood of self-improvement and the search for meaning that characterized this era. She was a contemporary of other popular poets and writers, and her work was widely circulated through newspapers and magazines, reflecting the growing mass media landscape. Her accessible style and reassuring messages provided a form of comfort and guidance to many readers navigating the complexities of modern life.

Personal life

Wilcox experienced personal hardships, including her father's early death and the family's subsequent financial difficulties, which likely influenced her later emphasis on resilience and financial independence. She married Robert Wilcox in 1884, and their relationship provided stability. She was known to be interested in spiritualism and New Thought philosophy, which permeated her writing and offered a framework for her optimistic outlook. Her public persona was one of warmth and approachability, and she engaged actively with her audience through her writings.

Recognition and reception

Wilcox achieved immense popularity during her lifetime, becoming one of the best-selling poets in the United States. Her work was widely published, translated, and read, earning her considerable fame and financial success. She was often referred to as "the people's poet." While she enjoyed broad popular appeal and critical acknowledgment of her ability to connect with readers, her work was sometimes viewed by literary elites as sentimental or lacking in artistic depth compared to more formally complex poets. Nevertheless, her place in popular culture and her impact on readers seeking comfort and inspiration are undeniable.

Influences and legacy

Wilcox was influenced by contemporary popular poets and by the philosophical currents of her time, such as New Thought and the broader interest in spirituality and positive thinking. Her legacy lies in her enduring popularity and her contribution to the genre of inspirational poetry. She influenced many subsequent writers in the self-help and inspirational genres, and her poems continue to be quoted and shared for their uplifting messages. While not typically considered a canonical figure in "high" literature, her work remains significant for its widespread appeal and its role in shaping popular literary tastes and providing solace to generations of readers.

Interpretation and critical analysis

Scholarly interpretation of Wilcox's work often focuses on its role within the context of popular literature, the New Thought movement, and the rise of women writers in the late 19th and early 20th centuries. Critics analyze her thematic focus on optimism and self-reliance, and her accessible style, as key factors in her broad appeal. Debates may arise regarding the artistic merit of her sentimentalism versus the genuine emotional resonance of her message.

Curiosities and lesser-known aspects

Wilcox was known for her belief in reincarnation and her interest in occult and spiritualist phenomena. She was also a proponent of vegetarianism. Her prolific output and sustained popularity made her a significant literary entrepreneur of her day. Despite her sentimental image, she was also a strong advocate for women's rights and empowerment, often weaving themes of independence and self-worth into her poetry.

Death and memory

Ella Wheeler Wilcox died in New York City at the age of 69. Her death was widely noted in the press, reflecting her considerable public profile. Her memory is preserved through the continued availability of her books and her frequent inclusion in anthologies of popular American poetry. Her poems remain widely circulated online and in popular culture, continuing to offer messages of hope and encouragement to new generations of readers.