Ella Wheeler Wilcox

Ella Wheeler Wilcox

1850–1919 · lived 68 years US US

Ella Wheeler Wilcox was an American poet and author known for her inspirational and often sentimental verse. Her poetry resonated widely with the public for its accessible style and optimistic themes, which frequently touched on love, nature, and positive thinking. Wilcox achieved significant popularity during her lifetime, with her works being widely published and embraced by readers seeking comfort and encouragement. She became a prominent voice, particularly in the late 19th and early 20th centuries, for her ability to distill complex emotions and life philosophies into memorable, quotable lines that continue to be recognized.

n. 1850-11-05, Janesville · m. 1919-10-30, Condado de New Haven

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Custer: Book Second

Custer: Book Second

I

Oh, for the power to call to aid, of mine
Own humble Muse, the famed and sacred nine.
Then might she fitly sing, and only then,
Of those intrepid and unflinching men
Who knew no homes save ever moving tents,
And who 'twixt fierce unfriendly elements
And wild barbarians warred. Yet unfraid,
Since love impels thy strains, sing, sing, my modest maid.


II


Relate how Custer in midwinter sought
Far Washita's cold shores; tell why he fought
With savage nomads fortressed in deep snows.
Woman, thou source of half the sad world's woes
And all its joys, what sanguinary strife
Has vexed the earth and made contention rife
Because of thee! For, hidden in man's heart,
Ay, in his very soul, of his true self a part,


III


The natural impulse and the wish belongs
To win thy favor and redress thy wrongs.
Alas! for woman, and for man, alas!
If that dread hour should ever come to pass,
When, through her new-born passion for control,
She drives that beauteous impulse from his soul.
What were her vaunted independence worth
If to obtain she sells her sweetest rights of birth?


IV


God formed fair woman for her true estateMan's
tender comrade, and his equal mate,
Not his competitor in toil and trade.
While coarser man, with greater strength was made
To fight her battles and her rights protect.
Ay! to protect the rights of earth's elect
(The virgin maiden and the spotless wife)
From immemorial time has man laid down his life.


V


And now brave Custer's valiant army pressed
Across the dangerous desert of the West,
To rescue fair white captives from the hands
Of brutal Cheyenne and Comanche bands,
On Washita's bleak banks. Nine hundred strong
It moved its slow determined way along,



Past frontier homes left dark and desolate
By the wild Indians' fierce and unrelenting hate;


VI


Past forts where ranchmen, strong of heart and bold,
Wept now like orphaned children as they told,
With quivering muscles and with anguished breath,
Of captured wives, whose fate was worse than death;
Past naked bodies whose disfiguring wounds
Spoke of the hellish hate of human hounds;
Past bleaching skeleton and rifled grave,
On pressed th' avenging host, to rescue and to save.


VII


Uncertain Nature, like a fickle friend,
(Worse than the foe on whom we may depend)
Turned on these dauntless souls a brow of wrath
And hurled her icy jav'lins in their path.
With treacherous quicksands, and with storms that blight,
Entrapped their footsteps and confused their sight.
'Yet on,' urged Custer, 'on at any cost,
No hour is there to waste, no moment to be lost.'


VIII


Determined, silent, on they rode, and on,
Like fabled Centaurs, men and steeds seemed one.
No bugle echoed and no voice spoke near,
Lest on some lurking Indian's list'ning ear
The sound might fall. Through swift descending snow
The stealthy guides crept, tracing out the foe;
No fire was lighted, and no halt was made
From haggard gray-lipped dawn till night lent friendly shade.


IX


Then, by the shelt'ring river's bank at last,
The weary warriors paused for their repast.
A couch of ice and falling shows for spread
Made many a suffering soldier's chilling bed.
They slept to dream of glory and delight,
While the pale fingers of the pitying night
Wove ghostly winding sheets for that doomed score
Who, ere another eve, should sleep to wake no more.


X


But those who slept not, saw with startled eyes
Far off, athwart dim unprotecting skies,
Ascending slowly with majestic grace,



A lustrous rocket, rising out of space.
'Behold the signal of the foe,' cried one,
The field is lost before the strife's begun.
Yet no! for see! yon rays spread near and far;
It is the day's first smile, the radiant morning star.


XI


The long hours counting till the daylight broke,
In whispered words the restless warriors spoke.
They talked of battles, but they thought of home
(For hearts are faithful though the feet may roam).
Brave Hamilton, all eager for the strife,
Mused o'er that two-fold mystery-death and life;
'And when I die,' quoth he, 'mine be the part
To fall upon the field, a bullet in my heart.'


XII


At break of dawn the scouts crept in to say
The foe was camped a rifle shot away.
The baying of a dog, an infant's cry
Pierced through the air; sleep fled from every eye.
To horse! to arms! the dead demand the dead!
Let the grand charge upon the lodge be led!
Let the Mosaic law, life for a life
Pay the long standing debt of blood. War to the knife!


XIII


So spake each heart in that unholy rage
Which fires the brain, when war the thoughts engage.
War, hideous war, appealing to the worst
In complex man, and waking that wild thirst
For human blood which blood alone can slake.
Yet for their country's safety, and the sake
Of tortured captives moaning in alarm
The Indian must be made to fear the law's strong arm.


XIV


A noble vengeance burned in Custer's breast,
But, as he led his army to the crest,
Above the wigwams, ready for the charge
He felt the heart within him, swelling large
With human pity, as an infant's wail
Shrilled once again above the wintry gale.
Then hosts of murdered children seemed to rise;
And shame his halting thought with sad accusing eyes,


XV



And urge him on to action. Stern of brow
The just avenger, and the General now,
He gives the silent signal to the band
Which, all impatient, waits for his command.
Cold lips to colder metal press; the air
Echoes those merry strains which mean despair
For sleeping chieftain and for toiling squaw,
But joy to those stern hearts which glory in the law


XVI


Of murder paying murder's awful debt.
And now four squadrons in one charge are met.
From east and west, from north and south they come,
At call of bugle and at roll of drum.
Their rifles rain hot hail upon the foe,
Who flee from danger in death's jaws to go.
The Indians fight like maddened bulls at bay,
And dying shriek and groan, wound the young ear of day.


XVII


A pallid captive and a white-browed boy
Add to the tumult piercing cries of joy,
As forth they fly, with high hope animate.
A hideous squaw pursues them with her hate;
Her knife descends with sickening force and sound;
Their bloody entrails stain the snow-clad ground.
She shouts with glee, then yells with rage and falls
Dead by her victims' side, pierced by avenging balls.


XVIII


Now war runs riot, carnage reigns supreme.
All thoughts of mercy fade from Custer's scheme.
Inhuman methods for inhuman foes,
Who feed on horrors and exult in woes.
To conquer and subdue alone remains
In dealing with the red man on the plains.
The breast that knows no conscience yields to fear,
Strike! let the Indian meet his master now and here.


XIX


With thoughts like these was Custer's mind engaged.
The gentlest are the sternest when enraged.
All felt the swift contagion of his ire,
For he was one who could arouse and fire
The coldest heart, so ardent was his own.
His fearless eye, his calm intrepid tone,
Bespoke the leader, strong with conscious power,
Whom following friends will bless, while foes will curse and cower.



XX


Again they charge! and now among the killed
Lies Hamilton, his wish so soon fulfilled,
Brave Elliott pursues across the field
The flying foe, his own young life to yield.
But like the leaves in some autumnal gale
The red men fall in Washita's wild vale.
Each painted face and black befeathered head
Still more repulsive seems with death's grim pallor wed.


XXI


New forces gather on surrounding knolls,
And fierce and fiercer war's red river rolls.
With bright-hued pennants flying from each lance
The gayly costumed Kiowas advance.
And bold Comanches (Bedouins of the land)
Infuse fresh spirit in the Cheyenne band.
While from the ambush of some dark ravine
Flash arrows aimed by hands, unerring and unseen.


XXIII


The hours advance; the storm clouds roll away;
Still furious and more furious grows the fray.
The yellow sun makes ghastlier still the sight
Of painted corpses, staring in its light.
No longer slaves, but comrades of their griefs,
The squaws augment the forces of their chiefs.
They chant weird dirges in a minor key,
While from the narrow door of wigwam and tepee


XXIII


Cold glittering eyes above cold glittering steel
Their deadly purpose and their hate reveal.
The click of pistols and the crack of guns
Proclaim war's daughters dangerous as her sons.
She who would wield the soldier's sword and lance
Must be prepared to take the soldier's chance.
She who would shoot must serve as target, too;
The battle-frenzied men, infuriate now pursue.


XXIV


And blood of warrior, woman and papoose,
Flow free as waters when some dam breaks loose;
Consuming fire, the wanton friend of war
(Whom allies worship and whom foes abhor)
Now trails her crimson garments through the street,



And ruin marks the passing of her feet.
Full three-score lodges smoke upon the plain,
And all the vale is strewn with bodies of the slain.


XXV


And those who are not numbered with the dead
Before all-conquering Custer now are led.
To soothe their woes, and calm their fears he seeks;
An Osage guide interprets while he speaks.
The vanquished captives, humbled, cowed and spent
Read in the victor's eye his kind intent.
The modern victor is as kind as brave;
His captive is his guest, not his insulted slave.


XXVI


Mahwissa, sister of the slaughtered chief
Of all the Cheyennes, listens; and her grief
Yields now to hope; and o'er her withered face
There flits the stealthy cunning of her race.
Then forth she steps, and thus begins to speak:
'To aid the fallen and support the weak
Is man's true province; and to ease the pain
Of those o'er whom it is his purpose now to reign.


XXVII


'Let the strong chief unite with theirs his life,
And take this black-eyed maiden for a wife.'
Then, moving with an air of proud command,
She leads a dusky damsel by the hand,
And places her at wondering Custer's side,
Invoking choicest blessings on the bride
And all unwilling groom, who thus replies.
'Fair is the Indian maid, with bright bewildering eyes,


XXVIII


'But fairer still is one who, year on year,
Has borne man's burdens, conquered woman's fear;
And at my side rode mile on weary mile,
And faced all deaths, all dangers, with a smile,
Wise as Minerva, as Diana brave,
Is she whom generous gods in kindness gave
To share the hardships of my wandering life,
Companion, comrade, friend, my loved and loyal wife.


XXIX


'The white chief weds but one. Take back thy maid.'
He ceased, and o'er Mahwissa's face a shade



Of mingled scorn and pity and surprise
Sweeps as she slow retreats, and thus replies:
'Rich is the pale-faced chief in battle fame,
But poor is he who but one wife may claim.
Wives are the red-skinned heroes' rightful spoil;
In war they prove his strength, in times of peace they toil.'


XXX


But hark! The bugle echoes o'er the plains
And sounds again those merry Celtic strains
Which oft have called light feet to lilting dance,
But now they mean the order to advance.
Along the river's bank, beyond the hill
Two thousand foemen lodge, unconquered still.
Ere falls night's curtain on this bloody play,
The army must proceed, with feint of further fray.


XXXI


The weary warriors mount their foam-flecked steeds,
With flags unfurled the dauntless host proceeds.
What though the foe outnumbers two to one?
Boldness achieves what strength oft leaves undone;
A daring mein will cause brute force to cower,
And courage is the secret source of power.
As Custer's column wheels upon their sight
The frightened red men yield the untried field by flight.


XXXII


Yet when these conquering heroes sink to rest,
Dissatisfaction gnaws the leader's breast,
For far away across vast seas of snows
Held prisoners still by hostile Arapahoes
And Cheyennes unsubdued, two captives wait.
On God and Custer hangs their future fate.
May the Great Spirit nerve the mortal's arm
To rescue suffering souls from worse than death's alarm.


XXXIII


But ere they seek to rescue the oppressed,
The valiant dead, in state, are laid to rest.
Mourned Hamilton, the faithful and the brave,
Nine hundred comrades follow to the grave;
And close behind the banner-hidden corse
All draped in black, walks mournfully his horse;
While tears of sound drip through the sunlit day.
A soldier may not weep, but drums and bugles may.


XXXIV



Now, Muse, recount, how after long delays
And dangerous marches through untrodden ways,
Where cold and hunger on each hour attend,
At last the army gains the journey's end.
An Indian village bursts upon the eye;
Two hundred lodges, sleep-encompassed lie,
There captives moan their anguished prayers through tears,
While in the silent dawn the armied answer nears.


XXXV


To snatch two fragile victims from the foe
Nine hundred men have traversed leagues of snow.
Each woe they suffered in a hostile land
The flame of vengeance in their bosoms fanned.
They thirst for slaughter, and the signal wait
To wrest the captives from their horrid fate.
Each warrior's hand upon his rifle falls,
Each savage soldier's heart for awful bloodshed calls.


XXXVI


And one, in years a youth, in woe a man,
Sad Brewster, scarred by sorrow's blighting ban,
Looks, panting, where his captive sister sleeps,
And o'er his face the shade of murder creeps.
His nostrils quiver like a hungry beast
Who scents anear the bloody carnal feast.
He longs to leap down in that slumbering vale
And leave no foe alive to tell the awful tale.


XXXVII


Not so, calm Custer. Sick of gory strife,
He hopes for rescue with no loss of life;
And plans that bloodless battle of the plains
Where reasoning mind outwits mere savage brains.
The sullen soldiers follow where he leads;
No gun is emptied, and no foeman bleeds.
Fierce for the fight and eager for the fray
They look upon their Chief in undisguised dismay.


XXXVIII


He hears the murmur of their discontent,
But sneers can never change a strong mind's bent.
He knows his purpose and he does not swerve.
And with a quiet mien and steady nerve
He meets dark looks where'er his steps may go,
And silence that is bruising as a blow,
Where late were smiles and words of ardent praise.



So pass the lagging weeks of wearying delays.

XXXIX

Inaction is not always what it seems,
And Custer's mind with plan and project teems.
Fixed in his peaceful purpose he abides
With none takes counsel and in none confides;
But slowly weaves about the foe a net
Which leaves them wholly at his mercy, yet
He strikes no fateful blow; he takes no life,
And holds in check his men, who pant for bloody strife.


XL


Intrepid warrior and skilled diplomate,
In his strong hands he holds the red man's fate.
The craftiest plot he checks with counterplot,
Till tribe by tribe the tricky foe is brought
To fear his vengeance and to know his power.
As man's fixed gaze will make a wild beast cower,
So these crude souls feel that unflinching will
Which draws them by its force, yet does not deign to kill.


XLI


And one by one the hostile Indians send
Their chiefs to seek a peaceful treaty's end.
Great councils follow; skill with cunning copes
And conquers it; and Custer sees his hopes
So long delayed, like stars storm hidden, rise
To radiate with splendor all his skies.
The stubborn Cheyennes, cowed at last by fear,
Leading the captive pair, o'er spring-touched hills appear.


XLII


With breath suspended, now the whole command
Waits the approach of that equestrian band.
Nearer it comes, still nearer, then a cry,
Half sob, half shriek, goes piercing God's blue sky,
And Brewster, like a nimble-footed doe,
Or like an arrow hurrying from a bow,
Shoots swiftly through the intervening space
And that lost sister clasps, in sorrowing love's embrace.


XLIII


And men who leaned o'er Hamilton's rude bier
And saw his dead dear face without a tear,
Strong souls who early learned the manly art
Of keeping from the eye what's in the heart,



Soldiers who look unmoved on death's pale brow,
Avert their eyes, to hide their moisture now.
The briny flood forced back from shores of woe,
Needs but to touch the strands of joy to overflow.


XLIV


About the captives welcoming warriors crowd,
All eyes are wet, and Brewster sobs aloud.
Alas, the ravage wrought by toil and woe
On faces that were fair twelve moons ago.
Bronzed by exposure to the heat and cold,
Still young in years, yet prematurely old,
By insults humbled and by labor worn,
They stand in youth's bright hour, of all youth's graces shorn.


XLV


A scanty garment rudely made of sacks
Hangs from their loins; bright blankets drape their backs;
About their necks are twisted tangled strings
Of gaudy beads, while tinkling wire and rings
Of yellow brass on wrists and fingers glow.
Thus, to assuage the anger of the foe
The cunning Indians decked the captive pair
Who in one year have known a lifetime of despair.


XLVI


But love can resurrect from sorrow's tomb
The vanished beauty and the faded bloom,
As sunlight lifts the bruised flower from the sod,
Can lift crushed hearts to hope, for love is God.
Already now in freedom's glad release
The hunted look of fear gives place to peace,
And in their eyes at thought of home appears
That rainbow light of joy which brightest shines through tears.


XLVII


About the leader thick the warriors crowd;
Late loud in censure, now in praises loud,
They laud the tactics, and the skill extol
Which gained a bloodless yet a glorious goal.
Alone and lonely in the path of right
Full many a brave soul walks. When gods requite
And crown his actions as their worth demands,
Among admiring throngs the hero always stands.


XLVIII



Back to the East the valorous squadrons sweep;
The earth, arousing from her long, cold sleep,
Throws from her breast the coverlet of snow,
Revealing Spring's soft charms which lie below.
Suppressed emotions in each heart arise,
The wooer wakens and the warrior dies.
The bird of prey is vanquished by the dove,
And thoughts of bloody strife give place to thoughts of love.


XLIX


The mighty plains, devoid of whispering trees,
Guard well the secrets of departed seas.
Where once great tides swept by with ebb and flow
The scorching sun looks down in tearless woe.
And fierce tornadoes in ungoverned pain
Mourn still the loss of that mysterious main.
Across this ocean bed the soldiers fly-
Home is the gleaming goal that lures each eager eye.


L


Like some elixir which the gods prepare,
They drink the viewless tonic of the air,
Sweet with the breath of startled antelopes
Which speed before them over swelling slopes.
Now like a serpent writhing o'er the moor,
The column curves and makes a slight detour,
As Custer leads a thousand men away
To save a ground bird's nest which in the footpath lay.


LI


Mile following mile, against the leaning skies
Far off they see a dull dark cloud arise.
The hunter's instinct in each heart is stirred,
Beholding there in one stupendous herd
A hundred thousand buffaloes. Oh great
Unwieldy proof of Nature's cruder state,
Rough remnant of a prehistoric day,
Thou, with the red man, too, must shortly pass away.


LII


Upon those spreading plains is there not room
For man and bison, that he seals its doom?
What pleasure lies and what seductive charm
In slaying with no purpose but to harm?
Alas, that man, unable to create,
Should thirst forever to exterminate,
And in destruction find his fiercest joy.
The gods alone create, gods only should destroy.



LIII


The flying hosts a straggling bull pursue;
Unerring aim, the skillful Custer drew.
The wounded beast turns madly in despair
And man and horse are lifted high in air.
The conscious steed needs not the guiding rein;
Back with a bound and one quick cry of pain
He springs, and halts, well knowing where must fall
In that protected frame, the sure death dealing ball.


LIV


With minds intent upon the morrow's feast,
The men surround the carcass of the beast.
Rolled on his back, he lies with lolling tongue,
Soon to the saddle savory steaks are hung.
And from his mighty head, great tufts of hair
Are cut as trophies for some lady fair.
To vultures then they leave the torn remains
Of what an hour ago was monarch of the plains.


LV


Far off, two bulls in jealous war engage,
Their blood-shot eye balls roll in furious rage;
With maddened hoofs they mutilate the ground
And loud their angry bellowings resound;
With shaggy heads bent low they plunge and roar,
Till both broad bellies drip with purple gore.
Meanwhile, the heifer, whom the twain desire,
Stands browsing near the pair, indifferent to their ire.


LVI


At last she lifts her lazy head and heeds
The clattering hoofs of swift advancing steeds.
Off to the herd with cumb'rous gait she runs
And leaves the bulls to face the threatening guns.
No more for them the free life of the plains,
Its mating pleasures and its warring pains.
Their quivering flesh shall feed unnumbered foes,
Their tufted tails adorn the soldiers' saddle bows.


LVII


Now into camp the conquering hosts advance;
On burnished arms the brilliant sunbeams glance.
Brave Custer leads, blonde as the gods of old;
Back from his brow blow clustering locks of gold,
And, like a jewel in a brook, there lies,



Far in the depths of his blue guarded eyes,
The thought of one whose smiling lips upcurled,
Mean more of joy to him than plaudits of the world.


LVIII


The troops in columns of platoons appear
Close to the leader following. Ah, here
The poetry of war is fully seen,
Its prose forgotten; as against the green
Of Mother Nature, uniformed in blue,
The soldiers pass for Sheridan's review.
The motion-music of the moving throng,
Is like a silent tune, set to a wordless song.


LIX


The guides and trailers, weird in war's array,
Precede the troops along the grassy way.
They chant wild songs, and with loud noise and stress,
In savage manner savage joy express.
The Indian captives, blanketed in red,
On ponies mounted, by the scouts are led.
Like sumach bushes, etched on evening skies,
Against the blue-clad troops, this patch of color lies.


LX


High o'er the scene vast music billows bound,
And all the air is liquid with the sound
Of those invisible compelling waves.
Perchance they reach the low and lonely graves
Where sleep brave Elliott and Hamilton,
And whisper there the tale of victory won;
Or do the souls of soldiers tried and true
Come at the bugle call, and march in grand review?


LXI


The pleased Commander watches in surprise
This splendid pageant surge before his eyes.
Not in those mighty battle days of old
Did scenes like this upon his sight unfold.
But now it passes. Drums and bugles cease
To dash war billows on the shores of Peace.
The victors smile on fair broad bosomed Sleep
While in her soothing arms, the vanquished cease to weep
Read full poem
Bio

Identification and basic context

Ella Wheeler Wilcox was an American poet and novelist, born in Wisconsin. She is best known for her popular and inspirational poetry, often characterized by its accessible language and optimistic or sentimental themes. Wilcox achieved considerable fame during her lifetime, becoming one of the most widely read and commercially successful poets of her era. Her work often explored themes of love, nature, spirituality, and the power of positive thought, resonating with a broad audience. She wrote primarily in English and was a significant voice in American popular literature during the late 19th and early 20th centuries.

Childhood and education

Wilcox grew up in a rural setting in Wisconsin and showed an early inclination towards writing, composing her first poem at the age of seven. Her formal education was limited; she attended the University of Wisconsin for a brief period but left to pursue her literary ambitions. Despite this, she was a voracious reader and a self-taught individual, largely shaping her own intellectual and artistic development. Her early life experiences, including financial struggles within her family, likely contributed to her later focus on themes of perseverance and positive outlook.

Literary trajectory

Wilcox's literary career began in her youth, with poems appearing in local and then national publications. Her first book of poetry, "The Beautiful and the Ugly," was published in 1877, but it was her poem "The Beautiful World" (later retitled "The World Beautiful") that brought her widespread recognition. She went on to publish numerous volumes of poetry and prose, becoming a prolific and popular writer. Her work evolved in terms of its thematic focus, often emphasizing self-help, spiritualism, and a cheerful disposition, which cemented her reputation as a poet of encouragement and optimism. She was also a regular contributor to newspapers and magazines, further expanding her reach.

Works, style, and literary characteristics

Wilcox's most famous works include poetry collections like "Poems of Passion" (1883), "The Beautiful World" (1890), and "Sonnets of Sorrow and Triumph" (1907), as well as the inspirational prose work "The Art of Being Alive" (1913). Her dominant themes revolve around love, loss, nature, the spiritual realm, and the importance of a positive mental attitude. Her style is generally characterized by simplicity, directness, and a strong emotional appeal, making her poetry highly accessible to a broad readership. She often employed traditional forms like the sonnet but was also known for her lyrical and often aphoristic verse. Her poetic voice is typically warm, empathetic, and encouraging, aiming to uplift and inspire. While not known for radical formal innovations, her strength lay in her ability to articulate common sentiments and philosophical ideas in memorable and quotable ways. Her association with popular poetry and the self-help genre often meant her work was distinguished from more experimental or avant-garde literary movements of her time.

Cultural and historical context

Wilcox wrote during a period of significant social and cultural change in the United States, including the Gilded Age, the Progressive Era, and the rise of the New Thought movement, which emphasized the power of the mind to influence one's circumstances. Her optimistic and spiritual themes aligned well with the prevailing mood of self-improvement and the search for meaning that characterized this era. She was a contemporary of other popular poets and writers, and her work was widely circulated through newspapers and magazines, reflecting the growing mass media landscape. Her accessible style and reassuring messages provided a form of comfort and guidance to many readers navigating the complexities of modern life.

Personal life

Wilcox experienced personal hardships, including her father's early death and the family's subsequent financial difficulties, which likely influenced her later emphasis on resilience and financial independence. She married Robert Wilcox in 1884, and their relationship provided stability. She was known to be interested in spiritualism and New Thought philosophy, which permeated her writing and offered a framework for her optimistic outlook. Her public persona was one of warmth and approachability, and she engaged actively with her audience through her writings.

Recognition and reception

Wilcox achieved immense popularity during her lifetime, becoming one of the best-selling poets in the United States. Her work was widely published, translated, and read, earning her considerable fame and financial success. She was often referred to as "the people's poet." While she enjoyed broad popular appeal and critical acknowledgment of her ability to connect with readers, her work was sometimes viewed by literary elites as sentimental or lacking in artistic depth compared to more formally complex poets. Nevertheless, her place in popular culture and her impact on readers seeking comfort and inspiration are undeniable.

Influences and legacy

Wilcox was influenced by contemporary popular poets and by the philosophical currents of her time, such as New Thought and the broader interest in spirituality and positive thinking. Her legacy lies in her enduring popularity and her contribution to the genre of inspirational poetry. She influenced many subsequent writers in the self-help and inspirational genres, and her poems continue to be quoted and shared for their uplifting messages. While not typically considered a canonical figure in "high" literature, her work remains significant for its widespread appeal and its role in shaping popular literary tastes and providing solace to generations of readers.

Interpretation and critical analysis

Scholarly interpretation of Wilcox's work often focuses on its role within the context of popular literature, the New Thought movement, and the rise of women writers in the late 19th and early 20th centuries. Critics analyze her thematic focus on optimism and self-reliance, and her accessible style, as key factors in her broad appeal. Debates may arise regarding the artistic merit of her sentimentalism versus the genuine emotional resonance of her message.

Curiosities and lesser-known aspects

Wilcox was known for her belief in reincarnation and her interest in occult and spiritualist phenomena. She was also a proponent of vegetarianism. Her prolific output and sustained popularity made her a significant literary entrepreneur of her day. Despite her sentimental image, she was also a strong advocate for women's rights and empowerment, often weaving themes of independence and self-worth into her poetry.

Death and memory

Ella Wheeler Wilcox died in New York City at the age of 69. Her death was widely noted in the press, reflecting her considerable public profile. Her memory is preserved through the continued availability of her books and her frequent inclusion in anthologies of popular American poetry. Her poems remain widely circulated online and in popular culture, continuing to offer messages of hope and encouragement to new generations of readers.

Poems

273

American Boys, Hello!

American Boys, Hello!

Oh! we love all the French, and we speak in French
As along through France we go.
But the moments to us that are keen and sweet
Are the ones when our khaki boys we meet,
Stalwart and handsome and trim and neat;
And we call to them-'Boys, hello!'
'Hello, American boys,
Luck to you, and life's best joys!
American boys, hello!'


We couldn't do that if we were at home-
It never would do you know!
For there you must wait till you're told who's who,
And to meet in the way that nice folks do.
Though you knew his name, and your name he knew-
You never would say 'Hello, hello, American boy!'
But here it's just a joy,
As we pass along in the stranger throng,
To call out, 'Boys, hello!'


For each is a brother away from home;
And this we are sure is so,
There's a lonesome spot in his heart somewhere,
And we want him to feel there are friends
right there


In this foreign land, and so we dare
To call out 'Boys, hello!'
'Hello, American boys,
Luck to you, and life's best joys!
American boys, hello!'
475

Always At Sea

Always At Sea

Always at sea I think about the dead.
On barques invisible they seem to sail
The self-same course; and from the decks cry 'Hail'!
Then I recall old words that they have said,
And see their faces etched upon the mist-
Dear faces I have kissed.


Always the dead seem very close at sea.
The coarse vibrations of the earth debar
Our spirit friends from coming where we are.
But through God's ether, unimpeded, free,
They wing their way, the ocean deeps above-
And find the hearts that love.


Always at sea my dead come very near.
A growing host; some old in spirit lore,
And some who crossed to find the other shore
But yesterday. All, all, I see and hear
With inner senses, while the voice of faith
Proclaims-there is no death.
314

After the Engagement

After the Engagement

Well, Mabel, 'tis over and ended---
The ball I wrote was to be;
And oh! it was perfectly splendid---
If you could have been here to see.
I've a thousand things to write you
That I know you are wanting to hear,
And one, that is sure to delight you---
I am wearing Joe's diamond, my dear!


Yes, mamma is quite ecstatic
That I am engaged to Joe;
She thinks I am rather erratic,
And feared that I might say "no."
But, Mabel, I'm twenty-seven
(Though nobody dreams it, dear),
And a fortune like Joe's isn't given
To lay at one's feet each year.


You know my old fancy for Harry---
Or, at least, I am certain you guessed
That it took all my sense not to marry
And go with that fellow out west.
But that was my very first season---
And Harry was poor as could be,
And mamma's good practical reason
Took all the romance out of me.


She whisked me off over the ocean,
And had me presented at court,
And got me all out of the notion
That ranch life out west was my forte.
Of course I have never repented--I'm
not such a goose of a thing;
But after I had consented
To Joe---and he gave me the ring---


I felt such a queer sensation.
I seemed to go into a trance,
Away from the music's pulsation,
Away from the lights and the dance.
And the wind o'er the wild prairie
Seemed blowing strong and free,
And it seemed not Joe, but Harry
Who was standing there close to me.


And the funniest feverish feeling
Went up from my feet to my head,
With little chills after it stealing---
And my hands got as numb as the dead.
A moment, and then it was over:
The diamond blazed up in my eyes,
And I saw in the face of my lover



A questioning, strange surprise.


Maybe 'twas the scent of the flowers,
That heavy with fragrance bloomed near,
But I didn't feel natural for hours;
It was odd now, wasn't it, dear?
Write soon to your fortunate Clara
Who has carried the prize away,
And say you'll come on when I marry;
I think it will happen in May.
427

All Roads That Lead To God Are Good

All Roads That Lead To God Are Good

All roads that lead to God are good.
What matters it, your faith, or mine?
Both centre at the goal divine

Of love’s eternal Brotherhood.

The kindly life in house or street –
The life of prayer and mystic rite –
The student’s search for truth and light –

These paths at one great Junction meet.

Before the oldest book was writ,
Full many a prehistoric soul
Arrived at this unchanging goal,

Through changeless Love, that leads to it.

What matters that one found his Christ
In rising sun, or burning fire?
In faith within him did not tire,

His longing for the Truth sufficed.

Before our modern hell was brought
To edify the modern world,
Full many a hate-filled soul was hurled

In lakes of fire by its own thought.

A thousand creeds have come and gone,
But what is that to you or me?
Creeds are but branches of a tree –

The root of love lives on and on.

Though branch by branch proved withered wood,
The root is warm with precious wine.
Then keep your faith, and leave me mine –

All roads that lead to God are good.
406

Ad Finum

Ad Finum

On the white throat of useless passion
That scorched my soul with its burning breath
I clutched my fingers in murderous fashion
And gathered them close in a grip of death;


For why should I fan, or feed with fuel,
A love that showed me but blank despair?
So my hold was firm, and my grasp was cruel -
I meant to strangle it then and there!


I thought it was dead. But, with no warning,
It rose from its grave last night and came
And stood by my bed till the early morning.
And over and over it spoke your name.


Its throat was red where my hands had held it;
It burned my brow with its scorching breath;
And I said, the moment my eyes beheld it,
'A love like this can know no death.'


For just one kiss that your lips have given
In the lost and beautiful past to me,
I would gladly barter my hopes of Heaven
And all the bliss of Eternity.


For never a joy are the angels keeping,
To lay at my feet in Paradise,
Like that of into your strong arms creeping,
And looking into your love lit eyes.


I know, in the way that sins are reckoned,
This thought is a sin of the deepest dye;
But I know too that if an angel beckoned,
Standing close by the Throne on High,
And you, adown by the gates infernal,
Should open your loving arms and smile,
I would turn my back on things supernal,
To lie on your breast a little while.


To know for an hour you were mine completely-
Mine in body and soul, my own-
I would bear unending tortures sweetly,
With not a murmur and not a moan.


A lighter sin or lesser error
Might change through hope or fear divine;
But there is no fear, and hell hath no terror,
To change or alter a love like mine.
539

About May

About May

One night Nurse Sleep held out her hand
To tired little May.
'Come, go with me to Wonderland,'
She said, 'I know the way.
Just rock-a-by-hum-m-m,
And lo! we come
To the place where the dream-girls play.'


But naughty May, she wriggled away
From Sleep's soft arms, and said:
'I must stay awake till I eat my cake,
And then I will go to bed;
With a by-lo, away I will go.'
But the good nurse shook her head.


She shook her head and away she sped,
While May sat munching her crumb.
But after the cake there came an ache,
Though May cried: 'Come, Sleep, come,
And it's oh! my! let us by-lo-by'-
All save the echoes were dumb.


She ran after Sleep toward Wonderland,
Ran till the morning light;
And just as she caught her and grasped her hand,
A nightmare gave her a fright.
And it's by-lo, I hope she'll know
Better another night.
394

A Waif

A Waif

My soul is like a poor caged bird to-night,
Beating its wings against the prison bars,
Longing to reach the outer world of light,

And, all untrammelled, soar among the stars.
Wild, mighty thoughts struggle within my soul
For utterance. Great waves of passion roll
Through all my being. As the lightnings play
Through thunder clouds, so beams of blinding light
Flash for a moment on my darkened brain -
Quick, sudden, glaring beams, that fade wawy
And leave me in a darker, deeper night.

Oh, poet sould! that struggle all in vain
To live in peace and harmony with earth,
It cannot be! They must endure the pain
Of conscience and unacknoeledged worth,

Moving and dwelling with the common herd,
Whose highest thought has never strayed as far,
Or never strayed beyond the horizon's bar;

Whose narrow hearts and souls are never stirred
With keenest pleasures, or with sharpest pain;
Who rise and eat and sleep, and rise again,

Nor question why or wherefore. Men whose minds
Are never shaken by wild passion winds;

Women whose broadest, deepeat realm of thought
The bridal veil will cover.

Who see not
God's mighty work lying undone to-day, -
Work that a woman's hands can do as well,
Oh, soul of mine; better to live alway
In this tumultuous inward pain and strife,

Doing the work that in thy reach doth fall,
Weeping because thou canst not do it all;
Oh, better, my soul, in this unrest to dwell,
Than grovel as they grovel on through life.
474

A Woman's Love

A Woman's Love

So vast the tide of Love within me surging,
It overflows like some stupendous sea,
The confines of the Present and To-be;
And 'gainst the Past's high wall I feel it urging,
As it would cry "Thou too shalt yield to me!"


All other loves my supreme love embodies;
I would be she on whose soft bosom nursed
Thy clinging infant lips to quench their thirst;
She who trod close to hidden worlds where God is,
That she might have, and hold, and see thee first.


I would be she who stirred the vague fond fancies,
Of thy still childish heart; who through bright days
Went sporting with thee in the old-time plays,
And caught the sunlight of thy boyish glances
In half-forgotten and long-buried Mays.


Forth to the end, and back to the beginning,
My love would send its inundating tide,
Wherein all landmarks of thy past should hide.
If thy life's lesson must be learned through sinning,
My grieving virtue would become thy guide.


For I would share the burden of thy errors,
So when the sun of our brief life had set,
If thou didst walk in darkness and regret,
E'en in that shadowy world of nameless terrors,
My soul and thine should be companions yet.


And I would cross with thee those troubled oceans
Of dark remorse whose waters are despair:
All things my jealous reckless love would dare,
So that thou mightst not recollect emotions
In which it did not have a part and share.


There is no limit to my love's full measure,
Its spirit gold is shaped by earth's alloy;
I would be friend and mother, mate and toy,
I'd have thee look to me for every pleasure,
And in me find all memories of joy.


Yet though I love thee in such selfish fashion,
I would wait on thee, sitting at thy feet,
And serving thee, if thou didst deem it meet.
And couldst thou give me one fond hour of passion,
I'd take that hour and call my life complete.
375

A Servian Legend

A Servian Legend

Long, long ago, ere yet our race began,
When earth was empty, waiting still for man,
Before the breath of life to him was given
The angels fell into a strife in heaven.


At length one furious demon grasped the sun
And sped away as fast as he could run,
And with a ringing laugh of fiendish mirth,
He leaped the battlements and fell to earth.


Dark was it then in heaven, but light below;
For there the demon wandered to and fro,
Tilting aloft upon a slender pole
The orb of day-the pilfering old soul.


The angels wept and wailed; but through the dark
The Great Creator's voice cried sternly: sternly: 'Hark!
Who will restore to me the orb of Light,
Him will I honor in all heaven's sight.'


Then over the battlements there dropped another.
(A shrewder angel well there could not be.)
Quoth he: 'Behold my love for thee, my brother,
For I have left all heaven to stay with thee.


'Thy loneliness and wanderings I will share,
Thy heavy burden I will help thee bear.'
'Well said,' the demon answered, 'and well done,
But I'll not tax you with this heavy sun.


'Your company will cheer me, it is true,
And I could never think of burdening you.'
Idly they wandered onward, side by side,
Till, by and by, they neared a silvery tide.


'Let's bathe,' the angel suddenly suggested.
'Agreed,' the demon answered. 'I'll go last,
Because I needs must leave quite unmolested
This tiresome sun, which I will now make fast.'


He set the pole well in the sandy turf,
And called a jackdaw near to watch the place.
Meanwhile the angel paddled in the surf,
And playfully dared his brother to a race.



They swam around together for awhile,
The demon always keeping near his prize,
Till presently the angel, with a smile,
Proposed a healthful diving exercise.


The demon hesitated. 'But,' thought he,
'The jackdaw will inform me with a cry
If this good brother tries deceiving me;
I will not be outdone by him-not I!'


Down, down they went. The angel in a trice
Rose up again, and swift to shore he sped.
The jackdaw shrieked, but lo! a mile of ice
The demon found had frozen o'er his head.


He swore an oath, and gathered all his force,
And broke the ice, to see the sun, of course,
Held firmly in the radiant angel's hand,
Who sailed away toward the heavenly land.


He gave pursuit. Wrath lent speed to his chase;
All heaven leaned down to watch the exciting race.
On, on they came, and still the Evil One
Gained on the angel burdened with the sun.


With bated breath and faces white as ghosts,
Over the walls leaned heaven's affrighted hosts.
Up, up, still up, the angel almost spent,
Threw one foot forward o'er the battlement.


The demon seized the other with a shout;
So fierce his clutch he pulled the bottom out,
As the good angel, fainting, laid the sun
Down by the throne of God, who cried: 'Well done!
Thy great misfortune shall be made divine:
Man will I create with a foot like thine!'
833

A Suggestion

A Suggestion

As I go and shop, sir!
If a car I stop, sir!

Where you chance to sit,
And you want to read, sir!
Never mind or heed, sir!

I’ll not care a bit.

For it’s now aesthetic
To be quite athletic.

That’s our fad, you know.
I can hold the strap, sir!
And keep off your lap, sir!

As we jolting go.

If you read on blindly,
I shall take it kindly,

All the car’s not mine.
But, if you sit and stare, sir!
At my eyes and hair, sir!

I must draw the line.

If the stare is meant, sir!
For a compliment, sir!

As we jog through town,
Allow me to suggest, sir!
A woman oft looks best, sir!

When she’s sitting down.
455

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