Poems List

Answered Prayers

Answered Prayers

I prayed for riches, and achieved success;
All that I touched turned into gold. Alas!
My cares were greater and my peace was less,
When that wish came to pass.

I prayed for glory, and I heard my name
Sung by sweet children and by hoary men.
But ah! the hurts – the hurts that come with fame.
I was not happy then.

I prayed for Love, and had my heart’s desire.
Through quivering heart and body, and through brain,
There swept the flame of its devouring fire,
And but the scars remain.

I prayed for a contented mind. At length
Great light upon my darkened spirit burst.
Great peace fell on me also, and great strength –
Oh, had that prayer been first!
390

Angel Or Demon

Angel Or Demon

You call me an angel of love and of light,
A being of goodness and heavenly fire,
Sent out from God’s kingdom to guide you aright,

In paths where your spirits may mount and aspire.
You say that I glow like a star on its course,
Like a ray from the alter, a spark from the source.

Now list to my answer; let all the world hear it;
I speak unafraid what I know to be true:
A pure, faithful love is the creative spirit

Which makes women angels! I live in but you.
We are bound soul to soul by life’s holiest laws;
If I am an angel – why, you are the cause.

As my ship skims the sea, I look up from the deck.
Fair, firm at the wheel shines Love’s beautiful form,
And shall I curse the barque that last night went to wreck,

By the Pilot abandoned to darkness and storm?
My craft is no stauncher, she too had been lost –
Had the wheelman deserted, or slept at his post.

I laid down the wealth of my soul at your feet
(Some woman does this for some man every day) .
No desperate creature who walks in the street,

Has a wickeder heart that I might have, I say,
Had you wantonly misused the treasures you woon,
-As so many men with heart riches have done.

This flame from God’s altar, this holy love flame,
That burns like sweet incense for ever for you,
Might now be a wild conflagration of shame,

Had you tortured my heart, or been base or untrue.
For angels and devils are cast in one mould,
Till love guides them upward, or downward, I hold.

I tell you the women who make fervent wives
And sweet tender mothers, had Fate been less fair,
Are the women who might have abandoned their lives

To the madness that springs from and ends in despair.
As the fire on the hearth which sheds brightness around,
Neglected, may level the walls to the ground.

The world makes grave errors in judging these things,
Great good and great evil are born in one breast.
Love horns us and hoofs us – or gives us our wings,
And the best could be worst, as the worst could be best.
You must thank your own worth for what I grew to be,
For the demon lurked under the angel in me.
468

An Inspiration

An Inspiration

However the battle is ended,
Though proudly the victor comes
With fluttering flags and prancing nags
And echoing roll of drums.
Still truth proclaims this motto,
In letters of living light, -
No Question is ever settled,
Until it is settled right.


Though the heel of the strong oppressor
May grind the weak to dust,
And the voices of fame with one acclaim
May call him great and just,
Let those who applaud take warning,
And keep this motto in sight, -
No question is ever settled
Until it is settled right.


Let those who have failed take courage;
Tho' the enemy seems to have won,
Tho' his ranks are strong, if he be in the wrong
The battle is not yet done;
For, as sure as the morning follows
The darkest hour of the night,
No question is ever settled
Until it is settled right.


O man bowed down with labor!
O woman, young, yet old!
O heart oppressed in the toiler's breast
And crushed by the power of gold!
Keep on with your weary battle
Against triumphant might;
No question is ever settled
Until it is settled right.
476

An Empty Crib

An Empty Crib

Beside a crib that holds a baby’s stocking,
A tattered picture book, a broken toy,
A sleeping mother dreams that she is rocking


Her fair-haired cherub boy.

Upon the cradle’s side her light touch keeping,
She gently rocks it, crooning low a song;
And smiles to think her little one is sleeping,


So peacefully and long.

Step light, breathe low, break not her rapturous dreaming,
Wake not the sleeper from her trance of joy,
For never more save in sweet slumber-seeming


Will she watch o’er her little boy.

God pity her when from her dream Elysian
She wakes to see the empty crib, and weep;
Knowing her joy was but a sleeper’s vision,

Tread lightly – let her sleep.
354

American Boys, Hello!

American Boys, Hello!

Oh! we love all the French, and we speak in French
As along through France we go.
But the moments to us that are keen and sweet
Are the ones when our khaki boys we meet,
Stalwart and handsome and trim and neat;
And we call to them-'Boys, hello!'
'Hello, American boys,
Luck to you, and life's best joys!
American boys, hello!'


We couldn't do that if we were at home-
It never would do you know!
For there you must wait till you're told who's who,
And to meet in the way that nice folks do.
Though you knew his name, and your name he knew-
You never would say 'Hello, hello, American boy!'
But here it's just a joy,
As we pass along in the stranger throng,
To call out, 'Boys, hello!'


For each is a brother away from home;
And this we are sure is so,
There's a lonesome spot in his heart somewhere,
And we want him to feel there are friends
right there


In this foreign land, and so we dare
To call out 'Boys, hello!'
'Hello, American boys,
Luck to you, and life's best joys!
American boys, hello!'
461

All Roads That Lead To God Are Good

All Roads That Lead To God Are Good

All roads that lead to God are good.
What matters it, your faith, or mine?
Both centre at the goal divine

Of love’s eternal Brotherhood.

The kindly life in house or street –
The life of prayer and mystic rite –
The student’s search for truth and light –

These paths at one great Junction meet.

Before the oldest book was writ,
Full many a prehistoric soul
Arrived at this unchanging goal,

Through changeless Love, that leads to it.

What matters that one found his Christ
In rising sun, or burning fire?
In faith within him did not tire,

His longing for the Truth sufficed.

Before our modern hell was brought
To edify the modern world,
Full many a hate-filled soul was hurled

In lakes of fire by its own thought.

A thousand creeds have come and gone,
But what is that to you or me?
Creeds are but branches of a tree –

The root of love lives on and on.

Though branch by branch proved withered wood,
The root is warm with precious wine.
Then keep your faith, and leave me mine –

All roads that lead to God are good.
391

Always At Sea

Always At Sea

Always at sea I think about the dead.
On barques invisible they seem to sail
The self-same course; and from the decks cry 'Hail'!
Then I recall old words that they have said,
And see their faces etched upon the mist-
Dear faces I have kissed.


Always the dead seem very close at sea.
The coarse vibrations of the earth debar
Our spirit friends from coming where we are.
But through God's ether, unimpeded, free,
They wing their way, the ocean deeps above-
And find the hearts that love.


Always at sea my dead come very near.
A growing host; some old in spirit lore,
And some who crossed to find the other shore
But yesterday. All, all, I see and hear
With inner senses, while the voice of faith
Proclaims-there is no death.
305

Ad Finum

Ad Finum

On the white throat of useless passion
That scorched my soul with its burning breath
I clutched my fingers in murderous fashion
And gathered them close in a grip of death;


For why should I fan, or feed with fuel,
A love that showed me but blank despair?
So my hold was firm, and my grasp was cruel -
I meant to strangle it then and there!


I thought it was dead. But, with no warning,
It rose from its grave last night and came
And stood by my bed till the early morning.
And over and over it spoke your name.


Its throat was red where my hands had held it;
It burned my brow with its scorching breath;
And I said, the moment my eyes beheld it,
'A love like this can know no death.'


For just one kiss that your lips have given
In the lost and beautiful past to me,
I would gladly barter my hopes of Heaven
And all the bliss of Eternity.


For never a joy are the angels keeping,
To lay at my feet in Paradise,
Like that of into your strong arms creeping,
And looking into your love lit eyes.


I know, in the way that sins are reckoned,
This thought is a sin of the deepest dye;
But I know too that if an angel beckoned,
Standing close by the Throne on High,
And you, adown by the gates infernal,
Should open your loving arms and smile,
I would turn my back on things supernal,
To lie on your breast a little while.


To know for an hour you were mine completely-
Mine in body and soul, my own-
I would bear unending tortures sweetly,
With not a murmur and not a moan.


A lighter sin or lesser error
Might change through hope or fear divine;
But there is no fear, and hell hath no terror,
To change or alter a love like mine.
529

After the Engagement

After the Engagement

Well, Mabel, 'tis over and ended---
The ball I wrote was to be;
And oh! it was perfectly splendid---
If you could have been here to see.
I've a thousand things to write you
That I know you are wanting to hear,
And one, that is sure to delight you---
I am wearing Joe's diamond, my dear!


Yes, mamma is quite ecstatic
That I am engaged to Joe;
She thinks I am rather erratic,
And feared that I might say "no."
But, Mabel, I'm twenty-seven
(Though nobody dreams it, dear),
And a fortune like Joe's isn't given
To lay at one's feet each year.


You know my old fancy for Harry---
Or, at least, I am certain you guessed
That it took all my sense not to marry
And go with that fellow out west.
But that was my very first season---
And Harry was poor as could be,
And mamma's good practical reason
Took all the romance out of me.


She whisked me off over the ocean,
And had me presented at court,
And got me all out of the notion
That ranch life out west was my forte.
Of course I have never repented--I'm
not such a goose of a thing;
But after I had consented
To Joe---and he gave me the ring---


I felt such a queer sensation.
I seemed to go into a trance,
Away from the music's pulsation,
Away from the lights and the dance.
And the wind o'er the wild prairie
Seemed blowing strong and free,
And it seemed not Joe, but Harry
Who was standing there close to me.


And the funniest feverish feeling
Went up from my feet to my head,
With little chills after it stealing---
And my hands got as numb as the dead.
A moment, and then it was over:
The diamond blazed up in my eyes,
And I saw in the face of my lover



A questioning, strange surprise.


Maybe 'twas the scent of the flowers,
That heavy with fragrance bloomed near,
But I didn't feel natural for hours;
It was odd now, wasn't it, dear?
Write soon to your fortunate Clara
Who has carried the prize away,
And say you'll come on when I marry;
I think it will happen in May.
410

About May

About May

One night Nurse Sleep held out her hand
To tired little May.
'Come, go with me to Wonderland,'
She said, 'I know the way.
Just rock-a-by-hum-m-m,
And lo! we come
To the place where the dream-girls play.'


But naughty May, she wriggled away
From Sleep's soft arms, and said:
'I must stay awake till I eat my cake,
And then I will go to bed;
With a by-lo, away I will go.'
But the good nurse shook her head.


She shook her head and away she sped,
While May sat munching her crumb.
But after the cake there came an ache,
Though May cried: 'Come, Sleep, come,
And it's oh! my! let us by-lo-by'-
All save the echoes were dumb.


She ran after Sleep toward Wonderland,
Ran till the morning light;
And just as she caught her and grasped her hand,
A nightmare gave her a fright.
And it's by-lo, I hope she'll know
Better another night.
384

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Identification and basic context

Ella Wheeler Wilcox was an American poet and novelist, born in Wisconsin. She is best known for her popular and inspirational poetry, often characterized by its accessible language and optimistic or sentimental themes. Wilcox achieved considerable fame during her lifetime, becoming one of the most widely read and commercially successful poets of her era. Her work often explored themes of love, nature, spirituality, and the power of positive thought, resonating with a broad audience. She wrote primarily in English and was a significant voice in American popular literature during the late 19th and early 20th centuries.

Childhood and education

Wilcox grew up in a rural setting in Wisconsin and showed an early inclination towards writing, composing her first poem at the age of seven. Her formal education was limited; she attended the University of Wisconsin for a brief period but left to pursue her literary ambitions. Despite this, she was a voracious reader and a self-taught individual, largely shaping her own intellectual and artistic development. Her early life experiences, including financial struggles within her family, likely contributed to her later focus on themes of perseverance and positive outlook.

Literary trajectory

Wilcox's literary career began in her youth, with poems appearing in local and then national publications. Her first book of poetry, "The Beautiful and the Ugly," was published in 1877, but it was her poem "The Beautiful World" (later retitled "The World Beautiful") that brought her widespread recognition. She went on to publish numerous volumes of poetry and prose, becoming a prolific and popular writer. Her work evolved in terms of its thematic focus, often emphasizing self-help, spiritualism, and a cheerful disposition, which cemented her reputation as a poet of encouragement and optimism. She was also a regular contributor to newspapers and magazines, further expanding her reach.

Works, style, and literary characteristics

Wilcox's most famous works include poetry collections like "Poems of Passion" (1883), "The Beautiful World" (1890), and "Sonnets of Sorrow and Triumph" (1907), as well as the inspirational prose work "The Art of Being Alive" (1913). Her dominant themes revolve around love, loss, nature, the spiritual realm, and the importance of a positive mental attitude. Her style is generally characterized by simplicity, directness, and a strong emotional appeal, making her poetry highly accessible to a broad readership. She often employed traditional forms like the sonnet but was also known for her lyrical and often aphoristic verse. Her poetic voice is typically warm, empathetic, and encouraging, aiming to uplift and inspire. While not known for radical formal innovations, her strength lay in her ability to articulate common sentiments and philosophical ideas in memorable and quotable ways. Her association with popular poetry and the self-help genre often meant her work was distinguished from more experimental or avant-garde literary movements of her time.

Cultural and historical context

Wilcox wrote during a period of significant social and cultural change in the United States, including the Gilded Age, the Progressive Era, and the rise of the New Thought movement, which emphasized the power of the mind to influence one's circumstances. Her optimistic and spiritual themes aligned well with the prevailing mood of self-improvement and the search for meaning that characterized this era. She was a contemporary of other popular poets and writers, and her work was widely circulated through newspapers and magazines, reflecting the growing mass media landscape. Her accessible style and reassuring messages provided a form of comfort and guidance to many readers navigating the complexities of modern life.

Personal life

Wilcox experienced personal hardships, including her father's early death and the family's subsequent financial difficulties, which likely influenced her later emphasis on resilience and financial independence. She married Robert Wilcox in 1884, and their relationship provided stability. She was known to be interested in spiritualism and New Thought philosophy, which permeated her writing and offered a framework for her optimistic outlook. Her public persona was one of warmth and approachability, and she engaged actively with her audience through her writings.

Recognition and reception

Wilcox achieved immense popularity during her lifetime, becoming one of the best-selling poets in the United States. Her work was widely published, translated, and read, earning her considerable fame and financial success. She was often referred to as "the people's poet." While she enjoyed broad popular appeal and critical acknowledgment of her ability to connect with readers, her work was sometimes viewed by literary elites as sentimental or lacking in artistic depth compared to more formally complex poets. Nevertheless, her place in popular culture and her impact on readers seeking comfort and inspiration are undeniable.

Influences and legacy

Wilcox was influenced by contemporary popular poets and by the philosophical currents of her time, such as New Thought and the broader interest in spirituality and positive thinking. Her legacy lies in her enduring popularity and her contribution to the genre of inspirational poetry. She influenced many subsequent writers in the self-help and inspirational genres, and her poems continue to be quoted and shared for their uplifting messages. While not typically considered a canonical figure in "high" literature, her work remains significant for its widespread appeal and its role in shaping popular literary tastes and providing solace to generations of readers.

Interpretation and critical analysis

Scholarly interpretation of Wilcox's work often focuses on its role within the context of popular literature, the New Thought movement, and the rise of women writers in the late 19th and early 20th centuries. Critics analyze her thematic focus on optimism and self-reliance, and her accessible style, as key factors in her broad appeal. Debates may arise regarding the artistic merit of her sentimentalism versus the genuine emotional resonance of her message.

Curiosities and lesser-known aspects

Wilcox was known for her belief in reincarnation and her interest in occult and spiritualist phenomena. She was also a proponent of vegetarianism. Her prolific output and sustained popularity made her a significant literary entrepreneur of her day. Despite her sentimental image, she was also a strong advocate for women's rights and empowerment, often weaving themes of independence and self-worth into her poetry.

Death and memory

Ella Wheeler Wilcox died in New York City at the age of 69. Her death was widely noted in the press, reflecting her considerable public profile. Her memory is preserved through the continued availability of her books and her frequent inclusion in anthologies of popular American poetry. Her poems remain widely circulated online and in popular culture, continuing to offer messages of hope and encouragement to new generations of readers.