Emily Dickinson

Emily Dickinson

1830–1886 · lived 55 years US US

Emily Dickinson was a prolific American poet whose work was largely unknown during her lifetime. Her poems are characterized by their unconventional style, exploring themes of nature, death, immortality, and faith with unique imagery and introspective depth. She is now recognized as one of the most important figures in American poetry, known for her distinct voice and innovative approach to form and language.

n. 1830-12-10, Amherst · m. 1886-05-15, Amherst

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We see-Comparatively

We see-Comparatively

534

We see-Comparatively-
The Thing so towering high
We could not grasp its segment
Unaided-Yesterday-

This Morning's finer Verdict-
Makes scarcely worth the toil-
A furrow-Our Cordillera-
Our Apennine-a Knoll-

Perhaps 'tis kindly-done us-
The Anguish-and the loss-
The wrenching-for His Firmament
The Thing belonged to us-

To spare these Striding Spirits
Some Morning of Chagrin-
The waking in a Gnat's-embrace-
Our Giants-further on-
Read full poem
Bio

Identification and basic context

Emily Dickinson is one of America's most celebrated poets. She often wrote under her own name. She was born in Amherst, Massachusetts, and died there. Her family was prominent in Amherst society, and she came from a lineage of lawyers and politicians. She was an American national and wrote in English.

Childhood and education

Dickinson grew up in a devoutly religious household, which likely influenced her later theological explorations. She attended Amherst Academy and Mount Holyoke Female Seminary, receiving a rigorous education for the time. Her early readings included the Bible, works by Ralph Waldo Emerson, and classical literature, which undoubtedly shaped her intellectual and poetic development. Significant events in her youth included periods of intense religious engagement and growing introspection.

Literary trajectory

Dickinson began writing poetry at a young age, with her output increasing significantly in the 1860s. Her style evolved, becoming increasingly concise, introspective, and experimental. While she shared her poems with friends and family, she did not actively seek publication. A few poems were published anonymously during her lifetime, often altered by editors. She did not engage with literary magazines or anthologies in a conventional manner.

Works, style, and literary characteristics

Dickinson's major works are her nearly 1,800 poems, most of which were published posthumously. Dominant themes include nature, death, immortality, faith, doubt, love, and the self. Her poems are known for their radical compression, slant rhyme, unconventional capitalization, and use of dashes. Her poetic devices are striking, creating vivid imagery and a unique rhythm. The tone can range from ecstatic to despairing, often employing irony and a deeply personal voice that transcends to the universal. Her language is precise, often using domestic imagery to explore profound philosophical ideas. She is associated with no specific literary movement but is a precursor to modernism.

Cultural and historical context

Dickinson lived during a period of significant social and intellectual change in the United States, including the abolitionist movement and the Civil War, though these are not overt subjects in her poetry. She engaged intellectually with Transcendentalism, particularly through Emerson's writings, and her work reflects a broader cultural questioning of religious and social norms. Her isolation in Amherst created a unique space for her creative development, setting her apart from established literary circles.

Personal life

Dickinson's personal life was largely private and centered in Amherst. Her relationships with family, particularly her brother Austin and his wife Susan Gilbert, were complex and deeply influential. Friendships, such as with Thomas Wentworth Higginson, provided intellectual companionship and some encouragement. Her intense inner life, marked by periods of profound introspection and perhaps illness, is reflected in the depth and originality of her poetry. She did not pursue a parallel profession, dedicating herself to her inner world and writing.

Recognition and reception

During her lifetime, Dickinson received very little recognition, with only a handful of poems published in altered forms. Her major posthumous publication in 1890 by Mabel Loomis Todd and Thomas Wentworth Higginson marked the beginning of her rise to prominence. Over time, her work has achieved immense critical acclaim and immense academic recognition, establishing her as a central figure in American literature.

Influences and legacy

Dickinson was influenced by the Bible, hymnology, and writers like Ralph Waldo Emerson. Her legacy is immense; she profoundly influenced modern poetry with her innovative use of language, form, and thematic exploration. She is a cornerstone of the American literary canon, and her poems are widely translated, studied, and adapted into music and other art forms. Her work continues to inspire poets and readers worldwide.

Interpretation and critical analysis

Dickinson's poetry invites multiple interpretations, often focusing on her exploration of consciousness, spirituality, and the human condition. Critical analysis has delved into her complex relationship with faith and doubt, her unique perspective on death, and the psychological dimensions of her work. Debates often surround the dating and ordering of her poems and the extent of her engagement with social issues.

Curiosities and lesser-known aspects

Dickinson was known for her reclusive habits in her later years, often dressing in white. There is a fascinating tension between her seemingly quiet life and the radical, often explosive, nature of her poetry. Anecdotal evidence suggests her intense observational skills and a profound, sometimes unsettling, wit. She was known to bake and engage in household activities, which stood in contrast to her abstract poetic explorations.

Death and memory

Emily Dickinson died in Amherst, Massachusetts. Her memory is preserved through her extraordinary body of work, the preservation of her home as a museum, and ongoing critical and scholarly engagement with her life and poetry. Numerous posthumous collections and scholarly editions have ensured her enduring presence in literary history.

Poems

541

They Shut Me Up in Prose

They Shut Me Up in Prose

They shut me up in Prose --
As when a little Girl
They put me in the Closet --
Because they liked me "still" --

Still! Could themself have peeped --
And seen my Brain -- go round --
They might as wise have lodged a Bird
For Treason -- in the Pound --

Himself has but to will
And easy as a Star
Abolish his Captivity --
And laugh -- No more have I --
289

They dropped like flakes

They dropped like flakes

They dropped like flakes, they dropped like stars,
Like petals from a rose,
When suddenly across the lune
A wind with fingers goes.

They perished in the seamless grass,-No
eye could find the place;
But God on his repealless list
Can summon every face
318

'They Have Not Chosen Me,' He Said

'They Have Not Chosen Me,' He Said

'They have not chosen me,' he said,
'But I have chosen them!'
Brave—Broken hearted statement—
Uttered in Bethlehem!

I could not have told it,
But since Jesus dared—
Sovereign! Know a Daisy
They dishonor shared!
283

They ask but our Delight

They ask but our Delight

868

They ask but our Delight-
The Darlings of the Soil
And grant us all their Countenance
For a penurious smile.
265

These tested Our Horizon

These tested Our Horizon

886

These tested Our Horizon-
Then disappeared
As Birds before achieving
A Latitude.

Our Retrospection of Them
A fixed Delight,
But our Anticipation
A Dice-a Doubt-
325

There's something quieter than sleep

There's something quieter than sleep

45

There's something quieter than sleep
Within this inner room!
It wears a sprig upon its breast-
And will not tell its name.


Some touch it, and some kiss it-
Some chafe its idle hand-
It has a simple gravity
I do not understand!


I would not weep if I were they-
How rude in one to sob!
Might scare the quiet fairy
Back to her native wood!


While simple-hearted neighbors
Chat of the "Early dead"We-
prone to periphrasis
Remark that Birds have fled!
310

There's a certain Slant of light (258)

There's a certain Slant of light (258)

There's a certain Slant of light,
Winter Afternoons--
That oppresses, like the Heft
Of Cathedral Tunes--


Heavenly Hurt, it gives us--
We can find no scar,
But internal difference,
Where the Meanings, are--


None may teach it--Any-'
Tis the Seal Despair--
An imperial affliction
Sent us of the air--


When it comes, the Landscape listens-Shadows--
hold their breath--
When it goes, 'tis like the Distance
On the look of Death--
198

There is another sky

There is another sky

2

There is another sky,
Ever serene and fair,
And there is another sunshine,
Though it be darkness there;
Never mind faded forests, Austin,
Never mind silent fields-
Here is a little forest,
Whose leaf is ever green;
Here is a brighter garden,
Where not a frost has been;
In its unfading flowers
I hear the bright bee hum:
Prithee, my brother,
Into my garden come!
600

There is a word

There is a word

8

There is a word
Which bears a sword
Can pierce an armed man-
It hurls its barbed syllables
And is mute again-
But where it fell
The saved will tell
On patriotic day,
Some epauletted Brother
Gave his breath away.


Wherever runs the breathless sun-
Wherever roams the day-
There is its noiseless onset-
There is its victory!
Behold the keenest marksman!
The most accomplished shot!
Time's sublimest target
Is a soul "forgot!"
293

There is a Languor of the Life

There is a Languor of the Life

396

There is a Languor of the Life
More imminent than Pain'
Tis Pain's Successor-When the Soul
Has suffered all it can-

A Drowsiness-diffuses-
A Dimness like a Fog
Envelops Consciousness-
As Mists-obliterate a Crag.

The Surgeon-does not blanch-at pain
His Habit-is severe-
But tell him that it ceased to feel-
The Creature lying there-

And he will tell you-skill is late-
A Mightier than He-
Has ministered before HimThere's
no Vitality.
238

Quotes

40

Videos

50

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