George Herbert

George Herbert

1593–1633 · lived 39 years GB GB

George Herbert was a Welsh-born metaphysical poet, priest, and rhetorician. His poetry, characterized by its intricate structure, devotional intensity, and witty exploration of faith, is highly regarded within English literature. Herbert's work often reflects his personal spiritual journey and his role as a clergyman, offering profound insights into the relationship between the divine and the human.

n. 1593-04-03, Montgomery · m. 1633-03-01, Bemerton

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Virtue

Virtue


Sweet day, so cool, so calm, so bright
The bridal of the earth and sky:
The dew shall weep thy fall tonight,
For thou must die.


Sweet rose, whose hue, angry and brave,
Bids the rash gazer wipe his eyes:
Thy root is ever in its grave,
And thou must die.


Sweet spring, full of sweet days and roses,
A box where sweets compacted lie:
My music shows ye have your closes,
And all must die.


Only a sweet and virtuous soul,
LIke seasoned timber, never gives;
But though the whole world turn to coal.
Then chiefly lives.
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Bio

Identification and basic context

George Herbert was a Welsh poet, rhetorician, and Anglican priest. He is best known for his religious poetry, which was published posthumously. His work is considered a significant part of the metaphysical poetry tradition. He wrote in English.

Childhood and education

Born into a prominent and wealthy family in Montgomeryshire, Wales, George Herbert received an excellent education. He attended Westminster School in London and later studied at Trinity College, Cambridge, where he earned degrees in Greek and Hebrew. At Cambridge, he developed a reputation for his intellectual prowess and poetic talent, becoming a Fellow of the college.

Literary trajectory

While Herbert composed poetry throughout his life, much of it was not published until after his death. His earliest poems showed promise, but his later devotional works reflect a deep engagement with his faith and his priestly duties. His close friend, Nicholas Ferrar, was instrumental in collecting and publishing Herbert's poems.

Works, style, and literary characteristics

Hermet's major work is "The Temple, Sacred Poems and Private Ejaculations," published in 1633. This collection explores the relationship between God and the soul through a wide range of poetic forms and ingenious metaphors. His style is characterized by its "wit" – in the Renaissance sense of intellectual ingenuity and cleverness – alongside profound emotional sincerity. He frequently uses "shape poems" or "carpentered poems," where the typography of the poem visually represents its subject matter (e.g., a poem about an altar shaped like an altar). Themes include the struggles of faith, the beauty of divine love, the nature of prayer, and the redemption of the soul.

Cultural and historical context

Herbert lived during a period of significant religious and political upheaval in England, the early 17th century. As a priest in the Church of England, his work engaged with the theological debates and spiritual concerns of his time. He was part of the broader metaphysical poets movement, alongside contemporaries like John Donne and Andrew Marvell, though his focus was primarily devotional.

Personal life

Hermet was born into a noble family and had connections to the English court. However, he eventually renounced worldly ambitions to pursue a life of religious service. He was ordained as a priest in the Church of England and served as rector of Bemerton, Wiltshire, for the last three years of his life. His personal spirituality and dedication to his pastoral duties are central to his poetry.

Recognition and reception

Hermet's poetry gained considerable popularity shortly after its publication and has remained influential ever since. His work is admired for its technical skill, its spiritual depth, and its unique blend of intellectualism and heartfelt devotion. He is considered one of the foremost English devotional poets.

Influences and legacy

Hermet was influenced by classical literature and the Bible. His own influence on subsequent religious poetry is profound. Poets like John Keats and Samuel Taylor Coleridge admired his work. His legacy endures through "The Temple," which continues to be read and studied for its spiritual insights and poetic artistry.

Interpretation and critical analysis

Critical analysis of Herbert's work often focuses on his use of religious imagery, his exploration of spiritual conflict and resolution, and his innovative poetic forms. His poems are seen as profound meditations on faith, doubt, and the divine.

Curiosities and lesser-known aspects

Herbert was known for his musicality and was skilled in playing the lute and viol. His decision to pursue a humble clerical life over a potentially more prestigious courtly career is often highlighted as a testament to his spiritual convictions.

Death and memory

George Herbert died of consumption (tuberculosis) in 1633 at the age of 39. His memory is preserved through his enduring poetic works, particularly "The Temple."

Poems

43

The Dawning

The Dawning

Awake, sad heart, whom sorrow ever drowns ;
Take up thine eyes, which feed on earth ;
Unfold thy forehead, gathered into frowns ;
Thy Saviour comes, and with Him mirth :
Awake, awake,
And with a thankful heart His comforts take.
But thou dost still lament, and pine, and cry,
And feel His death, but not His victory.


Arise, sad heart ; if thou dost not withstand,
Christ's resurrection thine may be ;
Do not by hanging down break from the hand
Which, as it riseth, raiseth thee :
Arise, Arise;
And with His burial linen drie thine eyes.
Christ left His grave-clothes, that we might, when grief
Draws tears or blood, not want a handkerchief.
264

The Call

The Call

Come, my Way, my Truth, my Life :
Such a Way, as gives us breath :
Such a Truth, as ends all strife :
And such a Life, as killeth death.


Come, my Light, my Feast, my Strength :
Such a Light, as shows a feast :
Such a Feast, as mends in length :
Such a Strength, as makes his guest.


Come, my Joy, my Love, my Heart :
Such a Joy, as none can move :
Such a Love, as none can part :
Such a Heart, as joyes in love.
246

The Altar

The Altar

A broken ALTAR, Lord, thy servant rears,

Made of a heart and cemented with tears;
Whose parts are as thy hand did frame;
No workman's tool hath touch'd the same.

A HEART alone
Is such a stone,
As nothing but
Thy pow'r doth cut.
Wherefore each part
Of my hard heart
Meets in this frame
To praise thy name.


That if I chance to hold my peace,

These stones to praise thee may not cease.
Oh, let thy blessed SACRIFICE be mine,
And sanctify this ALTAR to be thine.
235

Sonnet (II)

Sonnet (II)

O

Sure Lord, there is enough in thee to dry
Oceans of Ink ; for, as the Deluge did
Cover the Earth, so doth thy Majesty :

Each Cloud distills thy praise, and doth forbid

Poets to turn it to another use.
Roses and Lillies speak thee ; and to make
A pair of Cheeks of them, is thy abuse.

Why should I Womens eyes for Chrystal take?

Such poor invention burns in their low mind,
Whose fire is wild, and doth not upward go
To praise, and on thee Lord, some Ink bestow.

Open the bones, and you shall nothing find
In the best face but filth, when Lord, in thee
The beauty lies, in the discovery
260

The Affliction (I)

The Affliction (I)

When first thou didst entice to thee my heart,
I thought the service brave;
So many joys I writ down for my part,

Besides what I might have
Out of my stock of natural delights,
Augmented with thy gracious benefits.


I looked on thy furniture so fine,
And made it fine to me;
Thy glorious household-stuff did me entwine,

And 'tice me unto thee.
Such stars I counted mine: both heav'n and earth;
Paid me my wages in a world of mirth.

What pleasures could I want, whose King I serv'd,
Where joys my fellows were?
Thus argu'd into hopes, my thoughts reserv'd

No place for grief or fear.
Therefore my sudden soul caught at the place,
And made her youth and fierceness seek thy face.

At first thou gav'st me milk and sweetnesses;
I had my wish and way;
My days were straw'd with flow'rs and happiness;

There was no month but May.
But with my years sorrow did twist and grow,
And made a party unawares for woe.


My flesh began unto my soul in pain,
"Sicknesses cleave my bones;
Consuming agues dwell in ev'ry vein,


And tune my breath to groans."
Sorrow was all my soul; I scarce believ'd,
Till grief did tell me roundly, that I liv'd.


When I got health, thou took'st away my life,
And more, for my friends die;
My mirth and edge was lost, a blunted knife


Was of more use than I.
Thus thin and lean without a fence or friend,
I was blown through with ev'ry storm and wind.


Whereas my birth and spirit rather took
The way that takes the town;
Thou didst betray me to a ling'ring book,


And wrap me in a gown.
I was entangled in the world of strife,
Before I had the power to change my life.


Yet, for I threaten'd oft the siege to raise,
Not simp'ring all mine age,
Thou often didst with academic praise



Melt and dissolve my rage.
I took thy sweet'ned pill, till I came where
I could not go away, nor persevere.


Yet lest perchance I should too happy be
In my unhappiness,
Turning my purge to food, thou throwest me


Into more sicknesses.
Thus doth thy power cross-bias me, not making
Thine own gift good, yet me from my ways taking.

Now I am here, what thou wilt do with me
None of my books will show;
I read, and sigh, and wish I were a tree,
For sure then I should grow
To fruit or shade: at least some bird would trust
Her household to me, and I should be just.

Yet, though thou troublest me, I must be meek;
In weakness must be stout;
Well, I will change the service, and go seek

Some other master out.
Ah my dear God! though I am clean forgot,
Let me not love thee, if I love thee not.
263

Sin's Round

Sin's Round

Sorry I am, my God, sorry I am,
That my offences course it in a ring.
My thoughts are working like a busy flame,
Until their cockatrice they hatch and bring:
And when they once have perfected their draughts,
My words take fire from my inflamed thoughts.


My words take fire fro m my inflamed thoughts,
Which spit it forth like the Sicilian hill.
They vent their wares, and pass them with their faults,
And by their breathing ventilate the ill.
But words suffice not, where are lewd intentions:
My hands do join to finish the inventions.


My hands do join to finish the inventions:
And so my sins ascend three stories high,
As Babel grew, before there were dissentions.
Let ill deeds loiter not: for they supply
New thoughts of sinning:
wherefore, to my shame,
Sorry I am, my God, sorry I am.
250

Sin (I)

Sin (I)

Lord, with what care hast Thou begirt us round!
Parents first season us; then schoolmasters
Deliver us to laws; -they send us bound
To rules of reason, holy messengers,
Pulpits and Sundays, sorrow dogging sin,
Afflictions sorted, anguish of all sizes,
Fine nets and stratagems to catch us in,
Bibles laid open, millions of surprises,
Blessings beforehand, ties of gratefulness,
The sound of glory ringing in our ears;
Without, our shame; within, our consciences;
Angels and grace, eternal hopes and fears:
Yet all these fences and their whole array
One cunning bosom-sin blows quite away.
268

Repentance

Repentance


Lord, I confess my sin is great;
Great is my sin. Oh! gently treat
With thy quick flow'r, thy momentany bloom;
Whose life still pressing
Is one undressing,
A steady aiming at a tomb.


Man's age is two hours' work, or three:
Each day doth round about us see.
Thus are we to delights: but we are all
To sorrows old,
If life be told
From what life feeleth, Adam's fall.


O let thy height of mercy then
Compassionate short-breathed men.
Cut me not off for my most foul transgression:
I do confess
My foolishness;
My God, accept of my confession.


Sweeten at length this bitter bowl,
Which thou hast pour'd into my soul;
Thy wormwood turn to health, winds to fair weather:
For if thou stay,
I and this day,
As we did rise, we die together.


When thou for sin rebukest man,
Forthwith he waxeth woe and wan:
Bitterness fills our bowels; all our hearts
Pine, and decay,
And dropp away,
And carry with them th'other parts.


But thou wilt sin and grief destroy;
That so the broken bones may joy,
And tune together in a well-set song,
Full of his praises,
Who dead men raises;
Fractures well cur'd make us more strong.
311

Sighs And Groans

Sighs And Groans

O do not use me
After my sins! look not on my dessert,
But on your glory! Then you will reform
And not refuse me: for you only art
The mighty God, but I a silly worm;

O do not bruise me!

O do not urge me!
For what account can your ill steward make?
I have abused your stock, destroyed your woods,
Sucked all your storehouses: my head did ache,
Till it found out how to consume your goods:

O do not scourge me!

O do not blind me!
I have deserved that an Egyptian night
Should thicken all my powers; because my lust
Has still sewed fig-leaves to exclude your light:
But I am frailty, and already dust;

O do not grind me!

O do not fill me
With the turned vial of your bitter wrath!
For you have other vessels full of blood,
A part whereof my Savior emptied hath,
Even unto death: since he died for my good,


O do not kill me!

But O reprieve me!
For you have life and death at your command;
You are both Judge and Savior, feast and rod,
Cordial and Corrosive: put not your hand
Into the bitter box; but O my God,

My God, relieve me!
250

Providence

Providence


O Sacred Providence, who from end to end
Strongly and sweetly movest! shall I write,
And not of thee, through whom my fingers bend
To hold my quill? shall they not do thee right?


Of all the creatures both in sea and land
Onely to Man thou hast made known thy wayes,
And put the penne alone into his hand,
And made him Secretarie of thy praise.


Beasts fain would sing; birds dittie to their notes;
Trees would be tuning on their native lute
To thy renown: but all their hands and throats
Are brought to Man, while they are lame and mute.


Man is the worlds high Priest: he doth present
The sacrifice for all; while they below
Unto the service mutter an assent,
Such as springs use that fall, and windes that blow.


He that to praise and laud thee doth refrain,
Doth not refrain unto himself alone,
But robs a thousand who would praise thee fain,
And doth commit a world of sinne in one.


The beasts say, Eat me: but, if beasts must teach,
The tongue is yours to eat, but mine to praise.
The trees say, Pull me: but the hand you stretch,
Is mine to write, as it is yours to raise.


Wherefore, most sacred Spirit, I here present
For me and all my fellows praise to thee:
And just it is that I should pay the rent,
Because the benefit accrues to me.


We all acknowledge both thy power and love
To be exact, transcendent, and divine;
Who dost so strongly and so sweetly move,
While all things have their will, yet none but thine.


For either thy command, or thy permission
Lay hands on all: they are thy right and left.
The first puts on with speed and expedition;
The other curbs sinnes stealing pace and theft.


Nothing escapes them both; all must appeare,
And be dispos'd, and dress'd, and tun'd by thee,
Who sweetly temper'st all. If we could heare
Thy skill and art, what musick would it be!


Thou art in small things great, not small in any:
Thy even praise can neither rise, nor fall.



Thou art in all things one, in each thing many:
For thou art infinite in one and all.


Tempests are calm to thee; they know thy hand,
And hold it fast, as children do their fathers,
Which crie and follow. Thou hast made poore sand
Check the proud sea, ev'n when it swells and gathers.


Thy cupboard serves the world: the meat is set,
Where all may reach: no beast but knows his feed.
Birds teach us hawking; fishes have their net:
The great prey on the lesse, they on some weed.


Nothing ingendred doth prevent his meat:
Flies have their table spread, ere they appeare.
Some creatures have in winter what to eat;
Others do sleep, and envie not their cheer.


How finely dost thou times and seasons spin.
And make a twist checker'd with night and day!
Which as it lengthens windes, and windes us in,
As bouls go on, but turning all the way.


Each creature hath a wisdome for his good.
The pigeons feed their tender off-spring, crying,
When they are callow; but withdraw their food
When they are fledge, that need may teach them flying.


Bees work for man; and yet they never bruise
Their masters flower, but leave it, having done,
As fair as ever, and as fit to use;
So both the flower doth stay, and hony run.


Sheep eat the grasse, and dung the ground for more:
Trees after bearing drop their leaves for soil:
Springs vent their streams, and by expense get store:
Clouds cool by heat, and baths by cooling boil.


Who hath the vertue to expresse the rare
And curious vertues both of herbs and stones?
Is there a herb for that? O that thy care
Would show a root, that gives expressions!


And if an herb hath power, what have the starres?
A rose, besides his beautie, is a cure.
Doubtlesse our plagues and plentie, peace and warres
Are there much surer then our art is sure.


Thou hast hid metals: man may take them thence;
But at his peril: when he digs the place,
He makes a grave; as if the thing had sense,
And threatned man, that he should fill the space.



Ev'n poysons praise thee. Should a thing be lost?
Should creatures want for want of heed their due?
Since where are poysons, antidots are most:
The help stands close, and keeps the fear in view.


The sea, which seems to stop the traveller,
Is by a ship the speedier passage made.
The windes, who think they rule the mariner,
Are rul'd by him, and taught to serve his trade.


And as thy house is full, so I adore
Thy curious art in marshalling thy goods.
The hills and health abound; the vales with store;
The South with marble; North with furres & woods.


Hard things are glorious; easie things good cheap.
The common all men have; that which is rare,
Men therefore seek to have, and care to keep.
The healthy frosts with summer-fruits compare.


Light without winde is glasse: warm without weight
Is wooll and furres: cool without closenesse, shade:
Speed without pains, a horse: tall without height,
A servile hawk: low without losse, a spade.


All countreys have enough to serve their need:
If they seek fine things, thou dost make them run
For their offence; and then dost turn their speed
To be commerce and trade from sunne to sunne.


Nothing wears clothes, but Man; nothing doth need
But he to wear them. Nothing useth fire,
But Man alone, to show his heav'nly breed:
And onely he hath fuell in desire.


When th'earth was dry, thou mad'st a sea of wet:
When that lay gather'd, thou didst broach the mountains:
When yet some places could no moisture get,
The windes grew gard'ners, and the clouds good fountains.


Rain, do not hurt my flowers; but gently spend
Your hony drops: presse not to smell them here:
When they are ripe, their odour will ascend,
And at your lodging with their thanks appeare.


How harsh are thorns to pears! and yet they make
A better hedge, and need lesse reparation.
How smooth are silks compared with a stake,
Or with a stone! yet make no good foundation.


Sometimes thou dost divide thy gifts to man,



Sometimes unite. The Indian nut alone
Is clothing, meat and trencher, drink and kan,
Boat, cable, sail and needle, all in one.


Most herbs that grow in brooks, are hot and dry.
Cold fruits warm kernells help against the winde.
The lemmons juice and rinde cure mutually.
The whey of milk doth loose, the milk doth binde.


Thy creatures leap not, but expresse a feast,
Where all the guests sit close, and nothing wants.
Frogs marry fish and flesh; bats, bird and beast;
Sponges, non-sense and sense; mines, th'earth & plants.


To show thou art not bound, as if thy lot
Were worse then ours; sometimes thou shiftest hands.
Most things move th'under-jaw; the Crocodile not.
Most things sleep lying; th’ Elephant leans or stands.


But who hath praise enough? nay who hath any?
None can expresse thy works, but he that knows them:
And none can know thy works, which are so many,
And so complete, but onely he that owes them.


All things that are, though they have sev'rall wayes,
Yet in their being joyn with one advise
To honour thee: and so I give thee praise
In all my other hymnes, but in this twice.


Each thing that is, although in use and name
It go for one, hath many wayes in store
To honour thee; and so each hymne thy fame
Extolleth many wayes, yet this one more.
295

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