Poems List

Childhood. (From The Danish)

Childhood. (From The Danish)

There was a time when I was very small,
When my whole frame was but an ell in height;
Sweetly, as I recall it, tears do fall,
And therefore I recall it with delight.


I sported in my tender mother's arms,
And rode a-horseback on best father's knee;
Alike were sorrows, passions and alarms,
And gold, and Greek, and love, unknown to me,


Then seemed to me this world far less in size,
Likewise it seemed to me less wicked far;
Like points in heaven, I saw the stars arise,
And longed for wings that I might catch a star.


I saw the moon behind the island fade,
And thought, 'Oh, were I on that island there,
I could find out of what the moon is made,
Find out how large it is, how round, how fair!'


Wondering, I saw God's sun, through western skies,
Sink in the ocean's golden lap at night,
And yet upon the morrow early rise,
And paint the eastern heaven with crimson light;


And thought of God, the gracious Heavenly Father,
Who made me, and that lovely sun on high,
And all those pearls of heaven thick-strung together,
Dropped, clustering, from his hand o'er all the sky.


With childish reverence, my young lips did say
The prayer my pious mother taught to me:
'O gentle God! oh, let me strive alway
Still to be wise, and good, and follow Thee!'


So prayed I for my father and my mother,
And for my sister, and for all the town;
The king I knew not, and the beggar-brother,
Who, bent with age, went, sighing, up and down.


They perished, the blithe days of boyhood perished,
And all the gladness, all the peace I knew!
Now have I but their memory, fondly cherished;--
God! may I never lose that too!
380

Charles Sumner. (Birds Of Passage. Flight The Fourth)

Charles Sumner. (Birds Of Passage. Flight The Fourth)

Garlands upon his grave
And flowers upon his hearse,
And to the tender heart and brave
The tribute of this verse.


His was the troubled life,
The conflict and the pain,
The grief, the bitterness of strife,
The honor without stain.


Like Winkelried, he took
Into his manly breast
The sheaf of hostile spears, and broke
A path for the oppressed.


Then from the fatal field
Upon a nation's heart
Borne like a warrior on his shield!--
So should the brave depart.


Death takes us by surprise,
And stays our hurrying feet;
The great design unfinished lies,
Our lives are incomplete.


But in the dark unknown
Perfect their circles seem,
Even as a bridge's arch of stone
Is rounded in the stream.


Alike are life and death,
When life in death survives,
And the uninterrupted breath
Inspires a thousand lives.


Were a star quenched on high,
For ages would its light,
Still travelling downward from the sky,
Shine on our mortal sight.


So when a great man dies,
For years beyond our ken,
The light he leaves behind him lies
Upon the paths of men.
217

Catawba Wine. (Birds Of Passage. Flight The First)

Catawba Wine. (Birds Of Passage. Flight The First)

This song of mine
Is a Song of the Vine,
To be sung by the glowing embers
Of wayside inns,
When the rain begins
To darken the drear Novembers.


It is not a song
Of the Scuppernong,
From warm Carolinian valleys,
Nor the Isabel
And the Muscadel
That bask in our garden alleys.


Nor the red Mustang,
Whose clusters hang
O'er the waves of the Colorado,
And the fiery flood
Of whose purple blood
Has a dash of Spanish bravado.


For richest and best
Is the wine of the West,
That grows by the Beautiful River;
Whose sweet perfume
Fills all the room
With a benison on the giver.


And as hollow trees
Are the haunts of bees,
Forever going and coming;
So this crystal hive
Is all alive
With a swarming and buzzing and humming.


Very good in its way
Is the Verzenay,
Or the Sillery soft and creamy;
But Catawba wine
Has a taste more divine,
More dulcet, delicious, and dreamy.


There grows no vine
By the haunted Rhine,
By Danube or Guadalquivir,
Nor on island or cape,
That bears such a grape
As grows by the Beautiful River.


Drugged is their juice
For foreign use,
When shipped o'er the reeling Atlantic,



To rack our brains
With the fever pains,
That have driven the Old World frantic.


To the sewers and sinks
With all such drinks,
And after them tumble the mixer;
For a poison malign
Is such Borgia wine,
Or at best but a Devil's Elixir.


While pure as a spring
Is the wine I sing,
And to praise it, one needs but name it;
For Catawba wine
Has need of no sign,
No tavern-bush to proclaim it.


And this Song of the Vine,
This greeting of mine,
The winds and the birds shall deliver
To the Queen of the West,
In her garlands dressed,
On the banks of the Beautiful River.
252

Carillon

Carillon


In the ancient town of Bruges,
In the quaint old Flemish city,
As the evening shades descended,
Low and loud and sweetly blended,
Low at times and loud at times,
And changing like a poet's rhymes,
Rang the beautiful wild chimes
From the Belfry in the market
Of the ancient town of Bruges.


Then, with deep sonorous clangor
Calmly answering their sweet anger,
When the wrangling bells had ended,
Slowly struck the clock eleven,
And, from out the silent heaven,
Silence on the town descended.
Silence, silence everywhere,
On the earth and in the air,
Save that footsteps here and there
Of some burgher home returning,
By the street lamps faintly burning,
For a moment woke the echoes
Of the ancient town of Bruges.


But amid my broken slumbers
Still I heard those magic numbers,
As they loud proclaimed the flight
And stolen marches of the night;
Till their chimes in sweet collision
Mingled with each wandering vision,
Mingled with the fortune-telling
Gypsy-bands of dreams and fancies,
Which amid the waste expanses
Of the silent land of trances
Have their solitary dwelling;
All else seemed asleep in Bruges,
In the quaint old Flemish city.


And I thought how like these chimes
Are the poet's airy rhymes,
All his rhymes and roundelays,
His conceits, and songs, and ditties,
From the belfry of his brain,
Scattered downward, though in vain,
On the roofs and stones of cities!
For by night the drowsy ear
Under its curtains cannot hear,
And by day men go their ways,
Hearing the music as they pass,
But deeming it no more, alas!
Than the hollow sound of brass.



Yet perchance a sleepless wight,
Lodging at some humble inn
In the narrow lanes of life,
When the dusk and hush of night
Shut out the incessant din
Of daylight and its toil and strife,
May listen with a calm delight
To the poet's melodies,
Till he hears, or dreams he hears,
Intermingled with the song,
Thoughts that he has cherished long;
Hears amid the chime and singing
The bells of his own village ringing,
And wakes, and finds his slumberous eyes
Wet with most delicious tears.


Thus dreamed I, as by night I lay
In Bruges, at the Fleur-de-Ble,
Listening with a wild delight
To the chimes that, through the night
Bang their changes from the Belfry
Of that quaint old Flemish city.
318

By The Seaside : Twilight

By The Seaside : Twilight

The twilight is sad and cloudy,
The wind blows wild and free,
And like the wings of sea-birds
Flash the white caps of the sea.


But in the fisherman's cottage
There shines a ruddier light,
And a little face at the window
Peers out into the night.


Close, close it is pressed to the window,
As if those childish eyes
Were looking into the darkness,
To see some form arise.


And a woman's waving shadow
Is passing to and fro,
Now rising to the ceiling,
Now bowing and bending low.


What tale do the roaring ocean,
And the night-wind, bleak and wild,
As they beat at the crazy casement,
Tell to that little child?


And why do the roaring ocean,
And the night-wind, wild and bleak,
As they beat at the heart of the mother,
Drive the color from her cheek?
353

Cantos From Dante's Paradiso

Cantos From Dante's Paradiso

(Canto XXIII.)

Even as a bird, 'mid the beloved leaves,
Quiet upon the nest of her sweet brood
Throughout the night, that hideth all things from us,
Who, that she may behold their longed-for looks
And find the nourishment wherewith to feed them,
In which, to her, grave labors grateful are,
Anticipates the time on open spray
And with an ardent longing waits the sun,
Gazing intent, as soon as breaks the dawn:
Even thus my Lady standing was, erect
And vigilant, turned round towards the zone
Underneath which the sun displays least haste;
So that beholding her distraught and eager,
Such I became as he is, who desiring
For something yearns, and hoping is appeased.
But brief the space from one When to the other;
From my awaiting, say I, to the seeing
The welkin grow resplendent more and more.
And Beatrice exclaimed: 'Behold the hosts
Of the triumphant Christ, and all the fruit
Harvested by the rolling of these spheres!'
It seemed to me her face was all on flame;
And eyes she had so full of ecstasy
That I must needs pass on without describing.
As when in nights serene of the full moon
Smiles Trivia among the nymphs eternal
Who paint the heaven through all its hollow cope,
Saw I, above the myriads of lamps,
A sun that one and all of them enkindled,
E'en as our own does the supernal stars.
And through the living light transparent shone
The lucent substance so intensely clear
Into my sight, that I could not sustain it.
O Beatrice, my gentle guide and dear!
She said to me: 'That which o'ermasters thee
A virtue is which no one can resist.
There are the wisdom and omnipotence
That oped the thoroughfares 'twixt heaven and earth,
For which there erst had been so long a yearning.'
As fire from out a cloud itself discharges,
Dilating so it finds not room therein,
And down, against its nature, falls to earth,
So did my mind, among those aliments
Becoming larger, issue from itself,
And what became of it cannot remember.
'Open thine eyes, and look at what I am:
Thou hast beheld such things, that strong enough
Hast thou become to tolerate my smile.'
I was as one who still retains the feeling
Of a forgotten dream, and who endeavors



In vain to bring it back into his mind,
When I this invitation heard, deserving
Of so much gratitude, it never fades
Out of the book that chronicles the past.
It at this moment sounded all the tongues
That Polyhymnia and her sisters made
Most lubrical with their delicious milk,
To aid me, to a thousandth of the truth
It would not reach, singing the holy smile,
And how the holy aspect it illumed.
And therefore, representing Paradise,
The sacred poem must perforce leap over,
Even as a man who finds his way cut off.
But whoso thinketh of the ponderous theme,
And of the mortal shoulder that sustains it,
Should blame it not, if under this it trembles.
It is no passage for a little boat
This which goes cleaving the audacious prow,
Nor for a pilot who would spare himself.
'Why does my face so much enamor thee,
That to the garden fair thou turnest not,
Which under the rays of Christ is blossoming?
There is the rose in which the Word Divine
Became incarnate; there the lilies are
By whose perfume the good way was selected.'
Thus Beatrice; and I, who to her counsels
Was wholly ready, once again betook me
Unto the battle of the feeble brows.
As in a sunbeam, that unbroken passes
Through fractured cloud, ere now a meadow of flowers
Mine eyes with shadow covered have beheld,
So I beheld the multitudinous splendors
Refulgent from above with burning rays,
Beholding not the source of the effulgence.
O thou benignant power that so imprint'st them!
Thou didst exalt thyself to give more scope
There to the eyes, that were not strong enough.
The name of that fair flower I e'er invoke
Morning and evening utterly enthralled
My soul to gaze upon the greater fire.
And when in both mine eyes depicted were
The glory and greatness of the living star
Which conquers there, and here below it conquered,
Athwart the heavens descended a bright sheen
Formed in a circle like a coronal,
And cinctured it, and whirled itself about it.
Whatever melody most sweetly soundeth
On earth, and to itself most draws the soul,
Would seem a cloud that, rent asunder, thunders,
Compared unto the sounding of that lyre
Wherewith was crowned the sapphire beautiful,
Which gives the clearest heaven its sapphire hue.



'I am Angelic Love, that circle round
The joy sublime which breathes from out the bosom
That was the hostelry of our Desire;
And I shall circle, Lady of Heaven, while
Thou followest thy Son, and mak'st diviner
The sphere supreme, because thou enterest it.'
Thus did the circulated melody
Seal itself up; and all the other lights
Were making resonant the name of Mary.
The regal mantle of the volumes all
Of that world, which most fervid is and living
With breath of God and with his works and ways,
Extended over us its inner curve,
So very distant, that its outward show,
There where I was, not yet appeared to me.
Therefore mine eyes did not possess the power
Of following the incoronated flame,
Which had ascended near to its own seed.
And as a little child, that toward its mother
Extends its arms, when it the milk has taken,
Through impulse kindled into outward flame,
Each of those gleams of white did upward stretch
So with its summit, that the deep affection
They had for Mary was revealed to me.
Thereafter they remained there in my sight,
Regina coeli singing with such sweetness,
That ne'er from me has the delight departed.
Oh, what exuberance is garnered up
In those resplendent coffers, which had been
For sowing here below good husbandmen!
There they enjoy and live upon the treasure
Which was acquired while weeping in the exile
Of Babylon, wherein the gold was left.
There triumpheth beneath the exalted Son
Of God and Mary, in his victory,
Both with the ancient council and the new,
He who doth keep the keys of such a glory.


(Canto XXIV.)


'O company elect to the great supper
Of the Lamb benedight, who feedeth you
So that for ever full is your desire,
If by the grace of God this man foretaste
Something of that which falleth from your table,
Or ever death prescribe to him the time,
Direct your mind to his immense desire,
And him somewhat bedew; ye drinking are
For ever at the fount whence comes his thought.'
Thus Beatrice; and those souls beatified
Transformed themselves to spheres on steadfast poles,



Flaming intensely in the guise of comets.
And as the wheels in works of horologes
Revolve so that the first to the beholder
Motionless seems, and the last one to fly,
So in like manner did those carols, dancing
In different measure, of their affluence
Give me the gauge, as they were swift or slow.
From that one which I noted of most beauty
Beheld I issue forth a fire so happy
That none it left there of a greater brightness;
And around Beatrice three several times
It whirled itself with so divine a song,
My fantasy repeats it not to me;
Therefore the pen skips, and I write it not,
Since our imagination for such folds,
Much more our speech, is of a tint too glaring.
'O holy sister mine, who us implorest
With such devotion, by thine ardent love
Thou dost unbind me from that beautiful sphere!'
Thereafter, having stopped, the blessed fire
Unto my Lady did direct its breath,
Which spake in fashion as I here have said.
And she: 'O light eterne of the great man
To whom our Lord delivered up the keys
He carried down of this miraculous joy,
This one examine on points light and grave,
As good beseemeth thee, about the Faith
By means of which thou on the sea didst walk.
If he love well, and hope well, and believe,
From thee 'tis hid not; for thou hast thy sight
There where depicted everything is seen.
But since this kingdom has made citizens
By means of the true Faith, to glorify it
'Tis well he have the chance to speak thereof.'
As baccalaureate arms himself, and speaks not
Until the master doth propose the question,
To argue it, and not to terminate it,
So did I arm myself with every reason,
While she was speaking, that I might be ready
For such a questioner and such profession.
'Say, thou good Christian; manifest thyself;
What is the Faith?' Whereat I raised my brow
Unto that light wherefrom was this breathed forth.
Then turned I round to Beatrice, and she
Prompt signals made to me that I should pour
The water forth from my internal fountain.
'May grace, that suffers me to make confession,'
Began I, 'to the great centurion,
Cause my conceptions all to be explicit!'
And I continued: 'As the truthful pen,
Father, of thy dear brother wrote of it,
Who put with thee Rome into the good way,



Faith is the substance of the things we hope for,
And evidence of those that are not seen;
And this appears to me its quiddity.'
Then heard I: 'Very rightly thou perceivest,
If well thou understandest why he placed it
With substances and then with evidences.'
And I thereafterward: 'The things profound,
That here vouchsafe to me their apparition,
Unto all eyes below are so concealed,
That they exist there only in belief,
Upon the which is founded the high hope,
And hence it takes the nature of a substance.
And it behoveth us from this belief
To reason without having other sight,
And hence it has the nature of evidence.'
Then heard I: 'If whatever is acquired
Below by doctrine were thus understood,
No sophist's subtlety would there find place.'
Thus was breathed forth from that enkindled love;
Then added: 'Very well has been gone over
Already of this coin the alloy and weight;
But tell me if thou hast it in thy purse?'
And I: 'Yes, both so shining and so round
That in its stamp there is no peradventure.'
Thereafter issued from the light profound
That there resplendent was: 'This precious jewel,
Upon the which is every virtue founded,
Whence hadst thou it?' And I: 'The large outpouring
Of Holy Spirit, which has been diffused
Upon the ancient parchments and the new,
A syllogism is, which proved it to me
With such acuteness, that, compared therewith,
All demonstration seems to me obtuse.'
And then I heard: 'The ancient and the new
Postulates, that to thee are so conclusive,
Why dost thou take them for the word divine?'
And I: 'The proofs, which show the truth to me,
Are the works subsequent, whereunto Nature
Ne'er heated iron yet, nor anvil beat.'
'Twas answered me: 'Say, who assureth thee
That those works ever were? the thing itself
That must be proved, nought else to thee affirms it.'
'Were the world to Christianity converted,'
I said, 'withouten miracles, this one
Is such, the rest are not its hundredth part;
Because that poor and fasting thou didst enter
Into the field to sow there the good plant,
Which was a vine and has become a thorn!'
This being finished, the high, holy Court
Resounded through the spheres, 'One God we praise!'
In melody that there above is chanted.
And then that Baron, who from branch to branch,



Examining, had thus conducted me,
Till the extremest leaves we were approaching,
Again began: 'The Grace that dallying
Plays with thine intellect thy mouth has opened,
Up to this point, as it should opened be,
So that I do approve what forth emerged;
But now thou must express what thou believest,
And whence to thy belief it was presented.'
'O holy father, spirit who beholdest
What thou believedst so that thou o'ercamest,
Towards the sepulchre, more youthful feet,'
Began I, 'thou dost wish me in this place
The form to manifest of my prompt belief,
And likewise thou the cause thereof demandest.
And I respond: In one God I believe,
Sole and eterne, who moveth all the heavens
With love and with desire, himself unmoved;
And of such faith not only have I proofs
Physical and metaphysical, but gives them
Likewise the truth that from this place rains down
Through Moses, through the Prophets and the Psalms,
Through the Evangel, and through you, who wrote
After the fiery Spirit sanctified you;
In Persons three eterne believe, and these
One essence I believe, so one and trine
They bear conjunction both with 'sunt' and 'est.'
With the profound condition and divine
Which now I touch upon, doth stamp my mind
Ofttimes the doctrine evangelical.
This the beginning is, this is the spark
Which afterwards dilates to vivid flame,
And, like a star in heaven, is sparkling in me.'
Even as a lord who hears what pleaseth him
His servant straight embraces, gratulating
For the good news as soon as he is silent;
So, giving me its benediction, singing,
Three times encircled me, when I was silent,
The apostolic light, at whose command
I spoken had, in speaking I so pleased him.


(Canto XXV.)


If e'er it happen that the Poem Sacred,
To which both heaven and earth have set their hand,
So that it many a year hath made me lean,
O'ercome the cruelty that bars me out
From the fair sheepfold, where a lamb I slumbered,
An enemy to the wolves that war upon it,
With other voice forthwith, with other fleece
Poet will I return, and at my font
Baptismal will I take the laurel crown;



Because into the Faith that maketh known
All souls to God there entered I, and then
Peter for her sake thus my brow encircled.
Thereafterward towards us moved a light
Out of that band whence issued the first-fruits
Which of his vicars Christ behind him left,
And then my Lady, full of ecstasy,
Said unto me: 'Look, look! behold the Baron
For whom below Galicia is frequented.'
In the same way as, when a dove alights
Near his companion, both of them pour forth,
Circling about and murmuring, their affection,
So one beheld I by the other grand
Prince glorified to be with welcome greeted,
Lauding the food that there above is eaten.
But when their gratulations were complete,
Silently 'coram me' each one stood still,
So incandescent it o'ercame my sight.
Smiling thereafterwards, said Beatrice:
'Illustrious life, by whom the benefactions
Of our Basilica have been described,
Make Hope resound within this altitude;
Thou knowest as oft thou dost personify it
As Jesus to the three gave greater clearness.'-'
Lift up thy head, and make thyself assured;
For what comes hither from the mortal world
Must needs be ripened in our radiance.'
This comfort came to me from the second fire;
Wherefore mine eyes I lifted to the hills,
Which bent them down before with too great weight.
'Since, through his grace, our Emperor wills that thou
Shouldst find thee face to face, before thy death,
In the most secret chamber, with his Counts,
So that, the truth beholden of this court,
Hope, which below there rightfully enamours,
Thereby thou strengthen in thyself and others,
Say what it is, and how is flowering with it
Thy mind, and say from whence it came to thee.'
Thus did the second light again continue.
And the Compassionate, who piloted
The plumage of my wings in such high flight,
Did in reply anticipate me thus:
'No child whatever the Church Militant
Of greater hope possesses, as is written
In that Sun which irradiates all our band;
Therefore it is conceded him from Egypt
To come into Jerusalem to see,
Or ever yet his warfare be completed.
The two remaining points, that not for knowledge
Have been demanded, but that he report
How much this virtue unto thee is pleasing,
To him I leave; for hard he will not find them,



Nor of self-praise; and let him answer them;
And may the grace of God in this assist him!'
As a disciple, who his teacher follows,
Ready and willing, where he is expert,
That his proficiency may be displayed,
'Hope,' said I, 'is the certain expectation
Of future glory, which is the effect
Of grace divine and merit precedent.
From many stars this light comes unto me;
But he instilled it first into my heart
Who was chief singer unto the chief captain.
'
Sperent in te
,' in the high Theody
He sayeth, 'those who know thy name;' and who
Knoweth it not, if he my faith possess?
Thou didst instil me, then, with his instilling
In the Epistle, so that I am full,
And upon others rain again your rain.'
While I was speaking, in the living bosom
Of that combustion quivered an effulgence,
Sudden and frequent, in the guise of lightning;
Then breathed: 'The love wherewith I am inflamed
Towards the virtue still which followed me
Unto the palm and issue of the field,
Wills that I breathe to thee that thou delight
In her; and grateful to me is thy telling
Whatever things Hope promises to thee.'
And I: 'The ancient Scriptures and the new
The mark establish, and this shows it me,
Of all the souls whom God hath made his friends.
Isaiah saith, that each one garmented
In his own land shall be with twofold garments,
And his own land is this delightful life.
Thy brother, too, far more explicitly,
There where he treateth of the robes of white,
This revelation manifests to us.'
And first, and near the ending of these words,
'
Sperent in te
' from over us was heard,
To which responsive answered all the carols.
Thereafterward a light among them brightened,
So that, if Cancer one such crystal had,
Winter would have a month of one sole day.
And as uprises, goes, and enters the dance
A winsome maiden, only to do honour
To the new bride, and not from any failing,
Even thus did I behold the brightened splendour
Approach the two, who in a wheel revolved
As was beseeming to their ardent love.
Into the song and music there it entered;



And fixed on them my Lady kept her look,
Even as a bride silent and motionless.
'This is the one who lay upon the breast
Of him our Pelican; and this is he
To the great office from the cross elected.'
My Lady thus; but therefore none the more
Did move her sight from its attentive gaze
Before or afterward these words of hers.
Even as a man who gazes, and endeavours
To see the eclipsing of the sun a little,
And who, by seeing, sightless doth become,
So I became before that latest fire,
While it was said, 'Why dost thou daze thyself
To see a thing which here hath no existence?
Earth in the earth my body is, and shall be
With all the others there, until our number
With the eternal proposition tallies.
With the two garments in the blessed cloister
Are the two lights alone that have ascended:
And this shalt thou take back into your world.'
And at this utterance the flaming circle
Grew quiet, with the dulcet intermingling
Of sound that by the trinal breath was made,
As to escape from danger or fatigue
The oars that erst were in the water beaten
Are all suspended at a whistle's sound.
Ah, how much in my mind was I disturbed,
When I turned round to look on Beatrice,
That her I could not see, although I was
Close at her side and in the Happy World!
375

By The Seaside : The Lighthouse

By The Seaside : The Lighthouse

The rocky ledge runs far into the sea,
And on its outer point, some miles away,
The Lighthouse lifts its massive masonry,
A pillar of fire by night, of cloud by day.


Even at this distance I can see the tides,
Upheaving, break unheard along its base,
A speechless wrath, that rises and subsides
In the white lip and tremor of the face.


And as the evening darkens, lo! how bright,
Through the deep purple of the twilight air,
Beams forth the sudden radiance of its light
With strange, unearthly splendor in the glare!


Not one alone; from each projecting cape
And perilous reef along the ocean's verge,
Starts into life a dim, gigantic shape,
Holding its lantern o'er the restless surge.


Like the great giant Christopher it stands
Upon the brink of the tempestuous wave,
Wading far out among the rocks and sands,
The night-o'ertaken mariner to save.


And the great ships sail outward and return,
Bending and bowing o'er the billowy swells,
And ever joyful, as they see it burn,
They wave their silent welcomes and farewells.


They come forth from the darkness, and their sails
Gleam for a moment only in the blaze,
And eager faces, as the light unveils,
Gaze at the tower, and vanish while they gaze.


The mariner remembers when a child,
On his first voyage, he saw it fade and sink;
And when, returning from adventures wild,
He saw it rise again o'er ocean's brink.


Steadfast, serene, immovable, the same
Year after year, through all the silent night
Burns on forevermore that quenchless flame,
Shines on that inextinguishable light!


It sees the ocean to its bosom clasp
The rocks and sea-sand with the kiss of peace;
It sees the wild winds lift it in their grasp,
And hold it up, and shake it like a fleece.


The startled waves leap over it; the storm
Smites it with all the scourges of the rain,



And steadily against its solid form
Press the great shoulders of the hurricane.


The sea-bird wheeling round it, with the din
Of wings and winds and solitary cries,
Blinded and maddened by the light within,
Dashes himself against the glare, and dies.


A new Prometheus, chained upon the rock,
Still grasping in his hand the fire of Jove,
It does not hear the cry, nor heed the shock,
But hails the mariner with words of love.


'Sail on!' it says, 'sail on, ye stately ships!
And with your floating bridge the ocean span;
Be mine to guard this light from all eclipse,
Be yours to bring man nearer unto man!'
385

By The Seaside : The Evening Star

By The Seaside : The Evening Star

Lo! in the paintedoriel of the West,
Whose panes the sunken sun incarnadines,
Like a fair lady at her casement, shines
The evening star, the star of love and rest!
And then anon she doth herself divest
Of all her radiant garments, and reclines
Behind the sombre screen of yonder pines,
With slumber and soft dreams of love oppressed.
O my beloved, my sweet Hesperus!
My morning and my evening star of love!
My best and gentlest lady! even thus,
As that fair planet in the sky above,
Dost thou retire unto thy rest at night,
And from thy darkened window fades the light.
350

By The Seaside : Sir Humphrey Gilbert

By The Seaside : Sir Humphrey Gilbert

Southward with fleet of ice
Sailed the corsair Death;
Wild and gast blew the blast,
And the east-wind was his breath.


His lordly ships of ice
Glisten in the sun;
On each side, like pennons wide,
Flashing crystal streamlets run.


His sails of white sea-mist
Dripped with silver rain;
But where he passed there were cast
Leaden shadows o'er the main.


Eastward from Campobello
Sir Humphrey Gilbert sailed;
Three days or more seaward he bore,
Then, alas! the land-wind failed.


Alas! the land-wind failed,
And ice-cold grew the night;
And nevermore, on sea or shore,
Should Sir Humphrey see the light.


He sat upon the deck,
The Book was in his hand;
'Do not fear! Heaven is as near,'
He said, 'by water as by land!'


In the first watch of the night,
Without a signal's sound,
Out of the sea, mysteriously,
The fleet of Death rose all around.


The moon and the evening star
Were hanging in the shrouds;
Every mast, as it passed,
Seemed to rake the passing clouds.


They grappled with their prize,
At midnight black and cold!
As of a rock was the shock;
Heavily the ground-swell rolled.


Southward through day and dark,
They drift in cold embrace,
With mist and rain, o'er the open main;
Yet there seems no change of place.


Southward, forever southward,
They drift through dark and day;



And like a dream, in the Gulf-Stream
Sinking, vanish all away.
292

By The Fireside : The Open Window

By The Fireside : The Open Window

The old house by the lindens
Stood silent in the shade,
And on the gravelled pathway
The light and shadow played.


I saw the nursery windows
Wide open to the air;
But the faces of the children,
They were no longer there.


The large Newfoundland house-dog
Was standing by the door;
He looked for his little playmates,
Who would return no more.


They walked not under the lindens,
They played not in the hall;
But shadow, and silence, and sadness
Were hanging over all.


The birds sang in the branches,
With sweet, familiar tone;
But the voices of the children
Will be heard in dreams alone!


And the boy that walked beside me,
He could not understand
Why closer in mine, ah! closer,
I pressed his warm, soft hand!
290

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Identification and basic context

Henry Wadsworth Longfellow was an American poet and educator. He was born in Portland, Maine, and his family had deep roots in New England. He wrote in English.

Childhood and education

Longfellow's early life was shaped by a comfortable family background and a strong emphasis on education. He entered Bowdoin College at the age of 14, where he developed a passion for literature and languages. He was a gifted student, excelling in his studies and beginning to publish his early verses during this time. His education provided him with a broad knowledge of classical literature and European traditions.

Literary trajectory

Longfellow's literary career began with the publication of early poems in magazines. After extensive travel and study in Europe, he returned to the United States and embarked on a prolific writing career. His fame grew steadily with collections like 'Voices of the Night' and 'The Song of Hiawatha.' He also became a respected professor, teaching at Bowdoin and later at Harvard University, where he influenced generations of students. His later works continued to explore historical and legendary themes.

Works, style, and literary characteristics

Longfellow's major works include 'Voices of the Night' (1839), 'Ballads and Other Poems' (1841), 'The Spanish Student' (1843), 'Evangeline' (1847), 'The Song of Hiawatha' (1855), and 'The Courtship of Miles Standish' (1858). His poetry is characterized by its narrative quality, lyrical beauty, and often moralistic or sentimental tone. He frequently employed traditional forms, such as the ballad and the sonnet, but also experimented with longer narrative poems. Themes explored include love, loss, domestic life, heroism, American history and legend, and the passage of time. His language is generally clear, accessible, and rich in imagery, aiming for emotional resonance with a broad audience.

Cultural and historical context

Longfellow lived and wrote during a period of significant national growth and change in the United States, a time often referred to as the American Renaissance. He was part of the so-called 'Fireside Poets,' a group of American writers whose work was popular and widely read in American homes. His poetry often reflected and shaped American identity, drawing on national myths and historical events. He was aware of European literary trends but sought to create a distinctly American literary voice.

Personal life

Longfellow experienced significant personal tragedies, including the deaths of both his wives. These losses deeply affected him and are often reflected in the elegiac and melancholic strains found in some of his poetry. He maintained friendships with many prominent literary figures of his day and was a respected academic.

Recognition and reception

Longfellow was immensely popular during his lifetime, both in the United States and internationally, particularly in Britain. His poems were widely recited, set to music, and studied in schools. While lauded for his accessibility and emotional appeal by the general public, some later critics found his work overly sentimental or conventional. However, his place as a foundational figure in American poetry remains secure.

Influences and legacy

Longfellow was influenced by European Romantic poets, particularly German and English writers. He, in turn, influenced many subsequent American poets and helped to establish a tradition of narrative and lyrical poetry in the United States. His works were instrumental in shaping a sense of national identity and cultural heritage.

Interpretation and critical analysis

Critical interpretations of Longfellow's work often focus on his role in popularizing poetry, his engagement with American history and myth, and the balance between his accessible style and the deeper emotional currents in his verse. Debates sometimes arise regarding the perceived sentimentality versus genuine pathos in his work.

Curiosities and lesser-known aspects

Longfellow was a gifted linguist and professor, fluent in several languages. He was also known for his considerable literary fame, which sometimes presented challenges, as he struggled to find quiet moments for composition amidst public demands. His home in Cambridge, Massachusetts, a former headquarters of George Washington, became a literary landmark.

Death and memory

Longfellow died in Cambridge, Massachusetts. His death was widely mourned, and he was remembered as one of America's greatest poets. His works continue to be read and studied, maintaining his status as a significant figure in American literary history.