Poems List

Talking (and Singing) of the Nordic Man

Talking (and Singing) of the Nordic Man

I

Behold, my child, the Nordic man,
And be as like him, as you can;
His legs are long, his mind is slow,
His hair is lank and made of tow.


II


And here we have the Alpine Race:
Oh! What a broad and foolish face!
His skin is of a dirty yellow.
He is a most unpleasant fellow.


III


The most degraded of them all
Mediterranean we call.
His hair is crisp, and even curls,
And he is saucy with the girls.
584

Sarah Byng, Who Could Not Read And Was Tossed Into A Thorny Hedge By A

Sarah Byng, Who Could Not Read And Was Tossed Into A Thorny Hedge By A
Bull

Some years ago you heard me sing
My doubts on Alexander Byng.
His sister Sarah now inspires
My jaded Muse, my failing fires.
Of Sarah Byng the tale is told
How when the child was twelve years old
She could not read or write a line.
Her sister Jane, though barely nine,
Could spout the Catechism through
And parts of Matthew Arnold too,
While little Bill who came between
Was quite unnaturally keen
On 'Athalie', by Jean Racine.
But not so Sarah! Not so Sal!
She was a most uncultured girl
Who didn't care a pinch of snuff
For any literary stuff
And gave the classics all a miss.
Observe the consequence of this!
As she was walking home one day,
Upon the fields across her way
A gate, securely padlocked, stood,
And by its side a piece of wood
On which was painted plain and full,
BEWARE THE VERY FURIOUS BULL
Alas! The young illiterate
Went blindly forward to her fate,
And ignorantly climbed the gate!
Now happily the Bull that day
Was rather in the mood for play
Than goring people through and through
As Bulls so very often do;
He tossed her lightly with his horns
Into a prickly hedge of thorns,
And stood by laughing while she strode
And pushed and struggled to the road.
The lesson was not lost upon
The child, who since has always gone
A long way round to keep away
From signs, whatever they may say,
And leaves a padlocked gate alone.
Moreover she has wisely grown
Confirmed in her instinctive guess
That literature breeds distress.
440

On Vital Statistics

On Vital Statistics

Ill fares the land to hast'ning ills a prey (1)
Where wealth accumulates and men decay.'
But how much more unfortunate are those
Where wealth declines and population grows!

(1)This line is execrable; and I note it.
I quote it as the faulty poet wrote it.
331

On Torture: A Public Singer

On Torture: A Public Singer

Torture will give a dozen pence or more
To keep a drab from bawling at his door.
The public taste is quite a different thing-
Torture is positively paid to sing.
398

Matilda Who told Lies, and was Burned to Death

Matilda Who told Lies, and was Burned to Death

Matilda told such Dreadful Lies,
It made one Gasp and Stretch one's Eyes;
Her Aunt, who, from her Earliest Youth,
Had kept a Strict Regard for Truth,
Attempted to Believe Matilda:
The effort very nearly killed her,
And would have done so, had not She
Discovered this Infirmity.
For once, towards the Close of Day,
Matilda, growing tired of play,
And finding she was left alone,
Went tiptoe to the Telephone
And summoned the Immediate Aid
Of London's Noble Fire-Brigade.
Within an hour the Gallant Band
Were pouring in on every hand,
From Putney, Hackney Downs, and Bow.
With Courage high and Hearts a-glow,
They galloped, roaring through the Town,
'Matilda's House is Burning Down!'
Inspired by British Cheers and Loud
Proceeding from the Frenzied Crowd,
They ran their ladders through a score
Of windows on the Ball Room Floor;
And took Peculiar Pains to Souse
The Pictures up and down the House,
Until Matilda's Aunt succeeded
In showing them they were not needed;
And even then she had to pay
To get the Men to go away,
It happened that a few Weeks later
Her Aunt was off to the Theatre
To see that Interesting Play
The Second Mrs. Tanqueray.
She had refused to take her Niece
To hear this Entertaining Piece:
A Deprivation Just and Wise
To Punish her for Telling Lies.
That Night a Fire did break out--
You should have heard Matilda Shout!
You should have heard her Scream and Bawl,
And throw the window up and call
To People passing in the Street-(
The rapidly increasing Heat
Encouraging her to obtain
Their confidnce) -- but all in vain!
For every time she shouted 'Fire!'
They only answered 'Little Liar!'
And therefore when her Aunt returned,
Matilda, and the House, were Burned.
642

On the Ladies of Pixton

On the Ladies of Pixton

Three Graces; and the mother were a Grace,
But for profounder meaning in her face.
316

Lines to a Don

Lines to a Don

Remote and ineffectual Don
That dared attack my Chesterton,
With that poor weapon, half-impelled,
Unlearnt, unsteady, hardly held,
Unworthy for a tilt with men--
Your quavering and corroded pen;
Don poor at Bed and worse at Table,
Don pinched, Don starved, Don miserable;
Don stuttering, Don with roving eyes,
Don nervous, Don of crudities;
Don clerical, Don ordinary,
Don self-absorbed and solitary;
Don here-and-there, Don epileptic;
Don puffed and empty, Don dyspeptic;
Don middle-class, Don sycophantic,
Don dull, Don brutish, Don pedantic;
Don hypocritical, Don bad,
Don furtive, Don three-quarters mad;
Don (since a man must make and end),
Don that shall never be my friend.


Don different from those regal Dons!
With hearts of gold and lungs of bronze,
Who shout and bang and roar and bawl
The Absolute across the hall,
Or sail in amply bellying gown
Enormous through the Sacred Town,
Bearing from College to their homes
Deep cargoes of gigantic tomes;
Dons admirable! Dons of Might!
Uprising on my inward sight
Compact of ancient tales, and port
And sleep--and learning of a sort.
Dons English, worthy of the land;
Dons rooted; Dons that understand.
Good Dons perpetual that remain
A landmark, walling in the plain--
The horizon of my memories--
Like large and comfortable trees.


Don very much apart from these,
Thou scapegoat Don, thou Don devoted,
Don to thine own damnation quoted,
Perplexed to find thy trivial name
Reared in my verse to lasting shame.
Don dreadful, rasping Don and wearing,
Repulsive Don--Don past all bearing.
Don of the cold and doubtful breath,
Don despicable, Don of death;
Don nasty, skimpy, silent, level;
Don evil, Don that serves the devil.



Don ugly--that makes fifty lines.
There is a Canon which confines
A Rhymed Octosyllabic Curse
If written in Iambic Verse
To fifty lines. I never cut;
I far prefer to end it--but
Believe me I shall soon return.
My fires are banked, but still they burn
To write some more about the Don
That dared attack my Chesterton.
421

Lord Lundy

Lord Lundy

Who was too Freely Moved to Tears, and thereby ruined his Political Career

Lord Lundy from his earliest years
Was far too freely moved to Tears.
For instance if his Mother said,
"Lundy! It's time to go to Bed!"
He bellowed like a Little Turk.
Or if his father Lord Dunquerque
Said "Hi!" in a Commanding Tone,
"Hi, Lundy! Leave the Cat alone!"
Lord Lundy, letting go its tail,
Would raise so terrible a wail
As moved His Grandpapa the Duke
To utter the severe rebuke:
"When I, Sir! was a little Boy,
An Animal was not a Toy!"


His father's Elder Sister, who
Was married to a Parvenoo,
Confided to Her Husband, Drat!
The Miserable, Peevish Brat!
Why don't they drown the Little Beast?"
Suggestions which, to say the least,
Are not what we expect to hear
From Daughters of an English Peer.
His Grandmamma, His Mother's Mother,
Who had some dignity or other,
The Garter, or no matter what,
I can't remember all the Lot!
Said "Oh! That I were Brisk and Spry
To give him that for which to cry!"
(An empty wish, alas! For she
Was Blind and nearly ninety-three).


The Dear Old Butler thought-but there!
I really neither know nor care
For what the Dear Old Butler thought!
In my opinion, Butlers ought
To know their place, and not to play
The Old Retainer night and day.
I'm getting tired and so are you,
Let's cut the poem into two!


Second Part


It happened to Lord Lundy then,
As happens to so many men:
Towards the age of twenty-six,
They shoved him into politics;
In which profession he commanded
The Income that his rank demanded
In turn as Secretary for



India, the Colonies, and War.
But very soon his friends began
To doubt is he were quite the man:
Thus if a member rose to say
(As members do from day to day),
"Arising out of that reply . . .!"
Lord Lundy would begin to cry.
A Hint at harmless little jobs
Would shake him with convulsive sobs.
While as for Revelations, these
Would simply bring him to his knees,
And leave him whimpering like a child.
It drove his colleagues raving wild!
They let him sink from Post to Post,
From fifteen hundred at the most
To eight, and barely six--and then
To be Curator of Big Ben!. . .
And finally there came a Threat
To oust him from the Cabinet!


The Duke -- his aged grand-sire -- bore
The shame till he could bear no more.
He rallied his declining powers,
Summoned the youth to Brackley Towers,
And bitterly addressed him thus-"
Sir! you have disappointed us!
We had intended you to be
The next Prime Minister but three:
The stocks were sold; the Press was squared:
The Middle Class was quite prepared.
But as it is! . . . My language fails!
Go out and govern New South Wales!"


The Aged Patriot groaned and died:
And gracious! how Lord Lundy cried!
435

Juliet

Juliet


How did the party go in Portman Square?
I cannot tell you; Juliet was not there.

And how did Lady Gaster's party go?
Juliet was next me and I do not know.
498

Is there any reward?

Is there any reward?

Is there any reward?
I'm beginning to doubt it.
I am broken and bored,
Is there any reward
Reassure me, Good Lord,
And inform me about it.
Is there any reward?
I'm beginning to doubt it.
446

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Identification and basic context

Hilaire Belloc was a writer, historian, poet, and political activist. He was born on July 27, 1870, and died on August 22, 1953. Born in La Celle-Saint-Cloud, France, to an English mother and a French father, he held dual nationality but spent most of his life in England. He was a prominent figure in English letters, known for his prolific output and strong opinions. He was a devout Roman Catholic throughout his life.

Childhood and education

Belloc's early life was shaped by his French upbringing and his mother's influence. After his father's death, his mother moved the family to England. He was educated at the Oratory School in Birmingham, run by Cardinal Newman, and later studied history at Balliol College, Oxford. His time at Oxford was significant for his intellectual development and his growing engagement with Catholic thought and tradition. He also served in the French army for a period.

Literary trajectory

Belloc began his writing career in the 1890s, quickly establishing himself as a versatile and opinionated author. He gained early fame for his humorous travelogues and poems. Throughout his career, he produced a vast number of books, including historical analyses, biographies, political tracts, essays, novels, and collections of verse. He was a frequent contributor to periodicals and engaged in public debates. His literary trajectory was marked by a consistent adherence to his Catholic faith and political convictions.

Works, style, and literary characteristics

Belloc's major works span numerous genres. Among his most famous poems are "The Bad Child's Book of Beasts" (1896) and "Cautionary Tales for Children" (1896), known for their dark humor and memorable rhymes. His historical works include "The History of England" and biographies of figures like Joan of Arc and Napoleon. His dominant themes often revolved around Catholic faith, history, social justice (particularly his advocacy for distributism), and critiques of liberalism and socialism. His style is characterized by clarity, wit, vigorous argumentation, and a direct, often polemical, tone. His poetic style in his humorous works is marked by simple rhyme schemes and memorable, often ironic, narratives. He was associated with a conservative literary and intellectual milieu.

Cultural and historical context

Belloc lived through a period of significant social and political change in Britain and Europe, including the rise of industrialism, two world wars, and shifts in political ideologies. As a Catholic, he was part of a religious minority in predominantly Protestant England and often felt compelled to defend his faith. He was a contemporary of G.K. Chesterton, with whom he shared many intellectual and religious views, and together they championed distributism. Belloc was a staunch critic of modern secular trends and political movements he deemed dangerous.

Personal life

Belloc's personal life was deeply influenced by his strong Catholic faith and his family. He married Elodie Hogan, an American, and they had five children. His personal experiences and deeply held convictions fueled his writing and public pronouncements. He was known for his robust personality and his willingness to engage in public controversies.

Recognition and reception

Belloc achieved considerable fame during his lifetime as a popular writer and public figure. His humorous poems and essays were widely read and enjoyed. His historical works were also influential, though sometimes criticized for their strong biases. He was recognized for his literary output and his engagement with public affairs, though his controversial views also drew criticism.

Influences and legacy

Belloc drew influence from classical literature, English literary tradition, and his Catholic faith. He, in turn, influenced writers like G.K. Chesterton and promoted ideas like distributism. His legacy lies in his enduring humorous poetry, his substantial historical scholarship, and his persistent defense of Catholic social teaching and traditional values. His works continue to be read for their wit, historical insight, and clear articulation of his worldview.

Interpretation and critical analysis

Belloc's work is often interpreted through the lens of his Catholic faith and his conservative political stance. Critics have examined his historical methodologies, his economic theories (distributism), and the complex blend of humor and seriousness in his writing. His polemical style and strong opinions have sometimes led to controversy.

Curiosities and lesser-known aspects

Belloc was known for his legendary memory and his ability to write on a vast array of subjects. He famously claimed to know the geography of England better than anyone else. He also had a deep knowledge of military history.

Death and memory

Hilaire Belloc died at the age of 83. His death was noted in literary and public circles. While some of his more polemical works have faded in prominence, his humorous verse and certain historical studies continue to be appreciated and studied.