John Greenleaf Whittier

John Greenleaf Whittier

1807–1892 · lived 84 years -- --

John Greenleaf Whittier was an American poet and abolitionist, celebrated for his lyrical verse that often depicted rural New England life and championed social reform. His poetry evoked strong imagery of nature, home, and the changing seasons, resonating deeply with readers. A staunch advocate against slavery, Whittier used his literary platform to promote abolitionist ideals, making his work a significant voice in the moral and political landscape of 19th-century America. His legacy endures through his evocative poems and his commitment to justice.

n. 1807-12-17, Haverhill · m. 1892-09-07, Hampton Falls

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Derne

Derne


NIGHT on the city of the Moor!
On mosque and tomb, and white-walled shore,
On sea-waves, to whose ceaseless knock
The narrow harbor gates unlock,
On corsair's galley, carack tall,
And plundered Christian caraval!
The sounds of Moslem life are still;
No mule-bell tinkles down the hill;
Stretched in the broad court of the khan,
The dusty Bornou caravan
Lies heaped in slumber, beast and man;
The Sheik is dreaming in his tent,
His noisy Arab tongue o'erspent;
The kiosk's glimmering lights are gone,
The merchant with his wares withdrawn;
Rough pillowed on some pirate breast,
The dancing-girl has sunk to rest;
And, save where measured footsteps fall
Along the Bashaw's guarded wall,
Or where, like some bad dream, the Jew
Creeps stealthily his quarter through,
Or counts with fear his golden heaps,
The City of the Corsair sleeps!
But where yon prison long and low
Stands black against the pale star-glow,
Chafed by the ceaseless wash of waves,
There watch and pine the Christian slaves;
Rough-bearded men, whose far-off wives
Wear out with grief their lonely lives;
And youth, still flashing from his eyes
The clear blue of New England skies,
A treasured lock of whose soft hair
Now wakes some sorrowing mother's prayer;
Or, worn upon some maiden breast,
Stirs with the loving heart's unrest!
A bitter cup each life must drain,
The groaning earth is cursed with pain,
And, like the scroll the angel bore
The shuddering Hebrew seer before,
O'erwrit alike, without, within,
With all the woes which follow sin;
But, bitterest of the ills beneath
Whose load man totters down to death,
Is that which plucks the regal crown
Of Freedom from his forehead down,
And snatches from his powerless hand
The sceptred sign of self-command,
Effacing with the chain and rod
The image and the seal of God;
Till from his nature, day by day,
The manly virtues fall away,
And leave him naked, blind and mute,



The godlike merging in the brute!
Why mourn the quiet ones who die
Beneath affection's tender eye,
Unto their household and their kin
Like ripened corn-sheaves gathered in?
O weeper, from that tranquil sod,
That holy harvest-home of God,
Turn to the quick and suffering, shed
Thy tears upon the living dead!
Thank God above thy dear ones' graves,
They sleep with Him, they are not slaves.
What dark mass, down the mountain-sides
Swift-pouring, like a stream divides?
A long, loose, straggling caravan,
Camel and horse and armëd man.
The moon's low crescent, glimmering o'er
Its grave of waters to the shore,
Lights up that mountain cavalcade,
And gleams from gun and spear and blade
Near and more near! now o'er them falls
The shadow of the city walls.
Hark to the sentry's challenge, drowned
In the fierce trumpet's charging sound!
The rush of men, the musket's peal,
The short, sharp clang of meeting steel!
Vain, Moslem, vain thy lifeblood poured
So freely on thy foeman's sword!
Not to the swift nor to the strong
The battles of the right belong;
For he who strikes for Freedom wears
The armor of the captive's prayers,
And Nature proffers to his cause
The strength of her eternal laws;
While he whose arm essays to bind
And herd with common brutes his kind
Strives evermore at fearful odds
With Nature and the jealous gods,
And dares the dread recoil which late
Or soon their right shall vindicate.
'T is done, the hornëd crescent falls!
The star-flag flouts the broken walls!
Joy to the captive husband! joy
To thy sick heart, O brown-locked boy!
In sullen wrath the conquered Moor
Wide open flings your dungeon-door,
And leaves ye free from cell and chain,
The owners of yourselves again.
Dark as his allies desert-born,
Soiled with the battle's stain, and worn
With the long marches of his band
Through hottest wastes of rock and sand,
Scorched by the sun and furnace-breath



Of the red desert's wind of death,
With welcome words and grasping hands,
The victor and deliverer stands!
The tale is one of distant skies;
The dust of half a century lies
Upon it; yet its hero's name
Still lingers on the lips of Fame.
Men speak the praise of him who gave
Deliverance to the Moorman's slave,
Yet dare to brand with shame and crime
The heroes of our land and time, —
The self-forgetful ones, who stake
Home, name, and life for Freedom's sake.
God mend his heart who cannot feel
The impulse of a holy zeal,
And sees not, with his sordid eyes,
The beauty of self-sacrifice!
Though in the sacred place he stands,
Uplifting consecrated hands,
Unworthy are his lips to tell
Of Jesus' martyr-miracle,
Or name aright that dread embrace
Of suffering for a fallen race!
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Bio

Identification and basic context

John Greenleaf Whittier was an influential American poet and a prominent abolitionist. Born into a Quaker family in Haverhill, Massachusetts, he became one of the most widely read poets of his time. His work often reflected his deep connection to New England, its landscapes, and its people, while also serving as a powerful vehicle for his social and political convictions, particularly his fervent opposition to slavery.

Childhood and education

Whittier grew up on a farm, receiving a limited formal education. He attended local schools but was largely self-taught, fueled by a passion for reading. His early exposure to poetry, particularly that of Robert Burns, had a significant impact. His Quaker upbringing instilled in him a strong sense of moral duty, equality, and pacifism, which profoundly shaped his worldview and his future activism.

Literary trajectory

Whittier began writing poetry in his youth, initially contributing to local newspapers. His early work focused on descriptive and lyrical themes. However, his career took a significant turn with his involvement in the abolitionist movement. He became a prolific writer of anti-slavery poetry, essays, and articles, using his literary skills to advocate for the emancipation of enslaved people. He also served as an editor for several abolitionist publications. Throughout his life, he continued to produce poetry that celebrated nature, history, and the human spirit.

Works, style, and literary characteristics

Among Whittier's most famous works are 'Snow-Bound: A Winter Idyl,' a semi-autobiographical narrative poem depicting a New England blizzard; 'The Barefoot Boy,' a nostalgic reflection on childhood; and numerous anti-slavery poems such as 'Ichabod!' and 'The Slave Ships.' His style is characterized by its clarity, simplicity, and vivid imagery, often drawing upon the rhythms of folk songs and hymns. His dominant themes include the beauty of rural life, the virtues of hard work, the passage of time, and the moral imperative of justice and equality. He often employed a lyrical and sometimes elegiac tone, but his abolitionist poems could be passionate and indignant.

Cultural and historical context

Whittier was a key figure in the 'Fireside Poets,' a group of New England writers whose works were popular for home readings. He was deeply immersed in the social and political struggles of 19th-century America, particularly the anti-slavery movement. His writings engaged directly with contemporary issues, advocating for social reform and moral progress. He was a contemporary of other prominent writers and activists, and his work contributed to the broader cultural and intellectual discourse of the era.

Personal life

Whittier remained unmarried and dedicated much of his life to his writing and his abolitionist activities. He maintained close relationships with his family and friends, and his home in Amesbury, Massachusetts, became a hub for literary and intellectual discussions. Despite facing personal challenges and the constant pressures of his activism, he found solace and inspiration in nature and his Quaker faith.

Recognition and reception

Whittier achieved considerable fame during his lifetime, becoming one of America's most beloved poets. His works were widely read and admired, both for their aesthetic qualities and their moral messages. He was recognized for his contributions to literature and his role as a voice for social justice. While some of his abolitionist poems were controversial at the time, his overall reputation as a significant American poet has endured.

Influences and legacy

Whittier was influenced by earlier poets like Robert Burns and later poets were influenced by his lyrical depiction of American life and his commitment to reform. His legacy lies in his contribution to American poetry, particularly his ability to capture the essence of rural New England, and his unwavering dedication to the abolitionist cause. He is remembered as a poet of conscience and a significant figure in the fight for human rights.

Interpretation and critical analysis

Interpretations of Whittier's work often highlight his role as a chronicler of rural American life and a moral voice of his generation. Critics analyze his use of nature imagery, his religious and philosophical underpinnings (rooted in Quakerism), and the effectiveness of his abolitionist poetry as a form of social protest. His nostalgic portrayals of rural life are sometimes contrasted with the harsher realities of the industrializing nation.

Curiosities and lesser-known aspects

Whittier was a lifelong vegetarian and a teetotaler, reflecting his Quaker principles. He was also an early advocate for women's suffrage. An interesting aspect of his life was his near-miss with a railroad accident, which he later commemorated in a poem. Despite his fame, he was known for his humility and his aversion to public accolades.

Death and memory

John Greenleaf Whittier died in Hampton Falls, New Hampshire. His passing was widely mourned, and he was memorialized as a significant American literary figure and a champion of human rights. His poems continue to be read and appreciated, particularly for their evocative descriptions of nature and their enduring moral messages.

Poems

242

The Exiles. 1660

The Exiles. 1660

The goodman sat beside his door
One sultry afternoon,
With his young wife singing at his side
An old and goodly tune.


A glimmer of heat was in the air,The
dark green woods were still;
And the skirts of a heavy thunder-cloud
Hung over the western hill.


Black, thick, and vast arose that cloud
Above the wilderness,


As some dark world from upper air
Were stooping over this.


At times the solemn thunder pealed,
And all was still again,
Save a low murmur in the air
Of coming wind and rain.


Just as the first big rain-drop fell,
A weary stranger came,
And stood before the farmer's door,
With travel soiled and lame.


Sad seemed he, yet sustaining hope
Was in his quiet glance,
And peace, like autumn's moonlight, clothed
His tranquil countenance,


A look, like that his Master wore
In Pilate's council-hall:
It told of wrongs, but of a love
Meekly forgiving all.


'Friend! wilt thou give me shelter here?'
The stranger meekly said;
And, leaning on his oaken staff,
The goodman's features read.


'My life is hunted,-evil men
Are following in my track;
The traces of the torturer's whip
Are on my aged back;


'And much, I fear, 't will peril thee
Within thy doors to take
A hunted seeker of the Truth,
Oppressed for conscience' sake.'


Oh, kindly spoke the goodman's wife,



'Come in, old man!' quoth she,
'We will not leave thee to the storm,
Whoever thou mayst be.'


Then came the aged wanderer in,
And silent sat him down;
While all within grew dark as night
Beneath the storm-cloud's frown.


But while the sudden lightning's blaze
Filled every cottage nook,
And with the jarring thunder-roll
The loosened casements shook,


A heavy tramp of horses' feet
Came sounding up the lane,
And half a score of horse, or more,
Came plunging through the rain.


'Now, Goodman Macy, ope thy door,We
would not be house-breakers;
A rueful deed thou'st done this day,
In harboring banished Quakers.'


Out looked the cautious goodman then,
With much of fear and awe,
For there, with broad wig drenched with rain
The parish priest he saw.


Open thy door, thou wicked man,
And let thy pastor in,
And give God thanks, if forty stripes
Repay thy deadly sin.'


'What seek ye?' quoth the goodman;
'The stranger is my guest;
He is worn with toil and grievous wrong,Pray
let the old man rest.'


'Now, out upon thee, canting knave!'
And strong hands shook the door.
'Believe me, Macy,' quoth the priest,
'Thou 'lt rue thy conduct sore.'


Then kindled Macy's eye of fire
'No priest who walks the earth,
Shall pluck away the stranger-guest
Made welcome to my hearth.'


Down from his cottage wall he caught
The matchlock, hotly tried
At Preston-pans and Marston-moor,



By fiery Ireton's side;


Where Puritan, and Cavalier,
With shout and psalm contended;
And Rupert's oath, and Cromwell's prayer,
With battle-thunder blended.


Up rose the ancient stranger then
'My spirit is not free
To bring the wrath and violence
Of evil men on thee;


'And for thyself, I pray forbear,
Bethink thee of thy Lord,
Who healed again the smitten ear,
And sheathed His follower's sword.


'I go, as to the slaughter led.
Friends of the poor, farewell!'
Beneath his hand the oaken door
Back on its hinges fell.


'Come forth, old graybeard, yea and nay,'
The reckless scoffers cried,
As to a horseman's saddle-bow
The old man's arms were tied.


And of his bondage hard and long
In Boston's crowded jail,
Where suffering woman's prayer was heard,
With sickening childhood's wail,


It suits not with our tale to tell;
Those scenes have passed away;
Let the dim shadows of the past
Brood o'er that evil day.


'Ho, sheriff!' quoth the ardent priest,
'Take Goodman Macy too;
The sin of this day's heresy
His back or purse shall rue.'


'Now, goodwife, haste thee!' Macy cried.
She caught his manly arm;
Behind, the parson urged pursuit,
With outcry and alarm.


Ho! speed the Macys, neck or naught,The
river-course was near;
The plashing on its pebbled shore
Was music to their ear.



A gray rock, tasselled o'er with birch,
Above the waters hung,
And at its base, with every wave,
A small light wherry swung.


A leap-they gain the boat-and there
The goodman wields his oar;
'Ill luck betide them all,' he cried,
'The laggards on the shore.'


Down through the crashing underwood,
The burly sheriff came:'
Stand, Goodman Macy, yield thyself;
Yield in the King's own name.'


'Now out upon thy hangman's face!'
Bold Macy answered then,'
Whip women, on the village green,
But meddle not with men.'


The priest came panting to the shore,
His grave cocked hat was gone;
Behind him, like some owl's nest, hung
His wig upon a thorn.


'Come back,-come back!' the parson cried,
'The church's curse beware.'
'Curse, an' thou wilt,' said Macy, 'but
Thy blessing prithee spare.'


'Vile scoffer!' cried the baffled priest,
'Thou 'lt yet the gallows see.'
'Who's born to be hanged will not be drowned,'
Quoth Macy, merrily;


'And so, sir sheriff and priest, good-by!'
He bent him to his oar,
And the small boat glided quietly
From the twain upon the shore.


Now in the west, the heavy clouds
Scattered and fell asunder,
While feebler came the rush of rain,
And fainter growled the thunder.


And through the broken clouds, the sun
Looked out serene and warm,
Painting its holy symbol-light
Upon the passing storm.


Oh, beautiful! that rainbow span,
O'er dim Crane-neck was bended;



One bright foot touched the eastern hills,
And one with ocean blended.


By green Pentucket's southern'slope
The small boat glided fast;
The watchers of the Block-house saw
The strangers as they passed.


That night a stalwart garrison
Sat shaking in their shoes,
To hear the dip of Indian oars,
The glide of birch canoes.


The fisher-wives of SalisburyThe
men were all awayLooked
out to see the stranger oar
Upon their waters play.


Deer-Island's rocks and fir-trees threw
Their sunset-shadows o'er them,
And Newbury's spire and weathercock
Peered o'er the pines before them.


Around the Black Rocks, on their left,
The marsh lay broad and green;
And on their right, with dwarf shrubs crowned,
Plum Island's hills were seen.


With skilful hand and wary eye
The harbor-bar was crossed;
A plaything of the restless wave,
The boat on ocean tossed.


The glory of the sunset heaven
On land and water lay;
On the steep hills of Agawam,
On cape, and bluff, and bay.


They passed the gray rocks of Cape Ann,
And Gloucester's harbor-bar;
The watch-fire of the garrison
Shone like a setting star.


How brightly broke the morning
On Massachusetts Bay!
Blue wave, and bright green island,
Rejoicing in the day.


On passed the bark in safety
Round isle and headland steep;
No tempest broke above them,
No fog-cloud veiled the deep.



Far round the bleak and stormy Cape
The venturous Macy passed,
And on Nantucket's naked isle
Drew up his boat at last.


And how, in log-built cabin,
They braved the rough sea-weather;
And there, in peace and quietness,
Went down life's vale together;


How others drew around them,
And how their fishing sped,
Until to every wind of heaven
Nantucket's sails were spread;


How pale Want alternated
With Plenty's golden smile;
Behold, is it not written
In the annals of the isle?


And yet that isle remaineth
A refuge of the free,
As when true-hearted Macy
Beheld it from the sea.


Free as the winds that winnow
Her shrubless hills of sand,
Free as the waves that batter
Along her yielding land.


Than hers, at duty's summons,
No loftier spirit stirs,
Nor falls o'er human suffering
A readier tear then hers.


God bless the sea-beat island!
And grant forevermore,
That charity and freedom dwell
As now upon her shore!
312

The Drovers

The Drovers

THROUGH heat and cold, and shower and sun,
Still onward cheerly driving!
There's life alone in duty done,
And rest alone in striving.
But see! the day is closing cool,
The woods are dim before us;
The white fog of the wayside pool
Is creeping slowly o'er us.
The night is falling, comrades mine,
Our footsore beasts are weary,
And through yon elms the tavern sign
Looks out upon us cheery.
The landlord beckons from his door,
His beechen fire is glowing;
These ample barns, with feed in store,
Are filled to overflowing.
From many a valley frowned across
By brows of rugged mountains;
From hillsides where, through spongy moss,
Gush out the river fountains;
From quiet farm-fields, green and low,
And bright with blooming clover;
From vales of corn the wandering crow
No richer hovers over;
Day after day our way has been
O'er many a hill and hollow;
By lake and stream, by wood and glen,
Our stately drove we follow.
Through dust-clouds rising thick and dun,
As smoke of battle o'er us,
Their white horns glisten in the sun,
Like plumes and crests before us.
We see them slowly climb the hill,
As slow behind it sinking;
Or, thronging close, from roadside rill,
Or sunny lakelet, drinking.
Now crowding in the narrow road,
In thick and struggling masses,
They glare upon the teamster's load,
Or rattling coach that passes.
Anon, with toss of horn and tail,
And paw of hoof, and bellow,
They leap some farmer's broken pale,
O'er meadow-close or fallow.
Forth comes the startled goodman; forth
Wife, children, house-dog, sally,
Till once more on their dusty path
The baffled truants rally.
We drive no starvelings, scraggy grown,
Loose-legged, and ribbed and bony,
Like those who grind their noses down
On pastures bare and stony, —



Lank oxen, rough as Indian dogs,
And cows too lean for shadows,
Disputing feebly with the frogs
The crop of saw-grass meadows!
In our good drove, so sleek and fair,
No bones of leanness rattle;
No tottering hide-bound ghosts are there,
Or Pharaoh's evil cattle.
Each stately beeve bespeaks the hand
That fed him unrepining;
The fatness of a goodly land
In each dun hide is shining.
We've sought them where, in warmest nooks,
The freshest feed is growing,
By sweetest springs and clearest brooks
Through honeysuckle flowing;
Wherever hillsides, sloping south,
Are bright with early grasses,
Or, tracking green the lowland's drouth,
The mountain streamlet passes.
But now the day is closing cool,
The woods are dim before us,
The white fog of the wayside pool
Is creeping slowly o'er us.
The cricket to the frog's bassoon
His shrillest time is keeping;
The sickle of yon setting moon
The meadow-mist is reaping.
The night is falling, comrades mine,
Our footsore beasts are weary,
And through yon elms the tavern sign
Looks out upon us cheery.
To-morrow, eastward with our charge
We'll go to meet the dawning,
Ere yet the pines of Kearsarge
Have seen the sun of morning.
When snow-flakes o'er the frozen earth,
Instead of birds, are flitting;
When children throng the glowing hearth,
And quiet wives are knitting;
While in the fire-light strong and clear
Young eyes of pleasure glisten,
To tales of all we see and hear
The ears of home shall listen.
By many a Northern lake and hill,
From many a mountain pasture,
Shall Fancy play the Drover still,
And speed the long night faster.
Then let us on, through shower and sun,
And heat and cold, be driving;
There's life alone in duty done,
And rest alone in striving.
327

The Eternal Goodness

The Eternal Goodness

O Friends! with whom my feet have trod
The quiet aisles of prayer,
Glad witness to your zeal for God
And love of man I bear.


I trace your lines of argument;
Your logic linked and strong
I weigh as one who dreads dissent,
And fears a doubt as wrong.


But still my human hands are weak
To hold your iron creeds:
Against the words ye bid me speak
My heart within me pleads.


Who fathoms the Eternal Thought?
Who talks of scheme and plan?
The Lord is God! He needeth not
The poor device of man.


I walk with bare, hushed feet the ground
Ye tread with boldness shod;
I dare not fix with mete and bound
The love and power of God.


Ye praise His justice; even such
His pitying love I deem:
Ye seek a king; I fain would touch
The robe that hath no seam.


Ye see the curse which overbroods
A world of pain and loss;
I hear our Lord's beatitudes
And prayer upon the cross.


More than your schoolmen teach, within
Myself, alas! I know:
Too dark ye cannot paint the sin,
Too small the merit show.


I bow my forehead to the dust,
I veil mine eyes for shame,
And urge, in trembling self-distrust,
A prayer without a claim.


I see the wrong that round me lies,
I feel the guilt within;
I hear, with groan and travail-cries,
The world confess its sin.
Yet, in the maddening maze of things,
And tossed by storm and flood,
To one fixed trust my spirit clings;



I know that God is good!


Not mine to look where cherubim
And seraphs may not see,
But nothing can be good in Him
Which evil is in me.


The wrong that pains my soul below
I dare not throne above,
I know not of His hate, - I know
His goodness and His love.


I dimly guess from blessings known
Of greater out of sight,
And, with the chastened Psalmist, own
His judgments too are right.


I long for household voices gone.
For vanished smiles I long,
But God hath led my dear ones on,
And He can do no wrong.


I know not what the future hath
Of marvel or surprise,
Assured alone that life and death
His mercy underlies.


And if my heart and flesh are weak
To bear an untried pain,
The bruised reed He will not break,
But strengthen and sustain.


No offering of my own I have,
Nor works my faith to prove;
I can but give the gifts He gave,
And plead His love for love.


And so beside the Silent Sea
I wait the muffled oar;
No harm from Him can come to me
On ocean or on shore.


I know not where His islands lift
Their fronded palms in air;
I only know I cannot drift
Beyond His love and care.


O brothers! if my faith is vain,
If hopes like these betray,
Pray for me that my feet may gain
The sure and safer way.



And Thou, O Lord! by whom are seen
Thy creatures as they be,
Forgive me if too close I lean
My human heart on Thee!
352

The Double-Headed Snake of Newbury

The Double-Headed Snake of Newbury

Far away in the twilight time
Of every people, in every clime,
Dragons and griffins and monsters dire,
Born of water, and air, and fire,
Or nursed, like the Python, in the mud
And ooze of the old Deucalion flood,
Crawl and wriggle and foam with rage,
Through dusk tradition and ballad age.
So from the childhood of Newbury town
And its time of fable the tale comes down
Of a terror which haunted bush and brake,
The Amphisbaena, the Double Snake!


Thou who makest the tale thy mirth,
Consider that strip of Christian earth
On the desolate shore of a sailless sea,
Full of terror and mystery,
Half redeemed from the evil hold
Of the wood so dreary, and dark, and old,
Which drank with its lips of leaves the dew
When Time was young, and the world was new,
And wove its shadows with sun and moon,
Ere the stones of Cheops were squared and hewn.
Think of the sea's dread monotone,
Of the mournful wail from the pine-wood blown,
Of the strange, vast splendors that lit the North,
Of the troubled throes of the quaking earth,
And the dismal tales the Indian told,
Till the settler's heart at his hearth grew cold,
And he shrank from the tawny wizard boasts,
And the hovering shadows seemed full of ghosts,
And above, below, and on every side,
The fear of his creed seemed verified;And
think, if his lot were now thine own,
To grope with terrors nor named nor known,
How laxer muscle and weaker nerve
And a feebler faith thy need might serve;
And own to thyself the wonder more
That the snake had two heads, and not a score!


Whether he lurked in the Oldtown fen
Or the gray earth-flax of the Devil's Den,
Or swam in the wooded Artichoke,
Or coiled by the Northman's Written Rock,
Nothing on record is left to show;
Only the fact that be lived, we know,
And left the cast of a double head
In the scaly mask which he yearly shed.
For he carried a head where his tail should be,
And the two, of course, could never agree,
But wriggled about with main and might,
Now to the left and now to the right;



Pulling and twisting this way and that,
Neither knew what the other was at.


A snake with two beads, lurking so near!
Judge of the wonder, guess at the fear!
Think what ancient gossips might say,
Shaking their heads in their dreary way,
Between the meetings on Sabbath-day!
How urchins, searching at day's decline
The Common Pasture for sheep or kine,
The terrible double-ganger heard
In leafy rustle or whir of bird!
Think what a zest it gave to the sport,
In berry-time, of the younger sort,
As over pastures blackberry-twined,
Reuben and Dorothy lagged behind,
And closer and closer, for fear of harm,
The maiden clung to her lover's arm;
And how the spark, who was forced to stay,
By his sweetheart's fears, till the break of day,
Thanked the snake for the fond delay.


Far and wide the tale was told,
Like a snowball growing while it rolled.
The nurse hushed with it the baby's cry;
And it served, in the worthy minister's eye,
To paint the primitive serpent by.
Cotton Mather came galloping down
All the way to Newbury town,
With his eyes agog and his ears set wide,
And his marvellous inkhorn at his side;
Stirring the while in the shallow pool
Of his brains for the lore he learned at school,
To garnish the story, with here a streak
Of Latin, and there another of Greek
And the tales he heard and the notes he took,
Behold! are they not in his Wonder-Book?


Stories, like dragons, are hard to kill.
If the snake does not, the tale runs still
In Byfield Meadows, on Pipestave Hill.
And still, whenever husband and wife
Publish the shame of their daily strife,
And, with mad cross-purpose, tug and strain
At either end of the marriage-chain,
The gossips say, with a knowing shake
Of their gray heads, 'Look at the Double Snake
One in body and two in will,
The Amphisbaena is living still!'
345

The Disenthralled

The Disenthralled

HE had bowed down to drunkenness,
An abject worshipper:
The pride of manhood's pulse had grown
Too faint and cold to stir;
And he had given his spirit up
To the unblessëd thrall,
And bowing to the poison cup,
He gloried in his fall!
There came a change —the cloud rolled off,
And light fell on his brain —
And like the passing of a dream
That cometh not again,
The shadow of the spirit fled.
He saw the gulf before,
He shuddered at the waste behind,
And was a man once more.
He shook the serpent folds away,
That gathered round his heart,
As shakes the swaying forest-oak
Its poison vine apart;
He stood erect; returning pride
Grew terrible within,
And conscience sat in judgment, on
His most familiar sin.
The light of Intellect again
Along his pathway shone;
And Reason like a monarch sat
Upon his olden throne.
The honored and the wise once more
Within his presence came;
And lingered oft on lovely lips
His once forbidden name.
There may be glory in the might,
That treadeth nations down;
Wreaths for the crimson conqueror,
Pride for the kingly crown;
But nobler is that triumph hour,
The disenthralled shall find,
When evil passion boweth down,
Unto the Godlike mind!
337

The Dead Ship Of Harpswell

The Dead Ship Of Harpswell

What flecks the outer gray beyond
The sundown's golden trail?
The white flash of a sea-bird's wing,
Or gleam of slanting sail?
Let young eyes watch from Neck and Point,
And sea-worn elders pray,-The
ghost of what was once a ship
Is sailing up the bay.


From gray sea-fog, from icy drift,
From peril and from pain,
The home-bound fisher greets thy lights,
O hundred-harbored Maine!
But many a keel shall seaward turn,
And many a sail outstand,
When, tall and white, the Dead Ship looms
Against the dusk of land.


She rounds the headland's bristling pines;
She threads the isle-set bay;
No spur of breeze can speed her on,
Nor ebb of tide delay.
Old men still walk the Isle of Orr
Who tell her date and name,
Old shipwrights sit in Freeport yards
Who hewed her oaken frame.


What weary doom of baffled quest,
Thou sad sea-ghost, is thine?
What makes thee in the haunts of home
A wonder and a sign?
No foot is on thy silent deck,
Upon thy helm no hand;
No ripple hath the soundless wind
That smites thee from the land!


For never comes the ship to port,
Howe'er the breeze may be;
Just when she nears the waiting shore
She drifts again to sea.
No tack of sail, nor turn of helm,
Nor sheer of veering side;
Stern-fore she drives to sea and night,
Against the wind and tide.


In vain o'er Harpswell Neck the star
Of evening guides her in;
In vain for her the lamps are lit
Within thy tower, Seguin!
In vain the harbor-boat shall hail,
In vain the pilot call;
No hand shall reef her spectral sail,



Or let her anchor fall.


Shake, brown old wives, with dreary joy,
Your gray-head hints of ill;
And, over sick-beds whispering low,
Your prophecies fulfil.
Some home amid yon birchen trees
Shall drape its door with woe;
And slowly where the Dead Ship sails,
The burial boat shall row!


From Wolf Neck and from Flying Point,
From island and from main,
From sheltered cove and tided creek,
Shall glide the funeral train.
The dead-boat with the bearers four,
The mourners at her stern,-And
one shall go the silent way
Who shall no more return!


And men shall sigh, and women weep,
Whose dear ones pale and pine,
And sadly over sunset seas
Await the ghostly sign.
They know not that its sails are filled
By pity's tender breath,
Nor see the Angel at the helm
Who steers the Ship of Death!


. . . . .


'Chill as a down-east breeze should be,'
The Book-man said. 'A ghostly touch
The legend has. I'm glad to see
Your flying Yankee beat the Dutch.'
'Well, here is something of the sort
Which one midsummer day I caught
In Narragansett Bay, for lack of fish.'
'We wait,' the Traveller said;
'serve hot or cold your dish.'
453

The Cypress-Tree Of Ceylon

The Cypress-Tree Of Ceylon

THEY sat in silent watchfulness
The sacred cypress-tree about,
And, from beneath old wrinkled brows,
Their failing eyes looked out.


Gray Age and Sickness waiting there
Through weary night and lingering day,-Grim
as the idols at their side,
And motionless as they.


Unheeded in the boughs above
The song of Ceylon's birds was sweet;
Unseen of them the island flowers
Bloomed brightly at their feet.


O'er them the tropic night-storm swept,
The thunder crashed on rock and hill;
The cloud-fire on their eyeballs blazed,
Yet there they waited still!


What was the world without to them?
The Moslem's sunset-call, the dance
Of Ceylon's maids, the passing gleam
Of battle-flag and lance?


They waited for that falling leaf
Of which the wandering Jogees sing:
Which lends once more to wintry age
The greenness of its spring.


Oh, if these poor and blinded ones
In trustful patience wait to feel
O'er torpid pulse and failing limb
A youthful freshness steal;


Shall we, who sit beneath that Tree
Whose healing leaves of life are shed,
In answer to the breath of prayer,
Upon the waiting head;


Not to restore our failing forms,
And build the spirit's broken shrine,
But on the fainting soul to shed
A light and life divine-


Shall we grow weary in our watch,
And murmur at the long delay?
Impatient of our Father's time
And His appointed way?


Or shall the stir of outward things
Allure and claim the Christian's eye,



When on the heathen watcher's ear
Their powerless murmurs die?


Alas! a deeper test of faith
Than prison cell or martyr's stake,
The self-abasing watchfulness
Of silent prayer may make.


We gird us bravely to rebuke
Our erring brother in the wrong,-And
in the ear of Pride and Power
Our warning voice is strong.


Easier to smite with Peter's sword
Than 'watch one hour' in humbling prayer.
Life's 'great things,' like the Syrian lord,
Our hearts can do and dare.


But oh! we shrink from Jordan's side,
From waters which alone can save;


And murmur for Abana's banks
And Pharpar's brighter wave.


O Thou, who in the garden's shade
Didst wake Thy weary ones again,
Who slumbered at that fearful hour
Forgetful of Thy pain;


Bend o'er us now, as over them,
And set our sleep-bound spirits free,
Nor leave us slumbering in the watch
Our souls should keep with Thee!
316

The Cry Of A Lost Soul

The Cry Of A Lost Soul

In that black forest, where, when day is done,
With a snake's stillness glides the Amazon
Darkly from sunset to the rising sun,


A cry, as of the pained heart of the wood,
The long, despairing moan of solitude
And darkness and the absence of all good,


Startles the traveller, with a sound so drear,
So full of hopeless agony and fear,
His heart stands still and listens like his ear.


The guide, as if he heard a dead-bell toll,
Starts, drops his oar against the gunwale's thole,
Crosses himself, and whispers, 'A lost soul!'


'No, Senor, not a bird. I know it well,-It
is the pained soul of some infidel
Or cursed heretic that cries from hell.


'Poor fool! with hope still mocking his despair,
He wanders, shrieking on the midnight air
For human pity and for Christian prayer.


'Saints strike him dumb! Our Holy Mother hath
No prayer for him who, sinning unto death,
Burns always in the furnace of God's wrath!'


Thus to the baptized pagan's cruel lie,
Lending new horror to that mournful cry,
The voyager listens, making no reply.


Dim burns the boat-lamp: shadows deepen round,
From giant trees with snake-like creepers wound,
And the black water glides without a sound.


But in the traveller's heart a secret sense
Of nature plastic to benign intents,
And an eternal good in Providence,


Lifts to the starry calm of heaven his eyes;
And to! rebuking all earth's ominous cries,
The Cross of pardon lights the tropic skies!


'Father of all!' he urges his strong plea,
'Thou lovest all: Thy erring child may be
Lost to himself, but never lost to Thee!


'All souls are Thine; the wings of morning bear
None from that Presence which is everywhere,
Nor hell itself can hide, for Thou art there.



'Through sins of sense, perversities of will,
Through doubt and pain, through guilt and shame and ill,
Thy pitying eye is on Thy creature still.


'Wilt thou not make, Eternal Source and Goal!
In Thy long years, life's broken circle whole,
And change to praise the cry of a lost soul?'
313

The Cross

The Cross

'The cross, if rightly borne, shall be
No burden, but support to thee;'
So, moved of old time for our sake,
The holy monk of Kempen spake.


Thou brave and true one! upon whom
Was laid the cross of martyrdom,
How didst thou, in thy generous youth,
Bear witness to this blessed truth!


Thy cross of suffering and of shame
A staff within thy hands became,
In paths where faith alone could see
The Master's steps supporting thee.


Thine was the seed-time; God alone
Beholds the end of what is sown;
Beyond our vision, weak and dim,
The harvest-time is hid with Him.


Yet, unforgotten where it lies,
That seed of generous sacrifice,
Though seeming on the desert cast,
Shall rise with bloom and fruit at last.
303

The Conquest Of Finland

The Conquest Of Finland

ACROSS the frozen marshes
The winds of autumn blow,
And the fen-lands of the Wetter
Are white with early snow.
But where the low, gray headlands
Look o'er the Baltic brine,
A bark is sailing in the track
Of England's battle-line.
No wares hath she to barter
For Bothnia's fish and grain;
She saileth not for pleasure,
She saileth not for gain.
But still by isle or mainland
She drops her, anchor down,
Where'er the British cannon
Rained fire on tower and town.
Outspake the ancient Amtman,
At the gate of Helsingfors:
'Why comes this ship a-spying
In the track of England's wars?'
'God bless her,' said the coast-guard, —
'God bless the ship, I say.
The holy angels trim the sails
That speed her on her way!
'Where'er she drops her anchor,
The peasant's heart is glad;
Where'er she spreads her parting sail,
The peasant's heart is sad.
'Each wasted town and hamlet
She visits to restore;
To roof the shattered cabin,
And feed the starving poor.
' The sunken boats of fishers,
The foraged beeves and grain,
The spoil of flake and storehouse,
The good ship brings again.
'And so to Finland's sorrow
The sweet amend is made,
As if the healing hand of Christ
Upon her wounds were laid!'
Then said the gray old Amtman,
'The will of God be done!
The battle lost by England's hate,
By England's love is won!
'We braved the iron tempest
That thundered on our shore;
But when did kindness fail to find
The key to Finland's door?
'No more from Aland's ramparts
Shall warning signal come,
Nor startled Sweaborg hear again
The roll of midnight drum.



'Beside our fierce Black Eagle
The Dove of Peace shall rest;
And in the mouths of cannon
The sea-bird make her nest.
'For Finland, looking seaward,
No coming foe shall scan;
And the holy bells of Abo
Shall ring, 'Good-will to man!'
'Then row thy boat, O fisher!
In peace on lake and bay;
And thou, young maiden, dance again
Around the poles of May!
'Sit down, old men, together,
Old wives, in quiet spin;
Henceforth the Anglo-Saxon
Is the brother of the Finn!'
271

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