John Greenleaf Whittier

God called the nearest angels who dwell with Him above:
The tenderest one was Pity, the dearest one was Love.


'Arise,' He said, 'my angels! a wail of woe and sin
Steals through the gates of heaven, and saddens all within.


'My harps take up the mournful strain that from a lost world swells,
The smoke of torment clouds the light and blights the asphodels.


'Fly downward to that under world, and on its souls of pain,
Let Love drop smiles like sunshine, and Pity tears like rain!'


Two faces bowed before the Throne, veiled in their golden hair;
Four white wings lessened swiftly down the dark abyss of air.


The way was strange, the flight was long; at last the angels came
Where swung the lost and nether world, red-wrapped in rayless flame.


There Pity, shuddering, wept; but Love, with faith too strong for fear,
Took heart from God's almightiness and smiled a smile of cheer.


And lo! that tear of Pity quenched the flame whereon it fell,
And, with the sunshine of that smile, hope entered into hell!


Two unveiled faces full of joy looked upward to the Throne,
Four white wings folded at the feet of Him who sat thereon!


And deeper than the sound of seas, more soft than falling flake,
Amidst the hush of wing and song the Voice Eternal spake:


'Welcome, my angels! ye have brought a holier joy to heaven;
Henceforth its sweetest song shall be the song of sin forgiven!'

A CHRISTIAN! going, gone!
Who bids for God's own image? for his grace,
Which that poor victim of the market-place
Hath in her suffering won?
My God! can such things be?
Hast Thou not said that whatsoe'er is done
Unto Thy weakest and Thy humblest one
Is even done to Thee?
In that sad victim, then,
Child of Thy pitying love, I see Thee stand;
Once more the jest-word of a mocking band,
Bound, sold, and scourged again!
A Christian up for sale!
Wet with her blood your whips, o'ertask her frame,
Make her life loathsome with your wrong and shame, Her patience shall not fail!
A heathen hand might deal
Back on your heads the gathered wrong of years:
But her low, broken prayer and nightly tears,
Ye neither heed nor feel.
Con well thy lesson o'er,
Thou prudent teacher, tell the toiling slave
No dangerous tale of Him who came to save
The outcast and the poor.
But wisely shut the ray
Of God's free Gospel from her simple heart,
And to her darkened mind alone impart
One stern command, Obey!3
So shalt thou deftly raise
The market price of human flesh; and while
On thee, their pampered guest, the planters smile,
Thy church shall praise.
Grave, reverend men shall tell
From Northern pulpits how thy work was blest,
While in that vile South Sodom first and best,
Thy poor disciples. sell.
Oh, shame! the Moslem thrall,
Who, with his master, to the Prophet kneels,
While turning to the sacred Kebla feels
His fetters break and fall.
Cheers for the turbaned Bey
Of robber-peopled Tunis! he hath torn
The dark slave-dungeons open, and hath borne
Their inmates into day:
But our poor slave in vain.
Turns to the Christian shrine his aching eyes;
Its rites will only swell his market price,
And rivet on his chain.
God of all right! how long
Shall priestly robbers at Thine altar stand,
Lifting in prayer to Thee, the bloody hand
And haughty brow of wrong?
Oh, from the fields of cane,



From the low rice-swamp, from the trader's cell;
From the black slave-ship's foul and loathsome hell,
And coffle's weary chain;
Hoarse, horrible, and strong,
Rises to Heaven that agonizing cry,
Filling the arches of the hollow sky,
How long, O God, how long?

The birds against the April wind
Flew northward, singing as they flew;
They sang, "The land we leave behind
Has swords for corn-blades, blood for dew."


"O wild-birds, flying from the South,
What saw and heard ye, gazing down?"
"We saw the mortar's upturned mouth,
The sickened camp, the blazing town!


"Beneath the bivouac's starry lamps,
We saw your march-worn children die;
In shrouds of moss, in cypress swamps,
We saw your dead uncoffined lie.


"We heard the starving prisoner's sighs
And saw, from line and trench, your sons
Follow our flight with home-sick eyes
Beyond the battery's smoking guns."


"And heard and saw ye only wrong
And pain," I cried, "O wing-worn flocks?"
"We heard," they sang, "the freedman's song,
The crash of Slavery's broken locks!


"We saw from new, uprising States
The treason-nursing mischief spurned,
As, crowding Freedom's ample gates,
The long-estranged and lost returned.


"O'er dusky faces, seamed and old,
And hands horn-hard with unpaid toil,
With hope in every rustling fold,
We saw your star-dropt flag uncoil.


"And struggling up through sounds accursed,
A grateful murmur clomb the air;
A whisper scarcely heard at first,
It filled the listening heavens with prayer.


"And sweet and far, as from a star,
Replied a voice which shall not cease,
Till, drowning all the noise of war,
It sings the blessed song of peace!"


So to me, in a doubtful day
Of chill and slowly greening spring,
Low stooping from the cloudy gray,
The wild-birds sang or seemed to sing.


They vanished in the misty air,
The song went with them in their flight;



But lo! they left the sunset fair,
And in the evening there was light.

TO E. W.

I KNOW not, Time and Space so intervene,
Whether, still waiting with a trust serene,
Thou bearest up thy fourscore years and ten,
Or, called at last, art now Heaven's citizen;
But, here or there, a pleasant thought of thee,
Like an old friend, all day has been with me.
The shy, still boy, for whom thy kindly hand
Smoothed his hard pathway to the wonder-land
Of thought and fancy, in gray manhood yet
Keeps green the memory of his early debt.
To-day, when truth and falsehood speak their words
Through hot-lipped cannon and the teeth of swords,
Listening with quickened heart and ear intent
To each sharp clause of that stern argument,
I still can hear at times a softer note
Of the old pastoral music round me float,
While through the hot gleam of our civil strife
Looms the green mirage of a simpler life.
As, at his alien post, the sentinel
Drops the old bucket in the homestead well,
And hears old voices in the winds that toss
Above his head the live-oak's beard of moss,
So, in our trial-time, and under skies
Shadowed by swords like Islam's paradise,
I wait and watch, and let my fancy stray
To milder scenes and youth's Arcadian day;
And howsoe'er the pencil dipped in dreams
Shades the brown woods or tints the sunset streams,
The country doctor in the foreground seems,
Whose ancient sulky down the village lanes
Dragged, like a war-car, captive ills and pains.
I could not paint the scenery of my song,
Mindless of one who looked thereon so long;
Who, night and day, on duty's lonely round,
Made friends o' the woods and rocks, and knew the sound
Of each small brook, and what the hillside trees
Said to the winds that touched their leafy keys;
Who saw so keenly and so well could paint
The village-folk, with all their humors quaint,
The parson ambling on his wall-eyed roan.
Grave and erect, with white hair backward blown;
The tough old boatman, half amphibious grown;
The muttering witch-wife of the gossip's tale,
And the loud straggler levying his blackmail,-Old
customs, habits, superstitions, fears,
All that lies buried under fifty years.
To thee, as is most fit, I bring my lay,
And, grateful, own the debt I cannot pay.


. . . . . . . . . .



Over the wooded northern ridge,
Between its houses brown,
To the dark tunnel of the bridge
The street comes straggling down.


You catch a glimpse, through birch and pine,
Of gable, roof, and porch,
The tavern with its swinging sign,
The sharp horn of the church.


The river's steel-blue crescent curves
To meet, in ebb and flow,
The single broken wharf that serves
For sloop and gundelow.


With salt sea-scents along its shores
The heavy hay-boats crawl,
The long antennae of their oars
In lazy rise and fall.


Along the gray abutment's wall
The idle shad-net dries;
The toll-man in his cobbler's stall
Sits smoking with closed eyes.


You hear the pier's low undertone
Of waves that chafe and gnaw;
You start,--a skipper's horn is blown
To raise the creaking draw.


At times a blacksmith's anvil sounds
With slow and sluggard beat,
Or stage-coach on its dusty rounds
Fakes up the staring street.


A place for idle eyes and ears,
A cobwebbed nook of dreams;
Left by the stream whose waves are years
The stranded village seems.


And there, like other moss and rust,
The native dweller clings,
And keeps, in uninquiring trust,
The old, dull round of things.


The fisher drops his patient lines,
The farmer sows his grain,
Content to hear the murmuring pines
Instead of railroad-train.


Go where, along the tangled steep



That slopes against the west,
The hamlet's buried idlers sleep
In still profounder rest.


Throw back the locust's flowery plume,
The birch's pale-green scarf,
And break the web of brier and bloom
From name and epitaph.


A simple muster-roll of death,
Of pomp and romance shorn,
The dry, old names that common breath
Has cheapened and outworn.


Yet pause by one low mound, and part
The wild vines o'er it laced,
And read the words by rustic art
Upon its headstone traced.


Haply yon white-haired villager
Of fourscore years can say
What means the noble name of her
Who sleeps with common clay.


An exile from the Gascon land
Found refuge here and rest,
And loved, of all the village band,
Its fairest and its best.


He knelt with her on Sabbath morns,
He worshipped through her eyes,
And on the pride that doubts and scorns
Stole in her faith's surprise.


Her simple daily life he saw
By homeliest duties tried,
In all things by an untaught law
Of fitness justified.


For her his rank aside he laid;
He took the hue and tone
Of lowly life and toil, and made
Her simple ways his own.


Yet still, in gay and careless ease,
To harvest-field or dance
He brought the gentle courtesies,
The nameless grace of France.


And she who taught him love not less
From him she loved in turn
Caught in her sweet unconsciousness



What love is quick to learn.


Each grew to each in pleased accord,
Nor knew the gazing town
If she looked upward to her lord
Or he to her looked down.


How sweet, when summer's day was o'er,
His violin's mirth and wail,
The walk on pleasant Newbury's shore,
The river's moonlit sail!


Ah! life is brief, though love be long;
The altar and the bier,
The burial hymn and bridal song,
Were both in one short year!


Her rest is quiet on the hill,
Beneath the locust's bloom
Far off her lover sleeps as still
Within his scutcheoned tomb.


The Gascon lord, the village maid,
In death still clasp their hands;
The love that levels rank and grade
Unites their severed lands.


What matter whose the hillside grave,
Or whose the blazoned stone?
Forever to her western wave
Shall whisper blue Garonne!


O Love!--so hallowing every soil
That gives thy sweet flower room,
Wherever, nursed by ease or toil,
The human heart takes bloom!-


Plant of lost Eden, from the sod
Of sinful earth unriven,
White blossom of the trees of God
Dropped down to us from heaven!


This tangled waste of mound and stone
Is holy for thy sale;
A sweetness which is all thy own
Breathes out from fern and brake.


And while ancestral pride shall twine
The Gascon's tomb with flowers,
Fall sweetly here, O song of mine,
With summer's bloom and showers!



And let the lines that severed seem
Unite again in thee,
As western wave and Gallic stream
Are mingled in one sea!

The flags of war like storm birds fly,
The charging trumpets blow;
Yet rolls no thunder in the sky,
No earthquake strives below.


And, calm and patient, Nature keeps
Her ancient promises well,
Though o'er her bloom and greenness sweeps,
The battle's breath of hell.


And still she walks in golden hours,
Through harvest-happy farms,
And still she wears her fruits and flowers
Like jewels on her arms.


What means the gladness of the plain,
This joy of eve and morn,
The mirth that shakes the bread of grain
And yellow locks of corn?


Ah! eyes may well be full of tears,
And hearts with hate are hot;
But even-paced come round the years,
And nature changes not.


She meets with smiles our bitter grief,
With songs our groans of pain;
She mocks with tints of flowers and leaf,
The war-field's crimson stain.


Still, in the cannon's pause, we hear
Her sweet thanksgiving psalm;
Too near to God for doubt or fear,
She shares the eternal calm.


She knows the seed lies safe below
The fires that blast and burn;
For all the tears of blood we sow
She waits the rich return.


She sees with clearer eye than ours
The good of suffering born,
The hearts that blossom like her flowers
And ripen like her corn.


Oh, give to us, in times like these,
The vision of her eyes;
And make her fields and fruited trees
Our golden prophecies.


Oh, give to us her finer ear;
Above this stormy din,



We, too, would hear the bells of cheer
Ring peace and freedom in.

THEY sat in silent watchfulness
The sacred cypress-tree about,
And, from beneath old wrinkled brows,
Their failing eyes looked out.


Gray Age and Sickness waiting there
Through weary night and lingering day,-Grim
as the idols at their side,
And motionless as they.


Unheeded in the boughs above
The song of Ceylon's birds was sweet;
Unseen of them the island flowers
Bloomed brightly at their feet.


O'er them the tropic night-storm swept,
The thunder crashed on rock and hill;
The cloud-fire on their eyeballs blazed,
Yet there they waited still!


What was the world without to them?
The Moslem's sunset-call, the dance
Of Ceylon's maids, the passing gleam
Of battle-flag and lance?


They waited for that falling leaf
Of which the wandering Jogees sing:
Which lends once more to wintry age
The greenness of its spring.


Oh, if these poor and blinded ones
In trustful patience wait to feel
O'er torpid pulse and failing limb
A youthful freshness steal;


Shall we, who sit beneath that Tree
Whose healing leaves of life are shed,
In answer to the breath of prayer,
Upon the waiting head;


Not to restore our failing forms,
And build the spirit's broken shrine,
But on the fainting soul to shed
A light and life divine-


Shall we grow weary in our watch,
And murmur at the long delay?
Impatient of our Father's time
And His appointed way?


Or shall the stir of outward things
Allure and claim the Christian's eye,



When on the heathen watcher's ear
Their powerless murmurs die?


Alas! a deeper test of faith
Than prison cell or martyr's stake,
The self-abasing watchfulness
Of silent prayer may make.


We gird us bravely to rebuke
Our erring brother in the wrong,-And
in the ear of Pride and Power
Our warning voice is strong.


Easier to smite with Peter's sword
Than 'watch one hour' in humbling prayer.
Life's 'great things,' like the Syrian lord,
Our hearts can do and dare.


But oh! we shrink from Jordan's side,
From waters which alone can save;


And murmur for Abana's banks
And Pharpar's brighter wave.


O Thou, who in the garden's shade
Didst wake Thy weary ones again,
Who slumbered at that fearful hour
Forgetful of Thy pain;


Bend o'er us now, as over them,
And set our sleep-bound spirits free,
Nor leave us slumbering in the watch
Our souls should keep with Thee!

Thrice welcome from the Land of Flowers
And golden-fruited orange bowers
To this sweet, green-turfed June of ours!
To her who, in our evil time,
Dragged into light the nation's crime
With strength beyond the strength of men,
And, mightier than their swords, her pen!
To her who world-wide entrance gave
To the log-cabin of the slave;
Made all his wrongs and sorrows known,
And all earth's languages his own,-North,
South, and East and West, made all
The common air electrical,
Until the o'ercharged bolts of heaven
Blazed down, and every chain was riven!


Welcome from each and all to her
Whose Wooing of the Minister
Revealed the warm heart of the man
Beneath the creed-bound Puritan,
And taught the kinship of the love
Of man below and God above;
To her whose vigorous pencil-strokes
Sketched into life her Oldtown Folks;
Whose fireside stories, grave or gay,
In quaint Sam Lawson's vagrant way,
With old New England's flavor rife,
Waifs from her rude idyllic life,
Are racy as the legends old
By Chaucer or Boccaccio told;
To her who keeps, through change of place
And time, her native strength and grace,
Alike where warm Sorrento smiles,
Or where, by birchen-shaded isles,
Whose summer winds have shivered o'er
The icy drift of Labrador,
She lifts to light the priceless Pearl
Of Harpswell's angel-beckoned girl!
To her at threescore years and ten
Be tributes of the tongue and pen;
Be honor, praise, and heart-thanks given,
The loves of earth, the hopes of heaven!


Ah, dearer than the praise that stirs
The air to-day, our love is hers!
She needs no guaranty of fame
Whose own is linked with Freedom's name.
Long ages after ours shall keep
Her memory living while we sleep;
The waves that wash our gray coast lines,
The winds that rock the Southern pines,
Shall sing of her; the unending years



Shall tell her tale in unborn ears.
And when, with sins and follies past,
Are numbered color-hate and caste,
White, black, and red shall own as one
The noblest work by woman done.

Here, while the loom of Winter weaves
The shroud of flowers and fountains,
I think of thee and summer eves
Among the Northern mountains.


When thunder tolled the twilight's close,
And winds the lake were rude on,
And thou wert singing, _Ca' the Yowes_,
The bonny yowes of Cluden!


When, close and closer, hushing breath,
Our circle narrowed round thee,
And smiles and tears made up the wreath
Wherewith our silence crowned thee;


And, strangers all, we felt the ties
Of sisters and of brothers;
Ah! whose of all those kindly eyes
Now smile upon another's?


The sport of Time, who still apart
The waifs of life is flinging;
Oh, nevermore shall heart to heart
Draw nearer for that singing!


Yet when the panes are frosty-starred,
And twilight's fire is gleaming,
I hear the songs of Scotland's bard
Sound softly through my dreaming!


A song that lends to winter snows
The glow of summer weather,-Again
I hear thee ca' the yowes
To Cluden's hills of heather

WITH A COPY OF 'THE SUPERNATURALISM OF NEW ENGLAND.'

Dear Sister! while the wise and sage
Turn coldly from my playful page,
And count it strange that ripened age
Should stoop to boyhood's folly;
I know that thou wilt judge aright
Of all which makes the heart more light,
Or lends one star-gleam to the night
Of clouded Melancholy.


Away with weary cares and themes!
Swing wide the moonlit gate of dreams!
Leave free once more the land which teems
With wonders and romances
Where thou, with clear discerning eyes,
Shalt rightly read the truth which lies
Beneath the quaintly masking guise
Of wild and wizard fancies.


Lo! once again our feet we set
On still green wood-paths, twilight wet,
By lonely brooks, whose waters fret
The roots of spectral beeches;
Again the hearth-fire glimmers o'er
Home's whitewashed wall and painted floor,
And young eyes widening to the lore
Of faery-folks and witches.


Dear heart! the legend is not vain
Which lights that holy hearth again,
And calling back from care and pain,
And death's funereal sadness,
Draws round its old familiar blaze
The clustering groups of happier days,
And lends to sober manhood's gaze
A glimpse of childish gladness.


And, knowing how my life hath been
A weary work of tongue and pen,
A long, harsh strife with strong-willed men,
Thou wilt not chide my turning
To con, at times, an idle rhyme,
To pluck a flower from childhood's clime,
Or listen, at Life's noonday chime,
For the sweet bells of Morning!

How sweetly on the wood-girt town
The mellow light of sunset shone!
Each small, bright lake, whose waters still
Mirror the forest and the hill,
Reflected from its waveless breast
The beauty of a cloudless west,
Glorious as if a glimpse were given
Within the western gates of heaven,
Left, by the spirit of the star
Of sunset's holy hour, ajar!


Beside the river's tranquil flood
The dark and low-walled dwellings stood,
Where many a rood of open land
Stretched up and down on either hand,
With corn-leaves waving freshly green
The thick and blackened stumps between.
Behind, unbroken, deep and dread,
The wild, untravelled forest spread,
Back to those mountains, white and cold,
Of which the Indian trapper told,
Upon whose summits never yet
Was mortal foot in safety set.


Quiet and calm without a fear,
Of danger darkly lurking near,
The weary laborer left his plough,
The milkmaid carolled by her cow;
From cottage door and household hearth
Rose songs of praise, or tones of mirth.


At length the murmur died away,
And silence on that village lay.
-So slept Pompeii, tower and hall,
Ere the quick earthquake swallowed all,
Undreaming of the fiery fate
Which made its dwellings desolate.


Hours passed away. By moonlight sped
The Merrimac along his bed.
Bathed in the pallid lustre, stood
Dark cottage-wall and rock and wood,
Silent, beneath that tranquil beam,
As the hushed grouping of a dream.
Yet on the still air crept a sound,
No bark of fox, nor rabbit's bound,
Nor stir of wings, nor waters flowing,
Nor leaves in midnight breezes blowing.


Was that the tread of many feet,
Which downward from the hillside beat?
What forms were those which darkly stood



Just on the margin of the wood?
Charred
tree-stumps in the moonlight dim,
Or paling rude, or leafless limb?
No,-through the trees fierce eyeballs glowed,
Dark human forms in moonshine showed,
Wild from their native wilderness,
With painted limbs and battle-dress.


A yell the dead might wake to hear
Swelled on the night air, far and clear;
Then smote the Indian tomahawk
On crashing door and shattering lock;


Then rang the rifle-shot, and then
The shrill death-scream of stricken men,
Sank
the red axe in woman's brain,
And childhood's cry arose in vain.
Bursting through roof and window came,
Red, fast, and fierce, the kindled flame,
And blended fire and moonlight glared
On still dead men and scalp-knives bared.


The morning sun looked brightly through
The river willows, wet with dew.
No sound of combat filled the air,
No shout was heard, nor gunshot there;
Yet still the thick and sullen smoke
From smouldering ruins slowly broke;
And on the greensward many a stain,
And, here and there, the mangled slain,
Told how that midnight bolt had sped
Pentucket, on thy fated head.


Even now the villager can tell
Where Rolfe beside his hearthstone fell,
Still show the door of wasting oak,
Through which the fatal death-shot broke,
And point the curious stranger where
De Rouville's corse lay grim and bare;
Whose hideous head, in death still feared,
Bore not a trace of hair or beard;
And still, within the churchyard ground,
Heaves darkly up the ancient mound,
Whose grass-grown surface overlies
The victims of that sacrifice.