John Greenleaf Whittier

John Greenleaf Whittier

1807–1892 · lived 84 years -- --

John Greenleaf Whittier was an American poet and abolitionist, celebrated for his lyrical verse that often depicted rural New England life and championed social reform. His poetry evoked strong imagery of nature, home, and the changing seasons, resonating deeply with readers. A staunch advocate against slavery, Whittier used his literary platform to promote abolitionist ideals, making his work a significant voice in the moral and political landscape of 19th-century America. His legacy endures through his evocative poems and his commitment to justice.

n. 1807-12-17, Haverhill · m. 1892-09-07, Hampton Falls

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Yorktown

Yorktown


YORKTOWN.
FROM Yorktown's ruins, ranked and still,
Two lines stretch far o'er vale and hill:
Who curbs his steed at head of one?
Hark! the low murmur: Washington!
Who bends his keen, approving glance,
Where down the gorgeous line of France
Shine knightly star and plume of snow?
Thou too art victor, Rochambeau!
The earth which bears this calm array
Shook with the war-charge yesterday,
Ploughed deep with hurrying hoof and wheel,
Shot-sown and bladed thick with steel;
October's clear and noonday sun
Paled in the breath-smoke of the gun,
And down night's double blackness fell,
Like a dropped star, the blazing shell.
Now all is hushed: the gleaming lines
Stand moveless as the neighboring pines;
While through them, sullen, grim, and slow,
The conquered hosts of England go:
O'Hara's brow belies his dress,
Gay Tarleton's troop rides bannerless:
Shout, from thy fired and wasted homes,
Thy scourge, Virginia, captive comes!
Nor thou alone: with one glad voice
Let all thy sister States rejoice;
Let Freedom, in whatever clime
She waits with sleepless eye her time,
Shouting from cave and mountain wood
Make glad her desert solitude,
While they who hunt her quail with fear;
The New World's chain lies broken here!
But who are they, who, cowering, wait
Within the shattered fortress gate?
Dark tillers of Virginia's soil,
Classed with the battle's common spoil,
With household stuffs, and fowl, and swine,
With Indian weed and planters' wine,
With stolen beeves, and foraged corn, —
Are they not men, Virginian born?
Oh, veil your faces, young and brave!
Sleep, Scammel, in thy soldier grave!
Sons of the Northland, ye who set
Stout hearts against the bayonet,
And pressed with steady footfall near
The moated battery's blazing tier,
Turn your scarred faces from the sight,
Let shame do homage to the right!
Lo! fourscore years have passed; and where
The Gallic bugles stirred the air,
And, through breached batteries, side by side,



To victory stormed the hosts allied,
And brave foes grounded, pale with pain,
The arms they might not lift again,
As abject as in that old day
The slave still toils his life away.
Oh, fields still green and fresh in story,
Old days of pride, old names of glory,
Old marvels of the tongue and pen,
Old thoughts which stirred the hearts of men,
Ye spared the wrong; and over all
Behold the avenging shadow fall!
Your world-wide honor stained with shame, —
Your freedom's self a hollow name!
Where's now the flag of that old war?
Where flows its stripe? Where burns its star?
Bear witness, Palo Alto's day,
Dark Vale of Palms, red Monterey,
Where Mexic Freedom, young and weak,
Fleshes the Northern eagle's beak;
Symbol of terror and despair,
Of chains and slaves, go seek it there!
Laugh, Prussia, midst thy iron ranks!
Laugh, Russia, from thy Neva's banks!
Brave sport to see the fledgling born
Of freedom by its parent torn!
Safe now is Speilberg's dungeon cell,
Safe drear Siberia's frozen hell:
With Slavery's flag o'er both unrolled,
What of the New World fears the Old?
Read full poem
Bio

Identification and basic context

John Greenleaf Whittier was an influential American poet and a prominent abolitionist. Born into a Quaker family in Haverhill, Massachusetts, he became one of the most widely read poets of his time. His work often reflected his deep connection to New England, its landscapes, and its people, while also serving as a powerful vehicle for his social and political convictions, particularly his fervent opposition to slavery.

Childhood and education

Whittier grew up on a farm, receiving a limited formal education. He attended local schools but was largely self-taught, fueled by a passion for reading. His early exposure to poetry, particularly that of Robert Burns, had a significant impact. His Quaker upbringing instilled in him a strong sense of moral duty, equality, and pacifism, which profoundly shaped his worldview and his future activism.

Literary trajectory

Whittier began writing poetry in his youth, initially contributing to local newspapers. His early work focused on descriptive and lyrical themes. However, his career took a significant turn with his involvement in the abolitionist movement. He became a prolific writer of anti-slavery poetry, essays, and articles, using his literary skills to advocate for the emancipation of enslaved people. He also served as an editor for several abolitionist publications. Throughout his life, he continued to produce poetry that celebrated nature, history, and the human spirit.

Works, style, and literary characteristics

Among Whittier's most famous works are 'Snow-Bound: A Winter Idyl,' a semi-autobiographical narrative poem depicting a New England blizzard; 'The Barefoot Boy,' a nostalgic reflection on childhood; and numerous anti-slavery poems such as 'Ichabod!' and 'The Slave Ships.' His style is characterized by its clarity, simplicity, and vivid imagery, often drawing upon the rhythms of folk songs and hymns. His dominant themes include the beauty of rural life, the virtues of hard work, the passage of time, and the moral imperative of justice and equality. He often employed a lyrical and sometimes elegiac tone, but his abolitionist poems could be passionate and indignant.

Cultural and historical context

Whittier was a key figure in the 'Fireside Poets,' a group of New England writers whose works were popular for home readings. He was deeply immersed in the social and political struggles of 19th-century America, particularly the anti-slavery movement. His writings engaged directly with contemporary issues, advocating for social reform and moral progress. He was a contemporary of other prominent writers and activists, and his work contributed to the broader cultural and intellectual discourse of the era.

Personal life

Whittier remained unmarried and dedicated much of his life to his writing and his abolitionist activities. He maintained close relationships with his family and friends, and his home in Amesbury, Massachusetts, became a hub for literary and intellectual discussions. Despite facing personal challenges and the constant pressures of his activism, he found solace and inspiration in nature and his Quaker faith.

Recognition and reception

Whittier achieved considerable fame during his lifetime, becoming one of America's most beloved poets. His works were widely read and admired, both for their aesthetic qualities and their moral messages. He was recognized for his contributions to literature and his role as a voice for social justice. While some of his abolitionist poems were controversial at the time, his overall reputation as a significant American poet has endured.

Influences and legacy

Whittier was influenced by earlier poets like Robert Burns and later poets were influenced by his lyrical depiction of American life and his commitment to reform. His legacy lies in his contribution to American poetry, particularly his ability to capture the essence of rural New England, and his unwavering dedication to the abolitionist cause. He is remembered as a poet of conscience and a significant figure in the fight for human rights.

Interpretation and critical analysis

Interpretations of Whittier's work often highlight his role as a chronicler of rural American life and a moral voice of his generation. Critics analyze his use of nature imagery, his religious and philosophical underpinnings (rooted in Quakerism), and the effectiveness of his abolitionist poetry as a form of social protest. His nostalgic portrayals of rural life are sometimes contrasted with the harsher realities of the industrializing nation.

Curiosities and lesser-known aspects

Whittier was a lifelong vegetarian and a teetotaler, reflecting his Quaker principles. He was also an early advocate for women's suffrage. An interesting aspect of his life was his near-miss with a railroad accident, which he later commemorated in a poem. Despite his fame, he was known for his humility and his aversion to public accolades.

Death and memory

John Greenleaf Whittier died in Hampton Falls, New Hampshire. His passing was widely mourned, and he was memorialized as a significant American literary figure and a champion of human rights. His poems continue to be read and appreciated, particularly for their evocative descriptions of nature and their enduring moral messages.

Poems

242

Toussaint L’Ouverture

Toussaint L’Ouverture

'T WAS night. The tranquil moonlight smile
With which Heaven dreams of Earth, shed down
Its beauty on the Indian isle, —
On broad green field and white-walled town;
And inland waste of rock and wood,
In searching sunshine, wild and rude,
Rose, mellowed through the silver gleam,
Soft as the landscape of a dream.
All motionless and dewy wet,
Tree, vine, and flower in shadow met:
The myrtle with its snowy bloom,
Crossing the nightshade's solemn gloom, —
The white cecropia's silver rind
Relieved by deeper green behind,
The orange with its fruit of gold,
The lithe paullinia's verdant fold,
The passion-flower, with symbol holy,
Twining its tendrils long and lowly,
The rhexias dark, and cassia tall,
And proudly rising over all,
The kingly palm's imperial stem,.
Crowned with its leafy diadem,
Star-like, beneath whose sombre shade,
The fiery-winged cucullo played!
How lovely was thine aspect, then,
Fair island of the Western Sea!
Lavish of beauty, even whe
Thy brutes were happier than thy men,
For they, at least, were free!
Regardless of thy glorious clime,
Unmindful of thy soil of flowers,
The toiling negro sighed, that Time
No faster sped his hours.
For, by the dewy moonlight still,
He fed the weary-turning mill,
Or bent him in the chill morass,
To pluck the long and tangled grass,
And hear above his scar-worn back
The heavy slave-whip's frequent crack:
While in his heart one evil thought
In solitary madness wrought,
One baleful fire surviving still
The quenching of the immortal mind,
One sterner passion of his kind,
Which even fetters could not kill,
The savage hope, to deal, erelong,
A vengeance bitterer than his wrong!
Hark to that cry! long, loud, and shrill,
From field and forest, rock and hill,
Thrilling and horrible it rang,
Around, beneath, above;
The wild beast from his cavern sprang,



The wild bird from her grove!
Nor fear, nor joy, nor agony
Were mingled in that midnight cry;
But like the lion's growl of wrath,
When falls that hunter in his path
Whose barbed arrow, deeply set,
Is rankling in his bosom yet,
It told of hate, full, deep, and strong,
Of vengeance kindling out of wrong;
It was as if the crimes of years —
The unrequited toil, the tears,
The shame and hate, which liken well
Earth's garden to the nether hell—
Had found in nature's self a tongue,
On which the gathered horror hung;
As if from cliff, and stream, and glen
Burst on the startled ears of men
That voice which rises unto God,
Solemn and stern, —the cry of blood!
It ceased, and all was still once more,
Save ocean chafing on his shore,
The sighing of the wind between
The broad banana's leaves of green,
Or bough by restless plumage shook,
Or murmuring voice of mountain brook.
Brief was the silence. Once again
Pealed to the skies that frantic yell,
Glowed on the heavens a fiery stain,
And flashes rose and fell;
And painted on the blood-red sky,
Dark, naked arms were tossed on high;
And, round the white man's lordly hall,
Trod, fierce and free, the brute he made;
And those who crept along the wall,
And answered to his lightest call
With more than spaniel dread,
The creatures of his lawless beck,
Were trampling on his very neck!
And on the night-air, wild and clear,
Rose woman's shriek of more than fear;
For bloodied arms were round her thrown,
Aan dark cheeks pressed against her own!
Then, injured Afric! for the shame
Of thy own daughters, vengeance came
Full on the scornful hearts of those,
Who mocked thee in thy nameless woes,
And to thy hapless children gave
One choice,—pollution or the grave!
Where then was he whose fiery zeal
Had taught the trampled heart to feel,
Until despair itself grew strong,
And vengeance fed its torch from wrong?



Now, when the thunderbolt is speeding;
Now, when oppression's heart is bleeding;
Now, when the latent curse of Time
Is raining down in fire and blood,
That curse which, through long years of crime,
Has gathered, drop by drop, its flood, —
Why strikes he not, the foremost one,
Where murder's sternest deeds are done?
He stood the aged palms beneath,
That shadowed o'er his humble door,
Listening, with half-suspended breath,
To the wild sounds of fear and death,
Toussaint L'Ouverture!
What marvel that his heart beat high!
The blow for freedom had been given,
And blood had answered to the cry
Which Earth sent up to Heaven!
What marvel that a fierce delight
Smiled grimly o'er his brow of night,
As groan and shout and bursting flame
Told where the midnight tempest came,
With blood and fire along its van,
And death behind! he was a Man!
Yes, dark-souled chieftain! if the light
Of mild Religion's heavenly ray
Unveiled not to thy mental sight
The lowlier and the purer way,
In which the Holy Sufferer trod,
Meekly amidst the sons of crime;
That calm reliance upon God
For justice in His own good time;
That gentleness to which belongs
Forgiveness for its many wrongs,
Even as the primal martyr, kneeling
For mercy on the evil-dealing;
Let not the favored white man name
Thy stern appeal, with words of blame.
Has he not, with the light of heaven
Broadly around him, made the same?
Yea, on his thousand war-fields striven,
And gloried in his ghastly shame?
Kneeling amidst his brother's blood,
To offer mockery unto God,
As if the High and Holy One
Could smile on deeds of murder done!
As if a human sacrifice
Were purer in His holy eyes,
Though offered up by Christian hands,
Than the foul rites of Pagan lands!
. . . . . . . .
Sternly, amidst his household band,
His carbine grasped within his hand,



The white man stood, prepared and still,
Waiting the shock of maddened men,
Unchained, and fierce as tigers, when
The horn winds through their caverned hill.
And one was weeping in his sight,
The sweetest flower of all the isle,
The bride who seemed but yesternight
Love's fair embodied smile.
And, clinging to her trembling knee,
Looked up the form of infancy,
With tearful glance in either face
The secret of its fear to trace.
'Ha! stand or die!' The white man's eye
His steady musket gleamed along,
As a tall Negro hastened nigh,
With fearless step and strong.
'What, ho, Toussaint!' A moment more,
His shadow crossed the lighted floor.
'Away!' he shouted; 'fly with me,
The white man's bark is on the sea;
Her sails must catch the seaward wind,
For sudden vengeance sweeps behind.
Our brethren from their graves have spoken,
The yoke is spurned, the chain is broken;
On all the hills our fires are glowing,
Through all the vales red blood is flowing!
No more the mocking White shall rest
His foot upon the Negro's breast;
No more, at morn or eve, shall drip
The warm blood from the driver's whip:
Yet, though Tonssaint has vengeance sworn
For all the wrongs his race have borne,
Though for each drop of Negro blood
The white man's veins shall pour a flood;
Not all alone the sense of ill
Around his heart is lingering still,
Nor deeper can the white man feel
The generous warmth of grateful zeal.
Friends of the Negro! fly with me,
The path is open to the sea:
Away, for life!' He spoke, and pressed
The young child to his manly breast,
As, headlong, through the cracking cane,
Down swept the dark insurgent train,
Drunken and grim, with shout and yell
Howled through the dark, like sounds from hell.
Far out, in peace, the white man's sail
Swayed free before the sunrise gale.
Cloud-like that island hung afar,
Along the bright horizon's verge,
O'er which the curse of servile war
Rolled its red torrent, surge on surge;



And he, the Negro champion, where
In the fierce tumult struggled he?
Go trace him by the fiery glare
Of dwellings in the midnight air,
The yells of triumph and despair,
The streams that crimson to the sea!
Sleep calmly in thy dungeon-tomb,
Beneath Besançon's alien sky,
Dark Haytien! for the time shall come,
Yea, even now is nigh,
When, everywhere, thy name shall be
Redeemed from color's infamy;
And men shall learn to speak of thee
As one of earth's great spirits, born
In servitude, and nursed in scorn,
Casting aside the weary weight
And fetters of its low estate,
In that strong majesty of soul
Which knows no color, tongue, or clime,
Which still hath spurned the base control
Of tyrants through all time!
Far other hands than mine may wreathe
The laurel round thy brow of death,
And speak thy praise, as one whose word
A thousand fiery spirits stirred,
Who crushed his foeman as a worm,1
Whose step on human hearts fell firm:
Be mine the better task to find
A tribute for thy lofty mind,
Amidst whose gloomy vengeance shone
Some milder virtues all thine own,
Some gleams of feeling pure and warm,
Like sunshine on a sky of storm,
Proofs that the Negro's heart retains
Some nobleness amid its chains, —
That kindness to the wronged is never
Without its excellent reward,
Holy to human-kind and ever
Acceptable to God.
217

To William H. Seward

To William H. Seward

STATESMAN, I thank thee! and, if yet dissent
Mingles, reluctant, with my large content,
I cannot censure what was nobly meant.
But, while constrained to hold even Union less
Than Liberty and Truth and Righteousness,
I thank thee in the sweet and holy name
Of peace, for wise calm words that put to shame
Passion and party. Courage may be shown
Not in defiance of the wrong alone;
He may be bravest who, unweaponed, bears
The olive branch, and, strong in justice, spares
The rash wrong-doer, giving widest scope
To Christian charity and generous hope.
If, without damage to the sacred cause
Of Freedom and the safeguard of its laws —
If, without yielding that for which alone
We prize the Union, thou canst save it now
From a baptism of blood, upon thy brow
A wreath whose flowers no earthly soil have known,
Woven of the beatitudes, shall rest,
And the peacemaker be forever blest!
201

To The Reformers Of England

To The Reformers Of England

GOD bless ye, brothers! in the fight
Ye 're waging now, ye cannot fail,
For better is your sense of right
Than king-craft's triple mail.
Than tyrant's law, or bigot's ban,
More mighty is your simplest word;
The free heart of an honest man
Than crosier or the sword.
Go, let your blinded Church rehearse
The lesson it has learned so well;
It moves not with its prayer or curse
The gates of heaven or hell.
Let the State scaffold rise again;
Did Freedom die when Russell died?
Forget ye how the blood of Vane
From earth's green bosom cried?
The great hearts of your olden time
Are beating with you, full and strong;
All holy memories and sublime
And glorious round ye throng.
The bluff, bold men of Runnymede
Are with ye still in times like these;
The shades of England's mighty dead,
Your cloud of witnesses!
The truths ye urge are borne abroad
By every wind and every tide;
The voice of Nature and of God
Speaks out upon your side.
The weapons which your hands have found
Are those which Heaven itself has wrought,
Light, Truth, and Love; your battle-ground
The free, broad field of Thought.
No partial, selfish purpose breaks
The simple beauty of your plan,
Nor lie from throne or altar shakes
Your steady faith in man.
The languid pulse of England starts
And bounds beneath your words of power,
The beating of her million hearts
Is with you at this hour!
O ye who, with undoubting eyes,
Through present cloud and gathering storm,
Behold the span of Freedom's skies,
And sunshine soft and warm;
Press bravely onward! not in vain
Your generous trust in human-kind;
The good which bloodshed could not gain
Your peaceful zeal shall find.
Press on! the triumph shall be won
Of common rights and equal laws,
The glorious dream of Harrington,
And Sidney's good old cause.



Blessing the cotter and the crown,
Sweetening worn Labor's bitter cup;
And, plucking not the highest down,
Lifting the lowest up.
Press on! and we who may not share
The toil or glory of your fight
May ask, at least, in earnest prayer,
God's blessing on the right!
226

To The Memory Of Charles B. Storrs

To The Memory Of Charles B. Storrs

Thou hast fallen in thine armor,
Thou martyr of the Lord
With thy last breath crying 'Onward!'
And thy hand upon the sword.
The haughty heart derideth,
And the sinful lip reviles,
But the blessing of the perishing
Around thy pillow smiles!


When to our cup of trembling
The added drop is given,
And the long-suspended thunder
Falls terribly from Heaven,-When
a new and fearful freedom
Is proffered of the Lord
To the slow-consuming Famine,
The Pestilence and Sword!


When the refuges of Falsehood
Shall be swept away in wrath,
And the temple shall be shaken,
With its idol, to the earth,
Shall not thy words of warning
Be all remembered then?
And thy now unheeded message
Burn in the hearts of men?


Oppression's hand may scatter
Its nettles on thy tomb,
And even Christian bosoms
Deny thy memory room;
For lying lips shall torture
Thy mercy into crime,
And the slanderer shall flourish
As the bay-tree for a time.


But where the south-wind lingers
On Carolina's pines,
Or falls the careless sunbeam
Down Georgia's golden mines;
Where now beneath his burthen
The toiling slave is driven;
Where now a tyrant's mockery
Is offered unto Heaven;


Where Mammon hath its altars
Wet o'er with human blood,
And pride and lust debases
The workmanship of God,-There
shall thy praise be spoken,
Redeemed from Falsehood's ban,
When the fetters shall be broken,



And the slave shall be a man!


Joy to thy spirit, brother!
A thousand hearts are warm,
A thousand kindred bosoms
Are baring to the storm.
What though red-handed Violence
With secret Fraud combine?
The wall of fire is round us,
Our Present Help was thine.


Lo, the waking up of nations,
From Slavery's fatal sleep;
The murmur of a Universe,
Deep calling unto Deep!
Joy to thy spirit, brother!
On every wind of heaven
The onward cheer and summons
Of Freedom's voice is given!


Glory to God forever!
Beyond the despot's will
The soul of Freedom liveth
Imperishable still.
The words which thou hast uttered
Are of that soul a part,
And the good seed thou hast scattered
Is springing from the heart.


In the evil days before us,
And the trials yet to come,
In the shadow of the prison,
Or the cruel martyrdom,-We
will think of thee, O brother!
And thy sainted name shall be
In the blessing of the captive,
And the anthem of the free.
285

To Pennsylvania

To Pennsylvania

O STATE prayer-founded! never hung
Such choice upon a people's tongue,
Such power to bless or ban,
As that which makes thy whisper Fate,
For which on thee the centuries wait,
And destinies of man!
Across thy Alleghanian chain,
With groanings from a land in pain,
The west-wind finds its way:
Wild-wailing from Missouri's flood
The crying of thy children's blood
Is in thy ears to-day!
And unto thee in Freedom's hour
Of sorest need God gives the power
To ruin or to save;
To wound or heal, to blight or bless
With fertile field or wilderness,
A free home or a grave!
Then let thy virtue match the crime,
Rise to a level with the time;
And, if a son of thine
Betray or tempt thee, Brutus-like
For Fatherland and Freedom strike
As Justice gives the sign.
Wake, sleeper, from thy dream of ease,
The great occasion's forelock seize;
And let the north-wind strong,
And golden leaves of autumn, be
Thy coronal of Victory
And thy triumphal song.
284

To Ronge

To Ronge

Strike home, strong-hearted man! Down to the root
Of old oppression sink the Saxon steel.
Thy work is to hew down. In God's name then
Put nerve into thy task. Let other men
Plant, as they may, that better tree whose fruit
The wounded bosom of the Church shall heal.
Be thou the image-breaker. Let thy blows
Fall heavy as the Suabian's iron hand,
On crown or crosier, which shall interpose
Between thee and the weal of Fatherland.
Leave creeds to closet idlers. First of all,
Shake thou all German dream-land with the fall
Of that accursed tree, whose evil trunk
Was spared of old by Erfurt's stalwart monk.
Fight not with ghosts and shadows. Let us hear
The snap of chain-links. Let our gladdened ear
Catch the pale prisoner's welcome, as the light
Follows thy axe-stroke, through his cell of night.
Be faithful to both worlds; nor think to feed
Earth's starving millions with the husks of creed.
Servant of Him whose mission high and holy
Was to the wronged, the sorrowing, and the lowly,
Thrust not his Eden promise from our sphere,
Distant and dim beyond the blue sky's span;
Like him of Patmos, see it, now and here,
The New Jerusalem comes down to man
Be warned by Luther's error. Nor like him,
When the roused Teuton dashes from his limb
The rusted chain of ages, help to bind
His hands for whom thou claim'st the freedom of
the mind
307

To My Sister,

To My Sister,

WITH A COPY OF 'THE SUPERNATURALISM OF NEW ENGLAND.'

Dear Sister! while the wise and sage
Turn coldly from my playful page,
And count it strange that ripened age
Should stoop to boyhood's folly;
I know that thou wilt judge aright
Of all which makes the heart more light,
Or lends one star-gleam to the night
Of clouded Melancholy.


Away with weary cares and themes!
Swing wide the moonlit gate of dreams!
Leave free once more the land which teems
With wonders and romances
Where thou, with clear discerning eyes,
Shalt rightly read the truth which lies
Beneath the quaintly masking guise
Of wild and wizard fancies.


Lo! once again our feet we set
On still green wood-paths, twilight wet,
By lonely brooks, whose waters fret
The roots of spectral beeches;
Again the hearth-fire glimmers o'er
Home's whitewashed wall and painted floor,
And young eyes widening to the lore
Of faery-folks and witches.


Dear heart! the legend is not vain
Which lights that holy hearth again,
And calling back from care and pain,
And death's funereal sadness,
Draws round its old familiar blaze
The clustering groups of happier days,
And lends to sober manhood's gaze
A glimpse of childish gladness.


And, knowing how my life hath been
A weary work of tongue and pen,
A long, harsh strife with strong-willed men,
Thou wilt not chide my turning
To con, at times, an idle rhyme,
To pluck a flower from childhood's clime,
Or listen, at Life's noonday chime,
For the sweet bells of Morning!
312

To My Friend OnThe Death Of His Sister

To My Friend OnThe Death Of His Sister

Thine is a grief, the depth of which another
May never know;
Yet, o'er the waters, O my stricken brother!
To thee I go.


I lean my heart unto thee, sadly folding
Thy hand in mine;
With even the weakness of my soul upholding
The strength of thine.


I never knew, like thee, the dear departed;
I stood not by
When, in calm trust, the pure and tranquil-hearted
Lay down to die.


And on thy ears my words of weak condoling
Must vainly fall
The funeral bell which in thy heart is tolling,
Sounds over all!


I will not mock thee with the poor world's common
And heartless phrase,
Nor wrong the memory of a sainted woman
With idle praise.


With silence only as their benediction,
God's angels come
Where, in the shadow of a great affliction,
The soul sits dumb!


Yet, would I say what thy own heart approveth
Our Father's will,
Calling to Him the dear one whom He loveth,
Is mercy still.


Not upon thee or thine the solemn angel
Hath evil wrought
Her funeral anthem is a glad evangel,-The
good die not!


God calls our loved ones, but we lose not wholly
What He hath given;
They live on earth, in thought and deed, as truly
As in His heaven.


And she is with thee; in thy path of trial
She walketh yet;
Still with the baptism of thy self-denial
Her locks are wet.


Up, then, my brother! Lo, the fields of harvest
Lie white in view



She lives and loves thee, and the God thou servest
To both is true.


Thrust in thy sickle! England's toilworn peasants
Thy call abide;
And she thou mourn'st, a pure and holy presence,
Shall glean beside!
207

To James T. Fields

To James T. Fields

ON A BLANK LEAF OF 'POEMS PRINTED, NOT PUBLISHED.'

Well thought! who would not rather hear
The songs to Love and Friendship sung
Than those which move the stranger's tongue,
And feed his unselected ear?


Our social joys are more than fame;
Life withers in the public look.
Why mount the pillory of a book,
Or barter comfort for a name?


Who in a house of glass would dwell,
With curious eyes at every pane?
To ring him in and out again,
Who wants the public crier's bell?


To see the angel in one's way,
Who wants to play the ass's part,-Bear
on his back the wizard Art,
And in his service speak or bray?


And who his manly locks would shave,
And quench the eyes of common sense,
To share the noisy recompense
That mocked the shorn and blinded slave?


The heart has needs beyond the head,
And, starving in the plenitude
Of strange gifts, craves its common food,-Our
human nature's daily bread.


We are but men: no gods are we,
To sit in mid-heaven, cold and bleak,
Each separate, on his painful peak,
Thin-cloaked in self-complacency.


Better his lot whose axe is swung
In Wartburg woods, or that poor girl's
Who by the him her spindle whirls
And sings the songs that Luther sung,


Than his who, old, and cold, and vain,
At Weimar sat, a demigod,
And bowed with Jove's imperial nod
His votaries in and out again!


Ply, Vanity, thy winged feet!
Ambition, hew thy rocky stair!
Who envies him who feeds on air
The icy splendor of his seat?



I see your Alps, above me, cut
The dark, cold sky; and dim and lone
I see ye sitting,--stone on stone,-With
human senses dulled and shut.


I could not reach you, if I would,
Nor sit among your cloudy shapes;
And (spare the fable of the grapes
And fox) I would not if I could.


Keep to your lofty pedestals!
The safer plain below I choose
Who never wins can rarely lose,
Who never climbs as rarely falls.


Let such as love the eagle's scream
Divide with him his home of ice
For me shall gentler notes suffice,-The
valley-song of bird and stream;


The pastoral bleat, the drone of bees,
The flail-beat chiming far away,
The cattle-low, at shut of day,
The voice of God in leaf and breeze;


Then lend thy hand, my wiser friend,
And help me to the vales below,
(In truth, I have not far to go,)
Where sweet with flowers the fields extend.
291

To Lydia Maria Child

To Lydia Maria Child

ON READING HER POEM IN 'THE STANDARD.'

The sweet spring day is glad with music,
But through it sounds a sadder strain;
The worthiest of our narrowing circle
Sings Loring's dirges o'er again.


O woman greatly loved! I join thee
In tender memories of our friend;
With thee across the awful spaces
The greeting of a soul I send!


What cheer hath he? How is it with him?
Where lingers he this weary while?
Over what pleasant fields of Heaven
Dawns the sweet sunrise of his smile?


Does he not know our feet are treading
The earth hard down on Slavery's grave?
That, in our crowning exultations,
We miss the charm his presence gave?


Why on this spring air comes no whisper
From him to tell us all is well?
Why to our flower-time comes no token
Of lily and of asphodel?


I feel the unutterable longing,
Thy hunger of the heart is mine;
I reach and grope for hands in darkness,
My ear grows sharp for voice or sign.


Still on the lips of all we question
The finger of God's silence lies;
Will the lost hands in ours be folded?
Will the shut eyelids ever rise?


O friend! no proof beyond this yearning,
This outreach of our hearts, we need;
God will not mock the hope He giveth,
No love He prompts shall vainly plead.


Then let us stretch our hands in darkness,
And call our loved ones o'er and o'er;
Some day their arms shall close about us,
And the old voices speak once more.


No dreary splendors wait our coming
Where rapt ghost sits from ghost apart;
Homeward we go to Heaven's thanksgiving,
The harvest-gathering of the heart.
275

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