John Greenleaf Whittier

John Greenleaf Whittier

1807–1892 · lived 84 years -- --

John Greenleaf Whittier was an American poet and abolitionist, celebrated for his lyrical verse that often depicted rural New England life and championed social reform. His poetry evoked strong imagery of nature, home, and the changing seasons, resonating deeply with readers. A staunch advocate against slavery, Whittier used his literary platform to promote abolitionist ideals, making his work a significant voice in the moral and political landscape of 19th-century America. His legacy endures through his evocative poems and his commitment to justice.

n. 1807-12-17, Haverhill · m. 1892-09-07, Hampton Falls

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Yorktown

Yorktown


YORKTOWN.
FROM Yorktown's ruins, ranked and still,
Two lines stretch far o'er vale and hill:
Who curbs his steed at head of one?
Hark! the low murmur: Washington!
Who bends his keen, approving glance,
Where down the gorgeous line of France
Shine knightly star and plume of snow?
Thou too art victor, Rochambeau!
The earth which bears this calm array
Shook with the war-charge yesterday,
Ploughed deep with hurrying hoof and wheel,
Shot-sown and bladed thick with steel;
October's clear and noonday sun
Paled in the breath-smoke of the gun,
And down night's double blackness fell,
Like a dropped star, the blazing shell.
Now all is hushed: the gleaming lines
Stand moveless as the neighboring pines;
While through them, sullen, grim, and slow,
The conquered hosts of England go:
O'Hara's brow belies his dress,
Gay Tarleton's troop rides bannerless:
Shout, from thy fired and wasted homes,
Thy scourge, Virginia, captive comes!
Nor thou alone: with one glad voice
Let all thy sister States rejoice;
Let Freedom, in whatever clime
She waits with sleepless eye her time,
Shouting from cave and mountain wood
Make glad her desert solitude,
While they who hunt her quail with fear;
The New World's chain lies broken here!
But who are they, who, cowering, wait
Within the shattered fortress gate?
Dark tillers of Virginia's soil,
Classed with the battle's common spoil,
With household stuffs, and fowl, and swine,
With Indian weed and planters' wine,
With stolen beeves, and foraged corn, —
Are they not men, Virginian born?
Oh, veil your faces, young and brave!
Sleep, Scammel, in thy soldier grave!
Sons of the Northland, ye who set
Stout hearts against the bayonet,
And pressed with steady footfall near
The moated battery's blazing tier,
Turn your scarred faces from the sight,
Let shame do homage to the right!
Lo! fourscore years have passed; and where
The Gallic bugles stirred the air,
And, through breached batteries, side by side,



To victory stormed the hosts allied,
And brave foes grounded, pale with pain,
The arms they might not lift again,
As abject as in that old day
The slave still toils his life away.
Oh, fields still green and fresh in story,
Old days of pride, old names of glory,
Old marvels of the tongue and pen,
Old thoughts which stirred the hearts of men,
Ye spared the wrong; and over all
Behold the avenging shadow fall!
Your world-wide honor stained with shame, —
Your freedom's self a hollow name!
Where's now the flag of that old war?
Where flows its stripe? Where burns its star?
Bear witness, Palo Alto's day,
Dark Vale of Palms, red Monterey,
Where Mexic Freedom, young and weak,
Fleshes the Northern eagle's beak;
Symbol of terror and despair,
Of chains and slaves, go seek it there!
Laugh, Prussia, midst thy iron ranks!
Laugh, Russia, from thy Neva's banks!
Brave sport to see the fledgling born
Of freedom by its parent torn!
Safe now is Speilberg's dungeon cell,
Safe drear Siberia's frozen hell:
With Slavery's flag o'er both unrolled,
What of the New World fears the Old?
Read full poem
Bio

Identification and basic context

John Greenleaf Whittier was an influential American poet and a prominent abolitionist. Born into a Quaker family in Haverhill, Massachusetts, he became one of the most widely read poets of his time. His work often reflected his deep connection to New England, its landscapes, and its people, while also serving as a powerful vehicle for his social and political convictions, particularly his fervent opposition to slavery.

Childhood and education

Whittier grew up on a farm, receiving a limited formal education. He attended local schools but was largely self-taught, fueled by a passion for reading. His early exposure to poetry, particularly that of Robert Burns, had a significant impact. His Quaker upbringing instilled in him a strong sense of moral duty, equality, and pacifism, which profoundly shaped his worldview and his future activism.

Literary trajectory

Whittier began writing poetry in his youth, initially contributing to local newspapers. His early work focused on descriptive and lyrical themes. However, his career took a significant turn with his involvement in the abolitionist movement. He became a prolific writer of anti-slavery poetry, essays, and articles, using his literary skills to advocate for the emancipation of enslaved people. He also served as an editor for several abolitionist publications. Throughout his life, he continued to produce poetry that celebrated nature, history, and the human spirit.

Works, style, and literary characteristics

Among Whittier's most famous works are 'Snow-Bound: A Winter Idyl,' a semi-autobiographical narrative poem depicting a New England blizzard; 'The Barefoot Boy,' a nostalgic reflection on childhood; and numerous anti-slavery poems such as 'Ichabod!' and 'The Slave Ships.' His style is characterized by its clarity, simplicity, and vivid imagery, often drawing upon the rhythms of folk songs and hymns. His dominant themes include the beauty of rural life, the virtues of hard work, the passage of time, and the moral imperative of justice and equality. He often employed a lyrical and sometimes elegiac tone, but his abolitionist poems could be passionate and indignant.

Cultural and historical context

Whittier was a key figure in the 'Fireside Poets,' a group of New England writers whose works were popular for home readings. He was deeply immersed in the social and political struggles of 19th-century America, particularly the anti-slavery movement. His writings engaged directly with contemporary issues, advocating for social reform and moral progress. He was a contemporary of other prominent writers and activists, and his work contributed to the broader cultural and intellectual discourse of the era.

Personal life

Whittier remained unmarried and dedicated much of his life to his writing and his abolitionist activities. He maintained close relationships with his family and friends, and his home in Amesbury, Massachusetts, became a hub for literary and intellectual discussions. Despite facing personal challenges and the constant pressures of his activism, he found solace and inspiration in nature and his Quaker faith.

Recognition and reception

Whittier achieved considerable fame during his lifetime, becoming one of America's most beloved poets. His works were widely read and admired, both for their aesthetic qualities and their moral messages. He was recognized for his contributions to literature and his role as a voice for social justice. While some of his abolitionist poems were controversial at the time, his overall reputation as a significant American poet has endured.

Influences and legacy

Whittier was influenced by earlier poets like Robert Burns and later poets were influenced by his lyrical depiction of American life and his commitment to reform. His legacy lies in his contribution to American poetry, particularly his ability to capture the essence of rural New England, and his unwavering dedication to the abolitionist cause. He is remembered as a poet of conscience and a significant figure in the fight for human rights.

Interpretation and critical analysis

Interpretations of Whittier's work often highlight his role as a chronicler of rural American life and a moral voice of his generation. Critics analyze his use of nature imagery, his religious and philosophical underpinnings (rooted in Quakerism), and the effectiveness of his abolitionist poetry as a form of social protest. His nostalgic portrayals of rural life are sometimes contrasted with the harsher realities of the industrializing nation.

Curiosities and lesser-known aspects

Whittier was a lifelong vegetarian and a teetotaler, reflecting his Quaker principles. He was also an early advocate for women's suffrage. An interesting aspect of his life was his near-miss with a railroad accident, which he later commemorated in a poem. Despite his fame, he was known for his humility and his aversion to public accolades.

Death and memory

John Greenleaf Whittier died in Hampton Falls, New Hampshire. His passing was widely mourned, and he was memorialized as a significant American literary figure and a champion of human rights. His poems continue to be read and appreciated, particularly for their evocative descriptions of nature and their enduring moral messages.

Poems

242

To Fredrika Bremer

To Fredrika Bremer

Seeress of the misty Norland,
Daughter of the Vikings bold,
Welcome to the sunny Vineland,
Which thy fathers sought of old!


Soft as flow of Siija's waters,
When the moon of summer shines,
Strong as Winter from his mountains
Roaring through the sleeted pines.


Heart and ear, we long have listened
To thy saga, rune, and song;
As a household joy and presence
We have known and loved thee long.


By the mansion's marble mantel,
Round the log-walled cabin's hearth,
Thy sweet thoughts and northern fancies
Meet and mingle with our mirth.


And o'er weary spirits keeping
Sorrow's night-watch, long and chill,
Shine they like thy sun of summer
Over midnight vale and hill.


We alone to thee are strangers,
Thou our friend and teacher art;
Come, and know us as we know thee;
Let us meet thee heart to heart!


To our homes and household altars
We, in turn, thy steps would lead,
As thy loving hand has led us
O'er the threshold of the Swede.
320

To George B. Cheever

To George B. Cheever

So spake Esaias: so, in words of flame,
Tekoa's prophet-herdsman smote with blame
The traffickers in men, and put to shame,
All earth and heaven before,
The sacerdotal robbers of the poor.


All the dread Scripture lives for thee again,
To smite like lightning on the hands profane
Lifted to bless the slave-whip and the chain.
Once more the old Hebrew tongue
Bends with the shafts of God a bow new-strung!


Take up the mantle which the prophets wore;
Warn with their warnings, show the Christ once more
Bound, scourged, and crucified in His blameless poor;
And shake above our land
The unquenched bolts that blazed in Hosea's hand!


Not vainly shalt thou cast upon our years
The solemn burdens of the Orient seers,
And smite with truth a guilty nation's ears.
Mightier was Luther's word
Than Seckingen's mailed arm or Hutton's sword!
297

To Charles Sumner

To Charles Sumner

If I have seemed more prompt to censure wrong
Than praise the right; if seldom to thine ear
My voice hath mingled with the exultant cheer
Borne upon all our Northern winds along;
If I have failed to join the fickle throng
In wide-eyed wonder, that thou standest strong
In victory, surprised in thee to find
Brougham's scathing power with Canning's grace combined;
That he, for whom the ninefold Muses sang,
From their twined arms a giant athlete sprang,
Barbing the arrows of his native tongue
With the spent shafts Latona's archer flung,
To smite the Python of our land and time,
Fell as the monster born of Crissa's slime,
Like the blind bard who in Castalian springs
Tempered the steel that clove the crest of kings,
And on the shrine of England's freedom laid
The gifts of Cumve and of Delphi's' shade,-Small
need hast thou of words of praise from me.
Thou knowest my heart, dear friend, and well canst guess
That, even though silent, I have not the less
Rejoiced to see thy actual life agree
With the large future which I shaped for thee,
When, years ago, beside the summer sea,
White in the moon, we saw the long waves fall
Baffled and broken from the rocky wall,
That, to the menace of the brawling flood,
Opposed alone its massive quietude,
Calm as a fate; with not a leaf nor vine
Nor birch-spray trembling in the still moonshine,
Crowning it like God's peace. I sometimes think
That night-scene by the sea prophetical,
(For Nature speaks in symbols and in signs,
And through her pictures human fate divines),
That rock, wherefrom we saw the billows sink
In murmuring rout, uprising clear and tall
In the white light of heaven, the type of one
Who, momently by Error's host assailed,
Stands strong as Truth, in greaves of granite mailed;
And, tranquil-fronted, listening over all
The tumult, hears the angels say, Well done!
335

To Englishmen

To Englishmen

You flung your taunt across the wave;
We bore it as became us,
Well knowing that the fettered slave
Left friendly lips no option save
To pity or to blame us.
You scoffed our plea. 'Mere lack of will,
Not lack of power,' you told us:
We showed our free-state records; still
You mocked, confounding good and ill,
Slave-haters and slaveholders.
We struck at Slavery; to the verge
Of power and means we checked it;
Lo! — presto, change! its claims you urge,
Send greetings to it o'er the surge,
And comfort and protect it.
But yesterday you scarce could shake,
In slave-abhorring rigor,
Our Northern palms for conscience' sake:
To-day you clasp the hands that ache
With 'walloping the nigger!'
O Englishmen! — in hope and creed,
In blood and tongue our brothers!
We too are heirs of Runnymede;
And Shakespeare's fame and Cromwell's deed
Are not alone our mother's.
'Thicker than water,' in one rill
Through centuries of story
Our Saxon blood has flowed, and still
We share with you its good and ill,
The shadow and the glory.
Joint heirs and kinfolk, leagues of wave
Nor length of years can part us:
Your right is ours to shrine and grave,
The common freehold of the brave,
The gift of saints and martyrs.
Our very sins and follies teach
Our kindred frail and human:
We carp at faults with bitter speech,
The while, for one unshared by each,
We have a score in common.
We bowed the heart, if not the knee,
To England's Queen, God bless her!
We praised you when your slaves went free:
We seek to unchain ours. Will ye
Join hands with the oppressor?
And is it Christian England cheers
The bruiser, not the bruisëd?
And must she run, despite the tears
And prayers of eighteen hundred years,
Amuck in Slavery's crusade?
Oh, black disgrace! Oh, shame and loss
Too deep for tongue to phrase on!



Tear from your flag its holy cross,
And in your van of battle toss
The pirate's skull-bone blazon!
273

To A Cape Ann Schooner

To A Cape Ann Schooner

Luck to the craft that bears this name of mine,
Good fortune follow with her golden spoon
The glazed hat and tarry pantaloon;
And wheresoe'er her keel shall cut the brine,
Cod, hake and haddock quarrel for her line.
Shipped with her crew, whatever wind may blow,
Or tides delay, my wish with her shall go,
Fishing by proxy. Would that it might show
At need her course, in lack of sun and star,
Where icebergs threaten, and the sharp reefs are;
Lift the blind fog on Anticosti's lee
And Avalon's rock; make populous the sea
Round Grand Manan with eager finny swarms,
Break the long calms, and charm away the storms.
287

To A Southern Statesman

To A Southern Statesman

IS this thy voice whose treble notes of fear
Wail in the wind? And dost thou shake to hear,
Actæon-like, the bay of thine own hounds,
Spurning the leash, and leaping o'er their bounds?
Sore-baffled statesman! when thy eager hand,
With game afoot, unslipped the hungry pack,
To hunt down Freedom in her chosen land,
Hadst thou no fear, that, erelong, doubling back,
These dogs of thine might snuff on Slavery's track?
Where's now the boast, which even thy guarded tongue,
Cold, calm, and proud, in the teeth o' the Senate flung,
O'er the fulfilment of thy baleful plan,
Like Satan's triumph at the fall of man?
How stood'st thou then, thy feet on Freedom planting,
And pointing to the lurid heaven afar,
Whence all could see, through the south windows slanting,
Crimson as blood, the beams of that Lone Star!
The Fates are just; they give us but our own;
Nemesis ripens what our hands have sown.
There is an Eastern story, not unknown,
Doubtless, to thee, of one whose magic skill
Called demons up his water-jars to fill;
Defty and silently, they did his will,
But, when the task was done, kept pouring still.
In vain with spell and charm the wizard wrought,
Faster and faster were the buckets brought,
Higher and higher rose the flood around,
Till the fiends clapped their hands above their master drowned!
So, Carolinian, it may prove with thee,
For God still overrules man's schemes, and takes
Craftiness in its self-set snare, and makes
The wrath of man to praise Him. It may be,
That the roused spirits of Democracy
May leave to freer States the same wide door
Through which thy slave-cursed Texas entered in,
From out the blood and fire, the wrong and sin,
Of the stormed city and the ghastly plain,
Beat by hot hail, and wet with bloody rain,
The myriad-handed pioneer may pour,
And the wild West with the roused North combine
And heave the engineer of evil with his mine.
255

To E. C. S.

To E. C. S.

Poet and friend of poets, if thy glass
Detects no flower in winter's tuft of grass,
Let this slight token of the debt I owe
Outlive for thee December's frozen day,
And, like the arbutus budding under snow,
Take bloom and fragrance from some morn of May
When he who gives it shall have gone the way
Where faith shall see and reverent trust shall know.
346

Thy Will Be Done

Thy Will Be Done

WE see not, know not; all our way
Is night, — with Thee alone is day:
From out the torrent's troubled drift,
Above the storm our prayers we lift,
Thy will be done!
The flesh may fail, the heart may faint,
But who are we to make complaint,
Or dare to plead, in times like these,
The weakness of our love of ease?
Thy will be done!
We take with solemn thankfulness
Our burden up, nor ask it less,
And count it joy that even we
May suffer, serve, or wait for Thee,
Whose will be done!
Though dim as yet in tint and line,
We trace Thy picture's wise design,
And thank Thee that our age supplies
Its dark relief of sacrifice.
Thy will be done!
And if, in our unworthiness,
Thy sacrificial wine we press;
If from Thy ordeal's heated bars
Our feet are seamed with crimson scars,
Thy will be done!
If, for the age to come, this hour
Of trial hath vicarious power,
And, blest by Thee, our present pain,
Be Liberty's eternal gain,
Thy will be done!
Strike, Thou the Master, we Thy keys,
The anthem of the destinies!
The minor of Thy loftier strain,
Our hearts shall breathe the old refrain,
Thy will be done!
342

Theirs

Theirs


I.
Fate summoned, in gray-bearded age, to act
A history stranger than his written fact,
Him who portrayed the splendor and the gloom
Of that great hour when throne and altar fell
With long death-groan which still is audible.
He, when around the walls of Paris rung
The Prussian bugle like the blast of doom,
And every ill which follows unblest war
Maddened all France from Finistere to Var,
The weight of fourscore from his shoulders flung,
And guided Freedom in the path he saw
Lead out of chaos into light and law,
Peace, not imperial, but republican,
And order pledged to all the Rights of Man.
II.
Death called him from a need as imminent
As that from which the Silent William went
When powers of evil, like the smiting seas
On Holland's dikes, assailed her liberties.
Sadly, while yet in doubtful balance hung
The weal and woe of France, the bells were rung
For her lost leader. Paralyzed of will,
Above his bier the hearts of men stood still.
Then, as if set to his dead lips, the horn
Of Roland wound once more to rouse and warn,
The old voice filled the air! His last brave word
Not vainly France to all her boundaries stirred.
Strong as in life, he still for Freedom wrought,
As the dead Cid at red Toloso fought.
228

The Wreck Of Rivermouth

The Wreck Of Rivermouth

Rivermouth Rocks are fair to see,
By dawn or sunset shone across,
When the ebb of the sea has left them free,
To dry their fringes of gold-green moss
For there the river comes winding down,
From salt sea-meadows and uplands brown,
And waves on the outer rocks afoam
Shout to its waters, 'Welcome home!'


And fair are the sunny isles in view
East of the grisly Head of the Boar,
And Agamenticus lifts its blue
Disk of a cloud the woodlands o'er;
And southerly, when the tide is down,
'Twixt white sea-waves and sand-hills brown,
The beach-birds dance and the gray gulls wheel
Over a floor of burnished steel.


Once, in the old Colonial days,
Two hundred years ago and more,
A boat sailed down through the winding ways
Of Hampton River to that low shore,
Full of a goodly company
Sailing out on the summer sea,
Veering to catch the land-breeze light,
With the Boar to left and the Rocks to right.


In Hampton meadows, where mowers laid
Their scythes to the swaths of salted grass,
'Ah, well-a-day! our hay must be made!'
A young man sighed, who saw them pass.
Loud laughed his fellows to see him stand
Whetting his scythe with a listless hand,
Hearing a voice in a far-off song,
Watching a white hand beckoning long.


'Fie on the witch!' cried a merry girl,
As they rounded the point where Goody Cole
Sat by her door with her wheel atwirl,
A bent and blear-eyed poor old soul.
'Oho!' she muttered, 'ye 're brave to-day!
But I hear the little waves laugh and say,
'The broth will be cold that waits at home;
For it 's one to go, but another to come!''


'She's cursed,' said the skipper; 'speak her fair:
I'm scary always to see her shake
Her wicked head, with its wild gray hair,
And nose like a hawk, and eyes like a snake.'
But merrily still, with laugh and shout,
From Hampton River the boat sailed out,
Till the huts and the flakes on Star seemed nigh,



And they lost the scent of the pines of Rye.


They dropped their lines in the lazy tide,
Drawing up haddock and mottled cod;
They saw not the Shadow that walked beside,
They heard not the feet with silence shod.
But thicker and thicker a hot mist grew,
Shot by the lightnings through and through;
And muffled growls, like the growl of a beast,
Ran along the sky from west to east.


Then the skipper looked from the darkening sea
Up to the dimmed and wading sun;
But he spake like a brave man cheerily,
'Yet there is time for our homeward run.'
Veering and tacking, they backward wore;
And just as a breath-from the woods ashore
Blew out to whisper of danger past,
The wrath of the storm came down at last!


The skipper hauled at the heavy sail
'God be our help!' he only cried,
As the roaring gale, like the stroke of a flail,
Smote the boat on its starboard side.
The Shoalsmen looked, but saw alone
Dark films of rain-cloud slantwise blown,
Wild rocks lit up by the lightning's glare,
The strife and torment of sea and air.


Goody Cole looked out from her door
The Isles of Shoals were drowned and gone,
Scarcely she saw the Head of the Boar
Toss the foam from tusks of stone.
She clasped her hands with a grip of pain,
The tear on her cheek was not of rain
'They are lost,' she muttered, 'boat and crew!
Lord, forgive me! my words were true!'


Suddenly seaward swept the squall;
The low sun smote through cloudy rack;
The Shoals stood clear in the light, and all
The trend of the coast lay hard and black.
But far and wide as eye could reach,
No life was seen upon wave or beach;
The boat that went out at morning never
Sailed back again into Hampton River.


O mower, lean on thy bended snath,
Look from the meadows green and low
The wind of the sea is a waft of death,
The waves are singing a song of woe!
By silent river, by moaning sea,



Long and vain shall thy watching be
Never again shall the sweet voice call,
Never the white hand rise and fall!


O Rivermouth Rocks, how sad a sight
Ye saw in the light of breaking day
Dead faces looking up cold and white
From sand and seaweed where they lay.
The mad old witch-wife wailed and wept,
And cursed the tide as it backward crept
'Crawl back, crawl back, blue water-snake
Leave your dead for the hearts that break!'


Solemn it was in that old day
In Hampton town and its log-built church,
Where side by side the coffins lay
And the mourners stood in aisle and porch.
In the singing-seats young eyes were dim,
The voices faltered that raised the hymn,
And Father Dalton, grave and stern,
Sobbed through his prayer and wept in turn.


But his ancient colleague did not pray;
Under the weight of his fourscore years
He stood apart with the iron-gray
Of his strong brows knitted to hide his tears;
And a fair-faced woman of doubtful fame,
Linking her own with his honored name,
Subtle as sin, at his side withstood
The felt reproach of her neighborhood.


Apart with them, like them forbid,
Old Goody Cole looked drearily round,
As, two by two, with their faces hid,
The mourners walked to the burying-ground.
She let the staff from her clasped hands fall
'Lord, forgive us! we're sinners all!'
And the voice of the old man answered her
'Amen!' said Father Bachiler.


So, as I sat upon Appledore
In the calm of a closing summer day,
And the broken lines of Hampton shore
In purple mist of cloudland lay,
The Rivermouth Rocks their story told;
And waves aglow with sunset gold,
Rising and breaking in steady chime,
Beat the rhythm and kept the time.


And the sunset paled, and warmed once more
With a softer, tenderer after-glow;
In the east was moon-rise, with boats off-shore



And sails in the distance drifting slow.
The beacon glimmered from Portsmouth bar,
The White Isle kindled its great red star;
And life and death in my old-time lay
Mingled in peace like the night and day!


. . . . .


'Well!' said the Man of Books, 'your story
Is really not ill told in verse.
As the Celt said of purgatory,
One might go farther and fare worse.'
The Reader smiled; and once again
With steadier voice took up his strain,
While the fair singer from the neighboring tent
Drew near, and at his side a graceful listener bent.
357

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