Jonathan Swift

Jonathan Swift

1667–1745 · lived 77 years IE IE

Jonathan Swift was an Anglo-Irish satirist, essayist, political pamphleteer, and poet, best known for "Gulliver's Travels." His biting wit and sharp social commentary made him a prominent figure in English literature. He often used irony and fantasy to critique societal norms and political corruption, leaving a lasting impact on satire and prose.

n. 1667-11-30, Dublin · m. 1745-10-19, Dublin

16,533 Views

Verses on the Death of Dr. Swift, D.S.P.D.

Verses on the Death of Dr. Swift, D.S.P.D.

As Rochefoucauld his maxims drew
From Nature, I believe 'em true:
They argue no corrupted mind
In him; the fault is in mankind.
This maxim more than all the rest
Is thought too base for human breast:
'In all distresses of our friends,
We first consult our private ends;
While Nature, kindly bent to ease us,
Points out some circumstance to please us.'


If this perhaps your patience move,
Let reason and experience prove.


We all behold with envious eyes
Our equal rais'd above our size.
Who would not at a crowded show
Stand high himself, keep others low?
I love my friend as well as you
But would not have him stop my view.
Then let him have the higher post:
I ask but for an inch at most.


If in a battle you should find
One, whom you love of all mankind,
Had some heroic action done,
A champion kill'd, or trophy won;
Rather than thus be overtopt,
Would you not wish his laurels cropt?


Dear honest Ned is in the gout,
Lies rack'd with pain, and you without:
How patiently you hear him groan!
How glad the case is not your own!


What poet would not grieve to see
His brethren write as well as he?
But rather than they should excel,
He'd wish his rivals all in hell.


Her end when emulation misses,
She turns to envy, stings and hisses:
The strongest friendship yields to pride,
Unless the odds be on our side.


Vain human kind! fantastic race!
Thy various follies who can trace?
Self-love, ambition, envy, pride,
Their empire in our hearts divide.
Give others riches, power, and station,
'Tis all on me a usurpation.
I have no title to aspire;



Yet, when you sink, I seem the higher.
In Pope I cannot read a line,
But with a sigh I wish it mine;
When he can in one couplet fix
More sense than I can do in six;
It gives me such a jealous fit,
I cry, 'Pox take him and his wit!'


Why must I be outdone by Gay
In my own hum'rous biting way?


Arbuthnot is no more my friend,
Who dares to irony pretend,
Which I was born to introduce,
Refin'd it first, and show'd its use.


St. John, as well as Pultney, knows
That I had some repute for prose;
And, till they drove me out of date,
Could maul a minister of state.
If they have mortify'd my pride,
And made me throw my pen aside;
If with such talents Heav'n has blest 'em,
Have I not reason to detest 'em?


To all my foes, dear Fortune, send
Thy gifts; but never to my friend:
I tamely can endure the first,
But this with envy makes me burst.


Thus much may serve by way of proem:
Proceed we therefore to our poem.


The time is not remote, when I
Must by the course of nature die;
When I foresee my special friends
Will try to find their private ends:
Tho' it is hardly understood
Which way my death can do them good,
Yet thus, methinks, I hear 'em speak:
'See, how the Dean begins to break!
Poor gentleman, he droops apace!
You plainly find it in his face.
That old vertigo in his head
Will never leave him till he's dead.
Besides, his memory decays:
He recollects not what he says;
He cannot call his friends to mind:
Forgets the place where last he din'd;
Plies you with stories o'er and o'er;
He told them fifty times before.
How does he fancy we can sit



To hear his out-of-fashion'd wit?
But he takes up with younger folks,
Who for his wine will bear his jokes.
Faith, he must make his stories shorter,
Or change his comrades once a quarter:
In half the time he talks them round,
There must another set be found.


'For poetry he's past his prime:
He takes an hour to find a rhyme;
His fire is out, his wit decay'd,
His fancy sunk, his Muse a jade.
I'd have him throw away his pen;-
But there's no talking to some men!'


And then their tenderness appears,
By adding largely to my years:
'He's older than he would be reckon'd
And well remembers Charles the Second.


'He hardly drinks a pint of wine;
And that, I doubt, is no good sign.
His stomach too begins to fail:
Last year we thought him strong and hale;
But now he's quite another thing:
I wish he may hold out till spring.'


Then hug themselves, and reason thus:
'It is not yet so bad with us.'


In such a case, they talk in tropes,
And by their fears express their hopes:
Some great misfortune to portend,
No enemy can match a friend.
With all the kindness they profess,
The merit of a lucky guess
(When daily 'How d'ye's' come of course,
And servants answer, 'Worse and worse!')
Would please 'em better, than to tell,
That, 'God be prais'd, the Dean is well.'
Then he who prophecy'd the best
Approves his foresight to the rest:
'You know I always fear'd the worst,
And often told you so at first.'
He'd rather choose that I should die,
Than his prediction prove a lie.
Not one foretells I shall recover;
But all agree to give me over.



Yet, should some neighbour feel a pain
Just in the parts where I complain,
How many a message would he send?
What hearty prayers that I should mend?
Inquire what regimen I kept,
What gave me ease, and how I slept?
And more lament when I was dead,
Than all the sniv'llers round my bed.


My good companions, never fear;
For though you may mistake a year,
Though your prognostics run too fast,
They must be verify'd at last.


Behold the fatal day arrive!
'How is the Dean?'-'He's just alive.'
Now the departing prayer is read;
'He hardly breathes.'-'The Dean is dead.'
Before the passing-bell begun,
The news thro' half the town has run.
'O, may we all for death prepare!
What has he left? and who's his heir?''
I know no more than what the news is;
'Tis all bequeath'd to public uses.''
To public use! a perfect whim!
What had the public done for him?
Mere envy, avarice, and pride:
He gave it all-but first he died.
And had the Dean, in all the nation,
No worthy friend, no poor relation?
So ready to do strangers good,
Forgetting his own flesh and blood?'


Now Grub-Street wits are all employ'd;
With elegies the town is cloy'd:
Some paragraph in ev'ry paper
To curse the Dean or bless the Drapier.


The doctors, tender of their fame,
Wisely on me lay all the blame:
'We must confess his case was nice;
But he would never take advice.
Had he been rul'd, for aught appears,
He might have liv'd these twenty years;
For, when we open'd him, we found
That all his vital parts were sound.'



From Dublin soon to London spread,
'Tis told at Court, the Dean is dead.


Kind Lady Suffolk in the spleen
Runs laughing up to tell the Queen.
The Queen, so gracious, mild, and good,
Cries, 'Is he gone! 'tis time he should.
He's dead, you say; why, let him rot:
I'm glad the medals were forgot.
I promis'd them, I own; but when?
I only was the Princess then;
But now, as consort of a king,
You know, 'tis quite a different thing.'


Now Chartres, at Sir Robert's levee,
Tells with a sneer the tidings heavy:
'Why, is he dead without his shoes?'
Cries Bob, 'I'm sorry for the news:
O, were the wretch but living still,
And in his place my good friend Will!
Or had a mitre on his head,
Provided Bolingbroke were dead!'


Now Curll his shop from rubbish drains:
Three genuine tomes of Swift's remains!
And then, to make them pass the glibber,
Revis'd by Tibbalds, Moore, and Cibber.
He'll treat me as he does my betters,
Publish my will, my life, my letters:
Revive the libels born to die;
Which Pope must bear, as well as I.


Here shift the scene, to represent
How those I love my death lament.
Poor Pope will grieve a month, and Gay
A week, and Arbuthnot a day.


St. John himself will scarce forbear
To bite his pen, and drop a tear.
The rest will give a shrug, and cry,
'I'm sorry-but we all must die!'
Indifference, clad in Wisdom's guise,
All fortitude of mind supplies:
For how can stony bowels melt
In those who never pity felt?



When we are lash'd, they kiss the rod,
Resigning to the will of God.


The fools, my juniors by a year,
Are tortur'd with suspense and fear;
Who wisely thought my age a screen,
When death approach'd, to stand between:
The screen remov'd, their hearts are trembling;
They mourn for me without dissembling.


My female friends, whose tender hearts
Have better learn'd to act their parts,
Receive the news in doleful dumps:
'The Dean is dead: (and what is trumps?)
Then, Lord have mercy on his soul!
(Ladies, I'll venture for the vole.)
Six deans, they say, must bear the pall:
(I wish I knew what king to call.)
Madam, your husband will attend
The funeral of so good a friend.
No, madam, 'tis a shocking sight:
And he's engag'd to-morrow night:
My Lady Club would take it ill,
If he should fail her at quadrille.
He lov'd the Dean-(I lead a heart)
But dearest friends, they say, must part.
His time was come: he ran his race;
We hope he's in a better place.'


Why do we grieve that friends should die?
No loss more easy to supply.
One year is past; a different scene!
No further mention of the Dean;
Who now, alas! no more is miss'd,
Than if he never did exist.
Where's now this fav'rite of Apollo!
Departed:-and his works must follow;
Must undergo the common fate;
His kind of wit is out of date.
Some country squire to Lintot goes,
Inquires for 'Swift in Verse and Prose.'
Says Lintot, 'I have heard the name;
He died a year ago.'-'The same.'
He searcheth all his shop in vain.
'Sir, you may find them in Duck-lane;
I sent them with a load of books,
Last Monday to the pastry-cook's.
To fancy they could live a year!
I find you're but a stranger here.



The Dean was famous in his time,
And had a kind of knack at rhyme.
His way of writing now is past;
The town hath got a better taste;
I keep no antiquated stuff,
But spick and span I have enough.
Pray do but give me leave to show 'em;
Here's Colley Cibber's birth-day poem.
This ode you never yet have seen,
By Stephen Duck, upon the Queen.
Then here's a letter finely penn'd
Against the Craftsman and his friend:
It clearly shows that all reflection
On ministers is disaffection.
Next, here's Sir Robert's vindication,
And Mr. Henley's last oration.
The hawkers have not got 'em yet:
Your honour please to buy a set?


'Here's Woolston's tracts, the twelfth edition;
'Tis read by every politician:
The country members, when in town,
To all their boroughs send them down;
You never met a thing so smart;
The courtiers have them all by heart:
Those maids of honour who can read
Are taught to use them for their creed.
The rev'rend author's good intention
Hath been rewarded with a pension.
He doth an honour to his gown,
By bravely running priestcraft down:
He shows, as sure as God's in Gloucester,
That Jesus was a grand imposter;
That all his miracles were cheats,
Perform'd as jugglers do their feats:
The church had never such a writer;
A shame he hath not got a mitre!'


Suppose me dead; and then suppose
A club assembled at the Rose ;
Where, from discourse of this and that,
I grow the subject of their chat.
And while they toss my name about,
With favour some, and some without,
One, quite indiff'rent in the cause,
My character impartial draws:


'The Dean, if we believe report,
Was never ill receiv'd at Court.



As for his works in verse and prose
I own myself no judge of those;
Nor can I tell what critics thought 'em:
But this I know, all people bought 'em.
As with a moral view design'd
To cure the vices of mankind:
His vein, ironically grave,
Expos'd the fool, and lash'd the knave.
To steal a hint was never known,
But what he writ was all his own.


'He never thought an honour done him,
Because a duke was proud to own him,
Would rather slip aside and choose
To talk with wits in dirty shoes;
Despis'd the fools with stars and garters,
So often seen caressing Chartres.
He never courted men in station,
Nor persons held in admiration;
Of no man's greatness was afraid,
Because he sought for no man's aid.
Though trusted long in great affairs
He gave himself no haughty airs:
Without regarding private ends,
Spent all his credit for his friends;
And only chose the wise and good;
No flatt'rers; no allies in blood:
But succour'd virtue in distress,
And seldom fail'd of good success;
As numbers in their hearts must own,
Who, but for him, had been unknown.


'With princes kept a due decorum,
But never stood in awe before 'em.
He follow'd David's lesson just:
'In princes never put thy trust';
And, would you make him truly sour,
Provoke him with a slave in pow'r.
The Irish senate if you nam'd,
With what impatience he declaim'd!
Fair Liberty was all his cry,
For her he stood prepar'd to die;
For her he boldly stood alone;
For her he oft expos'd his own.
Two kingdoms, just as faction led,
Had set a price upon his head;
But not a traitor could be found
To sell him for six hundred pound.



'Had he but spar'd his tongue and pen
He might have rose like other men:
But pow'r was never in his thought,
And wealth he valu'd not a groat:
Ingratitude he often found,
And pity'd those who meant the wound:
But kept the tenor of his mind,
To merit well of human kind:
Nor made a sacrifice of those
Who still were true, to please his foes.
He labour'd many a fruitless hour
To reconcile his friends in pow'r;
Saw mischief by a faction brewing,
While they pursu'd each other's ruin.
But, finding vain was all his care,
He left the Court in mere despair.


'And, oh! how short are human schemes!
Here ended all our golden dreams.
What St. John's skill in state affairs,
What Ormond's valour, Oxford's cares,
To save their sinking country lent,
Was all destroy'd by one event.
Too soon that precious life was ended,
On which alone our weal depended.
When up a dangerous faction starts,
With wrath and vengeance in their hearts;
By solemn League and Cov'nant bound,
To ruin, slaughter, and confound;
To turn religion to a fable,
And make the government a Babel;
Pervert the law, disgrace the gown,
Corrupt the senate, rob the crown;
To sacrifice old England's glory,
And make her infamous in story:
When such a tempest shook the land,
How could unguarded Virtue stand?


'With horror, grief, despair, the Dean
Beheld the dire destructive scene:
His friends in exile, or the tower,
Himself within the frown of power,
Pursu'd by base envenom'd pens,
Far to the land of slaves and fens;
A servile race in folly nurs'd,
Who truckle most when treated worst.


'By innocence and resolution,
He bore continual persecution,



While numbers to preferment rose,
Whose merits were, to be his foes;
When ev'n his own familiar friends,
Intent upon their private ends,
Like renegadoes now he feels,
Against him lifting up their heels.


'The Dean did by his pen defeat
An infamous destructive cheat;
Taught fools their int'rest how to know,
And gave them arms to ward the blow.
Envy hath own'd it was his doing,
To save that helpless land from ruin;
While they who at the steerage stood,
And reap'd the profit, sought his blood.


'To save them from their evil fate,
In him was held a crime of state.
A wicked monster on the bench,
Whose fury blood could never quench,
As vile and profligate a villain,
As modern Scroggs, or old Tresilian,
Who long all justice had discarded,
Nor fear'd he God, nor man regarded,
Vow'd on the Dean his rage to vent,
And make him of his zeal repent;
But Heav'n his innocence defends,
The grateful people stand his friends.
Not strains of law, nor judge's frown,
Nor topics brought to please the crown,
Nor witness hir'd, nor jury pick'd,
Prevail to bring him in convict.


'In exile, with a steady heart,
He spent his life's declining part;
Where folly, pride, and faction sway,
Remote from St. John, Pope, and Gay.


'His friendships there, to few confin'd,
Were always of the middling kind;
No fools of rank, a mongrel breed,
Who fain would pass for lords indeed:
Where titles gave no right or power
And peerage is a wither'd flower;
He would have held it a disgrace,
If such a wretch had known his face.
On rural squires, that kingdom's bane,
He vented oft his wrath in vain;



Biennial squires to market brought;
Who sell their souls and votes for nought;
The nation stripp'd, go joyful back,
To rob the church, their tenants rack,
Go snacks with thieves and rapparees,
And keep the peace to pick up fees;
In ev'ry job to have a share,
A jail or barrack to repair;
And turn the tax for public roads,
Commodious to their own abodes.


'Perhaps I may allow, the Dean
Had too much satire in his vein;
And seem'd determin'd not to starve it,
Because no age could more deserve it.
Yet malice never was his aim;
He lash'd the vice, but spar'd the name;
No individual could resent,
Where thousands equally were meant.
His satire points at no defect,
But what all mortals may correct;
For he abhorr'd that senseless tribe
Who call it humour when they gibe.
He spar'd a hump, or crooked nose,
Whose owners set not up for beaux.
True genuine dulness mov'd his pity,
Unless it offer'd to be witty.
Those who their ignorance confess'd
He ne'er offended with a jest;
But laugh'd to hear an idiot quote
A verse from Horace, learn'd by rote.


'He knew a hundred pleasant stories
With all the turns of Whigs and Tories:
Was cheerful to his dying day;
And friends would let him have his way.


'He gave the little wealth he had
To build a house for fools and mad;
And show'd by one satiric touch,
No nation wanted it so much.
That kingdom he hath left his debtor,
I wish it soon may have a better.'
Read full poem
Bio

Identification and basic context

Jonathan Swift was a preeminent satirist, essayist, and poet. He is primarily recognized for his allegorical works, most notably "Gulliver's Travels." Swift's writing often served as a vehicle for profound social and political critique, delivered with a characteristic blend of wit and cynicism.

Childhood and education

Born into a precarious family situation in Ireland, Swift's early life was marked by instability. He received a solid education, attending Trinity College, Dublin. This academic grounding provided him with the intellectual tools that would later inform his sharp critiques of society and politics. His intellectual development was influenced by the prevailing intellectual currents of his time, though he often forged his own distinctive path.

Literary trajectory

Swift's literary career began with political and religious pamphlets, quickly establishing his reputation for sharp prose and incisive commentary. His early works often dealt with contemporary Irish issues, demonstrating his deep engagement with the political landscape. Over time, his writing evolved to encompass broader philosophical and social themes, particularly evident in his later, more famous works. He was also involved in various literary circles and contributed to periodicals of his era.

Works, style, and literary characteristics

Swift's major works include "A Tale of a Tub," "The Battle of the Books," "An Argument Against Abolishing Christianity," and the monumental "Gulliver's Travels." His dominant themes often revolve around human nature's follies, the corrupting influence of power, religious hypocrisy, and the absurdities of societal conventions. He masterfully employed satire, irony, and allegory to expose these vices. His style is characterized by clarity, precision, and a deceptively simple prose that masks a deep intellectual complexity. Swift's language is often precise and persuasive, making his critiques all the more potent. He is considered a master of prose satire, and his innovations in form and narrative technique, particularly in "Gulliver's Travels," have had a lasting impact.

Cultural and historical context

Swift lived during a period of significant political and social upheaval in Britain and Ireland. His works directly engaged with the political controversies of his time, including the relationship between England and Ireland, religious disputes, and the nature of governance. He was a contemporary of other prominent writers and thinkers, and his work reflects the intellectual debates of the Augustan age. Swift's strong Protestant background and his experiences in Ireland deeply informed his perspective on politics and society. He was often aligned with the Whig party but was also critical of political corruption across the spectrum.

Personal life

Swift's personal life was marked by complex relationships, most notably with Esther Johnson (Stella) and Esther Vanhomrigh (Vanessa). These relationships are often seen as having profoundly influenced his writing, particularly in its exploration of love, loyalty, and betrayal. He maintained friendships with other literary figures of his day, though his often-acerbic personality could lead to rivalries. Swift served as Dean of St. Patrick's Cathedral in Dublin, a position that afforded him a degree of financial independence and a platform for his social and political views. His personal experiences with illness and the political climate in Ireland also shaped his outlook and his work.

Recognition and reception

Swift was widely recognized as a major literary figure during his lifetime, though his sharp critiques also generated controversy. "Gulliver's Travels," in particular, was an immediate success and has remained a cornerstone of English literature. His works have been subject to continuous critical analysis and debate, with scholars appreciating his mastery of satire and his profound insights into human nature. While celebrated for his literary achievements, his political stances and personal life have also been subjects of ongoing discussion.

Influences and legacy

Swift was influenced by earlier satirists and by the intellectual climate of his time. His own legacy is immense; he is considered one of the greatest satirists in the English language and has influenced countless writers across various genres. His works continue to be studied for their literary merit, their historical significance, and their enduring commentary on human society. "Gulliver's Travels" has been widely translated and adapted into various forms, solidifying its place in global literary culture.

Interpretation and critical analysis

Swift's work invites multiple interpretations, often centered on his critique of human reason, vanity, and the corrupting nature of power. "Gulliver's Travels," for instance, can be read as a profound examination of the human condition, a political allegory, or a savage indictment of Enlightenment optimism. Debates have often centered on the extent of Swift's misanthropy or his genuine concern for humanity's betterment.

Curiosities and lesser-known aspects

Despite his public persona, Swift was known for his deep affection for his friends, particularly Stella. He was also a dedicated philanthropist, leaving a significant portion of his estate to charitable causes, including the founding of a hospital for the mentally ill. His habits of writing were often meticulous, and his correspondence reveals a keen intellect and a dry sense of humor. Anecdotes suggest a complex personality, capable of both great wit and profound melancholy.

Death and memory

Jonathan Swift died in Dublin. His death was mourned by many, and his literary reputation only grew in the years that followed. His will established foundations for charitable works, ensuring a lasting impact beyond his literary achievements. His memory is preserved through his enduring works and his status as a titan of English literature.

Poems

52

On A Shadow In A Glass

On A Shadow In A Glass

By something form'd, I nothing am,
Yet everything that you can name;
In no place have I ever been,
Yet everywhere I may be seen;
In all things false, yet always true,
I'm still the same—but ever new.
Lifeless, life's perfect form I wear,
Can show a nose, eye, tongue, or ear,
Yet neither smell, see, taste, or hear.
All shapes and features I can boast,
No flesh, no bones, no blood—no ghost:
All colours, without paint, put on,
And change like the cameleon.
Swiftly I come, and enter there,
Where not a chink lets in the air;
Like thought, I'm in a moment gone,
Nor can I ever be alone:
All things on earth I imitate
Faster than nature can create;
Sometimes imperial robes I wear,
Anon in beggar's rags appear;
A giant now, and straight an elf,
I'm every one, but ne'er myself;
Ne'er sad I mourn, ne'er glad rejoice,
I move my lips, but want a voice;
I ne'er was born, nor e'er can die,
Then, pr'ythee, tell me what am I?


Most things by me do rise and fall,
And, as I please, they're great and small;
Invading foes without resistance,
With ease I make to keep their distance:
Again, as I'm disposed, the foe
Will come, though not a foot they go.
Both mountains, woods, and hills, and rocks
And gamesome goats, and fleecy flocks,
And lowing herds, and piping swains,
Come dancing to me o'er the plains.
The greatest whale that swims the sea
Does instantly my power obey.
In vain from me the sailor flies,
The quickest ship I can surprise,
And turn it as I have a mind,
And move it against tide and wind.
Nay, bring me here the tallest man,
I'll squeeze him to a little span;
Or bring a tender child, and pliant,
You'll see me stretch him to a giant:
Nor shall they in the least complain,
Because my magic gives no pain.
277

On A Cannon

On A Cannon

Begotten, and born, and dying with noise,
The terror of women, and pleasure of boys,
Like the fiction of poets concerning the wind,
I'm chiefly unruly when strongest confined.
For silver and gold I don't trouble my head,
But all I delight in is pieces of lead;
Except when I trade with a ship or a town,
Why then I make pieces of iron go down.
One property more I would have you remark,
No lady was ever more fond of a spark;
The moment I get one, my soul's all a-fire,
And I roar out my joy, and in transport expire.
283

On A Corkscrew

On A Corkscrew

Though I, alas! a prisoner be,
My trade is prisoners to set free.
No slave his lord's commands obeys
With such insinuating ways.
My genius piercing, sharp, and bright,
Wherein the men of wit delight.
The clergy keep me for their ease,
And turn and wind me as they please.
A new and wondrous art I show
Of raising spirits from below;
In scarlet some, and some in white;
They rise, walk round, yet never fright.
In at each mouth the spirits pass,
Distinctly seen as through a glass:
O'er head and body make a rout,
And drive at last all secrets out;
And still, the more I show my art,
The more they open every heart.
A greater chemist none than I
Who, from materials hard and dry,
Have taught men to extract with skill
More precious juice than from a still.
Although I'm often out of case,
I'm not ashamed to show my face.
Though at the tables of the great
I near the sideboard take my seat;
Yet the plain 'squire, when dinner's done,
Is never pleased till I make one;
He kindly bids me near him stand,
And often takes me by the hand.
I twice a-day a-hunting go;
Nor ever fail to seize my foe;
And when I have him by the poll,
I drag him upwards from his hole;
Though some are of so stubborn kind,
I'm forced to leave a limb behind.
I hourly wait some fatal end;
For I can break, but scorn to bend.
211

My Lady’s Lamantation And Complaint Against The Dean

My Lady’s Lamantation And Complaint Against The Dean

Sure never did man see
A wretch like poor Nancy,
So teazed day and night
By a Dean and a Knight.
To punish my sins,
Sir Arthur begins,
And gives me a wipe,
With Skinny and Snipe:,
His malice is plain,
Hallooing the Dean.


The Dean never stops,
When he opens his chops;
I'm quite overrun
With rebus and pun.
Before he came here,
To spunge for good cheer,
I sat with delight,
From morning till night,
With two bony thumbs
Could rub my old gums,
Or scratching my nose
And jogging my toes;
But at present, forsooth,
I must not rub a tooth.
When my elbows he sees
Held up by my knees,
My arms, like two props,
Supporting my chops,
And just as I handle 'em
Moving all like a pendulum;
He trips up my props,
And down my chin drops
From my head to my heels,
Like a clock without wheels;
I sink in the spleen,
A useless machine.
If he had his will,
I should never sit still:
He comes with his whims
I must move my limbs;
I cannot be sweet
Without using my feet;
To lengthen my breath,
He tires me to death.
By the worst of all squires,
Thro' bogs and thro' briers,
Where a cow would be startled,
I'm in spite of my heart led;
And, say what I will,
Haul'd up every hill;



Till, daggled and tatter'd,
My spirits quite shatter'd,
I return home at night,
And fast, out of spite:
For I'd rather be dead,
Than it e'er should be said,
I was better for him,
In stomach or limb.
But now to my diet;
No eating in quiet,
He's still finding fault,
Too sour or too salt:
The wing of a chick
I hardly can pick:
But trash without measure
I swallow with pleasure.
Next, for his diversion,
He rails at my person.
What court breeding this is!
He takes me to pieces:
From shoulder to flank
I'm lean and am lank;
My nose, long and thin,
Grows down to my chin;
My chin will not stay,
But meets it halfway;
My fingers, prolix,
Are ten crooked sticks:
He swears my el—bows
Are two iron crows,
Or sharp pointed rocks,
And wear out my smocks:
To 'scape them, Sir Arthur
Is forced to lie farther,
Or his sides they would gore
Like the tusks of a boar.
Now changing the scene
But still to the Dean;
He loves to be bitter at
A lady illiterate;
If he sees her but once,
He'll swear she's a dunce;
Can tell by her looks
A hater of books;
Thro' each line of her face
Her folly can trace;
Which spoils every feature
Bestow'd her by nature;
But sense gives a grace
To the homeliest face:
Wise books and reflection
Will mend the complexion:



(A civil divine!
I suppose, meaning mine!)
No lady who wants them,
Can ever be handsome.
I guess well enough
What he means by this stuff:
He haws and he hums,
At last out it comes:
What, madam? No walking,
No reading, nor talking?
You're now in your prime,
Make use of your time.
Consider, before
You come to threescore,
How the hussies will fleer
Where'er you appear;
'That silly old puss
Would fain be like us:
What a figure she made
In her tarnish'd brocade!'
And then he grows mild:
Come, be a good child:
If you are inclined
To polish your mind,
Be adored by the men
Till threescore and ten,
And kill with the spleen
The jades of sixteen;
I'll show you the way;
Read six hours a-day.
The wits will frequent ye,
And think you but twenty.
[To make you learn faster,
I'll be your schoolmaster
And leave you to choose
The books you peruse.]
Thus was I drawn in;
Forgive me my sin.
At breakfast he'll ask
An account of my task.
Put a word out of joint,
Or miss but a point,
He rages and frets,
His manners forgets;
And as I am serious,
Is very imperious.
No book for delight
Must come in my sight;
But, instead of new plays,
Dull Bacon's Essays,
And pore every day on
That nasty Pantheon.



If I be not a drudge,
Let all the world judge.
'Twere better be blind,
Than thus be confined.
But while in an ill tone,
I murder poor Milton,
The Dean you will swear,
Is at study or prayer.
He's all the day sauntering,
With labourers bantering,
Among his colleagues,
A parcel of Teagues,
Whom he brings in among us
And bribes with mundungus.
[He little believes
How they laugh in their sleeves.]
Hail, fellow, well met,
All dirty and wet:
Find out, if you can,
Who's master, who's man;
Who makes the best figure,
The Dean or the digger;
And which is the best
At cracking a jest.
[Now see how he sits
Perplexing his wits
In search of a motto
To fix on his grotto.]
How proudly he talks
Of zigzags and walks,
And all the day raves
Of cradles and caves;
And boasts of his feats,
His grottos and seats;
Shows all his gewgaws,
And gapes for applause;
A fine occupation
For one in his station!
A hole where a rabbit
Would scorn to inhabit,
Dug out in an hour;
He calls it a bower.
But, O! how we laugh,
To see a wild calf
Come, driven by heat,
And foul the green seat;
Or run helter-skelter,
To his arbour for shelter,
Where all goes to ruin
The Dean has been doing:
The girls of the village
Come flocking for pillage,



Pull down the fine briers
And thorns to make fires;
But yet are so kind
To leave something behind:
No more need be said on't,
I smell when I tread on't.
Dear friend, Doctor Jinny.
If I could but win ye,
Or Walmsley or Whaley,
To come hither daily,
Since fortune, my foe,
Will needs have it so,
That I'm, by her frowns,
Condemn'd to black gowns;
No squire to be found
The neighbourhood round;
(For, under the rose,
I would rather choose those)
If your wives will permit ye,
Come here out of pity,
To ease a poor lady,
And beg her a play-day.
So may you be seen
No more in the spleen;
May Walmsley give wine
Like a hearty divine!
May Whaley disgrace
Dull Daniel's whey-face!
And may your three spouses
Let you lie at friends' houses!
224

Mrs Frances Haris's Petition

Mrs Frances Haris's Petition

To their Excellencies the Lords Justices of Ireland,
The humble petition of Frances Harris,
Who must starve and die a maid if it miscarries;
Humble sheweth, that I went to warm myself in Lady Betty's chamber, because I
was cold;
And I had in a purse seven pounds, four shillings, and sixpence, (besides
farthings) in money and gold;
So because I had been buying things for my lady last night,
I was resolved to tell my money, to see if it was right.
Now, you must know, because my trunk has a very bad lock,
Therefore all the money I have, which, God knows, is a very small stock,
I keep in my pocket, tied about my middle, next my smock.
So when I went to put up my purse, as God would have it, my smock was unripped,
And instead of putting it into my pocket, down it slipped;
Then the bell rung, and I went down to put my lady to bed;
And, God knows, I thought my money was as safe as my maidenhead.
So, when I came up again, I found my pocket feel very light;
But when I searched, and missed my purse, Lord! I thought I should have sunk
outright.
'Lord! madam,' says Mary, 'how d'ye do?' -'Indeed,' says I, 'never worse:
But pray, Mary, can you tell what I have done with my purse?'
'Lord help me!' says Mary, 'I never stirred out of this place!'
'Nay,' said I, 'I had it in Lady Betty's chamber, that's a plain case.'
So Mary got me to bed, and covered me up warm:
However, she stole away my garters, that I might do myself no harm.
So I tumbled and tossed all night, as you may very well think,
But hardly ever set my eyes together, or slept a wink.
So I was a-dreamed, methought, that I went and searched the folks round,
And in a corner of Mrs Duke's box, tied in a rag, the money was found.
So next morning we told Whittle, and he fell a swearing:
Then my dame Wadgar came, and she, you know, is thick of hearing.
'Dame,' says I, as loud as I could bawl, 'do you know what a loss I have had?'
'Nay,' says she, 'my Lord Colway's folks are all very sad:
For my Lord Dromedary comes a Tuesday without fail.'
'Pugh!' said I, 'but that's not the business that I ail.'
Says Cary, says he, 'I have been a servant this five and twenty years come
spring,
And in all the places I lived I never heard of such a thing.'
'Yes,' says the steward, 'I remember when I was at my Lord Shrewsbury's,
Such a thing as this happened, just about the time of gooseberries.'
So I went to the party suspected, and I found her full of grief:
(Now, you must know, of all things in the world I hate a thief:)
However, I was resolved to bring the discourse slily about:
'Mrs Duke,' said I, 'here's an ugly accident has happened out:
'Tis not that I value the money three skips of a louse:
But the thing I stand upon is the credit of the house.
'Tis true, seven pounds, four shillings, and sixpence makes a great hole in my
wages:
Besides, as they say, service is no inheritance in these ages.
Now, Mrs Duke, you know, and everybody understands,
That though 'tis hard to judge, yet money can't go without hands.'
'The devil take me!' said she, (blessing herself,) 'if ever I saw't!'



So she roared like a bedlam, as though I had called her all to naught.
So, you know, what could I say to her any more?
I e'en left her, and came away as wise as I was before.
Well; but then they would have had me gone to the cunning man:
'No,' said I, ''tis the same thing, the CHAPLAIN will be here anon.'
So the Chaplain came in. Now the servants say he is my sweetheart,
Because he's always in my chamber, and I always take his part.
So, as the devil would have it, before I was aware, out I blundered,
'Parson,' said I, 'can you cast a nativity, when a body's plundered?'
(Now you must know, he hates to be called Parson, like the devil!)
'Truly,' says he, 'Mrs Nab, it might become you to be more civil;
If your money be gone, as a learned Divine says, d'ye see,
You are no text for my handling; so take that from me:
I was never taken for a Conjurer before, I'd have you to know.'
'Lord!' said I, 'don't be angry, I am sure I never thought you so;
You know I honour the cloth; I design to be a Parson's wife;
I never took one in your coat for a conjurer in all my life.'
With that he twisted his girdle at me like a rope, as who should say,
`Now you may go hang yourself for me!' and so went away.
Well: I thought I should have swooned. 'Lord!' said I, 'what shall I do?
I have lost my money, and shall lose my true love too!'
Then my lord called me: 'Harry,' said my lord, 'don't cry;
I'll give you something toward thy loss: 'And,' says my lady, 'so will I.'
Oh! but, said I, what if, after all, the Chaplain won't come to?
For that, he said (an't please your Excellencies), I must petition you.
The premisses tenderly considered, I desire your Excellencies' protection,
And that I may have a share in next Sunday's collection;
And, over and above, that I may have your Excellencies' letter,
With an order for the Chaplain aforesaid, or, instead of him, a better:
And then your poor petitioner, both night and day,
Or the Chaplain (for 'tis his trade,) as in duty bound, shall ever pray.
263

Lines Written Extempore On Mr. Harley’s Being Stabbed, And Addressed To

Lines Written Extempore On Mr. Harley’s Being Stabbed, And Addressed To
His Physician, 1710-11

On Britain Europe's safety lies,
Britain is lost if Harley dies:
Harley depends upon your skill:
Think what you save, or what you kill.
169

Market Women’s Cries

Market Women’s Cries

APPLES

COME buy my fine wares,
Plums, apples and pears.
A hundred a penny,
In conscience too many:
Come, will you have any?
My children are seven,
I wish them in Heaven;
My husband ’s a sot,
With his pipe and his pot,
Not a farthen will gain them,
And I must maintain them.


ONIONS


Come, follow me by the smell,
Here are delicate onions to sell;
I promise to use you well.
They make the blood warmer,
You’ll feed like a farmer;
For this is every cook’s opinion,
No savoury dish without an onion;
But, lest your kissing should be spoiled,
Your onions must be thoroughly boiled:
Or else you may spare
Your mistress a share,
The secret will never be known:
She cannot discover
The breath of her lover,
But think it as sweet as her own.


HERRINGS


Be not sparing,
Leave off swearing.
Buy my herring
Fresh from Malahide,
Better never was tried.
Come, eat them with pure fresh butter and mustard,
Their bellies are soft, and as white as a custard.
Come, sixpence a dozen, to get me some bread,
Or, like my own herrings, I soon shall be dead.
214

Jack Frenchman’s Lamentation

Jack Frenchman’s Lamentation

Ye Commons and Peers,
Pray lend me your ears,
I'll sing you a song, (if I can,)
How Lewis le Grand
Was put to a stand,
By the arms of our gracious Queen Anne.


How his army so great,
Had a total defeat,
And close by the river Dender:
Where his grandchildren twain,
For fear of being slain,
Gallop'd off with the Popish Pretender.


To a steeple on high,
The battle to spy,
Up mounted these clever young men;
But when from the spire,
They saw so much fire,
Most cleverly came down again.


Then on horseback they got
All on the same spot,
By advice of their cousin Vendosme,
O Lord! cried out he,
Unto young Burgundy,
Would your brother and you were at home!


While this he did say,
Without more delay,
Away the young gentry fled;
Whose heels for that work,
Were much lighter than cork,
Though their hearts were as heavy as lead.


Not so did behave
Young Hanover brave,
In this bloody field I assure ye:
When his war-horse was shot
He valued it not,
But fought it on foot like a fury.


Full firmly he stood,
As became his high blood,
Which runs in his veins so blue:
For this gallant young man,
Being a-kin to QUEEN ANNE,
Did as (were she a man) she would do.


What a racket was here,
(I think 'twas last year,)
For a little misfortune in Spain!



For by letting 'em win,
We have drawn the puts in,
To lose all they're worth this campaign.


Though Bruges and Ghent
To Monsieur we lent,
With interest they shall repay 'em;
While Paris may sing,
With her sorrowful king,
Nunc dimittis instead of Te Deum.


From this dream of success,
They'll awaken, we guess,
At the sound of great Marlborough's drums,
They may think, if they will,
Of Ahnanza still,
But 'tis Blenheim wherever he comes.


O Lewis perplex'd,
What general next!
Thou hast hitherto changed in vain;
He has beat 'em all round,
If no new one's found,
He shall beat 'em over again.


We'll let Tallard out,
If he'll take t'other bout;
And much he's improved, let me tell ye,
With Nottingham ale
At every meal,
And good beef and pudding in belly.


But as losers at play,
Their dice throw away,
While the winners do still win on;
Let who will command,
Thou hadst better disband,
For, old Bully, thy doctors are gone.
260

Fontinella To Florinda

Fontinella To Florinda

When on my bosom thy bright eyes,
Florinda, dart their heavenly beams,
I feel not the least love surprise,
Yet endless tears flow down in streams;
There's nought so beautiful in thee,
But you may find the same in me.


The lilies of thy skin compare;
In me you see them full as white:
The roses of your cheeks, I dare
Affirm, can't glow to more delight.
Then, since I show as fine a face,
Can you refuse a soft embrace?


Ah! lovely nymph, thou'rt in thy prime!
And so am I, while thou art here;
But soon will come the fatal time,
When all we see shall disappear.
'Tis mine to make a just reflection,
And yours to follow my direction.


Then catch admirers while you may;
Treat not your lovers with disdain;
For time with beauty flies away,
And there is no return again.
To you the sad account I bring,
Life's autumn has no second spring.
220

Elegy Upon Tiger

Elegy Upon Tiger

Her dead lady's joy and comfort,
Who departed this life
The last day of March, 1727:
To the great joy of Bryan
That his antagonist is gone.


And is poor Tiger laid at last so low?
O day of sorrow! -Day of dismal woe!
Bloodhounds, or spaniels, lap-dogs, 'tis all one,
When Death once whistles -snap! -away they're gone.
See how she lies, and hangs her lifeless ears,
Bathed in her mournful lady's tears!
Dumb is her throat, and wagless is her tail,
Doomed to the grave, to Death's eternal jail!
In a few days this lovely creature must
First turn to clay, and then be changed to dust.
That mouth which used its lady's mouth to lick
Must yield its jaw-bones to the worms to pick.
That mouth which used the partridge-wing to eat
Must give its palate to the worms to eat.


Methinks I see her now in Charon's boat
Bark at the Stygian fish which round it float;
While Cerberus, alarmed to hear the sound,
Makes Hell's wide concave bellow all around.
She sees him not, but hears him through the dark,
And valiantly returns him bark for bark.
But now she trembles -though a ghost, she dreads
To see a dog with three large yawning heads.
Spare her, you hell-hounds, case your frightful paws,
And let poor Tiger 'scape your furious jaws.
Let her go safe to the Elysian plains,
Where Hylax barks among the Mantuan swains;
There let her frisk about her new-found love:
She loved a dog when she was here above.


The Epitaph


Here lies beneath this marble
An animal could bark, or warble:
Sometimes a bitch, sometimes a bird,
Could eat a tart, or eat a t -.
238

Quotes

40

Videos

50

Comments (0)

Share
Log in to post a comment.

No comments yet. Be the first to comment.