Jonathan Swift

Jonathan Swift

1667–1745 · lived 77 years IE IE

Jonathan Swift was an Anglo-Irish satirist, essayist, political pamphleteer, and poet, best known for "Gulliver's Travels." His biting wit and sharp social commentary made him a prominent figure in English literature. He often used irony and fantasy to critique societal norms and political corruption, leaving a lasting impact on satire and prose.

n. 1667-11-30, Dublin · m. 1745-10-19, Dublin

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Verses on the Death of Dr. Swift, D.S.P.D.

Verses on the Death of Dr. Swift, D.S.P.D.

As Rochefoucauld his maxims drew
From Nature, I believe 'em true:
They argue no corrupted mind
In him; the fault is in mankind.
This maxim more than all the rest
Is thought too base for human breast:
'In all distresses of our friends,
We first consult our private ends;
While Nature, kindly bent to ease us,
Points out some circumstance to please us.'


If this perhaps your patience move,
Let reason and experience prove.


We all behold with envious eyes
Our equal rais'd above our size.
Who would not at a crowded show
Stand high himself, keep others low?
I love my friend as well as you
But would not have him stop my view.
Then let him have the higher post:
I ask but for an inch at most.


If in a battle you should find
One, whom you love of all mankind,
Had some heroic action done,
A champion kill'd, or trophy won;
Rather than thus be overtopt,
Would you not wish his laurels cropt?


Dear honest Ned is in the gout,
Lies rack'd with pain, and you without:
How patiently you hear him groan!
How glad the case is not your own!


What poet would not grieve to see
His brethren write as well as he?
But rather than they should excel,
He'd wish his rivals all in hell.


Her end when emulation misses,
She turns to envy, stings and hisses:
The strongest friendship yields to pride,
Unless the odds be on our side.


Vain human kind! fantastic race!
Thy various follies who can trace?
Self-love, ambition, envy, pride,
Their empire in our hearts divide.
Give others riches, power, and station,
'Tis all on me a usurpation.
I have no title to aspire;



Yet, when you sink, I seem the higher.
In Pope I cannot read a line,
But with a sigh I wish it mine;
When he can in one couplet fix
More sense than I can do in six;
It gives me such a jealous fit,
I cry, 'Pox take him and his wit!'


Why must I be outdone by Gay
In my own hum'rous biting way?


Arbuthnot is no more my friend,
Who dares to irony pretend,
Which I was born to introduce,
Refin'd it first, and show'd its use.


St. John, as well as Pultney, knows
That I had some repute for prose;
And, till they drove me out of date,
Could maul a minister of state.
If they have mortify'd my pride,
And made me throw my pen aside;
If with such talents Heav'n has blest 'em,
Have I not reason to detest 'em?


To all my foes, dear Fortune, send
Thy gifts; but never to my friend:
I tamely can endure the first,
But this with envy makes me burst.


Thus much may serve by way of proem:
Proceed we therefore to our poem.


The time is not remote, when I
Must by the course of nature die;
When I foresee my special friends
Will try to find their private ends:
Tho' it is hardly understood
Which way my death can do them good,
Yet thus, methinks, I hear 'em speak:
'See, how the Dean begins to break!
Poor gentleman, he droops apace!
You plainly find it in his face.
That old vertigo in his head
Will never leave him till he's dead.
Besides, his memory decays:
He recollects not what he says;
He cannot call his friends to mind:
Forgets the place where last he din'd;
Plies you with stories o'er and o'er;
He told them fifty times before.
How does he fancy we can sit



To hear his out-of-fashion'd wit?
But he takes up with younger folks,
Who for his wine will bear his jokes.
Faith, he must make his stories shorter,
Or change his comrades once a quarter:
In half the time he talks them round,
There must another set be found.


'For poetry he's past his prime:
He takes an hour to find a rhyme;
His fire is out, his wit decay'd,
His fancy sunk, his Muse a jade.
I'd have him throw away his pen;-
But there's no talking to some men!'


And then their tenderness appears,
By adding largely to my years:
'He's older than he would be reckon'd
And well remembers Charles the Second.


'He hardly drinks a pint of wine;
And that, I doubt, is no good sign.
His stomach too begins to fail:
Last year we thought him strong and hale;
But now he's quite another thing:
I wish he may hold out till spring.'


Then hug themselves, and reason thus:
'It is not yet so bad with us.'


In such a case, they talk in tropes,
And by their fears express their hopes:
Some great misfortune to portend,
No enemy can match a friend.
With all the kindness they profess,
The merit of a lucky guess
(When daily 'How d'ye's' come of course,
And servants answer, 'Worse and worse!')
Would please 'em better, than to tell,
That, 'God be prais'd, the Dean is well.'
Then he who prophecy'd the best
Approves his foresight to the rest:
'You know I always fear'd the worst,
And often told you so at first.'
He'd rather choose that I should die,
Than his prediction prove a lie.
Not one foretells I shall recover;
But all agree to give me over.



Yet, should some neighbour feel a pain
Just in the parts where I complain,
How many a message would he send?
What hearty prayers that I should mend?
Inquire what regimen I kept,
What gave me ease, and how I slept?
And more lament when I was dead,
Than all the sniv'llers round my bed.


My good companions, never fear;
For though you may mistake a year,
Though your prognostics run too fast,
They must be verify'd at last.


Behold the fatal day arrive!
'How is the Dean?'-'He's just alive.'
Now the departing prayer is read;
'He hardly breathes.'-'The Dean is dead.'
Before the passing-bell begun,
The news thro' half the town has run.
'O, may we all for death prepare!
What has he left? and who's his heir?''
I know no more than what the news is;
'Tis all bequeath'd to public uses.''
To public use! a perfect whim!
What had the public done for him?
Mere envy, avarice, and pride:
He gave it all-but first he died.
And had the Dean, in all the nation,
No worthy friend, no poor relation?
So ready to do strangers good,
Forgetting his own flesh and blood?'


Now Grub-Street wits are all employ'd;
With elegies the town is cloy'd:
Some paragraph in ev'ry paper
To curse the Dean or bless the Drapier.


The doctors, tender of their fame,
Wisely on me lay all the blame:
'We must confess his case was nice;
But he would never take advice.
Had he been rul'd, for aught appears,
He might have liv'd these twenty years;
For, when we open'd him, we found
That all his vital parts were sound.'



From Dublin soon to London spread,
'Tis told at Court, the Dean is dead.


Kind Lady Suffolk in the spleen
Runs laughing up to tell the Queen.
The Queen, so gracious, mild, and good,
Cries, 'Is he gone! 'tis time he should.
He's dead, you say; why, let him rot:
I'm glad the medals were forgot.
I promis'd them, I own; but when?
I only was the Princess then;
But now, as consort of a king,
You know, 'tis quite a different thing.'


Now Chartres, at Sir Robert's levee,
Tells with a sneer the tidings heavy:
'Why, is he dead without his shoes?'
Cries Bob, 'I'm sorry for the news:
O, were the wretch but living still,
And in his place my good friend Will!
Or had a mitre on his head,
Provided Bolingbroke were dead!'


Now Curll his shop from rubbish drains:
Three genuine tomes of Swift's remains!
And then, to make them pass the glibber,
Revis'd by Tibbalds, Moore, and Cibber.
He'll treat me as he does my betters,
Publish my will, my life, my letters:
Revive the libels born to die;
Which Pope must bear, as well as I.


Here shift the scene, to represent
How those I love my death lament.
Poor Pope will grieve a month, and Gay
A week, and Arbuthnot a day.


St. John himself will scarce forbear
To bite his pen, and drop a tear.
The rest will give a shrug, and cry,
'I'm sorry-but we all must die!'
Indifference, clad in Wisdom's guise,
All fortitude of mind supplies:
For how can stony bowels melt
In those who never pity felt?



When we are lash'd, they kiss the rod,
Resigning to the will of God.


The fools, my juniors by a year,
Are tortur'd with suspense and fear;
Who wisely thought my age a screen,
When death approach'd, to stand between:
The screen remov'd, their hearts are trembling;
They mourn for me without dissembling.


My female friends, whose tender hearts
Have better learn'd to act their parts,
Receive the news in doleful dumps:
'The Dean is dead: (and what is trumps?)
Then, Lord have mercy on his soul!
(Ladies, I'll venture for the vole.)
Six deans, they say, must bear the pall:
(I wish I knew what king to call.)
Madam, your husband will attend
The funeral of so good a friend.
No, madam, 'tis a shocking sight:
And he's engag'd to-morrow night:
My Lady Club would take it ill,
If he should fail her at quadrille.
He lov'd the Dean-(I lead a heart)
But dearest friends, they say, must part.
His time was come: he ran his race;
We hope he's in a better place.'


Why do we grieve that friends should die?
No loss more easy to supply.
One year is past; a different scene!
No further mention of the Dean;
Who now, alas! no more is miss'd,
Than if he never did exist.
Where's now this fav'rite of Apollo!
Departed:-and his works must follow;
Must undergo the common fate;
His kind of wit is out of date.
Some country squire to Lintot goes,
Inquires for 'Swift in Verse and Prose.'
Says Lintot, 'I have heard the name;
He died a year ago.'-'The same.'
He searcheth all his shop in vain.
'Sir, you may find them in Duck-lane;
I sent them with a load of books,
Last Monday to the pastry-cook's.
To fancy they could live a year!
I find you're but a stranger here.



The Dean was famous in his time,
And had a kind of knack at rhyme.
His way of writing now is past;
The town hath got a better taste;
I keep no antiquated stuff,
But spick and span I have enough.
Pray do but give me leave to show 'em;
Here's Colley Cibber's birth-day poem.
This ode you never yet have seen,
By Stephen Duck, upon the Queen.
Then here's a letter finely penn'd
Against the Craftsman and his friend:
It clearly shows that all reflection
On ministers is disaffection.
Next, here's Sir Robert's vindication,
And Mr. Henley's last oration.
The hawkers have not got 'em yet:
Your honour please to buy a set?


'Here's Woolston's tracts, the twelfth edition;
'Tis read by every politician:
The country members, when in town,
To all their boroughs send them down;
You never met a thing so smart;
The courtiers have them all by heart:
Those maids of honour who can read
Are taught to use them for their creed.
The rev'rend author's good intention
Hath been rewarded with a pension.
He doth an honour to his gown,
By bravely running priestcraft down:
He shows, as sure as God's in Gloucester,
That Jesus was a grand imposter;
That all his miracles were cheats,
Perform'd as jugglers do their feats:
The church had never such a writer;
A shame he hath not got a mitre!'


Suppose me dead; and then suppose
A club assembled at the Rose ;
Where, from discourse of this and that,
I grow the subject of their chat.
And while they toss my name about,
With favour some, and some without,
One, quite indiff'rent in the cause,
My character impartial draws:


'The Dean, if we believe report,
Was never ill receiv'd at Court.



As for his works in verse and prose
I own myself no judge of those;
Nor can I tell what critics thought 'em:
But this I know, all people bought 'em.
As with a moral view design'd
To cure the vices of mankind:
His vein, ironically grave,
Expos'd the fool, and lash'd the knave.
To steal a hint was never known,
But what he writ was all his own.


'He never thought an honour done him,
Because a duke was proud to own him,
Would rather slip aside and choose
To talk with wits in dirty shoes;
Despis'd the fools with stars and garters,
So often seen caressing Chartres.
He never courted men in station,
Nor persons held in admiration;
Of no man's greatness was afraid,
Because he sought for no man's aid.
Though trusted long in great affairs
He gave himself no haughty airs:
Without regarding private ends,
Spent all his credit for his friends;
And only chose the wise and good;
No flatt'rers; no allies in blood:
But succour'd virtue in distress,
And seldom fail'd of good success;
As numbers in their hearts must own,
Who, but for him, had been unknown.


'With princes kept a due decorum,
But never stood in awe before 'em.
He follow'd David's lesson just:
'In princes never put thy trust';
And, would you make him truly sour,
Provoke him with a slave in pow'r.
The Irish senate if you nam'd,
With what impatience he declaim'd!
Fair Liberty was all his cry,
For her he stood prepar'd to die;
For her he boldly stood alone;
For her he oft expos'd his own.
Two kingdoms, just as faction led,
Had set a price upon his head;
But not a traitor could be found
To sell him for six hundred pound.



'Had he but spar'd his tongue and pen
He might have rose like other men:
But pow'r was never in his thought,
And wealth he valu'd not a groat:
Ingratitude he often found,
And pity'd those who meant the wound:
But kept the tenor of his mind,
To merit well of human kind:
Nor made a sacrifice of those
Who still were true, to please his foes.
He labour'd many a fruitless hour
To reconcile his friends in pow'r;
Saw mischief by a faction brewing,
While they pursu'd each other's ruin.
But, finding vain was all his care,
He left the Court in mere despair.


'And, oh! how short are human schemes!
Here ended all our golden dreams.
What St. John's skill in state affairs,
What Ormond's valour, Oxford's cares,
To save their sinking country lent,
Was all destroy'd by one event.
Too soon that precious life was ended,
On which alone our weal depended.
When up a dangerous faction starts,
With wrath and vengeance in their hearts;
By solemn League and Cov'nant bound,
To ruin, slaughter, and confound;
To turn religion to a fable,
And make the government a Babel;
Pervert the law, disgrace the gown,
Corrupt the senate, rob the crown;
To sacrifice old England's glory,
And make her infamous in story:
When such a tempest shook the land,
How could unguarded Virtue stand?


'With horror, grief, despair, the Dean
Beheld the dire destructive scene:
His friends in exile, or the tower,
Himself within the frown of power,
Pursu'd by base envenom'd pens,
Far to the land of slaves and fens;
A servile race in folly nurs'd,
Who truckle most when treated worst.


'By innocence and resolution,
He bore continual persecution,



While numbers to preferment rose,
Whose merits were, to be his foes;
When ev'n his own familiar friends,
Intent upon their private ends,
Like renegadoes now he feels,
Against him lifting up their heels.


'The Dean did by his pen defeat
An infamous destructive cheat;
Taught fools their int'rest how to know,
And gave them arms to ward the blow.
Envy hath own'd it was his doing,
To save that helpless land from ruin;
While they who at the steerage stood,
And reap'd the profit, sought his blood.


'To save them from their evil fate,
In him was held a crime of state.
A wicked monster on the bench,
Whose fury blood could never quench,
As vile and profligate a villain,
As modern Scroggs, or old Tresilian,
Who long all justice had discarded,
Nor fear'd he God, nor man regarded,
Vow'd on the Dean his rage to vent,
And make him of his zeal repent;
But Heav'n his innocence defends,
The grateful people stand his friends.
Not strains of law, nor judge's frown,
Nor topics brought to please the crown,
Nor witness hir'd, nor jury pick'd,
Prevail to bring him in convict.


'In exile, with a steady heart,
He spent his life's declining part;
Where folly, pride, and faction sway,
Remote from St. John, Pope, and Gay.


'His friendships there, to few confin'd,
Were always of the middling kind;
No fools of rank, a mongrel breed,
Who fain would pass for lords indeed:
Where titles gave no right or power
And peerage is a wither'd flower;
He would have held it a disgrace,
If such a wretch had known his face.
On rural squires, that kingdom's bane,
He vented oft his wrath in vain;



Biennial squires to market brought;
Who sell their souls and votes for nought;
The nation stripp'd, go joyful back,
To rob the church, their tenants rack,
Go snacks with thieves and rapparees,
And keep the peace to pick up fees;
In ev'ry job to have a share,
A jail or barrack to repair;
And turn the tax for public roads,
Commodious to their own abodes.


'Perhaps I may allow, the Dean
Had too much satire in his vein;
And seem'd determin'd not to starve it,
Because no age could more deserve it.
Yet malice never was his aim;
He lash'd the vice, but spar'd the name;
No individual could resent,
Where thousands equally were meant.
His satire points at no defect,
But what all mortals may correct;
For he abhorr'd that senseless tribe
Who call it humour when they gibe.
He spar'd a hump, or crooked nose,
Whose owners set not up for beaux.
True genuine dulness mov'd his pity,
Unless it offer'd to be witty.
Those who their ignorance confess'd
He ne'er offended with a jest;
But laugh'd to hear an idiot quote
A verse from Horace, learn'd by rote.


'He knew a hundred pleasant stories
With all the turns of Whigs and Tories:
Was cheerful to his dying day;
And friends would let him have his way.


'He gave the little wealth he had
To build a house for fools and mad;
And show'd by one satiric touch,
No nation wanted it so much.
That kingdom he hath left his debtor,
I wish it soon may have a better.'
Read full poem
Bio

Identification and basic context

Jonathan Swift was a preeminent satirist, essayist, and poet. He is primarily recognized for his allegorical works, most notably "Gulliver's Travels." Swift's writing often served as a vehicle for profound social and political critique, delivered with a characteristic blend of wit and cynicism.

Childhood and education

Born into a precarious family situation in Ireland, Swift's early life was marked by instability. He received a solid education, attending Trinity College, Dublin. This academic grounding provided him with the intellectual tools that would later inform his sharp critiques of society and politics. His intellectual development was influenced by the prevailing intellectual currents of his time, though he often forged his own distinctive path.

Literary trajectory

Swift's literary career began with political and religious pamphlets, quickly establishing his reputation for sharp prose and incisive commentary. His early works often dealt with contemporary Irish issues, demonstrating his deep engagement with the political landscape. Over time, his writing evolved to encompass broader philosophical and social themes, particularly evident in his later, more famous works. He was also involved in various literary circles and contributed to periodicals of his era.

Works, style, and literary characteristics

Swift's major works include "A Tale of a Tub," "The Battle of the Books," "An Argument Against Abolishing Christianity," and the monumental "Gulliver's Travels." His dominant themes often revolve around human nature's follies, the corrupting influence of power, religious hypocrisy, and the absurdities of societal conventions. He masterfully employed satire, irony, and allegory to expose these vices. His style is characterized by clarity, precision, and a deceptively simple prose that masks a deep intellectual complexity. Swift's language is often precise and persuasive, making his critiques all the more potent. He is considered a master of prose satire, and his innovations in form and narrative technique, particularly in "Gulliver's Travels," have had a lasting impact.

Cultural and historical context

Swift lived during a period of significant political and social upheaval in Britain and Ireland. His works directly engaged with the political controversies of his time, including the relationship between England and Ireland, religious disputes, and the nature of governance. He was a contemporary of other prominent writers and thinkers, and his work reflects the intellectual debates of the Augustan age. Swift's strong Protestant background and his experiences in Ireland deeply informed his perspective on politics and society. He was often aligned with the Whig party but was also critical of political corruption across the spectrum.

Personal life

Swift's personal life was marked by complex relationships, most notably with Esther Johnson (Stella) and Esther Vanhomrigh (Vanessa). These relationships are often seen as having profoundly influenced his writing, particularly in its exploration of love, loyalty, and betrayal. He maintained friendships with other literary figures of his day, though his often-acerbic personality could lead to rivalries. Swift served as Dean of St. Patrick's Cathedral in Dublin, a position that afforded him a degree of financial independence and a platform for his social and political views. His personal experiences with illness and the political climate in Ireland also shaped his outlook and his work.

Recognition and reception

Swift was widely recognized as a major literary figure during his lifetime, though his sharp critiques also generated controversy. "Gulliver's Travels," in particular, was an immediate success and has remained a cornerstone of English literature. His works have been subject to continuous critical analysis and debate, with scholars appreciating his mastery of satire and his profound insights into human nature. While celebrated for his literary achievements, his political stances and personal life have also been subjects of ongoing discussion.

Influences and legacy

Swift was influenced by earlier satirists and by the intellectual climate of his time. His own legacy is immense; he is considered one of the greatest satirists in the English language and has influenced countless writers across various genres. His works continue to be studied for their literary merit, their historical significance, and their enduring commentary on human society. "Gulliver's Travels" has been widely translated and adapted into various forms, solidifying its place in global literary culture.

Interpretation and critical analysis

Swift's work invites multiple interpretations, often centered on his critique of human reason, vanity, and the corrupting nature of power. "Gulliver's Travels," for instance, can be read as a profound examination of the human condition, a political allegory, or a savage indictment of Enlightenment optimism. Debates have often centered on the extent of Swift's misanthropy or his genuine concern for humanity's betterment.

Curiosities and lesser-known aspects

Despite his public persona, Swift was known for his deep affection for his friends, particularly Stella. He was also a dedicated philanthropist, leaving a significant portion of his estate to charitable causes, including the founding of a hospital for the mentally ill. His habits of writing were often meticulous, and his correspondence reveals a keen intellect and a dry sense of humor. Anecdotes suggest a complex personality, capable of both great wit and profound melancholy.

Death and memory

Jonathan Swift died in Dublin. His death was mourned by many, and his literary reputation only grew in the years that followed. His will established foundations for charitable works, ensuring a lasting impact beyond his literary achievements. His memory is preserved through his enduring works and his status as a titan of English literature.

Poems

52

Dingley And Brent

Dingley And Brent

Dingley and Brent,
Wherever they went,
Ne'er minded a word that was spoken;
Whatever was said,
They ne'er troubled their head,
But laugh'd at their own silly joking.


Should Solomon wise
In majesty rise,
And show them his wit and his learning;
They never would hear,
But turn the deaf ear,
As a matter they had no concern in.


You tell a good jest,
And please all the rest;
Comes Dingley, and asks you, what was it?
And, curious to know,
Away she will go
To seek an old rag in the closet.
202

Corinna

Corinna


This day (the year I dare not tell)
Apollo play'd the midwife's part;
Into the world Corinna fell,
And he endued her with his art.


But Cupid with a Satyr comes;
Both softly to the cradle creep;
Both stroke her hands, and rub her gums,
While the poor child lay fast asleep.


Then Cupid thus: 'This little maid
Of love shall always speak and write;'
'And I pronounce,' the Satyr said,
'The world shall feel her scratch and bite.'


Her talent she display'd betimes;
For in a few revolving moons,
She seem'd to laugh and squall in rhymes,
And all her gestures were lampoons.


At six years old, the subtle jade
Stole to the pantry-door, and found
The butler with my lady's maid:
And you may swear the tale went round.


She made a song, how little miss
Was kiss'd and slobber'd by a lad:
And how, when master went to p—,
Miss came, and peep'd at all he had.


At twelve, a wit and a coquette;
Marries for love, half whore, half wife;
Cuckolds, elopes, and runs in debt;
Turns authoress, and is Curll's for life.


Her common-place book all gallant is,
Of scandal now a cornucopia;
She pours it out in Atalantis
Or memoirs of the New Utopia.
291

Dean Swift At Sir Arthur Acheson’s In The North Of Ireland

Dean Swift At Sir Arthur Acheson’s In The North Of Ireland

The Dean would visit Market-Hill,
Our invitation was but slight;
I said—'Why let him, if he will:'
And so I bade Sir Arthur write.


His manners would not let him wait,
Lest we should think ourselves neglected,
And so we see him at our gate
Three days before he was expected,


After a week, a month, a quarter,
And day succeeding after day,
Says not a word of his departure,
Though not a soul would have him stay.


I've said enough to make him blush,
Methinks, or else the devil's in't;
But he cares not for it a rush,
Nor for my life will take the hint.


But you, my dear, may let him know,
In civil language, if he stays,
How deep and foul the roads may grow,
And that he may command the chaise.


Or you may say—'My wife intends,
Though I should be exceeding proud,
This winter to invite some friends,
And, sir, I know you hate a crowd.'


Or, 'Mr. Dean—I should with joy
Beg you would here continue still,
But we must go to Aghnecloy;
Or Mr. Moore will take it ill.'


The house accounts are daily rising;
So much his stay doth swell the bills:
My dearest life, it is surprising,
How much he eats, how much he swills.


His brace of puppies how they stuff!
And they must have three meals a-day,
Yet never think they get enough;
His horses too eat all our hay.



O! if I could, how I would maul
His tallow face and wainscot paws,
His beetle brows, and eyes of wall,
And make him soon give up the cause!


Must I be every moment chid
With Skinnybonia, Snipe, and Lean?
O! that I could but once be rid
Of this insulting tyrant Dean!
226

Bec’s Birth-Day Nov. 8, 1726

Bec’s Birth-Day Nov. 8, 1726

This day, dear Bec, is thy nativity;
Had Fate a luckier one, she'd give it ye.
She chose a thread of greatest length,
And doubly twisted it for strength:
Nor will be able with her shears
To cut it off these forty years.
Then who says care will kill a cat?
Rebecca shows they're out in that.
For she, though overrun with care,
Continues healthy, fat, and fair.
As, if the gout should seize the head,
Doctors pronounce the patient dead;
But, if they can, by all their arts,
Eject it to the extremest parts,
They give the sick man joy, and praise
The gout that will prolong his days.
Rebecca thus I gladly greet,
Who drives her cares to hands and feet:
For, though philosophers maintain
The limbs are guided by the brain,
Quite contrary Rebecca's led;
Her hands and feet conduct her head;
By arbitrary power convey her,
She ne'er considers why or where:
Her hands may meddle, feet may wander,
Her head is but a mere by-stander:
And all her bustling but supplies
The part of wholesome exercise.
Thus nature has resolved to pay her
The cat's nine lives, and eke the care.
Long may she live, and help her friends
Whene'er it suits her private ends;
Domestic business never mind
Till coffee has her stomach lined;
But, when her breakfast gives her courage,
Then think on Stella's chicken porridge:
I mean when Tigerhas been served,
Or else poor Stella may be starved.
May Bec have many an evening nap,
With Tiger slabbering in her lap;
But always take a special care
She does not overset the chair;
Still be she curious, never hearken
To any speech but Tiger's barking!
And when she's in another scene,
Stella long dead, but first the Dean,
May fortune and her coffee get her
Companions that will please her better!
Whole afternoons will sit beside her,
Nor for neglects or blunders chide her.
A goodly set as can be found
Of hearty gossips prating round;



Fresh from a wedding or a christening,
To teach her ears the art of listening,
And please her more to hear them tattle,
Than the Dean storm, or Stella rattle.
Late be her death, one gentle nod,
When Hermes, waiting with his rod,
Shall to Elysian fields invite her,
Where there will be no cares to fright her!
238

Ballad

Ballad


A WONDERFUL age
Is now on the stage:
I'll sing you a song, if I can,
How modern Whigs,
Dance forty-one jigs,
But God bless our gracious Queen Anne.


The kirk with applause
Is established by laws
As the orthodox church of the nation.
The bishops do own
It's as good as their own.
And this, Sir, is call'd moderation.


It's no riddle now
To let you see how
A church by oppression may speed;
Nor is't banter or jest,
That the kirk faith is best
On the other side of the Tweed.


For no soil can suit
With every fruit,
Even so, Sir, it is with religion;
The best church by far
Is what grows where you are,
Were it Mahomet's ass or his pigeon.


Another strange story
That vexes the Tory,
But sure there's no mystery in it,
That a pension and place
Give communicants grace,
Who design to turn tail the next minute.


For if it be not strange,
That religion should change,
As often as climates and fashions;
Then sure there's no harm,
That one should conform.
To serve their own private occasions.


Another new dance,
Which of late they advance,
Is to cry up the birth of Pretender,
And those that dare own
The queen heir to the crown,
Are traitors, not fit to defend her.


The subject's most loyal
That hates the blood royal,
And they for employments have merit,



Who swear queen and steeple
Were made by the people,
And neither have right to inherit.


The monarchy's fixt,
By making on't mixt,
And by non-resistance o'erthrown;
And preaching obedience
Destroys our allegiance,
And thus the Whigs prop up the throne.


That viceroy is best,
That would take off the test,
And made a sham speech to attempt it;
But being true blue,
When he found 'twould not do,
Swore, damn him, if ever he meant it.


'Tis no news that Tom Double
The nation should bubble,
Nor is't any wonder or riddle,
That a parliament rump
Should play hop, step, and jump,
And dance any jig to his fiddle.


But now, sir, they tell,
How Sacheverell,
By bringing old doctrines in fashion,
Hath, like a damn'd rogue,
Brought religion in vogue,
And so open'd the eyes of the nation.


Then let's pray without spleen,
May God bless the queen,
And her fellow-monarchs the people;
May they prosper and thrive,
Whilst I am alive,
And so may the church with the steeple.
292

An Echo

An Echo

Never sleeping, still awake,
Pleasing most when most I speak;
The delight of old and young,
Though I speak without a tongue.
Nought but one thing can confound me,
Many voices joining round me;
Then I fret, and rave, and gabble,
Like the labourers of Babel.
Now I am a dog, or cow,
I can bark, or I can low;
I can bleat, or I can sing,
Like the warblers of the spring.
Let the lovesick bard complain,
And I mourn the cruel pain;
Let the happy swain rejoice,
And I join my helping voice:
Both are welcome, grief or joy,
I with either sport and toy.
Though a lady, I am stout,
Drums and trumpets bring me out:
Then I clash, and roar, and rattle,
Join in all the din of battle.
Jove, with all his loudest thunder,
When I'm vext, can't keep me under;
Yet so tender is my ear,
That the lowest voice I fear;
Much I dread the courtier's fate,
When his merit's out of date,
For I hate a silent breath,
And a whisper is my death.
253

A Satirical Elegy on the Death of a Late Famous General

A Satirical Elegy on the Death of a Late Famous General

"His Grace! impossible! what, dead!
Of old age too, and in his bed!
And could that mighty warrior fall,
And so inglorious, after all?
Well, since he's gone, no matter how,
The last loud trump must wake him now;
And, trust me, as the noise grows stronger,
He'd wish to sleep a little longer.
And could he be indeed so old
As by the newspapers we're told?
Threescore, I think, is pretty high;
'Twas time in conscience he should die!
This world he cumber'd long enough;
He burnt his candle to the snuff;
And that's the reason, some folks think,
He left behind so great a stink.
Behold his funeral appears,
Nor widows' sighs, nor orphans' tears,
Wont at such times each heart to pierce,
Attend the progress of his hearse.
But what of that? his friends may say,
He had those honours in his day.
True to his profit and his pride,
He made them weep before he died


Come hither, all ye empty things!
Ye bubbles rais'd by breath of kings!
Who float upon the tide of state;
Come hither, and behold your fate!
Let pride be taught by this rebuke,
How very mean a thing's a duke;
From all his ill-got honours flung,
Turn'd to that dirt from whence he sprung"
289

A Receipt To Restore Stella’s Youth. 1724-5

A Receipt To Restore Stella’s Youth. 1724-5

The Scottish hinds, too poor to house
In frosty nights their starving cows,
While not a blade of grass or hay
Appears from Michaelmas to May,
Must let their cattle range in vain
For food along the barren plain:
Meagre and lank with fasting grown,
And nothing left but skin and bone;
Exposed to want, and wind, and weather,
They just keep life and soul together,
Till summer showers and evening's dew
Again the verdant glebe renew;
And, as the vegetables rise,
The famish'd cow her want supplies;
Without an ounce of last year's flesh;
Whate'er she gains is young and fresh;
Grows plump and round, and full of mettle,
As rising from Medea's kettle.
With youth and beauty to enchant
Europa's counterfeit gallant.
Why, Stella, should you knit your brow,
If I compare you to a cow?
'Tis just the case; for you have fasted
So long, till all your flesh is wasted;
And must against the warmer days
Be sent to Quilca down to graze;
Where mirth, and exercise, and air,
Will soon your appetite repair:
The nutriment will from within,
Round all your body, plump your skin;
Will agitate the lazy flood,
And fill your veins with sprightly blood.
Nor flesh nor blood will be the same
Nor aught of Stella but the name:
For what was ever understood,
By human kind, but flesh and blood?
And if your flesh and blood be new,
You'll be no more the former you;
But for a blooming nymph will pass,
Just fifteen, coming summer's grass,
Your jetty locks with garlands crown'd:
While all the squires for nine miles round,
Attended by a brace of curs,
With jockey boots and silver spurs,
No less than justices o' quorum,
Their cow-boys bearing cloaks before 'em,
Shall leave deciding broken pates,
To kiss your steps at Quilca gates.
But, lest you should my skill disgrace,
Come back before you're out of case;
For if to Michaelmas you stay,
The new-born flesh will melt away;



The 'squires in scorn will fly the house
For better game, and look for grouse;
But here, before the frost can mar it,
We'll make it firm with beef and claret.
238

A Panegyric Of The Dean In The Person Of A Lady In The North

A Panegyric Of The Dean In The Person Of A Lady In The North

Resolved my gratitude to show,
Thrice reverend Dean, for all I owe,
Too long I have my thanks delay'd;
Your favours left too long unpaid;
But now, in all our sex's name,
My artless Muse shall sing your fame.
Indulgent you to female kind,
To all their weaker sides are blind:
Nine more such champions as the Dean
Would soon restore our ancient reign;
How well to win the ladies' hearts,
You celebrate their wit and parts!
How have I felt my spirits raised,
By you so oft, so highly praised!
Transform'd by your convincing tongue
To witty, beautiful, and young,
I hope to quit that awkward shame,
Affected by each vulgar dame,
To modesty a weak pretence;
And soon grow pert on men of sense;
To show my face with scornful air;
Let others match it if they dare.
Impatient to be out of debt,
O, may I never once forget
The bard who humbly deigns to chuse
Me for the subject of his Muse!
Behind my back, before my nose,
He sounds my praise in verse and prose.
My heart with emulation burns,
To make you suitable returns;
My gratitude the world shall know;
And see, the printer's boy below;
Ye hawkers all, your voices lift;
'A Panegyric on Dean Swift!'
And then, to mend the matter still,
'By Lady Anne of Market-Hill!'
I thus begin: My grateful Muse
Salutes the Dean in different views;
Dean, butler, usher, jester, tutor;
Robert and Darby's coadjutor;
And, as you in commission sit,
To rule the dairy next to Kit;
In each capacity I mean
To sing your praise. And first as Dean:
Envy must own, you understand your
Precedence, and support your grandeur:
Nor of your rank will bate an ace,
Except to give Dean Daniel place.
In you such dignity appears,
So suited to your state and years!
With ladies what a strict decorum!
With what devotion you adore 'em!



Treat me with so much complaisance,
As fits a princess in romance!
By your example and assistance,
The fellows learn to know their distance.
Sir Arthur, since you set the pattern,
No longer calls me snipe and slattern,
Nor dares he, though he were a duke,
Offend me with the least rebuke.
Proceed we to your preaching next!
How nice you split the hardest text!
How your superior learning shines
Above our neighbouring dull divines!
At Beggar's Opera not so full pit
Is seen as when you mount our pulpit.
Consider now your conversation:
Regardful of your age and station,
You ne'er were known by passion stirr'd
To give the least offensive word:
But still, whene'er you silence break,
Watch every syllable you speak:
Your style so clear, and so concise,
We never ask to hear you twice.
But then a parson so genteel,
So nicely clad from head to heel;
So fine a gown, a band so clean,
As well become St. Patrick's Dean,
Such reverential awe express,
That cowboys know you by your dress!
Then, if our neighbouring friends come here
How proud are we when you appear,
With such address and graceful port,
As clearly shows you bred at court!
Now raise your spirits, Mr. Dean,
I lead you to a nobler scene.
When to the vault you walk in state,
In quality of butler's mate;
You next to Dennis bear the sway:
To you we often trust the key:
Nor can he judge with all his art
So well, what bottle holds a quart:
What pints may best for bottles pass
Just to give every man his glass:
When proper to produce the best;
And what may serve a common guest.
With Dennis you did ne'er combine,
Not you, to steal your master's wine,
Except a bottle now and then,
To welcome brother serving-men;
But that is with a good design,
To drink Sir Arthur's health and mine,
Your master's honour to maintain:
And get the like returns again.



Your usher's post must next be handled:
How blest am I by such a man led!
Under whose wise and careful guardship
I now despise fatigue and hardship,
Familiar grown to dirt and wet,
Though draggled round, I scorn to fret:
From you my chamber damsels learn
My broken hose to patch and darn.
Now as a jester I accost you;
Which never yet one friend has lost you.
You judge so nicely to a hair,
How far to go, and when to spare;
By long experience grown so wise,
Of every taste to know the size;
There's none so ignorant or weak
To take offence at what you speak.
Whene'er you joke, 'tis all a case
Whether with Dermot, or his grace;
With Teague O'Murphy, or an earl;
A duchess, or a kitchen girl.
With such dexterity you fit
Their several talents with your wit,
That Moll the chambermaid can smoke,
And Gahagan take every joke.
I now become your humble suitor
To let me praise you as my tutor.
Poor I, a savage bred and born,
By you instructed every morn,
Already have improved so well,
That I have almost learnt to spell:
The neighbours who come here to dine,
Admire to hear me speak so fine.
How enviously the ladies look,
When they surprise me at my book!
And sure as they're alive at night,
As soon as gone will show their spight:
Good lord! what can my lady mean,
Conversing with that rusty Dean!
She's grown so nice, and so penurious,
With Socrates and Epicurius!
How could she sit the livelong day,
Yet never ask us once to play?
But I admire your patience most;
That when I'm duller than a post,
Nor can the plainest word pronounce,
You neither fume, nor fret, nor flounce;
Are so indulgent, and so mild,
As if I were a darling child.
So gentle is your whole proceeding,
That I could spend my life in reading.
You merit new employments daily:
Our thatcher, ditcher, gardener, baily.



And to a genius so extensive
No work is grievous or offensive:
Whether your fruitful fancy lies
To make for pigs convenient styes;
Or ponder long with anxious thought
To banish rats that haunt our vault:
Nor have you grumbled, reverend Dean,
To keep our poultry sweet and clean;
To sweep the mansion-house they dwell in,
And cure the rank unsavoury smelling.
Now enter as the dairy handmaid:
Such charming butter never man made.
Let others with fanatic face
Talk of their milk for babes of grace;
From tubs their snuffling nonsense utter;
Thy milk shall make us tubs of butter.
The bishop with his foot may burn it,
But with his hand the Dean can churn it.
How are the servants overjoy'd
To see thy deanship thus employ'd!
Instead of poring on a book,
Providing butter for the cook!
Three morning hours you toss and shake
The bottle till your fingers ache;
Hard is the toil, nor small the art,
The butter from the whey to part:
Behold a frothy substance rise;
Be cautious or your bottle flies.
The butter comes, our fears are ceased;
And out you squeeze an ounce at least.
Your reverence thus, with like success,
(Nor is your skill or labour less,)
When bent upon some smart lampoon,
Will toss and turn your brain till noon;
Which in its jumblings round the skull,
Dilates and makes the vessel full:
While nothing comes but froth at first,
You think your giddy head will burst;
But squeezing out four lines in rhyme,
Are largely paid for all your time.
But you have raised your generous mind
To works of more exalted kind.
Palladio was not half so skill'd in
The grandeur or the art of building.
Two temples of magnific size
Attract the curious traveller's eyes,
That might be envied by the Greeks;
Raised up by you in twenty weeks:
Here gentle goddess Cloacine
Receives all offerings at her shrine.
In separate cells, the he's and she's,
Here pay their vows on bended knees:



For 'tis profane when sexes mingle,
And every nymph must enter single;
And when she feels an inward motion,
Come fill'd with reverence and devotion.
The bashful maid, to hide her blush,
Shall creep no more behind a bush;
Here unobserved she boldly goes,
As who should say, to pluck a rose,
Ye, who frequent this hallow'd scene,
Be not ungrateful to the Dean;
But duly, ere you leave your station,
Offer to him a pure libation,
Or of his own or Smedley's lay,
Or billet-doux, or lock of hay:
And, O! may all who hither come,
Return with unpolluted thumb!
Yet, when your lofty domes I praise
I sigh to think of ancient days.
Permit me then to raise my style,
And sweetly moralize a-while.
Thee, bounteous goddess Cloacine,
To temples why do we confine?
Forbid in open air to breathe,
Why are thine altars fix'd beneath?
When Saturn ruled the skies alone,
(That golden age to gold unknown,)
This earthly globe, to thee assign'd,
Received the gifts of all mankind.
Ten thousand altars smoking round,
Were built to thee with offerings crown'd;
And here thy daily votaries placed
Their sacrifice with zeal and haste:
The margin of a purling stream
Sent up to thee a grateful steam;
Though sometimes thou wert pleased to wink,
If Naiads swept them from the brink:
Or where appointing lovers rove,
The shelter of a shady grove;
Or offer'd in some flowery vale,
Were wafted by a gentle gale,
There many a flower abstersive grew,
Thy favourite flowers of yellow hue;
The crocus and the daffodil,
The cowslip soft, and sweet jonquil.
But when at last usurping Jove
Old Saturn from his empire drove,
Then gluttony, with greasy paws
Her napkin pinn'd up to her jaws,
With watery chops, and wagging chin,
Braced like a drum her oily skin;
Wedged in a spacious elbow-chair,
And on her plate a treble share,



As if she ne'er could have enough,
Taught harmless man to cram and stuff.
She sent her priests in wooden shoes
From haughty Gaul to make ragouts;
Instead of wholesome bread and cheese,
To dress their soups and fricassees;
And, for our home-bred British cheer,
Botargo, catsup, and caviare.
This bloated harpy, sprung from hell,
Confined thee, goddess, to a cell:
Sprung from her womb that impious line,
Contemners of thy rites divine.
First, lolling Sloth, in woollen cap,
Taking her after-dinner nap:
Pale Dropsy, with a sallow face,
Her belly burst, and slow her pace:
And lordly Gout, wrapt up in fur,
And wheezing Asthma, loth to stir:
Voluptuous Ease, the child of wealth,
Infecting thus our hearts by stealth.
None seek thee now in open air,
To thee no verdant altars rear;
But, in their cells and vaults obscene,
Present a sacrifice unclean;
From whence unsavoury vapours rose,
Offensive to thy nicer nose.
Ah! who, in our degenerate days,
As nature prompts, his offering pays?
Here nature never difference made
Between the sceptre and the spade.
Ye great ones, why will ye disdain
To pay your tribute on the plain?
Why will you place in lazy pride
Your altars near your couches' side:
When from the homeliest earthen ware
Are sent up offerings more sincere,
Than where the haughty duchess locks
Her silver vase in cedar box?
Yet some devotion still remains
Among our harmless northern swains,
Whose offerings, placed in golden ranks,
Adorn our crystal rivers' banks;
Nor seldom grace the flowery downs,
With spiral tops and copple crowns;
Or gilding in a sunny morn
The humble branches of a thorn.
So poets sing, with golden bough
The Trojan hero paid his vow.
Hither, by luckless error led,
The crude consistence oft I tread;
Here when my shoes are out of case,
Unweeting gild the tarnish'd lace;



Here, by the sacred bramble tinged,
My petticoat is doubly fringed.
Be witness for me, nymph divine,
I never robb'd thee with design;
Nor will the zealous Hannah pout
To wash thy injured offering out.
But stop, ambitious Muse, in time,
Nor dwell on subjects too sublime.
In vain on lofty heels I tread,
Aspiring to exalt my head;
With hoop expanded wide and light,
In vain I 'tempt too high a flight.
Me Phoebus in a midnight dream
Accosting, said, 'Go shake your cream
Be humbly-minded, know your post;
Sweeten your tea, and watch your toast.
Thee best befits a lowly style;
Teach Dennis how to stir the guile;
With Peggy Dixon thoughtful sit,
Contriving for the pot and spit.
Take down thy proudly swelling sails,
And rub thy teeth and pare thy nails;
At nicely carving show thy wit;
But ne'er presume to eat a bit:
Turn every way thy watchful eye,
And every guest be sure to ply:
Let never at your board be known
An empty plate, except your own.
Be these thy arts; nor higher aim
Than what befits a rural dame.
'But Cloacina, goddess bright,
Sleek——claims her as his right;
And Smedley, flower of all divines,
Shall sing the Dean in Smedley's lines.'
220

A Description of a City Shower

A Description of a City Shower

Careful Observers may fortel the Hour
(By sure Prognosticks) when to dread a Show'r:
While Rain depends, the pensive Cat gives o'er
Her Frolicks, and pursues her Tail no more.
Returning Home at Night, you'll find the Sink
Strike your offended Sense with double Stink.
If you be wise, then go not far to Dine,
You spend in Coach-hire more than save in Wine.
A coming Show'r your shooting Corns presage,
Old Aches throb, your hollow Tooth will rage.
Sauntring in Coffee-house is Dulman seen;
He damns the Climate, and complains of Spleen.


Mean while the South rising with dabbled Wings,
A Sable Cloud a-thwart the Welkin flings,
That swill'd more Liquor than it could contain,
And like a Drunkard gives it up again.
Brisk Susan whips her Linen from the Rope,
While the first drizzling Show'r is born aslope,
Such is that Sprinkling which some careless Quean
Flirts on you from her Mop, but not so clean.
You fly, invoke the Gods; then turning, stop
To rail; she singing, still whirls on her Mop.
Not yet, the Dust had shun'd th'unequal Strife,
But aided by the Wind, fought still for Life;
And wafted with its Foe by violent Gust,
'Twas doubtful which was Rain, and which was Dust.
Ah! where must needy Poet seek for Aid,
When Dust and Rain at once his Coat invade;
Sole Coat, where Dust cemented by the Rain,
Erects the Nap, and leaves a cloudy Stain.


Now in contiguous Drops the Flood comes down,
Threat'ning with Deloge this Devoted Town.
To Shops in Crouds the dagled Females fly,
Pretend to cheapen Goods, but nothing buy.
The Templer spruce, while ev'ry Spout's a-broach,
Stays till 'tis fair, yet seems to call a Coach.
The tuck'd-up Sempstress walks with hasty Strides,
While Streams run down her oil'd Umbrella's Sides.
Here various Kinds by various Fortunes led,
Commence Acquaintance underneath a Shed.
Triumphant Tories, and desponding Whigs,
Forget their Fewds, and join to save their Wigs.
Box'd in a Chair the Beau impatient sits,
While Spouts run clatt'ring o'er the Roof by Fits;
And ever and anon with frightful Din
The Leather sounds, he trembles from within.
So when Troy Chair-men bore the Wooden Steed,
Pregnant with Greeks, impatient to be freed,
(Those Bully Greeks, who, as the Moderns do,
Instead of paying Chair-men, run them thro'.)



Laoco'n struck the Outside with his Spear,
And each imprison'd Hero quak'd for Fear.


Now from all Parts the swelling Kennels flow,
And bear their Trophies with them as they go:
Filth of all Hues and Odours seem to tell
What Streets they sail'd from, by the Sight and Smell.
They, as each Torrent drives, with rapid Force
From Smithfield, or St.Pulchre's shape their Course,
And in huge Confluent join at Snow-Hill Ridge,
Fall from the Conduit prone to Holborn-Bridge.
Sweepings from Butchers Stalls, Dung, Guts, and Blood,
Drown'd Puppies, stinking Sprats, all drench'd in Mud,
Dead Cats and Turnips-Tops come tumbling down the Flood.
231

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