Quotes in this theme
Others
E.M. Forster
A novel is based on evidence, + or -x, the unknown quantity being the temperament of the novelist, and the unknown quantity always modifies the effect of the evidence, and sometimes transforms it entirely.
13
E.M. Forster
A novel is based on evidence, + or -x, the unknown quantity being the temperament of the novelist, and the unknown quantity always modifies the effect of the evidence, and sometimes transforms it entirely.
13
E.M. Forster
[I]t is the function of the novelist to reveal the hidden life at its source: to tell us more about Queen Victoria than could be known, and thus to produce a character who is not the Queen Victoria of history.
13
E.M. Forster
[I]t is the function of the novelist to reveal the hidden life at its source: to tell us more about Queen Victoria than could be known, and thus to produce a character who is not the Queen Victoria of history.
13
Oliver Wendell Holmes
Fashion is only the attempt to realize Art in living forms and social intercourse.
14
Oliver Wendell Holmes
When I feel inclined to read poetry I take down my Dictionary. The poetry of words is quite as beautiful as that of sentences. The author may arrange the gems effectively, but their shape and lustre have been given by the attrition of ages.
13
Henri-Frédéric Amiel
The masses are the material of democracy, but its form—that is to say, the laws which express the general reason, justice, and utility—can only be rightly shaped by wisdom, which is by no means a universal property.
25
Oliver Wendell Holmes
What the mulberry leaf is to the silkworm, the author’s book, treatise, essay, poem, is to the critical larvae that feed upon it. It furnishes them with food and clothing.
14
E.M. Forster
Although the novel exercises the rights of a created object, criticism has not those rights, and too many little mansions in English fiction have been acclaimed to their own detriment as important edifices.
15
E.M. Forster
Although the novel exercises the rights of a created object, criticism has not those rights, and too many little mansions in English fiction have been acclaimed to their own detriment as important edifices.
15
E.M. Forster
A critic has no right to the narrowness which is the frequent prerogative of the creative artist.
17
E.M. Forster
[Pjeople in a novel can be understood completely by the reader, if the novelist can be understood completely by the reader, if the novelist wishes; their inner as well as their outer life can be exposed.
13
E.M. Forster
[Pjeople in a novel can be understood completely by the reader, if the novelist can be understood completely by the reader, if the novelist wishes; their inner as well as their outer life can be exposed.
13
Antonio Machado
Under all that we think, lives all we believe, like the ultimate veil of our spirits.
20