Poems in this topic
Emotions and Feelings
Paul Laurence Dunbar
The Haunted Oak
The Haunted Oak
Pray why are you so bare, so bare,
Oh, bough of the old oak-tree;
And why, when I go through the shade you throw,
Runs a shudder over me?
My leaves were green as the best, I trow,
And sap ran free in my veins,
But I say in the moonlight dim and weird
A guiltless victim's pains.
They'd charged him with the old, old crime,
And set him fast in jail:
Oh, why does the dog howl all night long,
And why does the night wind wail?
He prayed his prayer and he swore his oath,
And he raised his hand to the sky;
But the beat of hoofs smote on his ear,
And the steady tread drew nigh.
Who is it rides by night, by night,
Over the moonlit road?
And what is the spur that keeps the pace,
What is the galling goad?
And now they beat at the prison door,
"Ho, keeper, do not stay!
We are friends of him whom you hold within,
And we fain would take him away
"From those who ride fast on our heels
With mind to do him wrong;
They have no care for his innocence,
And the rope they bear is long."
They have fooled the jailer with lying words,
They have fooled the man with lies;
The bolts unbar, the locks are drawn,
And the great door open flies.
Now they have taken him from the jail,
And hard and fast they ride,
And the leader laughs low down in his throat,
As they halt my trunk beside.
Oh, the judge, he wore a mask of black,
And the doctor one of white,
And the minister, with his oldest son,
Was curiously bedight.
Oh, foolish man, why weep you now?
'Tis but a little space,
And the time will come when these shall dread
The mem'ry of your face.
I feel the rope against my bark,
And the weight of him in my grain,
I feel in the throe of his final woe
The touch of my own last pain.
And never more shall leaves come forth
On the bough that bears the ban;
I am burned with dread, I am dried and dead,
From the curse of a guiltless man.
And ever the judge rides by, rides by,
And goes to hunt the deer,
And ever another rides his soul
In the guise of a mortal fear.
And ever the man he rides me hard,
And never a night stays he;
For I feel his curse as a haunted bough,
On the trunk of a haunted tree.
Pray why are you so bare, so bare,
Oh, bough of the old oak-tree;
And why, when I go through the shade you throw,
Runs a shudder over me?
My leaves were green as the best, I trow,
And sap ran free in my veins,
But I say in the moonlight dim and weird
A guiltless victim's pains.
They'd charged him with the old, old crime,
And set him fast in jail:
Oh, why does the dog howl all night long,
And why does the night wind wail?
He prayed his prayer and he swore his oath,
And he raised his hand to the sky;
But the beat of hoofs smote on his ear,
And the steady tread drew nigh.
Who is it rides by night, by night,
Over the moonlit road?
And what is the spur that keeps the pace,
What is the galling goad?
And now they beat at the prison door,
"Ho, keeper, do not stay!
We are friends of him whom you hold within,
And we fain would take him away
"From those who ride fast on our heels
With mind to do him wrong;
They have no care for his innocence,
And the rope they bear is long."
They have fooled the jailer with lying words,
They have fooled the man with lies;
The bolts unbar, the locks are drawn,
And the great door open flies.
Now they have taken him from the jail,
And hard and fast they ride,
And the leader laughs low down in his throat,
As they halt my trunk beside.
Oh, the judge, he wore a mask of black,
And the doctor one of white,
And the minister, with his oldest son,
Was curiously bedight.
Oh, foolish man, why weep you now?
'Tis but a little space,
And the time will come when these shall dread
The mem'ry of your face.
I feel the rope against my bark,
And the weight of him in my grain,
I feel in the throe of his final woe
The touch of my own last pain.
And never more shall leaves come forth
On the bough that bears the ban;
I am burned with dread, I am dried and dead,
From the curse of a guiltless man.
And ever the judge rides by, rides by,
And goes to hunt the deer,
And ever another rides his soul
In the guise of a mortal fear.
And ever the man he rides me hard,
And never a night stays he;
For I feel his curse as a haunted bough,
On the trunk of a haunted tree.
556
Paul Laurence Dunbar
Signs of the Times
Signs of the Times
Air a-gittin' cool an' coolah,
Frost a-comin' in de night,
Hicka' nuts an' wa'nuts fallin',
Possum keepin' out o' sight.
Tu'key struttin' in de ba'nya'd,
Nary a step so proud ez his;
Keep on struttin', Mistah Tu'key,
Yo' do' know whut time it is.
Cidah press commence a-squeakin'
Eatin' apples sto'ed away,
Chillun swa'min' 'roun' lak ho'nets,
Huntin' aigs ermung de hay.
Mistah Tu'key keep on gobblin'
At de geese a-flyin' souf,
Oomph! dat bird do' know whut's comin';
Ef he did he'd shet his mouf.
Pumpkin gittin' good an' yallah
Mek me open up my eyes;
Seems lak it's a-lookin' at me
Jes' a-la'in' dah sayin' "Pies."
Tu'key gobbler gwine 'roun' blowin',
Gwine 'roun' gibbin' sass an' slack;
Keep on talkin', Mistah Tu'key,
You ain't seed no almanac.
Fa'mer walkin' th'oo de ba'nya'd
Seein' how things is comin' on,
Sees ef all de fowls is fatt'nin' --
Good times comin' sho's you bo'n.
Hyeahs dat tu'key gobbler braggin',
Den his face break in a smile --
Nebbah min', you sassy rascal,
He's gwine nab you atter while.
Choppin' suet in de kitchen,
Stonin' raisins in de hall,
Beef a-cookin' fu' de mince meat,
Spices groun' -- I smell 'em all.
Look hyeah, Tu'key, stop dat gobblin',
You ain' luned de sense ob feah,
You ol' fool, yo' naik's in dangah,
Do' you know Thanksgibbin's hyeah?
Air a-gittin' cool an' coolah,
Frost a-comin' in de night,
Hicka' nuts an' wa'nuts fallin',
Possum keepin' out o' sight.
Tu'key struttin' in de ba'nya'd,
Nary a step so proud ez his;
Keep on struttin', Mistah Tu'key,
Yo' do' know whut time it is.
Cidah press commence a-squeakin'
Eatin' apples sto'ed away,
Chillun swa'min' 'roun' lak ho'nets,
Huntin' aigs ermung de hay.
Mistah Tu'key keep on gobblin'
At de geese a-flyin' souf,
Oomph! dat bird do' know whut's comin';
Ef he did he'd shet his mouf.
Pumpkin gittin' good an' yallah
Mek me open up my eyes;
Seems lak it's a-lookin' at me
Jes' a-la'in' dah sayin' "Pies."
Tu'key gobbler gwine 'roun' blowin',
Gwine 'roun' gibbin' sass an' slack;
Keep on talkin', Mistah Tu'key,
You ain't seed no almanac.
Fa'mer walkin' th'oo de ba'nya'd
Seein' how things is comin' on,
Sees ef all de fowls is fatt'nin' --
Good times comin' sho's you bo'n.
Hyeahs dat tu'key gobbler braggin',
Den his face break in a smile --
Nebbah min', you sassy rascal,
He's gwine nab you atter while.
Choppin' suet in de kitchen,
Stonin' raisins in de hall,
Beef a-cookin' fu' de mince meat,
Spices groun' -- I smell 'em all.
Look hyeah, Tu'key, stop dat gobblin',
You ain' luned de sense ob feah,
You ol' fool, yo' naik's in dangah,
Do' you know Thanksgibbin's hyeah?
512
Paul Laurence Dunbar
Summer in the South
Summer in the South
The Oriole sings in the greening grove
As if he were half-way waiting,
The rosebuds peep from their hoods of green,
Timid, and hesitating.
The rain comes down in a torrent sweep
And the nights smell warm and pinety,
The garden thrives, but the tender shoots
Are yellow-green and tiny.
Then a flash of sun on a waiting hill,
Streams laugh that erst were quiet,
The sky smiles down with a dazzling blue
And the woods run mad with riot.
The Oriole sings in the greening grove
As if he were half-way waiting,
The rosebuds peep from their hoods of green,
Timid, and hesitating.
The rain comes down in a torrent sweep
And the nights smell warm and pinety,
The garden thrives, but the tender shoots
Are yellow-green and tiny.
Then a flash of sun on a waiting hill,
Streams laugh that erst were quiet,
The sky smiles down with a dazzling blue
And the woods run mad with riot.
638
Paul Laurence Dunbar
Little Brown Baby
Little Brown Baby
Little brown baby wif spa'klin' eyes,
Come to yo' pappy an' set on his knee.
What you been doin', suh -- makin' san' pies?
Look at dat bib -- you's es du'ty ez me.
Look at dat mouf -- dat's merlasses, I bet;
Come hyeah, Maria, an' wipe off his han's.
Bees gwine to ketch you an' eat you up yit,
Bein' so sticky an sweet -- goodness lan's!
Little brown baby wif spa'klin' eyes,
Who's pappy's darlin' an' who's pappy's chile?
Who is it all de day nevah once tries
Fu' to be cross, er once loses dat smile?
Whah did you git dem teef? My, you's a scamp!
Whah did dat dimple come f'om in yo' chin?
Pappy do' know you -- I b'lieves you's a tramp;
Mammy, dis hyeah's some ol' straggler got in!
Let's th'ow him outen de do' in de san',
We do' want stragglers a-layin' 'roun' hyeah;
Let's gin him 'way to de big buggah-man;
I know he's hidin' erroun' hyeah right neah.
Buggah-man, buggah-man, come in de do',
Hyeah's a bad boy you kin have fu' to eat.
Mammy an' pappy do' want him no mo',
Swaller him down f'om his haid to his feet!
Dah, now, I t'ought dat you'd hug me up close.
Go back, ol' buggah, you sha'n't have dis boy.
He ain't no tramp, ner no straggler, of co'se;
He's pappy's pa'dner an' play-mate an' joy.
Come to you' pallet now -- go to yo' res';
Wisht you could allus know ease an' cleah skies;
Wisht you could stay jes' a chile on my breas'--
Little brown baby wif spa'klin' eyes!
Little brown baby wif spa'klin' eyes,
Come to yo' pappy an' set on his knee.
What you been doin', suh -- makin' san' pies?
Look at dat bib -- you's es du'ty ez me.
Look at dat mouf -- dat's merlasses, I bet;
Come hyeah, Maria, an' wipe off his han's.
Bees gwine to ketch you an' eat you up yit,
Bein' so sticky an sweet -- goodness lan's!
Little brown baby wif spa'klin' eyes,
Who's pappy's darlin' an' who's pappy's chile?
Who is it all de day nevah once tries
Fu' to be cross, er once loses dat smile?
Whah did you git dem teef? My, you's a scamp!
Whah did dat dimple come f'om in yo' chin?
Pappy do' know you -- I b'lieves you's a tramp;
Mammy, dis hyeah's some ol' straggler got in!
Let's th'ow him outen de do' in de san',
We do' want stragglers a-layin' 'roun' hyeah;
Let's gin him 'way to de big buggah-man;
I know he's hidin' erroun' hyeah right neah.
Buggah-man, buggah-man, come in de do',
Hyeah's a bad boy you kin have fu' to eat.
Mammy an' pappy do' want him no mo',
Swaller him down f'om his haid to his feet!
Dah, now, I t'ought dat you'd hug me up close.
Go back, ol' buggah, you sha'n't have dis boy.
He ain't no tramp, ner no straggler, of co'se;
He's pappy's pa'dner an' play-mate an' joy.
Come to you' pallet now -- go to yo' res';
Wisht you could allus know ease an' cleah skies;
Wisht you could stay jes' a chile on my breas'--
Little brown baby wif spa'klin' eyes!
531
Paul Laurence Dunbar
If I Could But Forget
If I Could But Forget
If I could but forget
The fullness of those first sweet days,
When you burst sun-like thro' the haze
Of unacquaintance, on my sight,
And made the wet, gray day seem bright
While clouds themselves grew fair to see.
And since, no day is gray or wet
But all the scene comes back to me,
If I could but forget.
If I could but forget
How your dusk eyes look into mine,
And how I thrilled as with strong wine
Beneath your touch; while sped amain
The quickened stream thro' ev'ry vein;
How near my breath fell to a gasp,
When for a space our fingers met
In one electric vibrant clasp,
If I could but forget.
If I could but forget
The months of passion and of pain,
And all that followed in their train--
Rebellious thoughts that would arise,
Rebellious tears that dimmed mine eyes,
The prayers that I might set love's fire
Aflame within your bosom yet--
The death at last of that desire--
If I could but forget.
If I could but forget
The fullness of those first sweet days,
When you burst sun-like thro' the haze
Of unacquaintance, on my sight,
And made the wet, gray day seem bright
While clouds themselves grew fair to see.
And since, no day is gray or wet
But all the scene comes back to me,
If I could but forget.
If I could but forget
How your dusk eyes look into mine,
And how I thrilled as with strong wine
Beneath your touch; while sped amain
The quickened stream thro' ev'ry vein;
How near my breath fell to a gasp,
When for a space our fingers met
In one electric vibrant clasp,
If I could but forget.
If I could but forget
The months of passion and of pain,
And all that followed in their train--
Rebellious thoughts that would arise,
Rebellious tears that dimmed mine eyes,
The prayers that I might set love's fire
Aflame within your bosom yet--
The death at last of that desire--
If I could but forget.
635
Paul Laurence Dunbar
Distinction
Distinction
"I am but clay," the sinner plead,
Who fed each vain desire.
"Not only clay," another said,
"But worse, for thou art mire."
"I am but clay," the sinner plead,
Who fed each vain desire.
"Not only clay," another said,
"But worse, for thou art mire."
384
Paul Laurence Dunbar
Common Things
Common Things
I like to hear of wealth and gold,
And El Doradoes in their glory;
I like for silks and satins bold
To sweep and rustle through a story.
The nightingale is sweet of song;
The rare exotic smells divinely;
And knightly men who stride along,
The role heroic carry finely.
But then, upon the other hand,
Our minds have got a way of running
To things that aren't quite so grand,
Which, maybe, we are best in shunning.
For some of us still like to see
The poor man in his dwelling narrow,
The hollyhock, the bumblebee,
The meadow lark, and chirping sparrow.
We like the man who soars and sings
With high and lofty inspiration;
But he who sings of common things
Shall always share our admiration.
I like to hear of wealth and gold,
And El Doradoes in their glory;
I like for silks and satins bold
To sweep and rustle through a story.
The nightingale is sweet of song;
The rare exotic smells divinely;
And knightly men who stride along,
The role heroic carry finely.
But then, upon the other hand,
Our minds have got a way of running
To things that aren't quite so grand,
Which, maybe, we are best in shunning.
For some of us still like to see
The poor man in his dwelling narrow,
The hollyhock, the bumblebee,
The meadow lark, and chirping sparrow.
We like the man who soars and sings
With high and lofty inspiration;
But he who sings of common things
Shall always share our admiration.
536
Paul Laurence Dunbar
A Golden Day
A Golden Day
I Found you and I lost you,
All on a gleaming day.
The day was filled with sunshine,
And the land was full of May.
A golden bird was singing
Its melody divine,
I found you and I loved you,
And all the world was mine.
I found you and I lost you,
All on a golden day,
But when I dream of you, dear,
It is always brimming May.
I Found you and I lost you,
All on a gleaming day.
The day was filled with sunshine,
And the land was full of May.
A golden bird was singing
Its melody divine,
I found you and I loved you,
And all the world was mine.
I found you and I lost you,
All on a golden day,
But when I dream of you, dear,
It is always brimming May.
520
Paul Laurence Dunbar
A Golden Day
A Golden Day
I Found you and I lost you,
All on a gleaming day.
The day was filled with sunshine,
And the land was full of May.
A golden bird was singing
Its melody divine,
I found you and I loved you,
And all the world was mine.
I found you and I lost you,
All on a golden day,
But when I dream of you, dear,
It is always brimming May.
I Found you and I lost you,
All on a gleaming day.
The day was filled with sunshine,
And the land was full of May.
A golden bird was singing
Its melody divine,
I found you and I loved you,
And all the world was mine.
I found you and I lost you,
All on a golden day,
But when I dream of you, dear,
It is always brimming May.
520
Paul Laurence Dunbar
A Golden Day
A Golden Day
I Found you and I lost you,
All on a gleaming day.
The day was filled with sunshine,
And the land was full of May.
A golden bird was singing
Its melody divine,
I found you and I loved you,
And all the world was mine.
I found you and I lost you,
All on a golden day,
But when I dream of you, dear,
It is always brimming May.
I Found you and I lost you,
All on a gleaming day.
The day was filled with sunshine,
And the land was full of May.
A golden bird was singing
Its melody divine,
I found you and I loved you,
And all the world was mine.
I found you and I lost you,
All on a golden day,
But when I dream of you, dear,
It is always brimming May.
520
Paul Éluard
The Deaf and Blind
The Deaf and Blind
Do we reach the sea with clocks
In our pockets, with the noise of the sea
In the sea, or are we the carriers
Of a purer and more silent water?
The water rubbing against our hands sharpens knives.
The warriors have found their weapons in the waves
And the sound of their blows is like
The rocks that smash the boats at night.
It is the storm and the thunder. Why not the silence
Of the flood, for we have dreamt within us
Space for the greatest silence and we breathe
Like the wind over terrible seas, like the wind
That creeps slowly over every horizon.
Do we reach the sea with clocks
In our pockets, with the noise of the sea
In the sea, or are we the carriers
Of a purer and more silent water?
The water rubbing against our hands sharpens knives.
The warriors have found their weapons in the waves
And the sound of their blows is like
The rocks that smash the boats at night.
It is the storm and the thunder. Why not the silence
Of the flood, for we have dreamt within us
Space for the greatest silence and we breathe
Like the wind over terrible seas, like the wind
That creeps slowly over every horizon.
369
Paul Éluard
The Nakedness of Truth (I know it well)
The Nakedness of Truth (I know it well)
Despair has no wings,
Nor has love,
No countenance:
They do not speak.
I do not stir,
I do not behold them,
I do not speak to them,
But I am as real as my love and my despair.
Despair has no wings,
Nor has love,
No countenance:
They do not speak.
I do not stir,
I do not behold them,
I do not speak to them,
But I am as real as my love and my despair.
303
Paul Éluard
The Nakedness of Truth (I know it well)
The Nakedness of Truth (I know it well)
Despair has no wings,
Nor has love,
No countenance:
They do not speak.
I do not stir,
I do not behold them,
I do not speak to them,
But I am as real as my love and my despair.
Despair has no wings,
Nor has love,
No countenance:
They do not speak.
I do not stir,
I do not behold them,
I do not speak to them,
But I am as real as my love and my despair.
303
Paul Éluard
Other Children
Other Children
"Little child of my five senses
and of my tenderness."
Let us cradle our loves,
We will have good children.
Well cared for,
We will fear nothing on earth,
Happiness, good fortune, prudence,
Our loves
And this leap from age to age,
From the order of a child to that of an old man,
Will not diminish us.
(Confidence).
"Little child of my five senses
and of my tenderness."
Let us cradle our loves,
We will have good children.
Well cared for,
We will fear nothing on earth,
Happiness, good fortune, prudence,
Our loves
And this leap from age to age,
From the order of a child to that of an old man,
Will not diminish us.
(Confidence).
306
Paul Éluard
Other Children
Other Children
"Little child of my five senses
and of my tenderness."
Let us cradle our loves,
We will have good children.
Well cared for,
We will fear nothing on earth,
Happiness, good fortune, prudence,
Our loves
And this leap from age to age,
From the order of a child to that of an old man,
Will not diminish us.
(Confidence).
"Little child of my five senses
and of my tenderness."
Let us cradle our loves,
We will have good children.
Well cared for,
We will fear nothing on earth,
Happiness, good fortune, prudence,
Our loves
And this leap from age to age,
From the order of a child to that of an old man,
Will not diminish us.
(Confidence).
306
Paul Éluard
I Cannot be Known
I Cannot be Known
I cannot be known
Better than you know me
Your eyes in which we sleep
We together
Have made for my man's gleam
A better fate than for the common nights
Your eyes in which I travel
Have given to signs along the roads
A meaning alien to the earth
In your eyes who reveal to us
Our endless solitude
Are no longer what they thought themselves to be
You cannot be known
Better than I know you.
I cannot be known
Better than you know me
Your eyes in which we sleep
We together
Have made for my man's gleam
A better fate than for the common nights
Your eyes in which I travel
Have given to signs along the roads
A meaning alien to the earth
In your eyes who reveal to us
Our endless solitude
Are no longer what they thought themselves to be
You cannot be known
Better than I know you.
392
Paul Éluard
I Cannot be Known
I Cannot be Known
I cannot be known
Better than you know me
Your eyes in which we sleep
We together
Have made for my man's gleam
A better fate than for the common nights
Your eyes in which I travel
Have given to signs along the roads
A meaning alien to the earth
In your eyes who reveal to us
Our endless solitude
Are no longer what they thought themselves to be
You cannot be known
Better than I know you.
I cannot be known
Better than you know me
Your eyes in which we sleep
We together
Have made for my man's gleam
A better fate than for the common nights
Your eyes in which I travel
Have given to signs along the roads
A meaning alien to the earth
In your eyes who reveal to us
Our endless solitude
Are no longer what they thought themselves to be
You cannot be known
Better than I know you.
392
Paul Éluard
Head Against The Walls
Head Against The Walls
There were only a few of them
In all the earth
Each one thought he was alone
They sang, they were right
To sing
But they sang the way you sack a city
The way you kill yourself.
Frayed moist night
Shall we endure you
Longer
Shall we not shake
Your cloacal evidence
We shall not wait for a morning
Made to measure
We wanted to see in other people's eyes
Their nights of love exhausted
They dream only of dying
Their lovely flesh forgotten
Bees caught in their honey
They are ignorant of life
And we suffer everywhere
Red roofs dissolve under the tongue
Dog days in the full beds
Come, empty your sacks of fresh blood
There is still a shadow here
A shred of imbecile there
In the wind their masks, their cast-offs
In lead their traps, their chains
And their prudent blind-men's gestures
There is fire under rocks
If you put out the fire
Be careful we have
Despite the night it breeds
More strength than the belly
Of your wives and sisters
And we will reproduce
Without them but by ax strokes
In your prisons
Torrents of stone labors of foam
Where eyes float without rancor
Just eyes without hope
That know you
And that you should have put out
Rather than ignore
With a safety pin quicker than your gibbets
We shall take our booty where we want it to be
There were only a few of them
In all the earth
Each one thought he was alone
They sang, they were right
To sing
But they sang the way you sack a city
The way you kill yourself.
Frayed moist night
Shall we endure you
Longer
Shall we not shake
Your cloacal evidence
We shall not wait for a morning
Made to measure
We wanted to see in other people's eyes
Their nights of love exhausted
They dream only of dying
Their lovely flesh forgotten
Bees caught in their honey
They are ignorant of life
And we suffer everywhere
Red roofs dissolve under the tongue
Dog days in the full beds
Come, empty your sacks of fresh blood
There is still a shadow here
A shred of imbecile there
In the wind their masks, their cast-offs
In lead their traps, their chains
And their prudent blind-men's gestures
There is fire under rocks
If you put out the fire
Be careful we have
Despite the night it breeds
More strength than the belly
Of your wives and sisters
And we will reproduce
Without them but by ax strokes
In your prisons
Torrents of stone labors of foam
Where eyes float without rancor
Just eyes without hope
That know you
And that you should have put out
Rather than ignore
With a safety pin quicker than your gibbets
We shall take our booty where we want it to be
430
Paul Éluard
Head Against The Walls
Head Against The Walls
There were only a few of them
In all the earth
Each one thought he was alone
They sang, they were right
To sing
But they sang the way you sack a city
The way you kill yourself.
Frayed moist night
Shall we endure you
Longer
Shall we not shake
Your cloacal evidence
We shall not wait for a morning
Made to measure
We wanted to see in other people's eyes
Their nights of love exhausted
They dream only of dying
Their lovely flesh forgotten
Bees caught in their honey
They are ignorant of life
And we suffer everywhere
Red roofs dissolve under the tongue
Dog days in the full beds
Come, empty your sacks of fresh blood
There is still a shadow here
A shred of imbecile there
In the wind their masks, their cast-offs
In lead their traps, their chains
And their prudent blind-men's gestures
There is fire under rocks
If you put out the fire
Be careful we have
Despite the night it breeds
More strength than the belly
Of your wives and sisters
And we will reproduce
Without them but by ax strokes
In your prisons
Torrents of stone labors of foam
Where eyes float without rancor
Just eyes without hope
That know you
And that you should have put out
Rather than ignore
With a safety pin quicker than your gibbets
We shall take our booty where we want it to be
There were only a few of them
In all the earth
Each one thought he was alone
They sang, they were right
To sing
But they sang the way you sack a city
The way you kill yourself.
Frayed moist night
Shall we endure you
Longer
Shall we not shake
Your cloacal evidence
We shall not wait for a morning
Made to measure
We wanted to see in other people's eyes
Their nights of love exhausted
They dream only of dying
Their lovely flesh forgotten
Bees caught in their honey
They are ignorant of life
And we suffer everywhere
Red roofs dissolve under the tongue
Dog days in the full beds
Come, empty your sacks of fresh blood
There is still a shadow here
A shred of imbecile there
In the wind their masks, their cast-offs
In lead their traps, their chains
And their prudent blind-men's gestures
There is fire under rocks
If you put out the fire
Be careful we have
Despite the night it breeds
More strength than the belly
Of your wives and sisters
And we will reproduce
Without them but by ax strokes
In your prisons
Torrents of stone labors of foam
Where eyes float without rancor
Just eyes without hope
That know you
And that you should have put out
Rather than ignore
With a safety pin quicker than your gibbets
We shall take our booty where we want it to be
430
Paul Éluard
Curfew
Curfew
What else could we do, for the doors were guarded,
What else could we do, for they had imprisoned us,
What else could we do, for the streets were forbidden us,
What else could we do, for the town was asleep?
What else could we do, for she hungered and thirsted,
What else could we do, for we were defenceless,
What else could we do, for night had descended,
What else could we do, for we were in love?
What else could we do, for the doors were guarded,
What else could we do, for they had imprisoned us,
What else could we do, for the streets were forbidden us,
What else could we do, for the town was asleep?
What else could we do, for she hungered and thirsted,
What else could we do, for we were defenceless,
What else could we do, for night had descended,
What else could we do, for we were in love?
427
Paul Éluard
At the Window
At the Window
I have not always had this certainty, this pessimism which reassures the best among
us. There was
a time when my friends laughed at me. I was not the master of my words. A certain
indifference, I
have not always known well what I wanted to say, but most often it was because I had
nothing to
say. The necessity of speaking and the desire not to be heard. My life hanging only by
a thread.
There was a time when I seemed to understand nothing. My chains floated on the
water.
All my desires are born of my dreams. And I have proven my love with words. To what
fantastic
creatures have I entrusted myself, in what dolorous and ravishing world has my
imagination
enclosed me? I am sure of having been loved in the most mysterious of domains, my
own. The
language of my love does not belong to human language, my human body does not
touch the flesh
of my love. My amorous imagination has always been constant and high enough so
that nothing
could attempt to convince me of error.
I have not always had this certainty, this pessimism which reassures the best among
us. There was
a time when my friends laughed at me. I was not the master of my words. A certain
indifference, I
have not always known well what I wanted to say, but most often it was because I had
nothing to
say. The necessity of speaking and the desire not to be heard. My life hanging only by
a thread.
There was a time when I seemed to understand nothing. My chains floated on the
water.
All my desires are born of my dreams. And I have proven my love with words. To what
fantastic
creatures have I entrusted myself, in what dolorous and ravishing world has my
imagination
enclosed me? I am sure of having been loved in the most mysterious of domains, my
own. The
language of my love does not belong to human language, my human body does not
touch the flesh
of my love. My amorous imagination has always been constant and high enough so
that nothing
could attempt to convince me of error.
396
Paul Éluard
At the Window
At the Window
I have not always had this certainty, this pessimism which reassures the best among
us. There was
a time when my friends laughed at me. I was not the master of my words. A certain
indifference, I
have not always known well what I wanted to say, but most often it was because I had
nothing to
say. The necessity of speaking and the desire not to be heard. My life hanging only by
a thread.
There was a time when I seemed to understand nothing. My chains floated on the
water.
All my desires are born of my dreams. And I have proven my love with words. To what
fantastic
creatures have I entrusted myself, in what dolorous and ravishing world has my
imagination
enclosed me? I am sure of having been loved in the most mysterious of domains, my
own. The
language of my love does not belong to human language, my human body does not
touch the flesh
of my love. My amorous imagination has always been constant and high enough so
that nothing
could attempt to convince me of error.
I have not always had this certainty, this pessimism which reassures the best among
us. There was
a time when my friends laughed at me. I was not the master of my words. A certain
indifference, I
have not always known well what I wanted to say, but most often it was because I had
nothing to
say. The necessity of speaking and the desire not to be heard. My life hanging only by
a thread.
There was a time when I seemed to understand nothing. My chains floated on the
water.
All my desires are born of my dreams. And I have proven my love with words. To what
fantastic
creatures have I entrusted myself, in what dolorous and ravishing world has my
imagination
enclosed me? I am sure of having been loved in the most mysterious of domains, my
own. The
language of my love does not belong to human language, my human body does not
touch the flesh
of my love. My amorous imagination has always been constant and high enough so
that nothing
could attempt to convince me of error.
396
Paul Éluard
At the Window
At the Window
I have not always had this certainty, this pessimism which reassures the best among
us. There was
a time when my friends laughed at me. I was not the master of my words. A certain
indifference, I
have not always known well what I wanted to say, but most often it was because I had
nothing to
say. The necessity of speaking and the desire not to be heard. My life hanging only by
a thread.
There was a time when I seemed to understand nothing. My chains floated on the
water.
All my desires are born of my dreams. And I have proven my love with words. To what
fantastic
creatures have I entrusted myself, in what dolorous and ravishing world has my
imagination
enclosed me? I am sure of having been loved in the most mysterious of domains, my
own. The
language of my love does not belong to human language, my human body does not
touch the flesh
of my love. My amorous imagination has always been constant and high enough so
that nothing
could attempt to convince me of error.
I have not always had this certainty, this pessimism which reassures the best among
us. There was
a time when my friends laughed at me. I was not the master of my words. A certain
indifference, I
have not always known well what I wanted to say, but most often it was because I had
nothing to
say. The necessity of speaking and the desire not to be heard. My life hanging only by
a thread.
There was a time when I seemed to understand nothing. My chains floated on the
water.
All my desires are born of my dreams. And I have proven my love with words. To what
fantastic
creatures have I entrusted myself, in what dolorous and ravishing world has my
imagination
enclosed me? I am sure of having been loved in the most mysterious of domains, my
own. The
language of my love does not belong to human language, my human body does not
touch the flesh
of my love. My amorous imagination has always been constant and high enough so
that nothing
could attempt to convince me of error.
396
Paul Celan
With Every Thought
With Every Thought
With every Thought I went
out of the World: there you were,
you my Gentle One, you my Open One, and –
you received us.
Who
says that for us everything died,
that for us there the Eye broke?
Everything woke, all things began.
Vast, a Sun came swimming by, bright
a Soul and a Soul engaged, clear,
masterfully made a silence for it
a path ahead.
Lightly
you opened your Lap, quiet
rose a Breath in the Aether,
and what became cloud, was it not,
was it not Form, and for us then,
was it not
as good as a Name?
With every Thought I went
out of the World: there you were,
you my Gentle One, you my Open One, and –
you received us.
Who
says that for us everything died,
that for us there the Eye broke?
Everything woke, all things began.
Vast, a Sun came swimming by, bright
a Soul and a Soul engaged, clear,
masterfully made a silence for it
a path ahead.
Lightly
you opened your Lap, quiet
rose a Breath in the Aether,
and what became cloud, was it not,
was it not Form, and for us then,
was it not
as good as a Name?
471