Ethics and Morality

I hated thee, fallen tyrant! I did groan
To think that a most unambitious slave,
Like thou, shouldst dance and revel on the grave
Of Liberty. Thou mightst have built thy throne
Where it had stood even now: thou didst prefer
A frail and bloody pomp which Time has swept
In fragments towards Oblivion. Massacre,
For this I prayed, would on thy sleep have crept,
Treason and Slavery, Rapine, Fear, and Lust,
And stifled thee, their minister. I know
Too late, since thou and France are in the dust,
That Virtue owns a more eternal foe
Than Force or Fraud: old Custom, legal Crime,
And bloody Faith the foulest birth of Time.

Imprimis he was "broke." Thereafter left
His Regiment and, later, took to drink;
Then, having lost the balance of his friends,
"Went Fantee" -- joined the people of the land,
Turned three parts Mussulman and one Hindu,
And lived among the Gauri villagers,
Who gave him shelter and a wife or twain.
And boasted that a thorough, full-blood sahib
Had come among them. Thus he spent his time,
Deeply indebted to the village shroff
(Who never asked for payment), always drunk,
Unclean, abominable, out-at-heels;
Forgetting that he was an Englishman.
You know they dammed the Gauri with a dam,
And all the good contractors scamped their work
And all the bad material at hand
Was used to dam the Gauri -- which was cheap,
And, therefore, proper. Then the Gauri burst,
And several hundred thousand cubic tons
Of water dropped into the valley, flop,
And drowned some five-and-twenty villagers,
And did a lakh or two of detriment
To crops and cattle. When the flood went down
We found him dead, beneath an old dead horse,
Full six miles down the valley. So we said
He was a victim to the Demon Drink,
And moralised upon him for a week,
And then forgot him. Which was natural.
But, in the valley of the Gauri, men
Beneath the shadow of the big new dam,
Relate a foolish legend of the flood,
Accounting for the little loss of life
(Only those five-and-twenty villagers)
In this wise: -- On the evening of the flood,
They heard the groaning of the rotten dam,
And voices of the Mountain Devils. Then
And incarnation of the local God,
Mounted upon a monster-neighing horse,
And flourishing a flail-like whip, came down,
Breathing ambrosia, to the villages,
And fell upon the simple villagers
With yells beyond the power of mortal throat,
And blows beyond the power of mortal hand,
And smote them with his flail-like whip, and drove
Them clamorous with terror up the hill,
And scattered, with the monster-neighing steed,
Their crazy cottages about their ears,
And generally cleared those villages.
Then came the water, and the local God,
Breathing ambrosia, flourishing his whip,


And mounted on his monster-neighing steed,
Went down the valley with the flying trees
And residue of homesteads, while they watched
Safe on the mountain-side these wondrous things,
And knew that they were much beloved of Heaven.
Wherefore, and when the dam was newly built,
They raised a temple to the local God,
And burnt all manner of unsavoury things
Upon his altar, and created priests,
And blew into a conch and banged a bell,
And told the story of the Gauri flood
With circumstance and much embroidery. . . .
So hi, the whiskified Objectionable,
Unclean, abominable, out-at-heels,
Became the tutelary Deity
Of all the Gauri valley villages,
And may in time become a Solar Myth.

I am poor brother Lippo, by your leave!
You need not clap your torches to my face.
Zooks, what's to blame? you think you see a monk!
What, 'tis past midnight, and you go the rounds,
And here you catch me at an alley's end
Where sportive ladies leave their doors ajar?
The Carmine's my cloister: hunt it up,
Do,--harry out, if you must show your zeal,
Whatever rat, there, haps on his wrong hole,
And nip each softling of a wee white mouse,
Weke, weke, that's crept to keep him company!
Aha, you know your betters! Then, you'll take
Your hand away that's fiddling on my throat,
And please to know me likewise. Who am I?
Why, one, sir, who is lodging with a friend
Three streets off--he's a certain . . . how d'ye call?
Master--a ...Cosimo of the Medici,
I' the house that caps the corner. Boh! you were best!
Remember and tell me, the day you're hanged,
How you affected such a gullet's-gripe!
But you, sir, it concerns you that your knaves
Pick up a manner nor discredit you:
Zooks, are we pilchards, that they sweep the streets
And count fair price what comes into their net?
He's Judas to a tittle, that man is!
Just such a face! Why, sir, you make amends.
Lord, I'm not angry! Bid your hang-dogs go
Drink out this quarter-florin to the health
Of the munificent House that harbours me
(And many more beside, lads! more beside!)
And all's come square again. I'd like his face--
His, elbowing on his comrade in the door
With the pike and lantern,--for the slave that holds
John Baptist's head a-dangle by the hair
With one hand ("Look you, now," as who should say)
And his weapon in the other, yet unwiped!
It's not your chance to have a bit of chalk,
A wood-coal or the like? or you should see!
Yes, I'm the painter, since you style me so.
What, brother Lippo's doings, up and down,
You know them and they take you? like enough!
I saw the proper twinkle in your eye--
'Tell you, I liked your looks at very first.
Let's sit and set things straight now, hip to haunch.
Here's spring come, and the nights one makes up bands
To roam the town and sing out carnival,
And I've been three weeks shut within my mew,
A-painting for the great man, saints and saints
And saints again. I could not paint all night--
Ouf! I leaned out of window for fresh air.
There came a hurry of feet and little feet,
A sweep of lute strings, laughs, and whifts of song, --


Flower o' the broom,
Take away love, and our earth is a tomb!
Flower o' the quince,
I let Lisa go, and what good in life since?
Flower o' the thyme--and so on. Round they went.
Scarce had they turned the corner when a titter
Like the skipping of rabbits by moonlight,--three slim shapes,
And a face that looked up . . . zooks, sir, flesh and blood,
That's all I'm made of! Into shreds it went,
Curtain and counterpane and coverlet,
All the bed-furniture--a dozen knots,
There was a ladder! Down I let myself,
Hands and feet, scrambling somehow, and so dropped,
And after them. I came up with the fun
Hard by Saint Laurence, hail fellow, well met,--
Flower o' the rose,
If I've been merry, what matter who knows?
And so as I was stealing back again
To get to bed and have a bit of sleep
Ere I rise up to-morrow and go work
On Jerome knocking at his poor old breast
With his great round stone to subdue the flesh,
You snap me of the sudden. Ah, I see!
Though your eye twinkles still, you shake your head--
Mine's shaved--a monk, you say--the sting 's in that!
If Master Cosimo announced himself,
Mum's the word naturally; but a monk!
Come, what am I a beast for? tell us, now!
I was a baby when my mother died
And father died and left me in the street.
I starved there, God knows how, a year or two
On fig-skins, melon-parings, rinds and shucks,
Refuse and rubbish. One fine frosty day,
My stomach being empty as your hat,
The wind doubled me up and down I went.
Old Aunt Lapaccia trussed me with one hand,
(Its fellow was a stinger as I knew)
And so along the wall, over the bridge,
By the straight cut to the convent. Six words there,
While I stood munching my first bread that month:
"So, boy, you're minded," quoth the good fat father
Wiping his own mouth, 'twas refection-time,--
"To quit this very miserable world?
Will you renounce" . . . "the mouthful of bread?" thought I;
By no means! Brief, they made a monk of me;
I did renounce the world, its pride and greed,
Palace, farm, villa, shop, and banking-house,
Trash, such as these poor devils of Medici
Have given their hearts to--all at eight years old.
Well, sir, I found in time, you may be sure,
'T#was not for nothing--the good bellyful,
The warm serge and the rope that goes all round,


And day-long blessed idleness beside!
"Let's see what the urchin's fit for"--that came next.
Not overmuch their way, I must confess.
Such a to-do! They tried me with their books:
Lord, they'd have taught me Latin in pure waste!
Flower o' the clove.
All the Latin I construe is, "amo" I love!
But, mind you, when a boy starves in the streets
Eight years together, as my fortune was,
Watching folk's faces to know who will fling
The bit of half-stripped grape-bunch he desires,
And who will curse or kick him for his pains,--
Which gentleman processional and fine,
Holding a candle to the Sacrament,
Will wink and let him lift a plate and catch
The droppings of the wax to sell again,
Or holla for the Eight and have him whipped,--
How say I?--nay, which dog bites, which lets drop
His bone from the heap of offal in the street,--
Why, soul and sense of him grow sharp alike,
He learns the look of things, and none the less
For admonition from the hunger-pinch.
I had a store of such remarks, be sure,
Which, after I found leisure, turned to use.
I drew men's faces on my copy-books,
Scrawled them within the antiphonary's marge,
Joined legs and arms to the long music-notes,
Found eyes and nose and chin for A's and B's,
And made a string of pictures of the world
Betwixt the ins and outs of verb and noun,
On the wall, the bench, the door. The monks looked black.
"Nay," quoth the Prior, "turn him out, d'ye say?
In no wise. Lose a crow and catch a lark.
What if at last we get our man of parts,
We Carmelites, like those Camaldolese
And Preaching Friars, to do our church up fine
And put the front on it that ought to be!"
And hereupon he bade me daub away.
Thank you! my head being crammed, the walls a blank,
Never was such prompt disemburdening.
First, every sort of monk, the black and white,
I drew them, fat and lean: then, folk at church,
From good old gossips waiting to confess
Their cribs of barrel-droppings, candle-ends,--
To the breathless fellow at the altar-foot,
Fresh from his murder, safe and sitting there
With the little children round him in a row
Of admiration, half for his beard and half
For that white anger of his victim's son
Shaking a fist at him with one fierce arm,
Signing himself with the other because of Christ
(Whose sad face on the cross sees only this


After the passion of a thousand years)
Till some poor girl, her apron o'er her head,
(Which the intense eyes looked through) came at eve
On tiptoe, said a word, dropped in a loaf,
Her pair of earrings and a bunch of flowers
(The brute took growling), prayed, and so was gone.
I painted all, then cried " `T#is ask and have;
Choose, for more's ready!"--laid the ladder flat,
And showed my covered bit of cloister-wall.
The monks closed in a circle and praised loud
Till checked, taught what to see and not to see,
Being simple bodies,--"That's the very man!
Look at the boy who stoops to pat the dog!
That woman's like the Prior's niece who comes
To care about his asthma: it's the life!''
But there my triumph's straw-fire flared and funked;
Their betters took their turn to see and say:
The Prior and the learned pulled a face
And stopped all that in no time. "How? what's here?
Quite from the mark of painting, bless us all!
Faces, arms, legs, and bodies like the true
As much as pea and pea! it's devil's-game!
Your business is not to catch men with show,
With homage to the perishable clay,
But lift them over it, ignore it all,
Make them forget there's such a thing as flesh.
Your business is to paint the souls of men--
Man's soul, and it's a fire, smoke . . . no, it's not . . .
It's vapour done up like a new-born babe--
(In that shape when you die it leaves your mouth)
It's . . . well, what matters talking, it's the soul!
Give us no more of body than shows soul!
Here's Giotto, with his Saint a-praising God,
That sets us praising--why not stop with him?
Why put all thoughts of praise out of our head
With wonder at lines, colours, and what not?
Paint the soul, never mind the legs and arms!
Rub all out, try at it a second time.
Oh, that white smallish female with the breasts,
She's just my niece . . . Herodias, I would say,--
Who went and danced and got men's heads cut off!
Have it all out!" Now, is this sense, I ask?
A fine way to paint soul, by painting body
So ill, the eye can't stop there, must go further
And can't fare worse! Thus, yellow does for white
When what you put for yellow's simply black,
And any sort of meaning looks intense
When all beside itself means and looks nought.
Why can't a painter lift each foot in turn,
Left foot and right foot, go a double step,
Make his flesh liker and his soul more like,
Both in their order? Take the prettiest face,


The Prior's niece . . . patron-saint--is it so pretty
You can't discover if it means hope, fear,
Sorrow or joy? won't beauty go with these?
Suppose I've made her eyes all right and blue,
Can't I take breath and try to add life's flash,
And then add soul and heighten them three-fold?
Or say there's beauty with no soul at all--
(I never saw it--put the case the same--)
If you get simple beauty and nought else,
You get about the best thing God invents:
That's somewhat: and you'll find the soul you have missed,
Within yourself, when you return him thanks.
"Rub all out!" Well, well, there's my life, in short,
And so the thing has gone on ever since.
I'm grown a man no doubt, I've broken bounds:
You should not take a fellow eight years old
And make him swear to never kiss the girls.
I'm my own master, paint now as I please--
Having a friend, you see, in the Corner-house!
Lord, it's fast holding by the rings in front--
Those great rings serve more purposes than just
To plant a flag in, or tie up a horse!
And yet the old schooling sticks, the old grave eyes
Are peeping o'er my shoulder as I work,
The heads shake still--"It's art's decline, my son!
You're not of the true painters, great and old;
Brother Angelico's the man, you'll find;
Brother Lorenzo stands his single peer:
Fag on at flesh, you'll never make the third!"
Flower o' the pine,
You keep your mistr ... manners, and I'll stick to mine!
I'm not the third, then: bless us, they must know!
Don't you think they're the likeliest to know,
They with their Latin? So, I swallow my rage,
Clench my teeth, suck my lips in tight, and paint
To please them--sometimes do and sometimes don't;
For, doing most, there's pretty sure to come
A turn, some warm eve finds me at my saints--
A laugh, a cry, the business of the world--
(Flower o' the peach
Death for us all, and his own life for each!)
And my whole soul revolves, the cup runs over,
The world and life's too big to pass for a dream,
And I do these wild things in sheer despite,
And play the fooleries you catch me at,
In pure rage! The old mill-horse, out at grass
After hard years, throws up his stiff heels so,
Although the miller does not preach to him
The only good of grass is to make chaff.
What would men have? Do they like grass or no--
May they or mayn't they? all I want's the thing
Settled for ever one way. As it is,


You tell too many lies and hurt yourself:
You don't like what you only like too much,
You do like what, if given you at your word,
You find abundantly detestable.
For me, I think I speak as I was taught;
I always see the garden and God there
A-making man's wife: and, my lesson learned,
The value and significance of flesh,
I can't unlearn ten minutes afterwards.
You understand me: I'm a beast, I know.
But see, now--why, I see as certainly
As that the morning-star's about to shine,
What will hap some day. We've a youngster here
Comes to our convent, studies what I do,
Slouches and stares and lets no atom drop:
His name is Guidi--he'll not mind the monks--
They call him Hulking Tom, he lets them talk--
He picks my practice up--he'll paint apace.
I hope so--though I never live so long,
I know what's sure to follow. You be judge!
You speak no Latin more than I, belike;
However, you're my man, you've seen the world
--The beauty and the wonder and the power,
The shapes of things, their colours, lights and shades,
Changes, surprises,--and God made it all!
--For what? Do you feel thankful, ay or no,
For this fair town's face, yonder river's line,
The mountain round it and the sky above,
Much more the figures of man, woman, child,
These are the frame to? What's it all about?
To be passed over, despised? or dwelt upon,
Wondered at? oh, this last of course!--you say.
But why not do as well as say,--paint these
Just as they are, careless what comes of it?
God's works--paint any one, and count it crime
To let a truth slip. Don't object, "His works
Are here already; nature is complete:
Suppose you reproduce her--(which you can't)
There's no advantage! you must beat her, then."
For, don't you mark? we're made so that we love
First when we see them painted, things we have passed
Perhaps a hundred times nor cared to see;
And so they are better, painted--better to us,
Which is the same thing. Art was given for that;
God uses us to help each other so,
Lending our minds out. Have you noticed, now,
Your cullion's hanging face? A bit of chalk,
And trust me but you should, though! How much more,
If I drew higher things with the same truth!
That were to take the Prior's pulpit-place,
Interpret God to all of you! Oh, oh,
It makes me mad to see what men shall do


And we in our graves! This world's no blot for us,
Nor blank; it means intensely, and means good:
To find its meaning is my meat and drink.
"Ay, but you don't so instigate to prayer!"
Strikes in the Prior: "when your meaning's plain
It does not say to folk--remember matins,
Or, mind you fast next Friday!" Why, for this
What need of art at all? A skull and bones,
Two bits of stick nailed crosswise, or, what's best,
A bell to chime the hour with, does as well.
I painted a Saint Laurence six months since
At Prato, splashed the fresco in fine style:
"How looks my painting, now the scaffold's down?"
I ask a brother: "Hugely," he returns--
"Already not one phiz of your three slaves
Who turn the Deacon off his toasted side,
But's scratched and prodded to our heart's content,
The pious people have so eased their own
With coming to say prayers there in a rage:
We get on fast to see the bricks beneath.
Expect another job this time next year,
For pity and religion grow i' the crowd--
Your painting serves its purpose!" Hang the fools!
--That is--you'll not mistake an idle word
Spoke in a huff by a poor monk, God wot,
Tasting the air this spicy night which turns
The unaccustomed head like Chianti wine!
Oh, the church knows! don't misreport me, now!
It's natural a poor monk out of bounds
Should have his apt word to excuse himself:
And hearken how I plot to make amends.
I have bethought me: I shall paint a piece
... There's for you! Give me six months, then go, see
Something in Sant' Ambrogio's! Bless the nuns!
They want a cast o' my office. I shall paint
God in the midst, Madonna and her babe,
Ringed by a bowery, flowery angel-brood,
Lilies and vestments and white faces, sweet
As puff on puff of grated orris-root
When ladies crowd to Church at midsummer.
And then i' the front, of course a saint or two--
Saint John' because he saves the Florentines,
Saint Ambrose, who puts down in black and white
The convent's friends and gives them a long day,
And Job, I must have him there past mistake,
The man of Uz (and Us without the z,
Painters who need his patience). Well, all these
Secured at their devotion, up shall come
Out of a corner when you least expect,
As one by a dark stair into a great light,
Music and talking, who but Lippo! I!--
Mazed, motionless, and moonstruck--I'm the man!


Back I shrink--what is this I see and hear?
I, caught up with my monk's-things by mistake,
My old serge gown and rope that goes all round,
I, in this presence, this pure company!
Where's a hole, where's a corner for escape?
Then steps a sweet angelic slip of a thing
Forward, puts out a soft palm--"Not so fast!"
--Addresses the celestial presence, "nay--
He made you and devised you, after all,
Though he's none of you! Could Saint John there draw--
His camel-hair make up a painting brush?
We come to brother Lippo for all that,
Iste perfecit opus! So, all smile--
I shuffle sideways with my blushing face
Under the cover of a hundred wings
Thrown like a spread of kirtles when you're gay
And play hot cockles, all the doors being shut,
Till, wholly unexpected, in there pops
The hothead husband! Thus I scuttle off
To some safe bench behind, not letting go
The palm of her, the little lily thing
That spoke the good word for me in the nick,
Like the Prior's niece . . . Saint Lucy, I would say.
And so all's saved for me, and for the church
A pretty picture gained. Go, six months hence!
Your hand, sir, and good-bye: no lights, no lights!
The street's hushed, and I know my own way back,
Don't fear me! There's the grey beginning. Zooks!

I hold it the duty of one who is gifted
And specially dowered I all men’s sight,

To know no rest till his life is lifted
Fully up to his great gifts’ height.

He must mould the man into rare completeness,
For gems are only in gold refined.

He must fashion his thoughts into perfect sweetness,
And cast out folly and pride from his mind.

For he who drinks from a god’s gold fountain
Of art of music or rhythmic song

Must sift from his soul the chaff of malice,
And weed from his heart the roots of wrong.

Great gifts should be worn, like a crown befitting,
And not like gems in a beggar’s hands!

And the toil must be constant and unremitting
Which lifts up the king to the crown’s demands.

Ah! What avails the classic bent
And what the cultured word,
Against the undoctored incident
That actually occurred?
And what is Art whereto we press
Through paint and prose and rhyme--
When Nature in her nakedness
Defeats us every time?
It is not learning, grace nor gear,
Nor easy meat and drink,
But bitter pinch of pain and fear
That makes creation think.
When in this world's unpleasing youth
Our godlike race began,
The longest arm, the sharpest tooth,
Gave man control of man;
Till, bruised and bitten to the bone
And taught by pain and fear,
He learned to deal the far-off stone,
And poke the long, safe spear.
So tooth and nail were obsolete
As means against a foe,
Till, bored by uniform defeat,
Some genius built the bow.
Then stone and javelin proved as vain
As old-time tooth and nail;
Till, spurred anew by fear and pain,
Man fashioned coats of mail.
Then was there safety for the rich
And danger for the poor,
Till someone mixed a powder which
Redressed the scale once more.
Helmet and armour disappeared
With sword and bow and pike,
And, when the smoke of battle cleared,
All men were armed alike. . . .
And when ten million such were slain
To please one crazy king,
Man, schooled in bulk by fear and pain,
Grew weary of the thing;


And, at the very hour designed,
To enslave him past recall,
His tooth-stone-arrow-gun-shy mind
Turned and abolished all.
All Power, each Tyrant, every Mob
Whose head has grown too large,
Ends by destroying its own job
And works its own discharge;
And Man, whose mere necessities
Move all things from his path,
Trembles meanwhile at their decrees,
And deprecates their wrath!

I wanted a man’s face looking into the jaws and throat of life
With something proud on his face, so proud no smash of the jaws,
No gulp of the throat leaves the face in the end
With anything else than the old proud look:
Even to the finish, dumped in the dust,
Lost among the used-up cinders,
This face, men would say, is a flash,
Is laid on bones taken from the ribs of the earth,
Ready for the hammers of changing, changing years,
Ready for the sleeping, sleeping years of silence.
Ready for the dust and fire and wind.
I wanted this face and I saw it today in an Aztec mask.
A cry out of storm and dark, a red yell and a purple prayer,
A beaten shape of ashes
waiting the sunrise or night,
something or nothing,
proud-mouthed,
proud-eyed gambler.

The fair was on before the temple.
It had rained from the early morning
and the day came to its end.

Brighter than all the gladness of
the crowd was the bright smile of
a girl who bought for a farthing a
whistle of palm leaf.

The shrill joy of that whistle floated
above all laughter and noise.

An endless throng of people came
and jostled together. The road was
muddy, the river in flood, the field
under water in ceaseless rain.

Greater than all the troubles of
the crowd was a little boy's trouble-he
had not a farthing to buy a painted
stick.

His wistful eyes gazing at the shop
made this whole meeting of men so
pitiful.

O MATER! O fils!

O brood continental!

O flowers of the prairies!

O space boundless! O hum of mighty products!

O you teeming cities! O so invincible, turbulent, proud!

O race of the future! O women!

O fathers! O you men of passion and the storm!

O native power only! O beauty!

O yourself! O God! O divine average!

O you bearded roughs! O bards! O all those slumberers!

O arouse! the dawn bird's throat sounds shrill! Do you not hear the

cock crowing?

O, as I walk'd the beach, I heard the mournful notes foreboding a

tempest--the low, oft-repeated shriek of the diver, the long


lived loon;

O I heard, and yet hear, angry thunder;--O you sailors! O ships! make

quick preparation!

O from his masterful sweep, the warning cry of the eagle!

(Give way there, all! It is useless! Give up your spoils;)

O sarcasms! Propositions! (O if the whole world should prove indeed a

sham, a sell!)

O I believe there is nothing real but America and freedom!

O to sternly reject all except Democracy!

O imperator! O who dare confront you and me?

O to promulgate our own! O to build for that which builds for

mankind!

O feuillage! O North! O the slope drained by the Mexican sea!

O all, all inseparable--ages, ages, ages!

O a curse on him that would dissever this Union for any reason

whatever!

O climates, labors! O good and evil! O death!

O you strong with iron and wood! O Personality!

O the village or place which has the greatest man or woman! even if

it be only a few ragged huts;

O the city where women walk in public processions in the streets, the

same as the men;

O a wan and terrible emblem, by me adopted!

O shapes arising! shapes of the future centuries!

O muscle and pluck forever for me!

O workmen and workwomen forever for me!

O farmers and sailors! O drivers of horses forever for me!

O I will make the new bardic list of trades and tools!

O you coarse and wilful! I love you!

O South! O longings for my dear home! O soft and sunny airs!

O pensive! O I must return where the palm grows and the mocking-bird

sings, or else I die!

O equality! O organic compacts! I am come to be your born poet!

O whirl, contest, sounding and resounding! I am your poet, because I

am part of you;

O days by-gone! Enthusiasts! Antecedents!

O vast preparations for These States! O years!

O what is now being sent forward thousands of years to come!


O mediums! O to teach! to convey the invisible faith!

To promulge real things! to journey through all The States!

O creation! O to-day! O laws! O unmitigated adoration!

O for mightier broods of orators, artists, and singers!

O for native songs! carpenter's, boatman's, ploughman's songs!

shoemaker's songs!

O haughtiest growth of time! O free and extatic!

O what I, here, preparing, warble for!

O you hastening light! O the sun of the world will ascend, dazzling,

and take his height--and you too will ascend;

O so amazing and so broad! up there resplendent, darting and

burning;

O prophetic! O vision staggered with weight of light! with pouring

glories!

O copious! O hitherto unequalled!

O Libertad! O compact! O union impossible to dissever!

O my Soul! O lips becoming tremulous, powerless!

O centuries, centuries yet ahead!

O voices of greater orators! I pause--I listen for you

O you States! Cities! defiant of all outside authority! I spring at

once into your arms! you I most love!

O you grand Presidentiads! I wait for you!

New history! New heroes! I project you!

Visions of poets! only you really last! O sweep on! sweep on!

O Death! O you striding there! O I cannot yet!

O heights! O infinitely too swift and dizzy yet!

O purged lumine! you threaten me more than I can stand!

O present! I return while yet I may to you!

O poets to come, I depend upon you!

No more noisy, loud words from me---such is my master's will.
Henceforth I deal in whispers.
The speech of my heart will be carried on in murmurings of a song.


Men hasten to the King's market. All the buyers and sellers are there.
But I have my untimely leave in the middle of the day, in the thick of work.


Let then the flowers come out in my garden, though it is not their time;
and let the midday bees strike up their lazy hum.


Full many an hour have I spent in the strife of the good and the evil,
but now it is the pleasure of my playmate of the empty days to draw my heart on to
him;
and I know not why is this sudden call to what useless inconsequence!

Now this is the tale of the Council the German Kaiser decreed,
To ease the strong of their burden, to help the weak in their need,
He sent a word to the peoples, who struggle, and pant, and sweat,
That the straw might be counted fairly and the tally of bricks be set.
The Lords of Their Hands assembled; from the East and the West they drew --
Baltimore, Lille, and Essen, Brummagem, Clyde, and Crewe.
And some were black from the furnace, and some were brown from the soil,
And some were blue from the dye-vat; but all were wearied of toil.
And the young King said: -- "I have found it, the road to the rest ye seek:
The strong shall wait for the weary, the hale shall halt for the weak;
With the even tramp of an army where no man breaks from the line,
Ye shall march to peace and plenty in the bond of brotherhood -- sign!"
The paper lay on the table, the strong heads bowed thereby,
And a wail went up from the peoples: -- "Ay, sign -- give rest, for we die!"
A hand was stretched to the goose-quill, a fist was cramped to scrawl,
When -- the laugh of a blue-eyed maiden ran clear through the council-hall.
And each one heard Her laughing as each one saw Her plain --
Saidie, Mimi, or Olga, Gretchen, or Mary Jane.
And the Spirit of Man that is in Him to the light of the vision woke;
And the men drew back from the paper, as a Yankee delegate spoke: --
"There's a girl in Jersey City who works on the telephone;
We're going to hitch our horses and dig for a house of our own,
With gas and water connections, and steam-heat through to the top;
And, W. Hohenzollern, I guess I shall work till I drop."
And an English delegate thundered: -- "The weak an' the lame be blowed!
I've a berth in the Sou'-West workshops, a home in the Wandsworth Road;
And till the 'sociation has footed my buryin' bill,
I work for the kids an' the missus. Pull up? I be damned if I will!"
And over the German benches the bearded whisper ran: --
"Lager, der girls und der dollars, dey makes or dey breaks a man.
If Schmitt haf collared der dollars, he collars der girl deremit;
But if Schmitt bust in der pizness, we collars der girl from Schmitt."
They passed one resolution: -- "Your sub-committee believe
You can lighten the curse of Adam when you've lightened the curse of Eve.
But till we are built like angels, with hammer and chisel and pen,
We will work for ourself and a woman, for ever and ever, amen."
Now this is the tale of the Council the German Kaiser held --
The day that they razored the Grindstone, the day that the Cat was belled,
The day of the Figs from Thistles, the day of the Twisted Sands,
The day that the laugh of a maiden made light of the Lords of Their Hands.

This is the sorrowful story
Told when the twilight fails
And the monkeys walk together
Holding their neighbours' tails: --
"Our fathers lived in the forest,
Foolish people were they,
They went down to the cornland
To teach the farmers to play.
"Our fathers frisked in the millet,
Our fathers skipped in the wheat,
Our fathers hung from the branches,
Our fathers danced in the street.
"Then came the terrible farmers,
Nothing of play they knew,
Only. . .they caught our fathers
And set them to labour too!
"Set them to work in the cornland
With ploughs and sickles and flails,
Put them in mud-walled prisons
And -- cut off their beautiful tails!
"Now, we can watch our fathers,
Sullen and bowed and old,
Stooping over the millet,
Sharing the silly mould,
"Driving a foolish furrow,
Mending a muddy yoke,
Sleeping in mud-walled prisons,
Steeping their food in smoke.
"We may not speak to our fathers,
For if the farmers knew
They would come up to the forest
And set us to labour too."
This is the horrible story
Told as the twilight fails
And the monkeys walk together
Holding their kinsmen's tails.
II
'Twas when the rain fell steady an' the Ark was pitched an' ready,
That Noah got his orders for to take the bastes below;
He dragged them all together by the horn an' hide an' feather,
An' all excipt the Donkey was agreeable to go.


Thin Noah spoke him fairly, thin talked to him sevarely,
An' thin he cursed him squarely to the glory av the Lord: --
"Divil take the ass that bred you, and the greater ass that fed you --
Divil go wid you, ye spalpeen!" an' the Donkey went aboard.
But the wind was always failin', an' 'twas most onaisy sailin',
An' the ladies in the cabin couldn't stand the stable air;
An' the bastes betwuxt the hatches, they tuk an' died in batches,
Till Noah said: -- "There's wan av us that hasn't paid his fare!"
For he heard a flusteration 'mid the bastes av all creation --
The trumpetin' av elephints an' bellowin' av whales;
An' he saw forninst the windy whin he wint to stop the shindy
The Divil wid a stable-fork bedivillin' their tails.
The Divil cursed outrageous, but Noah said umbrageous: --
"To what am I indebted for this tenant-right invasion?"
An' the Divil gave for answer: -- "Evict me if you can, sir,
For I came in wid the Donkey -- on Your Honour's invitation."

Loquitur: En Bertrans de Born.
Dante Alighieri put this man in hell for that he was a
stirrer-up of strife.
Eccovi!
Judge ye!
Have I dug him up again?
The scene in at his castle, Altaforte. "Papiols" is his jongleur.
"The Leopard," the device of Richard (Cúur de Lion).


I


Damn it all! all this our South stinks peace.
You whoreson dog, Papiols, come! Let's to music!
I have no life save when the swords clash.
But ah! when I see the standards gold, vair, purple, opposing
And the broad fields beneath them turn crimson,
Then howl I my heart nigh mad with rejoicing.


II


In hot summer have I great rejoicing
When the tempests kill the earth's foul peace,
And the lightnings from black heav'n flash crimson,
And the fierce thunders roar me their music
And the winds shriek through the clouds mad, opposing,
And through all the riven skies God's swords clash.


III


Hell grant soon we hear again the swords clash!
And the shrill neighs of destriers in battle rejoicing,
Spiked breast to spiked breast opposing!
Better one hour's stour than a year's peace
With fat boards, bawds, wine and frail music!
Bah! there's no wine like the blood's crimson!


IV


And I love to see the sun rise blood-crimson.
And I watch his spears through the dark clash
And it fills all my heart with rejoicing
And pries wide my mouth with fast music
When I see him so scorn and defy peace,
His lone might 'gainst all darkness opposing.


V


The man who fears war and squats opposing
My words for stour, hath no blood of crimson
But is fit only to rot in womanish peace
Far from where worth's won and the swords clash
For the death of such sluts I go rejoicing;



Yea, I fill all the air with my music.


VI


Papiols, Papiols, to the music!
There's no sound like to swords swords opposing,
No cry like the battle's rejoicing
When our elbows and swords drip the crimson
And our charges 'gainst "The Leopard's" rush clash.
May God damn for ever all who cry "Peace!"


VII


And let the music of the swords make them crimson!
Hell grant soon we hear again the swords clash!
Hell blot black for always the thought "Peace!"

A.D. -
It is always a temptation to an armed and agile nation
To call upon a neighbour and to say:--
"We invaded you last night--we are quite prepared to fight,
Unless you pay us cash to go away."
And that is called asking for Dane-geld,
And the people who ask it explain
That you've only to pay 'em the Dane-geld
And then you'll get rid of the Dane!
It is always a temptation for a reach and lazy nation,
To puff and look important and to say:--
"Though we know we should defeat you, we have not the
time to meet you.
We will therefore pay you cash to go away."
And that is called paying the Dane-geld;
But we've proved it again and again,
That if once you have paid him the Dane-geld
You never get rid of the Dane.
It is wrong to put temptation in the path of any nation,
For fear they should succumb and go astray;
So when you are requested to pay up or be molested,
You will find it better policy to say:--
"We never pay any-one Dane-geld,
No matter how trifling the cost;
For the end of that game is oppression and shame,
And the nation that plays it is lost!"

An old, mad, blind, despised, and dying king,--
Princes, the dregs of their dull race, who
Through public scorn,--mud from a muddy spring,--
Rulers who neither see, nor feel, nor know,
But leech-like to their fainting country cling,
Till they drop, blind in blood, without a blow,--
A people starved and stabbed in the untilled field,--
An army, which liberticide and prey
Makes as a two-edged sword to all who wield,--
Golden and sanguine laws which tempt and slay;
Religion Christless, Godless--a book sealed;
A Senate, Time's worst statute unrepealed,--
Are graves, from which a glorious Phantom may
Burst, to illumine our tempestuous day.

North country scene:
A hundred leagues locked in ice,
A thousand leagues of whirling snow.
Both sides of the Great Wall
One single white immensity.
The Yellow River's swift current
Is stilled from end to end.
The mountains dance like silver snakes
And the highlands* charge like wax-hued elephants,
Vying with heaven in stature.
On a fine day, the land,
Clad in white, adorned in red,
Grows more enchanting.


This land so rich in beauty
Has made countless heroes bow in homage.
But alas! Chin Shih-huang and Han Wu-ti
Were lacking in literary grace,
And Tang Tai-tsung and Sung Tai-tsu
Had little poetry in their souls;
And Genghis Khan,
Proud Son of Heaven for a day,
Knew only shooting eagles, bow outstretched
All are past and gone!
For truly great men
Look to this age alone.

The sun descending in the west,
The evening star does shine;
The birds are silent in their nest,
And I must seek for mine.
The moon, like a flower,
In heaven's high bower,
With silent delight
Sits and smiles on the night.
Farewell, green fields and happy groves,
Where flocks have took delight.
Where lambs have nibbled, silent moves
The feet of angels bright;
Unseen they pour blessing,
And joy without ceasing,
On each bud and blossom,
And each sleeping bosom.
They look in every thoughtless nest,
Where birds are covered warm;
They visit caves of every beast,
To keep them all from harm.
If they see any weeping
That should have been sleeping,
They pour sleep on their head,
And sit down by their bed.
When wolves and tigers howl for prey,
They pitying stand and weep;
Seeking to drive their thirst away,
And keep them from the sheep.
But if they rush dreadful,
The angels, most heedful,
Receive each mild spirit,
New worlds to inherit.
And there the lion's ruddy eyes
Shall flow with tears of gold,
And pitying the tender cries,
And walking round the fold,
Saying, 'Wrath, by His meekness,
And, by His health, sickness
Is driven away
From our immortal day.
'And now beside thee, bleating lamb,
I can lie down and sleep;
Or think on Him who bore thy name,
Graze after thee and weep.
For, washed in life's river,
My bright mane for ever
Shall shine like the gold


As I guard o'er the fold.'

JOHN ADAMS lies here, of the parish of Southwell,
A Carrier who carried his can to his mouth well:
He carried so much, and he carried so fast,
He could carry no more‑so was carried at last;
For, the liquor he drank, being too much for one,
He could not carry off,so
he's now carrion.

XII. On the same.
I did but prompt the age to quit their cloggs
By the known rules of antient libertie,
When strait a barbarous noise environs me
Of Owles and Cuckoes, Asses, Apes and Doggs.
As when those Hinds that were transform'd to Froggs
Raild at Latona's twin-born progenie
Which after held the Sun and Moon in fee.
But this is got by casting Pearl to Hoggs;
That bawle for freedom in their senceless mood,
And still revolt when truth would set them free.
Licence they mean when they cry libertie;
For who loves that, must first be wise and good;
But from that mark how far they roave we see
For all this wast of wealth, and loss of blood.

NOW all the truth is out,
Be secret and take defeat
From any brazen throat,
For how can you compete,
Being honour bred, with one
Who, were it proved he lies,
Were neither shamed in his own
Nor in his neighbours' eyes?
Bred to a harder thing
Than Triumph, turn away
And like a laughing string
Whereon mad fingers play
Amid a place of stone,
Be secret and exult,
Because of all things known
That is most difficult.

When a woman looks up at you with a twist about her eyes,
And her brows are half uplifted in a nicely feigned surprise
As you breathe some pretty sentence, though she hates you all the while,
She is very apt to stun you with a made to order smile.
It's a sublte combination of a sneer and a caress,
With a dash of warmth thrown in to relieve its iciness,
And she greets you when she meets you with that look as if a file
Had been used to fix and fashion out the made to order smile.
I confess that I'm eccentric and am not a woman's man,
For they seem to be constructed on the bunko fakir plan,
And it somehow sets me thinking that her heart is full of guile
When a woman looks up at me with a made to order smile.
Now, all maidens, young and aged, hear the lesson I would teach:
Ye who meet us in the ballroom, ye who meet us at the beach,
Pray consent to try and charm us by some other sort of wile
And relieve us from the burden of that made to order smile.

Jack Barrett went to Quetta
Because they told him to.
He left his wife at Simla
On three-fourths his monthly screw.
Jack Barrett died at Quetta
Ere the next month's pay he drew.
Jack Barrett went to Quetta.
He didn't understand
The reason of his transfer
From the pleasant mountain-land.
The season was September,
And it killed him out of hand.
Jack Barrett went to Quetta
And there gave up the ghost,
Attempting two men's duty
In that very healthy post;
And Mrs. Barrett mourned for him
Five lively months at most.
Jack Barrett's bones at Quetta
Enjoy profound repose;
But I shouldn't be astonished
If now his spirit knows
The reason of his transfer
From the Himalayan snows.
And, when the Last Great Bugle Call
Adown the Hurnai throbs,
And the last grim joke is entered
In the big black Book of Jobs.
And Quetta graveyards give again
Their victims to the air,
I shouldn't like to be the man
Who sent Jack Barrett there.

'It is the voice of years that are gone!
they roll before me with all their deeds.' — OSSIAN


Newstead! fastfalling,
onceresplendent
dome!
Religion's shrine! repentant HENRY's pride!
Of warriors, monks, and dames the cloister'd tomb,
Whose pensive shades around thy ruins glide,
Hail to thy pile! more honour'd in thy fall
Than modern mansions in their pillar'd state;
Proudly majestic frowns thy vaulted hall,
Scowling defiance on the blasts of fate.


No mailclad
serfs, obedient to their lord,
In grim array the crimson cross demand;
Or gay assemble round the festive board
Their chief's retainers, an immortal band:


Else might inspiting Fancy's magic eye
Retrace their progress through the lapse of time,
Marking each ardent youth, ordaln'd to die,
A votive pilgrim in Judea's clime.


But not from thee, dark pile! departs the chief;
His feudal realm in other regions lay:
In thee the wounded conscience courts relief,
Retiring from the garish blare of day.


Yes! in thy gloomy cells and shades profound
The monk abjured a world he ne'er could view;
Or bloodstain'd
guilt repenting solace found,
Or innocence from stern oppression flew.


A monarch bade thee from that wild arise,
Where Sherwood's outlaws once were wont to prowl;
And Superstition's crimes, of various dyes,
Sought shelter in the priest's protecting cowl.


Where now the grass exhales a murky dew,
The humid pail of lifeextinguish'd
clay,
In sainted fame the sacred fathers grew,
Nor raised their pious voices but to pray.


Where now the bats their wavering wings extend
Soon as the gloaming spreads her waning shade,
The choir did oft their mingling vespers blend,
Or matin orisons to Mary pald.


Years roll on years; to ages, ages yield;
Abbots to abbots, in a line, succeed;
Religion's charter their protecting shield,
Till royal sacrilege their doom decreed,



One holy HENRY rear'd the Gothic walls,
And bade the pious inmates rest in peace
Another HENRY the kind gift recalls,
And bids devotion's hallow'd echos cease.


Vain is each threat or supplicating prayer;
He drives them exiles from their blest abode,
To roam a dreary world in deep despair —
No friend, no home, no refuge, but their God.


Hark how the hall, resounding to the strain
Shakes with the martial music's novel din!
The heralds of a warrior's haughty reign,
High crested banners wave thy wails within.


Of changing sentinels the distant hum,
The mirth of feasts, the clang of burnish'd arms,
The braying trumpet and the hoarser drum,
Unite in concert with increased alarms.


An abbey once, a regal fortress now,
Encircled by insulting rebel powers,
War's dread machines o'erhang thy threat'ning brow,
And dart destruction in sulphureous showers.


Ah vain defence! the hostile traitor's siege,
Though oft repulsed, by guile o'ercomes
the brave;
His thronging foes oppress the faithful liege,
Rebellion's reeking standards o'er him wave.


Not unavenged the raging baron yields;
The blood of traitors smears the purple plain
Unconqu'r'd still, his falchion there he wields,
And days of glory yet for him remain.


Still in that hour the warrior wish'd to strew
Selfgather'd
laurel on a selfsought
grave;
But Charles' protecting genius hither flew,
The monarch's friend, the monarch's hope, to save.


Trembling, she snatch'd him ftom th' unequal strife,
In other fields the torrent to repel;
For nobler combats, here reservedhis life,
To lead the hand where godlike FALKLAND fell
From thee, poor pile! to lawless plunder given,
While dying groans their painful requiem sound,
Far different incense now ascends to heaven,
Such victims wallow on the gory ground.


There many a pale and ruthless robber's corse,
Noisome and ghast, defiles thy sacred sod;
O'er mingling man, and horse commix'd with horse,



Corruption's heap, the savage spoilers trod.


Graves, long with rank and sighing weeds o'erspread,
Ransack'd, resign perforce their mortal mould:
From ruffian fangs escape not e'en the dead,
Raked from repose in search of buried gold.


Hush'd is the harp, unstrung the warlike lyre'
The minstrel's palsied hand reclines in death;
No more he strikes the quivering chords with fire,
Or sings the glories of the martial wreath.


At length the sated murderers, gorged with prey,
Retire: the clamour of the fight is o'er;
Silence again resumes her awful sway,
And sable Horror guards the massy door.


Here Desolation holds her dreary court:
What satellites declare her dismal reign!
Shrieking their dirge, illomen'd
birds resort,
To flit their vigils in the hoary fane.


Soon a new morn's restoring beams dispel
The clouds of anarchy from Britain's skies;
The fierce usurper seeks his native hell,
And Nature triumphs as the tyrant dies.


With storms she welcomes his expiring groans
Whirlwinds, responsive, greet his labouring breath;
Earth shudders as her caves receive his bones,
Loathing the offering of so dark a death.


The legal ruler now resumes the helm,
He guides through gentle seas the prow of state
Hope cheers, with wonted smiles, the peaceful realm,
And heals the bleeding wounds of wearied hate.


The gloomy tenants, Newstead! of thy cells,
Howling, resign their violated nest;
Again the master on his tenure dwells,
Enjoy'd, from absence, with enraptured zest.


Vassals, within thy hospitable pale,
Loudly carousing, bless their lord's return.
Culture again adorns the gladdening vale,
And matrons, once lamenting, cease to mourn.


A thousand songs on tuneful echo float,
Unwonted foliage mantles o'er the trees;
And hark! the horns proclalm a mellow note,
The hunters' cry hangs lengthening on the breeze.



Beneath their coursers' hoofs the valleys shake:
What fears, what anxious hopes attend the chase!
The dying stag seeks refuge in the lake;
Exulting shouts announce the finish'd race.


Ah happy days! too happy to endure!
Such simple sports our plain forefathers knew
No splendid vices glitter'd to allure;
Their joys were many, as their cares were few.


From these descending, sons to sires succeed
Time steals along, and Death uprears the dart;
Another chief impels the foaming steed,
Another crowd pursue the panting hart.


Newstead! what saddening change of scene is thine!
Thy yawning arch betokens slow decay;
The last and youngest of a noble line
Now holds thy mouldering turrets in his sway.


Deserted now, he scans thy gray worn towers;
Thy vaults, where dead of feudal ages sleep;
Thy cloisters, pervious to the wintry showers
These, these he views, and views them but to weep.


Yet are his tears no emblem of regret:
Cherish'd affection only bids them flow.
Pride, hope, and love forbid him to forget
But warm his bosom with irnpassion'd glow.


Yet he prefers thee to the gilded domes
Or gewgaw grottos of the vainly great,
Yet lingers 'mid thy damp and mossy tombs,
Nor breathes a murmur 'gainst the will of fate.


Haply thy sun, emerging, yet may shine,
Thee to irradiate with meridian ray;
Hours splendid as the past may still be thine,
And bless thy future as thy former day.

With the curved smile on your tender lips, O crescent, is it a crooked suggestion?
Are you looking for companions to join you to loot every home in desperation?


As if at the command of Allah you are proclaiming from the sky,
O martyrs, why the rich do not pay zakat any more - ask, ask them why?


In surplus of these wealthy and rich, there is definitely a right
of all those hungry and deprived: this is Allah's message, so clear and trite.


Take away their surplus and their undeserving wealth; yes, take away!
You will be fulfilling a divine command, who stands in the way?


Why are you like living dead, imprisoned by powerlessness or decrepitude,
The plate of food rests close to you, yet why embracing death in hunger is your
attitude?


Have you no courage to extend your hand! Is your hand disabled or feeble?
I am, the bandit, here to collect the poor-due; get up and join me, don't quibble!


I have brought the message of Allah through the Eid's crescent that shines above,
We will break our fast with all those treasured surplus during this Ramadan - a month
we all love.


Everyone will eat and satisfy their hunger during this Eid celebration,
Don't despair and resign; rather loot your share of the blessings of God in rightful
jubilation.


[Original: Sharbohara (eid) by Kazi Nazrul Islam; Translation: Mohammad Omar
Farooq]

Valour and Innocence
Have latterly gone hence
To certain death by certain shame attended.
Envy--ah! even to tears! --
The fortune of their years
Which, though so few, yet so divinely ended.
Scarce had they lifted up
Life's full and fiery cup,
Than they had set it down untouched before them.
Before their day arose
They beckoned it to close--
Close in confusion and destruction o'er them.
They did not stay to ask
What prize should crown their task--
Well sure that prize was such as no man strives for;
But passed into eclipse,
Her kiss upon their lips--
Even Belphoebe's, whom they gave their lives for!