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Friendship

Johann Wolfgang von Goethe

Johann Wolfgang von Goethe

To Charlotte

'MIDST the noise of merriment and glee,

'Midst full many a sorrow, many a care,
Charlotte, I remember, we remember thee,
How, at evening's hour so fair,

Thou a kindly hand didst reach us,
When thou, in some happy place
Where more fair is Nature s face,
Many a lightly-hidden trace


Of a spirit loved didst teach us.
Well 'tis that thy worth I rightly knew,--
That I, in the hour when first we met,
While the first impression fill'd me yet,


Call'd thee then a girl both good and true.
Rear'd in silence, calmly, knowing nought,
On the world we suddenly are thrown;


Hundred thousand billows round us sport;


All things charm us--many please alone,
Many grieve us, and as hour on hour is stealing,
To and fro our restless natures sway;


First we feel, and then we find each feeling
By the changeful world-stream borne away.
Well I know, we oft within us find
Many a hope and many a smart.


Charlotte, who can know our mind?


Charlotte, who can know our heart?
Ah! 'twould fain be understood, 'twould fain o'erflow
In some creature's fellow-feelings blest,


And, with trust, in twofold measure know
All the grief and joy in Nature's breast.
Then thine eye is oft around thee cast,
But in vain, for all seems closed for ever.

Thus the fairest part of life is madly pass'd


Free from storm, but resting never:

To thy sorrow thou'rt to-day repell'd
By what yesterday obey'd thee.
Can that world by thee be worthy held

Which so oft betray'd thee?
Which, 'mid all thy pleasures and thy pains,
Lived in selfish, unconcern'd repose?


See, the soul its secret cells regains,


And the heart--makes haste to close.
Thus found I thee, and gladly went to meet thee;
"She's worthy of all love!" I cried,


And pray'd that Heaven with purest bliss might greet thee,
Which in thy friend it richly hath supplied.
419
Ella Wheeler Wilcox

Ella Wheeler Wilcox

Leudeman's-on-the-River

Toward even when the day leans down,
To kiss the upturned face of night,
Out just beyond the loud-voiced town
I know a spot of calm delight.
Like crimson arrows from a quiver
The red rays pierce the water flowing,
While we go dreaming, singing, rowing,
To Leudeman's-on-the-River.


The hills, like some glad mocking-bird,
Send back our laughter and our singing,
While faint--and yet more faint is heard
The steeple bells all sweetly ringing.
Some message did the winds deliver
To each glad heart that August night,
All heard, but all heard not aright;
By Leudeman's-on-the-River.


Night falls as in some foreign clime,
Between the hills that slope and rise.
So dusk the shades at landing time,
We could not see each other's eyes.
We only saw the moonbeams quiver
Far down upon the stream! that night
The new moon gave but little light
By Leudeman's-on-the-River.


How dusky were those paths that led
Up from the river to the hall.
The tall trees branching overhead
Invite the early shades that fall.
In all the glad blithe world, oh, never
Were hearts more free from care than when
We wandered through those walks, we ten,
By Leudeman's-on-the-River.


So soon, so soon, the changes came.
This August day we two alone,
On that same river, not the same,
Dream of a night forever flown.
Strange distances have come to sever
The hearts that gayly beat in pleasure,
Long miles we cannot cross or measure--
From Leudeman's-on-the-River.


We'll pluck two leaves, dear friend, to-day.
The green, the russet! seems it strange
So soon, so soon, the leaves can change!
Ah, me! so runs all night away
This night wind chills me, and I shiver;
The summer time is almost past.
One more good-bye--perhaps the last



To Leudeman's-on-the-River.
416
William Butler Yeats

William Butler Yeats

The Municipal Gallery Revisited

AROUND me the images of thirty years:
An ambush; pilgrims at the water-side;
Casement upon trial, half hidden by the bars,
Guarded; Griffith staring in hysterical pride;
Kevin O'Higgins' countenance that wears
A gentle questioning look that cannot hide
A soul incapable of remorse or rest;
A revolutionary soldier kneeling to be blessed;
An Abbot or Archbishop with an upraised hand
Blessing the Tricolour. 'This is not,' I say,
'The dead Ireland of my youth, but an Ireland
The poets have imagined, terrible and gay.'
Before a woman's portrait suddenly I stand,
Beautiful and gentle in her Venetian way.
I met her all but fifty years ago
For twenty minutes in some studio.


III
Heart-smitten with emotion I Sink down,
My heart recovering with covered eyes;
Wherever I had looked I had looked upon
My permanent or impermanent images:
Augusta Gregory's son; her sister's son,
Hugh Lane, 'onlie begetter' of all these;
Hazel Lavery living and dying, that tale
As though some ballad-singer had sung it all;
Mancini's portrait of Augusta Gregory,
'Greatest since Rembrandt,' according to John Synge;
A great ebullient portrait certainly;
But where is the brush that could show anything
Of all that pride and that humility?
And I am in despair that time may bring
Approved patterns of women or of men
But not that selfsame excellence again.
My mediaeval knees lack health until they bend,
But in that woman, in that household where
Honour had lived so long, all lacking found.
Childless I thought, 'My children may find here
Deep-rooted things,' but never foresaw its end,
And now that end has come I have not wept;
No fox can foul the lair the badger swept --


VI
(An image out of Spenser and the common tongue).
John Synge, I and Augusta Gregory, thought
All that we did, all that we said or sang
Must come from contact with the soil, from that
Contact everything Antaeus-like grew strong.
We three alone in modern times had brought
Everything down to that sole test again,
Dream of the noble and the beggar-man.



VII
And here's John Synge himself, that rooted man,
'Forgetting human words,' a grave deep face.
You that would judge me, do not judge alone
This book or that, come to this hallowed place
Where my friends' portraits hang and look thereon;
Ireland's history in their lineaments trace;
Think where man's glory most begins and ends,
And say my glory was I had such friends.
407
Rudyard Kipling

Rudyard Kipling

Follow Me 'Ome

There was no one like 'im, 'Orse or Foot,
Nor any o' the Guns I knew;
An' because it was so, why, o' course 'e went an' died,
Which is just what the best men do.
So it's knock out your pipes an' follow me!
An' it's finish up your swipes an' follow me!
Oh, 'ark to the big drum callin',
Follow me -- follow me 'ome!
'Is mare she neighs the 'ole day long,
She paws the 'ole night through,
An' she won't take 'er feed 'cause o' waitin' for 'is step,
Which is just what a beast would do.
'Is girl she goes with a bombardier
Before 'er month is through;
An' the banns are up in church, for she's got the beggar hooked,
Which is just what a girl would do.
We fought 'bout a dog -- last week it were --
No more than a round or two;
But I strook 'im cruel 'ard, an' I wish I 'adn't now,
Which is just what a man can't do.
'E was all that I 'ad in the way of a friend,
An' I've 'ad to find one new;
But I'd give my pay an' stripe for to get the beggar back,
Which it's just too late to do.
So it's knock out your pipes an' follow me!
An' it's finish off your swipes an' follow me!
Oh, 'ark to the fifes a-crawlin'!
Follow me -- follow me 'ome!
Take 'im away! 'E's gone where the best men go.
Take 'im away! An' the gun-wheels turnin' slow.
Take 'im away! There's more from the place 'e come.
Take 'im away, with the limber an' the drum.
For it's "Three rounds blank" an' follow me,
An' it's "Thirteen rank" an' follow me;
Oh, passin' the love o' women,
Follow me -- follow me 'ome!
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