escritas.org since 1996

Desire

Kazi Nazrul Islam

Kazi Nazrul Islam

Poverty

O poverty, thou hast made me great.
Thou hast made me honoured like Christ
With his crown of thorns. Thou hast given me
Courage to reveal all. To thee I owe
My insolent, naked eyes and sharp tongue.
Thy curse has turned my violin to a sword.

O proud saint, thy terrible fire
Has rendered my heaven barren.
It has prematurely dried beauty.
My feelings and my life.
Time and again I stretched my lean, cupped hands
To accept the gift of the beautiful.
But those hungry ones always came before me.
And did snatch it away ruthlessly,
Now my word of imagination is
Dry as a vast desert.
And my own beautiful!


My yellow-stalked pensive desire
Wants to blossom like the fragrant shefali.
But thou cruel one
Dost ruthlessly break the soft stalk
As the woodcutter chopsthe branches
Off the trees. My heart grows tender
Like the autumn morning
It fills with love
Like the dew-laden earth.
But thou art the blazing sun
And thy fiery heart dries up the tiny dropp of the earth
I grow listless in the shadowy skirt of the earth
And my dreams of beauty and goodness vanish!
With a bitter tongue thou askest,
'What's the use of nectar?
It has no sting, no intoxication, no madness it.
The search for heaven's secred drink
Is not for the in this sorrow-filled earth.

Thou art the serpent, born in pai.
Thou will sit in the bower of thorns
And weave the garland of flowers.
I put on thy forehead the sing
Of suffering and woe.'


So I sing, I weave a garland,
While my throat is on fire,
And my serpent daughter bites me all over!


O unforgiving Durbasha! thou wanderest
From door to door with thy beggar's bowl.
Thou goes to the peaceful abode of
Some sleeping happy couple



And sternly callest, 'O fool,
Knowest thou, that this earth is not anybody's
Pleasure bower for luxury adn ease.
Here is sorrow and separation
And a hundred wants and disease.
Under the arms of the beloved
There are thorns in the bed,
And now must thou prepare
To savour these.' The unhappy home
Is shattered in a moment,
And woeful laments rend
The air. The light of joy is extinguished
And endless nights descends.

Thou walkest the road alone

Lean, hungry and starved.

Suddenly some sight makes thy eyebrows

Arch in annoyance and thine eyes

Blazeforth-fires of anger!

And lo! famine, pestilence and tornado

Visit the country, pleasuregarden burn,

Palaces tumble, thy law

Knows nothing but death and destruction.

Nor for thee the license of courtesy.

Thou seekest the unashaamed revelation of stark nakedness.

Thou knowest no timid hesitation or polite embarrassment

Thou dost raise high the lowly head.

At thy signal the travellers on the road to death

Put round their neck the fatal noose

With cheerful smile on their faces!

Nursing the fire of perennial want in their bosom

They worship the god of death in fiendish glee!

Thou tramplest the crown of Lakshmi

Under thy feet. What tune

Dost thou want to wiring

Out of her violin? At thy touch

the music turns into criesof anguish!

Waking up in the morning Iheard yesterday

The plantive Sanai mourning those

Who had not returned yet, At home

The singer cried for them and wept bitter tears

And floating with that music the soul of the beloved

Wandered far to the distant spot

Where the love anxiously waited.

This morning I got up

And heard the Sanai again

Crying as mournfully as ever.

And the pensive Shefalika,
sad as a widow's smile,

Falls in clusters, spreading

A mild fragrance in the air.

Today the butterfly dances in restless joy


Numbing the flowers with its kisses.
And the wings of the bee
Carry the yellow of the petals,
It's body covered with honey.


Life seems to have sprung up suddenly
On all sides. Asong of welcome
Comes unconsciously to my lips
And unbidden tears spring to my eyes
Some one seems to have entwined my soul
With that of mother-earth. She comes forward
And with her dust-adorned hands
Offers me her presents.
It seems to me that she is the youngest daughter of mine,
My darling child!
But suddenly wake up with a start. O cruel saint, being my child,
Thou weepest in my home, hungry and stoned!

O my child, my darling one
I could not give thee even a dropp of milk
No right have I to rejoice.
Poverty weeps within my doors forever
As my spouse and my child.
Who will play the flute?
Where shall I get the happy smile
Of the beautiful? Where the honeyed drink
I have drunk deep the hemlock
Of bitter tears!


And still even today
I hear the mournful tune of the Sanai.


[Translation: Kabir Chowdhury ]
753
Federico García Lorca

Federico García Lorca

The Gypsy and the Wind

Playing her parchment moon
Precosia comes
along a watery path of laurels and crystal lights.
The starless silence, fleeing
from her rhythmic tambourine,
falls where the sea whips and sings,
his night filled with silvery swarms.
High atop the mountain peaks
the sentinels are weeping;
they guard the tall white towers
of the English consulate.
And gypsies of the water
for their pleasure erect
little castles of conch shells
and arbors of greening pine.


Playing her parchment moon
Precosia comes.
The wind sees her and rises,
the wind that never slumbers.
Naked Saint Christopher swells,
watching the girl as he plays
with tongues of celestial bells
on an invisible bagpipe.


Gypsy, let me lift your skirt
and have a look at you.
Open in my ancient fingers
the blue rose of your womb.


Precosia throws the tambourine
and runs away in terror.
But the virile wind pursues her
with his breathing and burning sword.


The sea darkens and roars,
while the olive trees turn pale.
The flutes of darkness sound,
and a muted gong of the snow.


Precosia, run, Precosia!
Or the green wind will catch you!
Precosia, run, Precosia!
And look how fast he comes!
A satyr of low-born stars
with their long and glistening tongues.


Precosia, filled with fear,
now makes her way to that house
beyond the tall green pines
where the English consul lives.



Alarmed by the anguished cries,
three riflemen come running,
their black capes tightly drawn,
and berets down over their brow.

The Englishman gives the gypsy
a glass of tepid milk
and a shot of Holland gin
which Precosia does not drink.

And while she tells them, weeping,
of her strange adventure,
the wind furiously gnashes
against the slate roof tiles.
716
Walt Whitman

Walt Whitman

A Woman Waits For Me

A WOMAN waits for me--she contains all, nothing is lacking,
Yet all were lacking, if sex were lacking, or if the moisture of the
right man were lacking.


Sex contains all,
Bodies, Souls, meanings, proofs, purities, delicacies, results,
promulgations,
Songs, commands, health, pride, the maternal mystery, the seminal

milk;
All hopes, benefactions, bestowals,
All the passions, loves, beauties, delights of the earth,
All the governments, judges, gods, follow'd persons of the earth,
These are contain'd in sex, as parts of itself, and justifications of


itself.

Without shame the man I like knows and avows the deliciousness of his
sex,
Without shame the woman I like knows and avows hers.

Now I will dismiss myself from impassive women,
I will go stay with her who waits for me, and with those women that


are warm-blooded and sufficient for me;
I see that they understand me, and do not deny me;
I see that they are worthy of me--I will be the robust husband of


those women.

They are not one jot less than I am,
They are tann'd in the face by shining suns and blowing winds,
Their flesh has the old divine suppleness and strength,
They know how to swim, row, ride, wrestle, shoot, run, strike,


retreat, advance, resist, defend themselves,
They are ultimate in their own right--they are calm, clear, wellpossess'd
of themselves.


I draw you close to me, you women!
I cannot let you go, I would do you good,
I am for you, and you are for me, not only for our own sake, but for


others' sakes;
Envelop'd in you sleep greater heroes and bards,
They refuse to awake at the touch of any man but me.


It is I, you women--I make my way,
I am stern, acrid, large, undissuadable--but I love you,
I do not hurt you any more than is necessary for you,
I pour the stuff to start sons and daughters fit for These States--I


press with slow rude muscle,
I brace myself effectually--I listen to no entreaties,
I dare not withdraw till I deposit what has so long accumulated


within me.

Through you I drain the pent-up rivers of myself,


In you I wrap a thousand onward years,
On you I graft the grafts of the best-beloved of me and America,
The drops I distil upon you shall grow fierce and athletic girls, new


artists, musicians, and singers,
The babes I beget upon you are to beget babes in their turn,
I shall demand perfect men and women out of my love-spendings,
I shall expect them to interpenetrate with others, as I and you

interpenetrate now,
I shall count on the fruits of the gushing showers of them, as I
count on the fruits of the gushing showers I give now,
I shall look for loving crops from the birth, life, death,
immortality, I plant so lovingly now.
698
John Donne

John Donne

Elegy XVI: On His Mistress

By our first strange and fatal interview,
By all desires which thereof did ensue,
By our long starving hopes, by that remorse
Which my words' masculine persuasive force
Begot in thee, and by the memory
Of hurts, which spies and rivals threatened me,
I calmly beg: but by thy father's wrath,
By all pains, which want and divorcement hath,
I conjure thee, and all the oaths which I
And thou have sworn to seal joint constancy,
Here I unswear, and overswear them thus,
Thou shalt not love by ways so dangerous.
Temper, O fair Love, love's impetuous rage,
Be my true Mistress still, not my feigned Page;
I'll go, and, by thy kind leave, leave behind
Thee, only worthy to nurse in my mind
Thirst to come back; O if thou die before,
My soul from other lands to thee shall soar.
Thy (else Almighty) beauty cannot move
Rage from the Seas, nor thy love teach them love,
Nor tame wild Boreas' harshness; thou hast read
How roughly he in pieces shivered
Fair Orithea, wbom he swore he loved.
Fall ill or good, 'tis madness to have proved
Dangers unurged; feed on this flattery,
That absent Lovers one in th' other be.
Dissemble nothing, not a boy, nor change
Thy body's habit, nor mind's; be not strange
To thyself only; all will spy in thy face
A blushing womanly discovering grace;
Ricbly clothed Apes are called Apes, and as soon
Eclipsed as bright we call the Moon the Moon.
Men of France, changeable chameleons,
Spitals of diseases, shops of fashions,
Love's fuellers, and the rightest company
Of Players, which upon the world's stage be,
Will quickly know thee, and no less, alas!
Th' indifferent Italian, as we pass
His warm land, well content to think thee Page,
Will hunt thee with such lust, and hideous rage,
As Lot's fair guests were vexed. But none of these
Nor spongy hydroptic Dutch shall thee displease,
If thou stay here. O stay here, for, for thee
England is only a worthy gallery,
To walk in expectation, till from thence
Our greatest King call thee to his presence.
When I am gone, dream me some happiness,
Nor let thy looks our long-hid love confess,
Nor praise, nor dispraise me, nor bless nor curse
Openly love's force, nor in bed fright thy Nurse
With midnight's startings, crying out-oh, oh
Nurse, O my love is slain, I saw him go



O'er the white Alps alone; I saw him, I,
Assailed, fight, taken, stabbed, bleed, fall, and die.
Augur me better chance, except dread Jove
Think it enough for me t' have had thy love.
679
Allen Ginsberg

Allen Ginsberg

Understand That This Is a Dream

Real as a dream
What shall I do with this great opportunity to fly?
What is the interpretation of this planet, this moon?
if I can dream that I dream / and dream anything dreamable / can I dream
I am awake / and why do that?
When I dream in a dream that I wake / up what
happens when I try to move?
I dream that I move
and the effort moves and moves
till I move / and my arm hurts
Then I wake up / dismayed / I was dreaming / I was waking
when I was dreaming still / just now.
and try to remember next time in dreams
that I am in dreaming.
And dream anything I want when I'm awaken.
When I'm in awakeness what do I desire?
I desire to fulfill my emotional belly.
My whole body my heart in my fingertops thrill with some old fulfillments.
Pages of celestial rhymes burning fire-words
unconsumable but disappear.
Arcane parchments my own and the universe the answer.
Belly to Belly and knee to knee.
The hot spurt of my body to thee and thee
old boy / dreamy Earl / you Prince of Paterson / now king of me / lost


Haledon


first dream that made me take down my pants
urgently to show the cars / auto tracks / rolling down avenue hill.
That far back what do I remember / but the face of the leader of the gang
was blond / that loved me / one day on the steps of his house blocks away
all afternoon I told him about my magic Spell
I can do anything I want / palaces millions / chemistry sets / chicken


coops / white horses


stables and torture basements / I inspect my naked victims
chained upside down / my fingertips thrill approval on their thighs
white hairless cheeks I may kiss all I want
at my mercy. on the racks.
I pass with my strong attendants / I am myself naked
bending down with my buttocks out
for their smacks of reproval / o the heat of desire
liek shit in my asshole. The strange gang
across the street / thru the grocerystore / in the wood alley / out in the open


on the corner


Because I lied to the Dentist about that chickencoop roofing / slate stolen off


his garage



by me and the boy I loved who would punish me if he knew
what I loved him.
That now I have had that boy back in another blond form
Peter Orlovsky a Chinese teenager in Bangkok ten years twenty years
Jo Army on the campus / white blond loins / my mouth hath kisses /
full of his cock / my ass burning / full of his cock
all that I do desire. In dream and awake
this handsome body mine / answered
all I desired / intimate loves / open eyed / revealed at last / clothes on the


floor
Underwear the most revealing stripped off below the belly button in bed.
That's that / yes yes / the flat cocks the red pricks the gentle public hair /


alone with me


my magic spell. My power / what I desire alone / what after thirty years /
I got forever / after thirty years / satisfied enough with Peter / with all I


wanted /


with many men I knew one generation / our sperm passing
into our mouths and bellies / beautiful when I love / given.
Now the dream oldens / I olden / my hair a year long / my thirtyeight


birthday approaching.


I dream I
am bald / am disappearing / the campus unrecognizable / Haledon Avenue
will be covered with neon / motels / Supermarkets / iron
the porches and woods changed when i go back / to see Earl again
He'll be bald / fleshy father / I could pursie him further in the garage
If there's still a garage on the hill / on the planet / when I get back.


From Asia.


If I could even remember his name or his face / or find him /
When I was ten / perhaps he exists in some form.
With a belly and a belt and an auto
Whatever his last name / I never knew / in the phonebook / the Akashic


records.


I'll write my Inspiration for all Mankind to remember,
My Idea, the secret cave / in the clothes closet / that house probably down /
Nothing to go back to / everything's gone / only my idea
that's disappearing / even in dreams / gray dust piles / instant annihilation
of World War II and all its stainless steel shining-mouthed cannons
much less me and my grammar school kisses / I never kissed in time /
and go on kissing in dream and out on the street / as if it were for ever.
No forever left! Even my oldest forever gone, in Bangkok, in Benares,
swept up with words and bodies / all into the brown Ganges /



passing the burning grounds and / into the police state.
My mind, my mind / you had six feet of Earth to hoe /
Why didn't you remember and plant the seed of Law and gather the sprouts


of What?


the golden blossoms of what idea? If I dream that I dream / what dream
should I dream next? Motorcycle rickshaws / parting lamp shine / little
taxis / horses hoofs
on this Saigon midnight street. Angkor Wat ahead and the ruined city's old
Hindu faces
and there was a dream about Eternity. What should I dream when I wake?


What's left to dream, more Chinese meat? More magic Spells? More youths
to love before I change & disappear?
More dream words? For now that I know that I am dreaming /


What next for you Allen? Run down to the Presidents Palace full of Morphine /
The cocks crowing / in the street / Dawn trucks / What is the question?
Do I need sleep, now that there's light in the window?
I'll go to sleep. Signing off until / the next idea / the moving van arrives


empty
at the Doctor's house full of Chinese furniture.
661
Pablo Neruda

Pablo Neruda

Gentleman Alone

The young maricones and the horny muchachas,
The big fat widows delirious from insomnia,
The young wives thirty hours' pregnant,
And the hoarse tomcats that cross my garden at night,
Like a collar of palpitating sexual oysters
Surround my solitary home,
Enemies of my soul,
Conspirators in pajamas
Who exchange deep kisses for passwords.
Radiant summer brings out the lovers
In melancholy regiments,
Fat and thin and happy and sad couples;
Under the elegant coconut palms, near the ocean and moon,
There is a continual life of pants and panties,
A hum from the fondling of silk stockings,
And women's breasts that glisten like eyes.
The salary man, after a while,
After the week's tedium, and the novels read in bed at night,
Has decisively fucked his neighbor,
And now takes her to the miserable movies,
Where the heroes are horses or passionate princes,
And he caresses her legs covered with sweet down
With his ardent and sweaty palms that smell like cigarettes.
The night of the hunter and the night of the husband
Come together like bed sheets and bury me,
And the hours after lunch, when the students and priests are masturbating,
And the animals mount each other openly,
And the bees smell of blood, and the flies buzz cholerically,
And cousins play strange games with cousins,
And doctors glower at the husband of the young patient,
And the early morning in which the professor, without a thought,
Pays his conjugal debt and eats breakfast,
And to top it all off, the adulterers, who love each other truly
On beds big and tall as ships:
So, eternally,
This twisted and breathing forest crushes me
With gigantic flowers like mouth and teeth
And black roots like fingernails and shoes.


Translated by Mike Topp
649