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Desire

Elizabeth Barrett Browning

Elizabeth Barrett Browning

A Woman's Shortcomings

She has laughed as softly as if she sighed,
She has counted six, and over,
Of a purse well filled, and a heart well tried -
Oh, each a worthy lover!
They "give her time"; for her soul must slip
Where the world has set the grooving;
She will lie to none with her fair red lip:
But love seeks truer loving.


She trembles her fan in a sweetness dumb,
As her thoughts were beyond recalling;
With a glance for one, and a glance for some,
From her eyelids rising and falling;
Speaks common words with a blushful air,
Hears bold words, unreproving;
But her silence says - what she never will swear -
And love seeks better loving.


Go, lady! lean to the night-guitar,
And drop a smile to the bringer;
Then smile as sweetly, when he is far,
At the voice of an in-door singer.
Bask tenderly beneath tender eyes;
Glance lightly, on their removing;
And join new vows to old perjuries -
But dare not call it loving!


Unless you can think, when the song is done,
No other is soft in the rhythm;
Unless you can feel, when left by One,
That all men else go with him;
Unless you can know, when unpraised by his breath,
That your beauty itself wants proving;
Unless you can swear "For life, for death!" -
Oh, fear to call it loving!


Unless you can muse in a crowd all day
On the absent face that fixed you;
Unless you can love, as the angels may,
With the breadth of heaven betwixt you;
Unless you can dream that his faith is fast,
Through behoving and unbehoving;
Unless you can die when the dream is past -
Oh, never call it loving!
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Ella Wheeler Wilcox

Ella Wheeler Wilcox

Love's Language

How does Love speak?

In the faint flush upon the tell-tale cheek,

And in the pallor that succeeds it; by

The quivering lid of an averted eye –

The smile that proves the parent to a sigh –
Thus doth Love speak.

How does Love speak?

By the uneven heart-throbs, and the freak

Of bounding pulses that stand still and ache,

While new emotions, like strange barques, make

Along vein-channels their disturbing course;

Still as the dawn, and with the dawn’s swift force –
Thus doth Love speak.

How does Love speak?

In the avoidance of that which we seek –

The sudden silence and reserve when near –

The eye that glistens with an unshed tear –

The joy that seems the counterpart of fear,

As the alarmed heart leaps in the breast,

And knows, and names, the greets its god-like guest –
Thus doth Love speak.

How doth Love speak?

In the proud spirit suddenly grown meek –

The haughty heart grown humble; in the tender

And unnamed light that floods the world with splendour,

In the resemblance which the fond eyes trace

In all things to one beloved face;

In the shy touch of hands that thrill and tremble;

In looks and lips that can no more dissemble –
Thus doth Love speak.

How doth Love speak?

In the wild words that uttered seem so weak

They shrink ashamed to silence; in the fire

Glance strikes with glance, swift flashing high and higher,

Like lightnings that precede the mighty storm;

In the deep, soulful stillness; in the warm,

Impassioned tide that sweeps through throbbing veins,

Between the shores of keen delights and pains;

In the embrace where madness melts in bliss,

And in convulsive rapture of a kiss –
Thus doth Love speak.
536
Arthur Rimbaud

Arthur Rimbaud

May Banners

In the bright lime-tree branches
Dies a fainting mort. But lively song
Flutters among the currant bushes.
So that our bloods may laugh in our veins,
See the vines tangling themselves.


The sky is as pretty as an angel,
The azure and the wave commune.
I go out. If a sunbeam wounds me
I shall succumb on the moss.
Being patient and being bored
Are too simple. To the devil with my cares.


I want dramatic summer
To bind me to its chariot of fortune.
Let me most because of you, o Nature, -
Ah ! less alone and less useless ! - die.


There where the Shepherds, it's strange,
Die more or less because of the world.
I am willing that the seasons should wear me out.
To you, Nature, I surrender ;
With my hunger and all my thirst.


And, if it please you, feed and water me.
Nothing, nothing at all deceives me ;
To laugh at the sun is to laugh at one's parents,
But I do not wish to laugh at anything ;
And may this misfortune go free.
~~


May Banners
(alternative translation
)


In the bright branches of the lindens dies a sickly hunting call.
But the lively songs fly about in the currant bushes.
So that our blood will laugh in our veins, here are the vines all entangled.
The sky is pretty as an angel.
The azure and the wave commune.
I go out. If a ray of light wounds me, I will expire on the moss


To be patient and to be bored are to simple. Fie* on my cares.
I want a dramatic summer to bind me to it's chariot of fortune.
Let me, o nature, mostly through you


-Ah ! less alone and less worthless ! - die.
In the place where the shepherds, it is strange,
die approximately through out the world
I am willing that the seasons wear me out.


To you nature, I give myself over;
And my hunger and all my thirst.
And, if you will, feed and water me.


Nothing at all deceives me;
To laugh at the sun is to laugh at one's parents,
but I do not want to laugh at anything;
And may this misfortune be free.
538
Ella Wheeler Wilcox

Ella Wheeler Wilcox

The Song Of The Sandwich

We
met at night in the season's hight,
Mid revel and mirth and song.
I looked in your eye with a mute, mute cry,
As you elbowed your way through the throng.


Alone in that crowd of men who bowed,
And flattered, and flirted around,
Your quick thought guessed the woe in my breast,
And you sprang to my side with a bound.


In a whisper as faint as a south wind's plaint,
I murmured my need to you.
'A sandwich!' I wailed, then your strong eye quailed,
For oh! they were thin and few.


And about them hustled and pushed and tussled,
A score of desperate men.
But you drew your breath, and you hissed ''Sdeath!'
And then you turned back again.


'Ladye!' you cried with haughty pride,
While your dark eye flashed on me,
'If I risk my life in yon seething strife
What shall my guerdon be?'


'May I hope for a line that shall be all mine,
A song by the world unheard?
From rivals detested, shall the sandwich be wrested,
If thou wilt but say the word.'


'If you reach that goal, I vow by my soul,
(I spoke in a desperate tone)
And I live till that time, I will write you a rhyme,
A rhyme to be all your own.'


'Nay more, if you try, and in warfare die,
As sometimes befalls the brave,
In lines of glory I'll wreathe your story
And lay them upon your grave.'


Like a knight of old, with an air that was bold,
You turned from my side and went,
Past salad dish, past deviled fish,



Past cake and condiment.


With a step unswerving and a speed deserving
A better reward-alack!
You crossed the room 'neath the red globes' gloom,
Bent on the sandwich's track


My heart stood still in a nameless chill,
As I saw you stride away,
For fair girls' smiles, and punch bowl's wiles,
Both by your roadside lay.


With the fever fire of hunger dire,
I saw you pass them straight,
And I almost wept as your bold hand swept
To the waning sandwich plate.


Then back you came with your cheek aflame,
And the victor's glow in your eye;
Oh! it was grand to see you stand
With the sandwich held on high.


So here and now, I keep my vow;
(Tho' the sandwich is no more)
I would rise from my hearse and write that verse,
If it were not written before.


Envoi


Poet, we know that many men go,
Forth on that self-same track,
With purpose as high, to do or die,
But they bring no sandwich back.
528
Ezra Pound

Ezra Pound

Marvoil

A poor clerk I, 'Arnaut the less' they call me,
And because I have small mind to sit
Day long, long day cooped on a stool
A-jumbling o' figures for Maitre Jacques Polin,
I ha' taken to rambling the South here.


The Vicomte of Beziers's not such a bad lot.
I made rimes to his lady this three year:
Vers and canzone, till that damn'd son of Aragon,
Alfonso the half-bald, took to hanging
His helmet at Beziers.
Then came what might come, to wit: three men and one woman,
Beziers off at Mont-Ausier, I and his lady
Singing the stars in the turrets of Beziers,
And one lean Aragonese cursing the seneschal
To the end that you see, friends:


Aragon cursing in Aragon, Beziers busy at Beziers
Bored to an inch of extinction,
Tibors all tongue and temper at Mont-Ausier,
Me! in this damn'd inn of Avignon,
Stringing long verse for the Burlatz;
All for one half-bald, knock-knee'd king of the Aragonese,
Alfonso, Quattro, poke-nose.


And if when I am dead
They take the trouble to tear out this wall here,
They'11 know more of Arnaut of Marvoil
Than half his canzoni say of him.
As for will and testament I leave none,
Save this: ‘Vers and canzone to the Countess of Beziers
In return for the first kiss she gave me.'
May her eyes and her cheek be fair
To all men except the King of Aragon,
And may I come'speedily to Beziers
Whither my desire and my dream have preceded me.


O hole in the wall here! be thou my jongleur
As ne'er had I other, and when the wind blows,
Sing thou the grace of the Lady of Beziers,
For even as thou art hollow before I fill thee with this parchment,
So is my heart hollow when she filleth not mine eyes,
And so were my mind hollow, did she not fill utterly my thought.


Wherefore, O hole in the wall here,
When the wind blows sigh thou for my sorrow
That I have not the Countess of Beziers
Close in my arms here.
Even as thou shalt soon have this parchment.


O hole in the wall here, be thou my jongleur,
And though thou sighest my sorrow in the wind,



Keep yet my secret in thy breast here;
Even as I keep her image in my heart here.
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