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Seasons (Spring, Summer, Autumn, Winter)

John Clare

John Clare

November

The landscape sleeps in mist from morn till noon;
And, if the sun looks through, 'tis with a face
Beamless and pale and round, as if the moon,
When done the journey of her nightly race,
Had found him sleeping, and supplied his place.
For days the shepherds in the fields may be,
Nor mark a patch of sky - blindfold they trace,
The plains, that seem without a bush or tree,
Whistling aloud by guess, to flocks they cannot see.


The timid hare seems half its fears to lose,
Crouching and sleeping 'neath its grassy lair,
And scarcely startles, tho' the shepherd goes
Close by its home, and dogs are barking there;
The wild colt only turns around to stare
At passer by, then knaps his hide again;
And moody crows beside the road forbear
To fly, tho' pelted by the passing swain;
Thus day seems turn'd to night, and tries to wake in vain.


The owlet leaves her hiding-place at noon,
And flaps her grey wings in the doubling light;
The hoarse jay screams to see her out so soon,
And small birds chirp and startle with affright;
Much doth it scare the superstitious wight,
Who dreams of sorry luck, and sore dismay;
While cow-boys think the day a dream of night,
And oft grow fearful on their lonely way,
Fancying that ghosts may wake, and leave their graves by day.


Yet but awhile the slumbering weather flings
Its murky prison round - then winds wake loud;
With sudden stir the startled forest sings
Winter's returning song - cloud races cloud,
And the horizon throws away its shroud,
Sweeping a stretching circle from the eye;
Storms upon storms in quick succession crowd,
And o'er the sameness of the purple sky
Heaven paints, with hurried hand, wild hues of every dye.


At length it comes along the forest oaks,
With sobbing ebbs, and uproar gathering high;
The scared, hoarse raven on its cradle croaks,
And stockdove-flocks in hurried terrors fly,
While the blue hawk hangs o'er them in the sky.-
The hedger hastens from the storm begun,
To seek a shelter that may keep him dry;
And foresters low bent, the wind to shun,
Scarce hear amid the strife the poacher's muttering gun.


The ploughman hears its humming rage begin,
And hies for shelter from his naked toil;



Buttoning his doublet closer to his chin,
He bends and scampers o'er the elting soil,
While clouds above him in wild fury boil,
And winds drive heavily the beating rain;
He turns his back to catch his breath awhile,
Then ekes his speed and faces it again,
To seek the shepherd's hut beside the rushy plain.


The boy, that scareth from the spiry wheat
The melancholy crow - in hurry weaves,
Beneath an ivied tree, his sheltering seat,
Of rushy flags and sedges tied in sheaves,
Or from the field a shock of stubble thieves.
There he doth dithering sit, and entertain
His eyes with marking the storm-driven leaves;
Oft spying nests where he spring eggs had ta'en,
And wishing in his heart 'twas summer-time again.


Thus wears the month along, in checker'd moods,
Sunshine and shadows, tempests loud, and calms;
One hour dies silent o'er the sleepy woods,
The next wakes loud with unexpected storms;
A dreary nakedness the field deforms -
Yet many a rural sound, and rural sight,
Lives in the village still about the farms,
Where toil's rude uproar hums from morn till night
Noises, in which the ears of Industry delight.


At length the stir of rural labour's still,
And Industry her care awhile forgoes;
When Winter comes in earnest to fulfil
His yearly task, at bleak November's close,
And stops the plough, and hides the field in snows;
When frost locks up the stream in chill delay,
And mellows on the hedge the jetty sloes,
For little birds - then Toil hath time for play,
And nought but threshers' flails awake the dreary day.
420
Emily Jane Brontë

Emily Jane Brontë

Loud Without the Wind Was Roaring

Loud without the wind was roaring
Through th' autumnal sky;

Drenching wet, the cold rain pouring,
Spoke of winter nigh.
All too like that dreary eve,
Did my exiled spirit grieve.

Grieved at first, but grieved not long,
Sweet—how softly sweet!—it came;

Wild words of an ancient song,
Undefined, without a name.

'It was spring, and the skylark was singing';
Those words they awakened a spell;

They unlocked a deep fountain, whose springing,
Nor absence, nor distance can quell.

In the gloom of a cloudy November
They uttered the music of May;

They kindled the perishing ember
Into fervour that could not decay.

Awaken, o'er all my dear moorland,
West-wind, in thy glory and pride!
Oh! call me from valley and lowland,
To walk by the hill-torrent's side!


It is swelled with the first snowy weather;
The rocks they are icy and hoar,

And sullenly waves the long heather,
And the fern leaves are sunny no more.

There are no yellow stars on the mountain
The bluebells have long died away

From the brink of the moss-bedded fountain—
From the side of the wintry brae.

But lovelier than corn-fields all waving
In emerald, and vermeil, and gold,

Are the heights where the north-wind is raving,
And the crags where I wandered of old.

It was morning: the bright sun was beaming;
How sweetly it brought back to me

The time when nor labour nor dreaming
Broke the sleep of the happy and free!

But blithely we rose as the dawn-heaven
Was melting to amber and blue,

And swift were the wings to our feet given,
As we traversed the meadows of dew.


For the moors! For the moors, where the short grass
Like velvet beneath us should lie!
For the moors! For the moors, where each high pass
Rose sunny against the clear sky!

For the moors, where the linnet was trilling
Its song on the old granite stone;
Where the lark, the wild sky-lark, was filling
Every breast with delight like its own!

What language can utter the feeling
Which rose, when in exile afar,
On the brow of a lonely hill kneeling,
I saw the brown heath growing there?

It was scattered and stunted, and told me
That soon even that would be gone:
It whispered, 'The grim walls enfold me,
I have bloomed in my last summer's sun.'

But not the loved music, whose waking
Makes the soul of the Swiss die away,
Has a spell more adored and heartbreaking
Than, for me, in that blighted heath lay.

The spirit which bent 'neath its power,
How it longed—how it burned to be free!
If I could have wept in that hour,
Those tears had been heaven to me.

Well—well; the sad minutes are moving,
Though loaded with trouble and pain;
And some time the loved and the loving


Shall meet on the mountains again!
420
John Clare

John Clare

The Shepherd's Calendar - June

Now summer is in flower and natures hum
Is never silent round her sultry bloom
Insects as small as dust are never done
Wi' glittering dance and reeling in the sun
And green wood fly and blossom haunting bee
Are never weary of their melody
Round field hedge now flowers in full glory twine
Large bindweed bells wild hop and streakd woodbine
That lift athirst their slender throated flowers
Agape for dew falls and for honey showers
These round each bush in sweet disorder run
And spread their wild hues to the sultry sun
Where its silk netting lace on twigs and leaves
The mottld spider at eves leisure weaves
That every morning meet the poets eye
Like faireys dew wet dresses hung to dry
The wheat swells into ear and leaves below
The may month wild flowers and their gaudy show
Bright carlock bluecap and corn poppy red
Which in such clouds of colors wid [e] ly spread
That at the sun rise might to fancys eye
Seem to reflect the many colord sky
And leverets seat and lark and partridge nest
It leaves a schoolboys height in snugger rest
And oer the weeders labour overgrows
Who now in merry groups each morning goes
To willow skirted meads wi fork and rake
The scented hay cocks in long rows to make
Where their old visitors in russet brown
The haytime butterflyes dance up and down
And gads that teaze like whasps the timid maid
And drive the herdboys cows to pond and shade
Who when his dogs assistance fails to stop
Is forcd his half made oaten pipes to drop
And start and hallo thro the dancing heat
To keep their gadding tumult from the wheat
Who in their rage will dangers overlook
And leap like hunters oer the pasture brook
Brushing thro blossomd beans in maddening haste
And 'stroying corn they scarce can stop to taste
Labour pursues its toil in weary mood
And feign woud rest wi shadows in the wood
The mowing gangs bend oer the beeded grass
Where oft the gipseys hungry journeying ass
Will turn its wishes from the meadow paths
Listning the rustle of the falling swaths
The ploughman sweats along the fallow vales
And down the suncrackt furrow slowly trails
Oft seeking when athirst the brooks supply
Where brushing eager the brinks bushes bye
For coolest water he oft brakes the rest
Of ring dove brooding oer its idle nest


And there as loath to leave the swaily place
He'll stand to breath and whipe his burning face
The shepherds idle hours are over now
Nor longer leaves him neath the hedgrow bough
On shadow pillowd banks and lolling stile
Wilds looses now their summer friends awhile
Shrill whistles barking dogs and chiding scold
Drive bleating sheep each morn from fallow fold
To wash pits where the willow shadows lean
Dashing them in their fold staind coats to clean
Then turnd on sunning sward to dry agen
They drove them homeward to the clipping pen
In hurdles pent where elm or sycamore
Shut out the sun-or in some threshing floor
There they wi scraps of songs and laugh and tale
Lighten their anual toils while merry ale
Goes round and gladdens old mens hearts to praise
The thread bare customs of old farmers days
Who while the sturting sheep wi trembling fears
Lies neath the snipping of his harmless sheers
Recalls full many a thing by bards unsung
And pride forgot-that reignd when he was young
How the hugh bowl was in the middle set
At breakfast time as clippers yearly met
Filld full of frumity where yearly swum
The streaking sugar and the spotting plumb
Which maids coud never to the table bring
Without one rising from the merry ring
To lend a hand who if twas taen amiss
Woud sell his kindness for a stolen kiss
The large stone pitcher in its homly trim
And clouded pint horn wi its copper rim
Oer which rude healths was drank in spirits high
From the best broach the cellar woud supply
While sung the ancient swains in homly ryhmes
Songs that were pictures of the good old times
When leathern bottles held the beer nut brown
That wakd the sun wi songs and sung him down
Thus will the old man ancient ways bewail
Till toiling sheers gain ground upon the tale
And brakes it off-when from the timid sheep
The fleece is shorn and wi a fearfull leap
He starts-while wi a pressing hand
His sides are printed by the tarry brand
Shaking his naked skin wi wondering joys
And fresh ones are tugd in by sturdy boys
Who when theyre thrown down neath the sheering swain
Will wipe his brow and start his tale again
Tho fashions haughtv frown hath thrown aside
Half the old forms simplicity supplyd
Yet their are some prides winter deigns to spare
Left like green ivy when the trees are bare


And now when sheering of the flocks are done
Some ancient customs mixd wi harmless fun
Crowns the swains merry toils-the timid maid
Pleasd to be praisd and yet of praise affraid
Seeks her best flowers not those of woods and fields
But such as every farmers garden yield
Fine cabbage roses painted like her face
And shining pansys trimmd in golden lace
And tall tuft larkheels featherd thick wi flowers
And woodbines climbing oer the door in bowers
And London tufts of many a mottld hue
And pale pink pea and monkshood darkly blue
And white and purple jiliflowers that stay
Lingering in blossom summer half away
And single blood walls of a lucious smell
Old fashiond flowers which huswives love so well
And columbines stone blue or deep night brown
Their honey-comb-like blossoms hanging down
Each cottage gardens fond adopted child
Tho heaths still claim them where they yet grow wild
Mong their old wild companions summer blooms
Furze brake and mozzling ling and golden broom
Snap dragons gaping like to sleeping clowns
And 'clipping pinks' (which maidens sunday gowns
Full often wear catcht at by tozing chaps)
Pink as the ribbons round their snowy caps
'Bess in her bravery' too of glowing dyes
As deep as sunsets crimson pillowd skyes
And majoram notts sweet briar and ribbon grass
And lavender the choice of every lass
And sprigs of lads love all familiar names
Which every garden thro the village claims
These the maid gathers wi a coy delight
And tyes them up in readiness for night
Giving to every swain tween love and shame
Her 'clipping poseys' as their yearly claim
And turning as he claims the custom kiss
Wi stifld smiles half ankering after bliss
She shrinks away and blushing calls it rude
But turns to smile and hopes to be pursued
While one to whom the seeming hint applied
Follows to claim it and is not denyd
No doubt a lover for within his coat
His nosegay owns each flower of better sort
And when the envious mutter oer their beer
And nodd the secret to his neighbor near
Raising the laugh to make the mutter known
She blushes silent and will not disown
And ale and songs and healths and merry ways
Keeps up a shadow of old farmers days
But the old beachen bowl that once supplyd
Its feast of frumity is thrown aside


And the old freedom that was living then
When masters made them merry wi their men
Whose coat was like his neighbors russet brown
And whose rude speech was vulgar as his clown
Who in the same horn drank the rest among
And joind the chorus while a labourer sung
All this is past-and soon may pass away
The time torn remnant of the holiday
As proud distinction makes a wider space
Between the genteel and the vulgar race
Then must they fade as pride oer custom showers
Its blighting mildew on her feeble flowers
416
Ella Wheeler Wilcox

Ella Wheeler Wilcox

Leudeman's-on-the-River

Toward even when the day leans down,
To kiss the upturned face of night,
Out just beyond the loud-voiced town
I know a spot of calm delight.
Like crimson arrows from a quiver
The red rays pierce the water flowing,
While we go dreaming, singing, rowing,
To Leudeman's-on-the-River.


The hills, like some glad mocking-bird,
Send back our laughter and our singing,
While faint--and yet more faint is heard
The steeple bells all sweetly ringing.
Some message did the winds deliver
To each glad heart that August night,
All heard, but all heard not aright;
By Leudeman's-on-the-River.


Night falls as in some foreign clime,
Between the hills that slope and rise.
So dusk the shades at landing time,
We could not see each other's eyes.
We only saw the moonbeams quiver
Far down upon the stream! that night
The new moon gave but little light
By Leudeman's-on-the-River.


How dusky were those paths that led
Up from the river to the hall.
The tall trees branching overhead
Invite the early shades that fall.
In all the glad blithe world, oh, never
Were hearts more free from care than when
We wandered through those walks, we ten,
By Leudeman's-on-the-River.


So soon, so soon, the changes came.
This August day we two alone,
On that same river, not the same,
Dream of a night forever flown.
Strange distances have come to sever
The hearts that gayly beat in pleasure,
Long miles we cannot cross or measure--
From Leudeman's-on-the-River.


We'll pluck two leaves, dear friend, to-day.
The green, the russet! seems it strange
So soon, so soon, the leaves can change!
Ah, me! so runs all night away
This night wind chills me, and I shiver;
The summer time is almost past.
One more good-bye--perhaps the last



To Leudeman's-on-the-River.
416
Percy Bysshe Shelley

Percy Bysshe Shelley

The Invitation

BEST and brightest, come away!
Fairer far than this fair Day,
Which, like thee to those in sorrow,
Comes to bid a sweet good-morrow
To the rough Year just awake
In its cradle on the brake.
The brightest hour of unborn Spring,
Through the winter wandering,
Found, it seems, the halcyon Morn
To hoar February born.
Bending from heaven, in azure mirth,
It kiss'd the forehead of the Earth;
And smiled upon the silent sea;
And bade the frozen streams be free;
And waked to music all their fountains;
And breathed upon the frozen mountains;
And like a prophetess of May
Strew'd flowers upon the barren way,
Making the wintry world appear
Like one on whom thou smilest, dear.
Away, away, from men and towns,
To the wild wood and the downs--
To the silent wilderness
Where the soul need not repress
Its music lest it should not find
An echo in another's mind,
While the touch of Nature's art
Harmonizes heart to heart.
I leave this notice on my door
For each accustom'd visitor:--
'I am gone into the fields
To take what this sweet hour yields.
Reflection, you may come to-morrow;
Sit by the fireside with Sorrow.
You with the unpaid bill, Despair,--
You, tiresome verse-reciter, Care,--
I will pay you in the grave,--
Death will listen to your stave.
Expectation too, be off!
To-day is for itself enough.
Hope, in pity mock not Woe
With smiles, nor follow where I go;
Long having lived on your sweet food,
At length I find one moment's good
After long pain: with all your love,
This you never told me of.'
Radiant Sister of the Day,
Awake! arise! and come away!
To the wild woods and the plains;
And the pools where winter rains


Image all their roof of leaves;
Where the pine its garland weaves
Of sapless green and ivy dun
Round stems that never kiss the sun;
Where the lawns and pastures be,
And the sandhills of the sea;
Where the melting hoar-frost wets
The daisy-star that never sets,
And wind-flowers, and violets
Which yet join not scent to hue,
Crown the pale year weak and new;
When the night is left behind
In the deep east, dun and blind,
And the blue noon is over us,
And the multitudinous
Billows murmur at our feet
Where the earth and ocean meet,
And all things seem only one
In the universal sun.
416
Ezra Pound

Ezra Pound

Canto XLIX: For the Seven Lakes

For the seven lakes, and by no man these verses:
Rain; empty river; a voyage,
Fire from frozen cloud, heavy rain in the twilight
Under the cabin roof was one lantern.
The reeds are heavy; bent;
and the bamboos speak as if weeping.


Autumn moon; hills rise about lakes
against sunset
Evening is like a curtain of cloud,
a blurr above ripples; and through it
sharp long spikes of the cinnamon,
a cold tune amid reeds.
Behind hill the monk's bell
borne on the wind.
Sail passed here in April; may return in October
Boat fades in silver; slowly;
Sun blaze alone on the river.


Where wine flag catches the sunset
Sparse chimneys smoke in the cross light


Comes then snow scur on the river
And a world is covered with jade
Small boat floats like a lanthorn,
The flowing water closts as with cold. And at San Yin
they are a people of leisure.


Wild geese swoop to the sand-bar,
Clouds gather about the hole of the window
Broad water; geese line out with the autumn
Rooks clatter over the fishermen's lanthorns,


A light moves on the north sky line;
where the young boys prod stones for shrimp.
In seventeen hundred came Tsing to these hill lakes.
A light moves on the South sky line.


State by creating riches shd. thereby get into debt?
This is infamy; this is Geryon.
This canal goes still to TenShi
Though the old king built it for pleasure


K E I M E N R A N K E I
K I U M A N M A N K E I
JITSU GETSU K O K W A
T A N FUKU T A N K A I


Sun up; work
sundown; to rest
dig well and drink of the water
dig field; eat of the grain



Imperial power is? and to us what is it?


The fourth; the dimension of stillness.
And the power over wild beasts.
407
John Clare

John Clare

The Fens

Wandering by the river's edge,
I love to rustle through the sedge
And through the woods of reed to tear
Almost as high as bushes are.
Yet, turning quick with shudder chill,
As danger ever does from ill,
Fear's moment ague quakes the blood,
While plop the snake coils in the flood
And, hissing with a forked tongue,
Across the river winds along.
In coat of orange, green, and blue
Now on a willow branch I view,
Grey waving to the sunny gleam,
Kingfishers watch the ripple stream
For little fish that nimble bye
And in the gravel shallows lie.


Eddies run before the boats,
Gurgling where the fisher floats,
Who takes advantage of the gale
And hoists his handkerchief for sail
On osier twigs that form a mast--
While idly lies, nor wanted more,
The spirit that pushed him on before.


There's not a hill in all the view,
Save that a forked cloud or two
Upon the verge of distance lies
And into mountains cheats the eyes.
And as to trees the willows wear
Lopped heads as high as bushes are;
Some taller things the distance shrouds
That may be trees or stacks or clouds
Or may be nothing; still they wear
A semblance where there's nought to spare.


Among the tawny tasselled reed
The ducks and ducklings float and feed.
With head oft dabbing in the flood
They fish all day the weedy mud,
And tumbler-like are bobbing there,
Heels topsy turvy in the air.


The geese in troops come droving up,
Nibble the weeds, and take a sup;
And, closely puzzled to agree,
Chatter like gossips over tea.
The gander with his scarlet nose
When strife's at height will interpose;
And, stretching neck to that and this,
With now a mutter, now a hiss,
A nibble at the feathers too,



A sort of 'pray be quiet do,'
And turning as the matter mends,
He stills them into mutual friends;
Then in a sort of triumph sings
And throws the water oer his wings.


Ah, could I see a spinney nigh,
A puddock riding in the sky
Above the oaks with easy sail
On stilly wings and forked tail,
Or meet a heath of furze in flower,
I might enjoy a quiet hour,
Sit down at rest, and walk at ease,
And find a many things to please.
But here my fancy's moods admire
The naked levels till they tire,
Nor een a molehill cushion meet
To rest on when I want a seat.


Here's little save the river scene
And grounds of oats in rustling green
And crowded growth of wheat and beans,
That with the hope of plenty leans
And cheers the farmer's gazing brow,
Who lives and triumphs in the plough--
One sometimes meets a pleasant sward
Of swarthy grass; and quickly marred
The plough soon turns it into brown,
And, when again one rambles down
The path, small hillocks burning lie
And smoke beneath a burning sky.
Green paddocks have but little charms
With gain the merchandise of farms;
And, muse and marvel where we may,
Gain mars the landscape every day--
The meadow grass turned up and copt,
The trees to stumpy dotterels lopt,
The hearth with fuel to supply
For rest to smoke and chatter bye;
Giving the joy of home delights,
The warmest mirth on coldest nights.
And so for gain, that joy's repay,
Change cheats the landscape every day,
Nor trees nor bush about it grows
That from the hatchet can repose,
And the horizon stooping smiles
Oer treeless fens of many miles.
Spring comes and goes and comes again
And all is nakedness and fen.
406
Jack Kerouac

Jack Kerouac

Nebraska

April doesnt hurt here
Like it does in New England
The ground
Vast and brown
Surrounds dry towns
Located in the dust
Of the coming locust
Live for survival, not for 'kicks'
Be a bangtail describer,
like of shrouded traveler
in Textile tenement & the birds fighting in yr ears-like Burroughs exact to describe &
gettin $
The Angry Hunger
(hunger is anger)
who fears the
hungry feareth
the angry)
And so I came home
To Golden far away
Twas on the horizon
Every blessed day
As we rolled And we rolled
From Donner tragic Pass
Thru April in Nevada And out Salt City Way Into the dry Nebraskas And sad Wyomings
Where young girls And pretty lover boys
With Mickey Mantle eyes
Wander under moons
Sawing in lost cradle
And Judge O Fasterc
Passes whiggling by To ask of young love: ,,Was it the same wind Of April Plains eve
that ruffled the dress
Of my lost love
Louanna
In the Western
Far off night
Lost as the whistle
Of the passing Train
Everywhere West
Roams moaning
The deep basso

-Vom! Vom!
-Was it the same love
Notified my bones As mortify yrs now
Children of the soft
Wyoming April night?
Couldna been!
But was! But was!'
And on the prairie
The wildflower blows
In the night For bees & birds And sleeping hidden Animals of life.
The Chicago
Spitters in the spotty street

Cheap beans, loop, Girls made eyes at me And I had 35 Cents in my jeans -
Then Toledo
Springtime starry
Lover night Of hot rod boys And cool girls A wandering
A wandering
In search of April pain A plash of rain
Will not dispel This fumigatin hell Of lover lane This park of roses Blue as bees
In former airy poses
In aerial O Way hoses
No tamarand And figancine Can the musterand Be less kind
Sol -
Sol -
Bring forth yr Ah Sunflower - Ah me Montana
Phosphorescent Rose
And bridge in
fairly land
I'd understand it all -
399