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Platonic Love

Ella Wheeler Wilcox

Ella Wheeler Wilcox

Sestina

I wandered o'er the vast green plains of youth,
And searched for Pleasure. On a distant height
Fame's silhouette stood sharp against the skies.
Beyond vast crowds that thronged a broad highway
I caught the glimmer of a golden goal,
While from a blooming bower smiled siren Love.


Straight gazing in her eyes, I laughed at Love,
With all the haughty insolence of youth,
As past her bower I strode to seek my goal.
'Now will I climb to glory's dizzy height, '
I said, ' for there above the common way
Doth pleasure dwell companioned by the skies.'


But when I reached that summit near the skies,
So far from man I seemed, so far from Love'
Not here, ' I cried, 'doth Pleasure find her way, '
Seen from the distant borderland of youth.
Fame smiles upon us from her sun-kissed height,
But frowns in shadows when we reach the goal.


Then were mine eyes fixed on that glittering goal,
Dear to all sense-sunk souls beneath the skies.
Gold tempts the artist from the lofty height,
Gold lures the maiden from the arms of Love,
Gold buys the fresh ingenuous heart of youth,
'And gold, ' I said, 'will show me Pleasure's way.'


But ah! the soil and discord of that way,
Where savage hordes rushed headlong to the goal,
Dead to the best impulses of their youth,
Blind to the azure beauty of the skies;
Dulled to the voice of conscience and of love,
They wandered far from Truth's eternal height.


Then Truth spoke to me from that noble height,
Saying: 'Thou didst pass Pleasure on the way,
She with the yearning eyes so full of Love,
Whom thou disdained to seek for glory's goal.'
Two blending paths beneath God's arching skies
Lead straight to Pleasure. Ah, blind heart of youth,
Not up fame's height, not toward the base god's goal,
Doth Pleasure make her way, but 'neath calm skies
Where Duty walks with Love in endless youth.
423
Robert Browning

Robert Browning

A Pretty Woman

I.
That fawn-skin-dappled hair of hers,
And the blue eye
Dear and dewy,
And that infantine fresh air of hers!
II.
To think men cannot take you, Sweet,
And enfold you,
Ay, and hold you,
And so keep you what they make you, Sweet!
III
You like us for a glance, you know---
For a word's sake
Or a sword's sake,
All's the same, whate'er the chance, you know.
IV.
And in turn we make you ours, we say---
You and youth too,
Eyes and mouth too,
All the face composed of flowers, we say.
V.
All's our own, to make the most of, Sweet---
Sing and say for,
Watch and pray for,
Keep a secret or go boast of, Sweet!
VI.
But for loving, why, you would not, Sweet,
Though we prayed you,
Paid you, brayed you
in a mortar---for you could not, Sweet!
VII.
So, we leave the sweet face fondly there:
Be its beauty
Its sole duty!
Let all hope of grace beyond, lie there!
VIII.
And while the face lies quiet there,


Who shall wonder
That I ponder
A conclusion? I will try it there.
IX.
As,---why must one, for the love foregone,
Scout mere liking?
Thunder-striking
Earth,---the heaven, we looked above for, gone!
X.
Why, with beauty, needs there money be,
Love with liking?
Crush the fly-king
In his gauze, because no honey-bee?
XI.
May not liking be so simple-sweet,
If love grew there
'Twould undo there
All that breaks the cheek to dimples sweet?
XII.
Is the creature too imperfect,
Would you mend it
And so end it?
Since not all addition perfects aye!
XIII.
Or is it of its kind, perhaps,
Just perfection---
Whence, rejection
Of a grace not to its mind, perhaps?
XIV.
Shall we burn up, tread that face at once
Into tinder,
And so hinder
Sparks from kindling all the place at once?
XV.
Or else kiss away one's soul on her?
Your love-fancies!
---A sick man sees
Truer, when his hot eyes roll on her!


XVI.
Thus the craftsman thinks to grace the rose,---
Plucks a mould-flower
For his gold flower,
Uses fine things that efface the rose:
XVII.
Rosy rubies make its cup more rose,
Precious metals
Ape the petals,---
Last, some old king locks it up, morose!
XVIII.
Then how grace a rose? I know a way!
Leave it, rather.
Must you gather?
Smell, kiss, wear it---at last, throw away!
423
John Donne

John Donne

The Ecstasy

Where, like a pillow on a bed
A pregnant bank swell'd up to rest
The violet's reclining head,
Sat we two, one another's best.
Our hands were firmly cemented
With a fast balm, which thence did spring;
Our eye-beams twisted, and did thread
Our eyes upon one double string;
So to'intergraft our hands, as yet
Was all the means to make us one,

And pictures in our eyes to get
Was all our propagation.
As 'twixt two equal armies fate


Suspends uncertain victory,
Our souls (which to advance their state
Were gone out) hung 'twixt her and me.

And whilst our souls negotiate there,
We like sepulchral statues lay;
All day, the same our postures were,


And we said nothing, all the day.
If any, so by love refin'd
That he soul's language understood,
And by good love were grown all mind,
Within convenient distance stood,
He (though he knew not which soul spake,
Because both meant, both spake the same)
Might thence a new concoction take
And part far purer than he came.
This ecstasy doth unperplex,
We said, and tell us what we love;
We see by this it was not sex,
We see we saw not what did move;
But as all several souls contain
Mixture of things, they know not what,
Love these mix'd souls doth mix again
And makes both one, each this and that.
A single violet transplant,
The strength, the colour, and the size,
(All which before was poor and scant)
Redoubles still, and multiplies.
When love with one another so
Interinanimates two souls,
That abler soul, which thence doth flow,
Defects of loneliness controls.
We then, who are this new soul, know
Of what we are compos'd and made,
For th' atomies of which we grow
Are souls. whom no change can invade.
But oh alas, so long, so far,
Our bodies why do we forbear?
They'are ours, though they'are not we; we are
The intelligences, they the spheres.


We owe them thanks, because they thus
Did us, to us, at first convey,
Yielded their senses' force to us,
Nor are dross to us, but allay.
On man heaven's influence works not so,
But that it first imprints the air;
So soul into the soul may flow,
Though it to body first repair.
As our blood labors to beget
Spirits, as like souls as it can,
Because such fingers need to knit
That subtle knot which makes us man,
So must pure lovers' souls descend
T' affections, and to faculties,
Which sense may reach and apprehend,
Else a great prince in prison lies.
To'our bodies turn we then, that so
Weak men on love reveal'd may look;
Love's mysteries in souls do grow,
But yet the body is his book.
And if some lover, such as we,
Have heard this dialogue of one,
Let him still mark us, he shall see
Small change, when we'are to bodies gone.
395
William Shakespeare

William Shakespeare

The Rival Poet Sonnets (78 - 86)

LXXVIII

So oft have I invoked thee for my Muse,
And found such fair assistance in my verse
As every alien pen hath got my use
And under thee their poesy disperse.
Thine eyes, that taught the dumb on high to sing
And heavy ignorance aloft to fly,
Have added feathers to the learned's wing
And given grace a double majesty.
Yet be most proud of that which I compile,
Whose influence is thine, and born of thee:
In others' works thou dost but mend the style,
And arts with thy sweet graces graced be;
But thou art all my art, and dost advance
As high as learning my rude ignorance.


LXXIX


Whilst I alone did call upon thy aid,
My verse alone had all thy gentle grace;
But now my gracious numbers are decay'd,
And my sick Muse doth give an other place.
I grant, sweet love, thy lovely argument
Deserves the travail of a worthier pen;
Yet what of thee thy poet doth invent
He robs thee of, and pays it thee again.
He lends thee virtue, and he stole that word
From thy behaviour; beauty doth he give,
And found it in thy cheek: he can afford
No praise to thee, but what in thee doth live.
Then thank him not for that which he doth say,
Since what he owes thee, thou thyself dost pay.


LXXX


O! how I faint when I of you do write,
Knowing a better spirit doth use your name,
And in the praise thereof spends all his might,
To make me tongue-tied speaking of your fame.
But since your worth, wide as the ocean is,
The humble as the proudest sail doth bear,
My saucy bark, inferior far to his,
On your broad main doth wilfully appear.
Your shallowest help will hold me up afloat,
Whilst he upon your soundless deep doth ride;
Or, being wrack'd, I am a worthless boat,
He of tall building, and of goodly pride:
Then if he thrive and I be cast away,
The worst was this, my love was my decay.


LXXXI



Or I shall live your epitaph to make,
Or you survive when I in earth am rotten,
From hence your memory death cannot take,
Although in me each part will be forgotten.
Your name from hence immortal life shall have,
Though I, once gone, to all the world must die:
The earth can yield me but a common grave,
When you entombed in men's eyes shall lie.
Your monument shall be my gentle verse,
Which eyes not yet created shall o'er-read;
And tongues to be, your being shall rehearse,
When all the breathers of this world are dead;
You still shall live, such virtue hath my pen,
Where breath most breathes, even in the mouths of men.


LXXXII


I grant thou wert not married to my Muse,
And therefore mayst without attaint o'erlook
The dedicated words which writers use
Of their fair subject, blessing every book.
Thou art as fair in knowledge as in hue,
Finding thy worth a limit past my praise;
And therefore art enforced to seek anew
Some fresher stamp of the time-bettering days.
And do so, love; yet when they have devis'd,
What strained touches rhetoric can lend,
Thou truly fair, wert truly sympathiz'd
In true plain words, by thy true-telling friend;
And their gross painting might be better usd
Where cheeks need blood; in thee it is abusd.


LXXXIII


I never saw that you did painting need,
And therefore to your fair no painting set;
I found, or thought I found, you did exceed
The barren tender of a poet's debt:
And therefore have I slept in your report,
That you yourself, being extant, well might show
How far a modern quill doth come too short,
Speaking of worth, what worth in you doth grow.
This silence for my sin you did impute,
Which shall be most my glory being dumb;
For I impair not beauty being mute,
When others would give life, and bring a tomb.
There lives more life in one of your fair eyes
Than both your poets can in praise devise.


LXXXIV



Who is it that says most, which can say more,
Than this rich praise, that you alone, are you,
In whose confine immured is the store
Which should example where your equal grew?
Lean penury within that pen doth dwell
That to his subject lends not some small glory;
But he that writes of you, if he can tell
That you are you, so dignifies his story.
Let him but copy what in you is writ,
Not making worse what nature made so clear,
And such a counterpart shall fame his wit,
Making his style admired every where.
You to your beauteous blessings add a curse,
Being fond on praise, which makes your praises worse.


LXXXV


My tongue-tied Muse in manners holds her still,
While comments of your praise richly compiled,
Reserve thy character with golden quill,
And precious phrase by all the Muses filed.
I think good thoughts, whilst others write good words,
And like unlettered clerk still cry 'Amen'
To every hymn that able spirit affords,
In polished form of well-refined pen.
Hearing you praised, I say ''tis so, 'tis true,'
And to the most of praise add something more;
But that is in my thought, whose love to you,
Though words come hindmost, holds his rank before.
Then others, for the breath of words respect,
Me for my dumb thoughts, speaking in effect.


LXXXVI


Was it the proud full sail of his great verse,
Bound for the prize of all too precious you,
That did my ripe thoughts in my brain inhearse,
Making their tomb the womb wherein they grew?
Was it his spirit, by spirits taught to write
Above a mortal pitch, that struck me dead?
No, neither he, nor his compeers by night
Giving him aid, my verse astonished.
He, nor that affable familiar ghost
Which nightly gulls him with intelligence,
As victors of my silence cannot boast;
I was not sick of any fear from thence:
But when your countenance filled up his line,
Then lacked I matter; that enfeebled mine.
389