Memories and Recollections
Sara Teasdale
September Midnights
Lyric night of the lingering Indian Summer,
Shadowy fields that are scentless but full of singing,
Never a bird, but the passionless chant of insects,
Ceaseless, insistent.
The grasshopper's horn, and far-off, high in the maples,
The wheel of a locust leisurely grinding the silence
Under a moon waning and worn, borken,
Tired with summer.
Let me remember you, voices of little insects,
Weeds in the moonlight, fields that are tangled with asters,
Let me remember, soon will the winter be on us,
Snow-hushed and heavy.
Over my soul murmur your mute benediction,
While I gaze, O fields that rest after harvest,
As those who part look long in the eyes they lean to,
Lest they forget them.
Shadowy fields that are scentless but full of singing,
Never a bird, but the passionless chant of insects,
Ceaseless, insistent.
The grasshopper's horn, and far-off, high in the maples,
The wheel of a locust leisurely grinding the silence
Under a moon waning and worn, borken,
Tired with summer.
Let me remember you, voices of little insects,
Weeds in the moonlight, fields that are tangled with asters,
Let me remember, soon will the winter be on us,
Snow-hushed and heavy.
Over my soul murmur your mute benediction,
While I gaze, O fields that rest after harvest,
As those who part look long in the eyes they lean to,
Lest they forget them.
351
Henry Wadsworth Longfellow
The Village Blacksmith
Under a spreading chestnut tree
The village smithy stands;
The smith, a might man is he,
With large and sinewy hands;
And the muscles of his brawney arms
Are strong as iron bands.
His hair is crisp, and black, and long,
His face is like the tan;
His brow is wet with honest sweat,
He earns what'er he can,
And looks the whole word in the face,
For he owes not any man.
Week in, week out, from morn till night,
You can hear the bellows blow;
You can hear him swing his might sledge,
With measure beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.
And children coming home from school
Look in the open door;
They love to see the flaming forge,
And hear the bellows roar.
And catch the flaming sparks that fly
Like chaff from a threshing floor.
He goes on Sunday to the church,
And sits among his boys;
He hears the parson pray and preach,
He hears his daughter's voice,
Singing in the choir,
And it makes his heart rejoice.
It sounds to him like his mother's voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his hard, rough hands he wipes
A tear out of his eyes.
Toiing, -- rejoicing, -- sorrowing,
Onward in life he goes;
Each morning sees some task begin,
Each evening sees it close;
Something attempted, something done,
Has earned his night's repose.
Thanks, thanks to thee, my worthy friend,
For the lesson thou has taught!
Thus at the flaming forge of life
Our fortunes must be wrought;
Thus on its sounding anvil shaped
Each burning deed and thought.
The village smithy stands;
The smith, a might man is he,
With large and sinewy hands;
And the muscles of his brawney arms
Are strong as iron bands.
His hair is crisp, and black, and long,
His face is like the tan;
His brow is wet with honest sweat,
He earns what'er he can,
And looks the whole word in the face,
For he owes not any man.
Week in, week out, from morn till night,
You can hear the bellows blow;
You can hear him swing his might sledge,
With measure beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.
And children coming home from school
Look in the open door;
They love to see the flaming forge,
And hear the bellows roar.
And catch the flaming sparks that fly
Like chaff from a threshing floor.
He goes on Sunday to the church,
And sits among his boys;
He hears the parson pray and preach,
He hears his daughter's voice,
Singing in the choir,
And it makes his heart rejoice.
It sounds to him like his mother's voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his hard, rough hands he wipes
A tear out of his eyes.
Toiing, -- rejoicing, -- sorrowing,
Onward in life he goes;
Each morning sees some task begin,
Each evening sees it close;
Something attempted, something done,
Has earned his night's repose.
Thanks, thanks to thee, my worthy friend,
For the lesson thou has taught!
Thus at the flaming forge of life
Our fortunes must be wrought;
Thus on its sounding anvil shaped
Each burning deed and thought.
349
William Shakespeare
Sonnet 32: If thou survive my well-contented day
If thou survive my well-contented day
When that churl Death my bones with dust shall cover,
And shalt by fortune once more re-survey
These poor rude lines of thy deceasèd lover,
Compare them with the bett'ring of the time,
And though they be outstripped by every pen,
Reserve them for my love, not for their rhyme,
Exceeded by the height of happier men.
O, then vouchsafe me but this loving thought:
"Had my friend's Muse grown with this growing age,
A dearer birth than this his love had brought
To march in ranks of better equipage;
But since he died and poets better prove,
Theirs for their style I'll read, his for his love."
When that churl Death my bones with dust shall cover,
And shalt by fortune once more re-survey
These poor rude lines of thy deceasèd lover,
Compare them with the bett'ring of the time,
And though they be outstripped by every pen,
Reserve them for my love, not for their rhyme,
Exceeded by the height of happier men.
O, then vouchsafe me but this loving thought:
"Had my friend's Muse grown with this growing age,
A dearer birth than this his love had brought
To march in ranks of better equipage;
But since he died and poets better prove,
Theirs for their style I'll read, his for his love."
347
John Greenleaf Whittier
Fitz-Greene Halleck
AT THE UNVEILING OF HIS STATUE.
Among their graven shapes to whom
Thy civic wreaths belong,
O city of his love, make room
For one whose gift was song.
Not his the soldier's sword to wield,
Nor his the helm of state,
Nor glory of the stricken field,
Nor triumph of debate.
In common ways, with common men,
He served his race and time
As well as if his clerkly pen
Had never danced to rhyme.
If, in the thronged and noisy mart,
The Muses found their son,
Could any say his tuneful art
A duty left undone?
He toiled and sang; and year by year
Men found their homes more sweet,
And through a tenderer atmosphere
Looked down the brick-walled street.
The Greek's wild onset gall Street knew;
The Red King walked Broadway;
And Alnwick Castle's roses blew
From Palisades to Bay.
Fair City by the Sea! upraise
His veil with reverent hands;
And mingle with thy own the praise
And pride of other lands.
Let Greece his fiery lyric breathe
Above her hero-urns;
And Scotland, with her holly, wreathe
The flower he culled for Burns.
Oh, stately stand thy palace walls,
Thy tall ships ride the seas;
To-day thy poet's name recalls
A prouder thought than these.
Not less thy pulse of trade shall beat,
Nor less thy tall fleets swim,
That shaded square and dusty street
Are classic ground through him.
Alive, he loved, like all who sing,
The echoes of his song;
Too late the tardy meed we bring,
The praise delayed so long.
Too late, alas! Of all who knew
The living man, to-day
Before his unveiled face, how few
Make bare their locks of gray!
Our lips of praise must soon be dumb,
Our grateful eyes be dim;
O brothers of the days to come,
Take tender charge of him!
New hands the wires of song may sweep,
New voices challenge fame;
But let no moss of years o'ercreep
The lines of Halleck's name.
Among their graven shapes to whom
Thy civic wreaths belong,
O city of his love, make room
For one whose gift was song.
Not his the soldier's sword to wield,
Nor his the helm of state,
Nor glory of the stricken field,
Nor triumph of debate.
In common ways, with common men,
He served his race and time
As well as if his clerkly pen
Had never danced to rhyme.
If, in the thronged and noisy mart,
The Muses found their son,
Could any say his tuneful art
A duty left undone?
He toiled and sang; and year by year
Men found their homes more sweet,
And through a tenderer atmosphere
Looked down the brick-walled street.
The Greek's wild onset gall Street knew;
The Red King walked Broadway;
And Alnwick Castle's roses blew
From Palisades to Bay.
Fair City by the Sea! upraise
His veil with reverent hands;
And mingle with thy own the praise
And pride of other lands.
Let Greece his fiery lyric breathe
Above her hero-urns;
And Scotland, with her holly, wreathe
The flower he culled for Burns.
Oh, stately stand thy palace walls,
Thy tall ships ride the seas;
To-day thy poet's name recalls
A prouder thought than these.
Not less thy pulse of trade shall beat,
Nor less thy tall fleets swim,
That shaded square and dusty street
Are classic ground through him.
Alive, he loved, like all who sing,
The echoes of his song;
Too late the tardy meed we bring,
The praise delayed so long.
Too late, alas! Of all who knew
The living man, to-day
Before his unveiled face, how few
Make bare their locks of gray!
Our lips of praise must soon be dumb,
Our grateful eyes be dim;
O brothers of the days to come,
Take tender charge of him!
New hands the wires of song may sweep,
New voices challenge fame;
But let no moss of years o'ercreep
The lines of Halleck's name.
348
John Greenleaf Whittier
The Double-Headed Snake of Newbury
Far away in the twilight time
Of every people, in every clime,
Dragons and griffins and monsters dire,
Born of water, and air, and fire,
Or nursed, like the Python, in the mud
And ooze of the old Deucalion flood,
Crawl and wriggle and foam with rage,
Through dusk tradition and ballad age.
So from the childhood of Newbury town
And its time of fable the tale comes down
Of a terror which haunted bush and brake,
The Amphisbaena, the Double Snake!
Thou who makest the tale thy mirth,
Consider that strip of Christian earth
On the desolate shore of a sailless sea,
Full of terror and mystery,
Half redeemed from the evil hold
Of the wood so dreary, and dark, and old,
Which drank with its lips of leaves the dew
When Time was young, and the world was new,
And wove its shadows with sun and moon,
Ere the stones of Cheops were squared and hewn.
Think of the sea's dread monotone,
Of the mournful wail from the pine-wood blown,
Of the strange, vast splendors that lit the North,
Of the troubled throes of the quaking earth,
And the dismal tales the Indian told,
Till the settler's heart at his hearth grew cold,
And he shrank from the tawny wizard boasts,
And the hovering shadows seemed full of ghosts,
And above, below, and on every side,
The fear of his creed seemed verified;
And
think, if his lot were now thine own,
To grope with terrors nor named nor known,
How laxer muscle and weaker nerve
And a feebler faith thy need might serve;
And own to thyself the wonder more
That the snake had two heads, and not a score!
Whether he lurked in the Oldtown fen
Or the gray earth-flax of the Devil's Den,
Or swam in the wooded Artichoke,
Or coiled by the Northman's Written Rock,
Nothing on record is left to show;
Only the fact that be lived, we know,
And left the cast of a double head
In the scaly mask which he yearly shed.
For he carried a head where his tail should be,
And the two, of course, could never agree,
But wriggled about with main and might,
Now to the left and now to the right;
Pulling and twisting this way and that,
Neither knew what the other was at.
A snake with two beads, lurking so near!
Judge of the wonder, guess at the fear!
Think what ancient gossips might say,
Shaking their heads in their dreary way,
Between the meetings on Sabbath-day!
How urchins, searching at day's decline
The Common Pasture for sheep or kine,
The terrible double-ganger heard
In leafy rustle or whir of bird!
Think what a zest it gave to the sport,
In berry-time, of the younger sort,
As over pastures blackberry-twined,
Reuben and Dorothy lagged behind,
And closer and closer, for fear of harm,
The maiden clung to her lover's arm;
And how the spark, who was forced to stay,
By his sweetheart's fears, till the break of day,
Thanked the snake for the fond delay.
Far and wide the tale was told,
Like a snowball growing while it rolled.
The nurse hushed with it the baby's cry;
And it served, in the worthy minister's eye,
To paint the primitive serpent by.
Cotton Mather came galloping down
All the way to Newbury town,
With his eyes agog and his ears set wide,
And his marvellous inkhorn at his side;
Stirring the while in the shallow pool
Of his brains for the lore he learned at school,
To garnish the story, with here a streak
Of Latin, and there another of Greek
And the tales he heard and the notes he took,
Behold! are they not in his Wonder-Book?
Stories, like dragons, are hard to kill.
If the snake does not, the tale runs still
In Byfield Meadows, on Pipestave Hill.
And still, whenever husband and wife
Publish the shame of their daily strife,
And, with mad cross-purpose, tug and strain
At either end of the marriage-chain,
The gossips say, with a knowing shake
Of their gray heads, 'Look at the Double Snake
One in body and two in will,
The Amphisbaena is living still!'
Of every people, in every clime,
Dragons and griffins and monsters dire,
Born of water, and air, and fire,
Or nursed, like the Python, in the mud
And ooze of the old Deucalion flood,
Crawl and wriggle and foam with rage,
Through dusk tradition and ballad age.
So from the childhood of Newbury town
And its time of fable the tale comes down
Of a terror which haunted bush and brake,
The Amphisbaena, the Double Snake!
Thou who makest the tale thy mirth,
Consider that strip of Christian earth
On the desolate shore of a sailless sea,
Full of terror and mystery,
Half redeemed from the evil hold
Of the wood so dreary, and dark, and old,
Which drank with its lips of leaves the dew
When Time was young, and the world was new,
And wove its shadows with sun and moon,
Ere the stones of Cheops were squared and hewn.
Think of the sea's dread monotone,
Of the mournful wail from the pine-wood blown,
Of the strange, vast splendors that lit the North,
Of the troubled throes of the quaking earth,
And the dismal tales the Indian told,
Till the settler's heart at his hearth grew cold,
And he shrank from the tawny wizard boasts,
And the hovering shadows seemed full of ghosts,
And above, below, and on every side,
The fear of his creed seemed verified;
And
think, if his lot were now thine own,
To grope with terrors nor named nor known,
How laxer muscle and weaker nerve
And a feebler faith thy need might serve;
And own to thyself the wonder more
That the snake had two heads, and not a score!
Whether he lurked in the Oldtown fen
Or the gray earth-flax of the Devil's Den,
Or swam in the wooded Artichoke,
Or coiled by the Northman's Written Rock,
Nothing on record is left to show;
Only the fact that be lived, we know,
And left the cast of a double head
In the scaly mask which he yearly shed.
For he carried a head where his tail should be,
And the two, of course, could never agree,
But wriggled about with main and might,
Now to the left and now to the right;
Pulling and twisting this way and that,
Neither knew what the other was at.
A snake with two beads, lurking so near!
Judge of the wonder, guess at the fear!
Think what ancient gossips might say,
Shaking their heads in their dreary way,
Between the meetings on Sabbath-day!
How urchins, searching at day's decline
The Common Pasture for sheep or kine,
The terrible double-ganger heard
In leafy rustle or whir of bird!
Think what a zest it gave to the sport,
In berry-time, of the younger sort,
As over pastures blackberry-twined,
Reuben and Dorothy lagged behind,
And closer and closer, for fear of harm,
The maiden clung to her lover's arm;
And how the spark, who was forced to stay,
By his sweetheart's fears, till the break of day,
Thanked the snake for the fond delay.
Far and wide the tale was told,
Like a snowball growing while it rolled.
The nurse hushed with it the baby's cry;
And it served, in the worthy minister's eye,
To paint the primitive serpent by.
Cotton Mather came galloping down
All the way to Newbury town,
With his eyes agog and his ears set wide,
And his marvellous inkhorn at his side;
Stirring the while in the shallow pool
Of his brains for the lore he learned at school,
To garnish the story, with here a streak
Of Latin, and there another of Greek
And the tales he heard and the notes he took,
Behold! are they not in his Wonder-Book?
Stories, like dragons, are hard to kill.
If the snake does not, the tale runs still
In Byfield Meadows, on Pipestave Hill.
And still, whenever husband and wife
Publish the shame of their daily strife,
And, with mad cross-purpose, tug and strain
At either end of the marriage-chain,
The gossips say, with a knowing shake
Of their gray heads, 'Look at the Double Snake
One in body and two in will,
The Amphisbaena is living still!'
348
John Greenleaf Whittier
To E. C. S.
Poet and friend of poets, if thy glass
Detects no flower in winter's tuft of grass,
Let this slight token of the debt I owe
Outlive for thee December's frozen day,
And, like the arbutus budding under snow,
Take bloom and fragrance from some morn of May
When he who gives it shall have gone the way
Where faith shall see and reverent trust shall know.
Detects no flower in winter's tuft of grass,
Let this slight token of the debt I owe
Outlive for thee December's frozen day,
And, like the arbutus budding under snow,
Take bloom and fragrance from some morn of May
When he who gives it shall have gone the way
Where faith shall see and reverent trust shall know.
348
Henry Wadsworth Longfellow
My Lost Youth
Often I think of the beautiful town
That is seated by the sea;
Often in thought go up and down
The pleasant streets of that dear old town,
And my youth comes back to me.
And a verse of a Lapland song
Is haunting my memory still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I can see the shadowy lines of its trees,
And catch, in sudden gleams,
The sheen of the far-surrounding seas,
And islands that were the Hesperides
Of all my boyish dreams.
And the burden of that old song,
It murmurs and whispers still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I remember the black wharves and the ships,
And the sea-tides tossing free;
And Spanish sailors with bearded lips,
And the beauty and mystery of the ships,
And the magic of the sea.
And the voice of that wayward song
Is singing and saying still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I remember the bulwarks by the shore,
And the fort upon the hill;
The sunrise gun, with its hollow roar,
The drum-beat repeated o'er and o'er,
And the bugle wild and shrill.
And the music of that old song
Throbs in my memory still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I remember the sea-fight far away,
How it thundered o'er the tide!
And the dead captains, as they lay
In their graves, o'erlooking the tranquil bay
Where they in battle died.
And the sound of that mournful song
Goes through me with a thrill:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I can see the breezy dome of groves,
The shadows of Deering's Woods;
And the friendships old and the early loves
Come back with a Sabbath sound, as of doves
In quiet neighborhoods.
And the verse of that sweet old song,
It flutters and murmurs still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I remember the gleams and glooms that dart
Across the school-boy's brain;
The song and the silence in the heart,
That in part are prophecies, and in part
Are longings wild and vain.
And the voice of that fitful song
Sings on, and is never still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
There are things of which I may not speak;
There are dreams that cannot die;
There are thoughts that make the strong heart weak,
And bring a pallor into the cheek,
And a mist before the eye.
And the words of that fatal song
Come over me like a chill:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
Strange to me now are the forms I meet
When I visit the dear old town;
But the native air is pure and sweet,
And the trees that o'ershadow each well-known street,
As they balance up and down,
Are singing the beautiful song,
Are sighing and whispering still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
And Deering's Woods are fresh and fair,
And with joy that is almost pain
My heart goes back to wander there,
And among the dreams of the days that were,
I find my lost youth again.
And the strange and beautiful song,
The groves are repeating it still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
That is seated by the sea;
Often in thought go up and down
The pleasant streets of that dear old town,
And my youth comes back to me.
And a verse of a Lapland song
Is haunting my memory still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I can see the shadowy lines of its trees,
And catch, in sudden gleams,
The sheen of the far-surrounding seas,
And islands that were the Hesperides
Of all my boyish dreams.
And the burden of that old song,
It murmurs and whispers still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I remember the black wharves and the ships,
And the sea-tides tossing free;
And Spanish sailors with bearded lips,
And the beauty and mystery of the ships,
And the magic of the sea.
And the voice of that wayward song
Is singing and saying still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I remember the bulwarks by the shore,
And the fort upon the hill;
The sunrise gun, with its hollow roar,
The drum-beat repeated o'er and o'er,
And the bugle wild and shrill.
And the music of that old song
Throbs in my memory still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I remember the sea-fight far away,
How it thundered o'er the tide!
And the dead captains, as they lay
In their graves, o'erlooking the tranquil bay
Where they in battle died.
And the sound of that mournful song
Goes through me with a thrill:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I can see the breezy dome of groves,
The shadows of Deering's Woods;
And the friendships old and the early loves
Come back with a Sabbath sound, as of doves
In quiet neighborhoods.
And the verse of that sweet old song,
It flutters and murmurs still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I remember the gleams and glooms that dart
Across the school-boy's brain;
The song and the silence in the heart,
That in part are prophecies, and in part
Are longings wild and vain.
And the voice of that fitful song
Sings on, and is never still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
There are things of which I may not speak;
There are dreams that cannot die;
There are thoughts that make the strong heart weak,
And bring a pallor into the cheek,
And a mist before the eye.
And the words of that fatal song
Come over me like a chill:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
Strange to me now are the forms I meet
When I visit the dear old town;
But the native air is pure and sweet,
And the trees that o'ershadow each well-known street,
As they balance up and down,
Are singing the beautiful song,
Are sighing and whispering still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
And Deering's Woods are fresh and fair,
And with joy that is almost pain
My heart goes back to wander there,
And among the dreams of the days that were,
I find my lost youth again.
And the strange and beautiful song,
The groves are repeating it still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
345
Gwendolyn Brooks
the vacant lot
Mrs. Coley’s three-flat brick
Isn’t here any more.
All done with seeing her fat little form
Burst out of the basement door;
And with seeing her African son-in-law
(Rightful heir to the throne)
With his great white strong cold squares of teeth
And his little eyes of stone;
And with seeing the squat fat daughter
Letting in the men
When majesty has gone for the day—
And letting them out again.
Isn’t here any more.
All done with seeing her fat little form
Burst out of the basement door;
And with seeing her African son-in-law
(Rightful heir to the throne)
With his great white strong cold squares of teeth
And his little eyes of stone;
And with seeing the squat fat daughter
Letting in the men
When majesty has gone for the day—
And letting them out again.
345
Edna St. Vincent Millay
If Still Your Orchards Bear
Brother, that breathe the August air
Ten thousand years from now,
And smell—if still your orchards bear
Tart apples on the bough—
The early windfall under the tree,
And see the red fruit shine,
I cannot think your thoughts will be
Much different from mine.
Should at that moment the full moon
Step forth upon the hill,
And memories hard to bear at noon,
By moonlight harder still,
Form in the shadow of the trees, —
Things that you could not spare
And live, or so you thought, yet these
All gone, and you still there,
A man no longer what he was,
Nor yet the thing he'd planned,
The chilly apple from the grass
Warmed by your living hand—
I think you will have need of tears;
I think they will not flow;
Supposing in ten thousand years
Men ache, as they do now.
Ten thousand years from now,
And smell—if still your orchards bear
Tart apples on the bough—
The early windfall under the tree,
And see the red fruit shine,
I cannot think your thoughts will be
Much different from mine.
Should at that moment the full moon
Step forth upon the hill,
And memories hard to bear at noon,
By moonlight harder still,
Form in the shadow of the trees, —
Things that you could not spare
And live, or so you thought, yet these
All gone, and you still there,
A man no longer what he was,
Nor yet the thing he'd planned,
The chilly apple from the grass
Warmed by your living hand—
I think you will have need of tears;
I think they will not flow;
Supposing in ten thousand years
Men ache, as they do now.
341
John Donne
To The Praise Of The Dead And The Anatomy
VVEll dy'de the World, that we might liue to see
This World of wit, in his Anatomee:
No euill wants his good: so wilder heyres;
Bedew their Fathers Toombs, with forced teares,
Whose state requites their losse: whiles thus we gaine
Well may we walke in black[e], but not complaine.
Yet how can I consent the world is dead
While this Muse liues? which in his spirits stead
Seemes to informe a world: and bids it bee,
In spight of losse, or fraile mortalitee?
And thou the subiect of this wel-borne thought,
Thrise noble Maid; couldst not haue found nor sought
A fitter time to yeeld to thy sad Fate,
Then whiles this spirit liues; that can relate
Thy worth so well to our last Nephews Eyne,
That they shall wonder both at his, and thine:
Admired match! where striues in mutuall grace
The cunning Pencill, and the comely face:
A taske, which thy faire goodnesse made too much
For the bold pride of vulgar pens to tuch;
Enough is vs to praise them that praise thee,
And say that but enough those prayses bee,
Which had'st thou liu'd, had hid their fearefull head
From th'angry checkings of thy modestred:
Death bars reward & shame: when enuy's gone,
And gaine; 'tis safe to giue the dead their owne.
As then the wise Egyptians wont to lay
More on their Tombes, then houses: these of clay,
But those of brasse, or marbele were; so wee
Giue more vnto thy Ghost, then vnto thee.
Yet what wee giue to thee, thou gauest to vs,
And maiest but thanke thy selfe, for being thus:
Yet what thou gau'st, and wert, O happy maid,
Thy grace profest all due, were 'tis repayd.
So these high songs that to thee suited bine,
Serue but to sound thy makers praise, in thine,
Which thy deare soule as sweetly sings to him
Amid the Quire of Saints and Seraphim,
As any Angels tongue can sing of thee;
The subiects differ, then the skill agree:
For as by infant-yeares men iudge of age,
Thy early loue, thy vertues, did presage
What hie part thou bear'st in those best songs
Whereto no burden, nor no end belongs.
Sing on thou Virgin soule, whose losseful gaine
Thy loue-sicke Parents haue bewail'd in vaine;
Neuer may thy Name be in our songs forgot.
Till we shall sing thy ditty, and thy note.
This World of wit, in his Anatomee:
No euill wants his good: so wilder heyres;
Bedew their Fathers Toombs, with forced teares,
Whose state requites their losse: whiles thus we gaine
Well may we walke in black[e], but not complaine.
Yet how can I consent the world is dead
While this Muse liues? which in his spirits stead
Seemes to informe a world: and bids it bee,
In spight of losse, or fraile mortalitee?
And thou the subiect of this wel-borne thought,
Thrise noble Maid; couldst not haue found nor sought
A fitter time to yeeld to thy sad Fate,
Then whiles this spirit liues; that can relate
Thy worth so well to our last Nephews Eyne,
That they shall wonder both at his, and thine:
Admired match! where striues in mutuall grace
The cunning Pencill, and the comely face:
A taske, which thy faire goodnesse made too much
For the bold pride of vulgar pens to tuch;
Enough is vs to praise them that praise thee,
And say that but enough those prayses bee,
Which had'st thou liu'd, had hid their fearefull head
From th'angry checkings of thy modestred:
Death bars reward & shame: when enuy's gone,
And gaine; 'tis safe to giue the dead their owne.
As then the wise Egyptians wont to lay
More on their Tombes, then houses: these of clay,
But those of brasse, or marbele were; so wee
Giue more vnto thy Ghost, then vnto thee.
Yet what wee giue to thee, thou gauest to vs,
And maiest but thanke thy selfe, for being thus:
Yet what thou gau'st, and wert, O happy maid,
Thy grace profest all due, were 'tis repayd.
So these high songs that to thee suited bine,
Serue but to sound thy makers praise, in thine,
Which thy deare soule as sweetly sings to him
Amid the Quire of Saints and Seraphim,
As any Angels tongue can sing of thee;
The subiects differ, then the skill agree:
For as by infant-yeares men iudge of age,
Thy early loue, thy vertues, did presage
What hie part thou bear'st in those best songs
Whereto no burden, nor no end belongs.
Sing on thou Virgin soule, whose losseful gaine
Thy loue-sicke Parents haue bewail'd in vaine;
Neuer may thy Name be in our songs forgot.
Till we shall sing thy ditty, and thy note.
342
John Greenleaf Whittier
The Reunion
The gulf of seven and fifty years
We stretch our welcoming hands across;
The distance but a pebble's toss
Between us and our youth appears.
For in life's school we linger on
The remnant of a once full list;
Conning our lessons, undismissed,
With faces to the setting sun.
And some have gone the unknown way,
And some await the call to rest;
Who knoweth whether it is best
For those who went or those who stay?
And yet despite of loss and ill,
If faith and love and hope remain,
Our length of days is not in vain,
And life is well worth living still.
Still to a gracious Providence
The thanks of grateful hearts are due,
For blessings when our lives were new,
For all the good vouchsafed us since.
The pain that spared us sorer hurt,
The wish denied, the purpose crossed,
And pleasure's fond occasions lost,
Were mercies to our small desert.
'T is something that we wander back,
Gray pilgrims, to our ancient ways,
And tender memories of old days
Walk with us by the Merrimac;
That even in life's afternoon
A sense of youth comes back again,
As through this cool September rain
The still green woodlands dream of June.
The eyes grown dim to present things
Have keener sight for bygone years,
And sweet and clear, in deafening ears,
The bird that sang at morning sings.
Dear comrades, scattered wide and far,
Send from their homes their kindly word,
And dearer ones, unseen, unheard,
Smile on us from some heavenly star.
For life and death with God are one,
Unchanged by seeming change His care
And love are round us here and there;
He breaks no thread His hand has spun.
Soul touches soul, the muster roll
Of life eternal has no gaps;
And after half a century's lapse
Our school-day ranks are closed and whole.
Hail and farewell! We go our way;
Where shadows end, we trust in light;
The star that ushers in the night
Is herald also of the day!
We stretch our welcoming hands across;
The distance but a pebble's toss
Between us and our youth appears.
For in life's school we linger on
The remnant of a once full list;
Conning our lessons, undismissed,
With faces to the setting sun.
And some have gone the unknown way,
And some await the call to rest;
Who knoweth whether it is best
For those who went or those who stay?
And yet despite of loss and ill,
If faith and love and hope remain,
Our length of days is not in vain,
And life is well worth living still.
Still to a gracious Providence
The thanks of grateful hearts are due,
For blessings when our lives were new,
For all the good vouchsafed us since.
The pain that spared us sorer hurt,
The wish denied, the purpose crossed,
And pleasure's fond occasions lost,
Were mercies to our small desert.
'T is something that we wander back,
Gray pilgrims, to our ancient ways,
And tender memories of old days
Walk with us by the Merrimac;
That even in life's afternoon
A sense of youth comes back again,
As through this cool September rain
The still green woodlands dream of June.
The eyes grown dim to present things
Have keener sight for bygone years,
And sweet and clear, in deafening ears,
The bird that sang at morning sings.
Dear comrades, scattered wide and far,
Send from their homes their kindly word,
And dearer ones, unseen, unheard,
Smile on us from some heavenly star.
For life and death with God are one,
Unchanged by seeming change His care
And love are round us here and there;
He breaks no thread His hand has spun.
Soul touches soul, the muster roll
Of life eternal has no gaps;
And after half a century's lapse
Our school-day ranks are closed and whole.
Hail and farewell! We go our way;
Where shadows end, we trust in light;
The star that ushers in the night
Is herald also of the day!
343
John Greenleaf Whittier
Burning Drift-Wood
Before my drift-wood fire I sit,
And see, with every waif I burn,
Old dreams and fancies coloring it,
And folly's unlaid ghosts return.
O ships of mine, whose swift keels cleft
The enchanted sea on which they sailed,
Are these poor fragments only left
Of vain desires and hopes that failed?
Did I not watch from them the light
Of sunset on my towers in Spain,
And see, far off, uploom in sight
The Fortunate Isles I might not gain?
Did sudden lift of fog reveal
Arcadia's vales of song and spring,
And did I pass, with grazing keel,
The rocks whereon the sirens sing?
Have I not drifted hard upon
The unmapped regions lost to man,
The cloud-pitched tents of Prester John,
The palace domes of Kubla Khan?
Did land winds blow from jasmine flowers,
Where Youth the ageless Fountain fills?
Did Love make sign from rose blown bowers,
And gold from Eldorado's hills?
Alas! the gallant ships, that sailed
On blind Adventure's errand sent,
Howe'er they laid their courses, failed
To reach the haven of Content.
And of my ventures, those alone
Which Love had freighted, safely sped,
Seeking a good beyond my own,
By clear-eyed Duty piloted.
O mariners, hoping still to meet
The luck Arabian voyagers met,
And find in Bagdad's moonlit street,
Haroun al Raschid walking yet,
Take with you, on your Sea of Dreams,
The fair, fond fancies dear to youth.
I turn from all that only seems,
And seek the sober grounds of truth.
What matter that it is not May,
That birds have flown, and trees are bare,
That darker grows the shortening day,
And colder blows the wintry air!
The wrecks of passion and desire,
The castles I no more rebuild,
May fitly feed my drift-wood fire,
And warm the hands that age has chilled.
Whatever perished with my ships,
I only know the best remains;
A song of praise is on my lips
For losses which are now my gains.
Heap high my hearth! No worth is lost;
No wisdom with the folly dies.
Burn on, poor shreds, your holocaust
Shall be my evening sacrifice!
Far more than all I dared to dream,
Unsought before my door I see;
On wings of fire and steeds of steam
The world's great wonders come to me,
And holier signs, unmarked before,
Of Love to seek and Power to save, -The
righting of the wronged and poor,
The man evolving from the slave;
And life, no longer chance or fate,
Safe in the gracious Fatherhood.
I fold o'er-wearied hands and wait,
In full assurance of the good.
And well the waiting time must be,
Though brief or long its granted days,
If Faith and Hope and Charity
Sit by my evening hearth-fire's blaze.
And with them, friends whom Heaven has spared,
Whose love my heart has comforted,
And, sharing all my joys, has shared
My tender memories of the dead, -
Dear souls who left us lonely here,
Bound on their last, long voyage, to whom
We, day by day, are drawing near,
Where every bark has sailing room.
I know the solemn monotone
Of waters calling unto me;
I know from whence the airs have blown
That whisper of the Eternal Sea.
As low my fires of drift-wood burn,
I hear that sea's deep sounds increase,
And, fair in sunset light, discern
Its mirage-lifted Isles of Peace.
And see, with every waif I burn,
Old dreams and fancies coloring it,
And folly's unlaid ghosts return.
O ships of mine, whose swift keels cleft
The enchanted sea on which they sailed,
Are these poor fragments only left
Of vain desires and hopes that failed?
Did I not watch from them the light
Of sunset on my towers in Spain,
And see, far off, uploom in sight
The Fortunate Isles I might not gain?
Did sudden lift of fog reveal
Arcadia's vales of song and spring,
And did I pass, with grazing keel,
The rocks whereon the sirens sing?
Have I not drifted hard upon
The unmapped regions lost to man,
The cloud-pitched tents of Prester John,
The palace domes of Kubla Khan?
Did land winds blow from jasmine flowers,
Where Youth the ageless Fountain fills?
Did Love make sign from rose blown bowers,
And gold from Eldorado's hills?
Alas! the gallant ships, that sailed
On blind Adventure's errand sent,
Howe'er they laid their courses, failed
To reach the haven of Content.
And of my ventures, those alone
Which Love had freighted, safely sped,
Seeking a good beyond my own,
By clear-eyed Duty piloted.
O mariners, hoping still to meet
The luck Arabian voyagers met,
And find in Bagdad's moonlit street,
Haroun al Raschid walking yet,
Take with you, on your Sea of Dreams,
The fair, fond fancies dear to youth.
I turn from all that only seems,
And seek the sober grounds of truth.
What matter that it is not May,
That birds have flown, and trees are bare,
That darker grows the shortening day,
And colder blows the wintry air!
The wrecks of passion and desire,
The castles I no more rebuild,
May fitly feed my drift-wood fire,
And warm the hands that age has chilled.
Whatever perished with my ships,
I only know the best remains;
A song of praise is on my lips
For losses which are now my gains.
Heap high my hearth! No worth is lost;
No wisdom with the folly dies.
Burn on, poor shreds, your holocaust
Shall be my evening sacrifice!
Far more than all I dared to dream,
Unsought before my door I see;
On wings of fire and steeds of steam
The world's great wonders come to me,
And holier signs, unmarked before,
Of Love to seek and Power to save, -The
righting of the wronged and poor,
The man evolving from the slave;
And life, no longer chance or fate,
Safe in the gracious Fatherhood.
I fold o'er-wearied hands and wait,
In full assurance of the good.
And well the waiting time must be,
Though brief or long its granted days,
If Faith and Hope and Charity
Sit by my evening hearth-fire's blaze.
And with them, friends whom Heaven has spared,
Whose love my heart has comforted,
And, sharing all my joys, has shared
My tender memories of the dead, -
Dear souls who left us lonely here,
Bound on their last, long voyage, to whom
We, day by day, are drawing near,
Where every bark has sailing room.
I know the solemn monotone
Of waters calling unto me;
I know from whence the airs have blown
That whisper of the Eternal Sea.
As low my fires of drift-wood burn,
I hear that sea's deep sounds increase,
And, fair in sunset light, discern
Its mirage-lifted Isles of Peace.
342
Rupert Brooke
Oh! Death Will Find Me, Long Before I Tire
Oh! Death will find me, long before I tire
Of watching you; and swing me suddenly
Into the shade and loneliness and mire
Of the last land! There, waiting patiently,
One day, I think, I'll feel a cool wind blowing,
See a slow light across the Stygian tide,
And hear the Dead about me stir, unknowing,
And tremble. And I shall know that you have died,
And watch you, a broad-browed and smiling dream,
Pass, light as ever, through the lightless host,
Quietly ponder, start, and sway, and gleam --
Most individual and bewildering ghost! --
And turn, and toss your brown delightful head
Amusedly, among the ancient Dead.
Of watching you; and swing me suddenly
Into the shade and loneliness and mire
Of the last land! There, waiting patiently,
One day, I think, I'll feel a cool wind blowing,
See a slow light across the Stygian tide,
And hear the Dead about me stir, unknowing,
And tremble. And I shall know that you have died,
And watch you, a broad-browed and smiling dream,
Pass, light as ever, through the lightless host,
Quietly ponder, start, and sway, and gleam --
Most individual and bewildering ghost! --
And turn, and toss your brown delightful head
Amusedly, among the ancient Dead.
343
Robert Louis Stevenson
I Dreamed Of Forest Alleys fair
I.
I DREAMED of forest alleys fair
And fields of gray-flowered grass,
Where by the yellow summer moon
My Jenny seemed to pass.
I dreamed the yellow summer moon,
Behind a cedar wood,
Lay white on fields of rippling grass
Where I and Jenny stood.
I dreamed - but fallen through my dream,
In a rainy land I lie
Where wan wet morning crowns the hills
Of grim reality.
II.
I am as one that keeps awake
All night in the month of June,
That lies awake in bed to watch
The trees and great white moon.
For memories of love are more
Than the white moon there above,
And dearer than quiet moonshine
Are the thoughts of her I love.
III.
Last night I lingered long without
My last of loves to see.
Alas! the moon-white window-panes
Stared blindly back on me.
To-day I hold her very hand,
Her very waist embrace -
Like clouds across a pool, I read
Her thoughts upon her face.
And yet, as now, through her clear eyes
I seek the inner shrine -
I stoop to read her virgin heart
In doubt if it be mine -
O looking long and fondly thus,
What vision should I see?
No vision, but my own white face
That grins and mimics me.
IV.
Once more upon the same old seat
In the same sunshiny weather,
The elm-trees' shadows at their feet
And foliage move together.
The shadows shift upon the grass,
The dial point creeps on;
The clear sun shines, the loiterers pass,
As then they passed and shone.
But now deep sleep is on my heart,
Deep sleep and perfect rest.
Hope's flutterings now disturb no more
The quiet of my breast.
I DREAMED of forest alleys fair
And fields of gray-flowered grass,
Where by the yellow summer moon
My Jenny seemed to pass.
I dreamed the yellow summer moon,
Behind a cedar wood,
Lay white on fields of rippling grass
Where I and Jenny stood.
I dreamed - but fallen through my dream,
In a rainy land I lie
Where wan wet morning crowns the hills
Of grim reality.
II.
I am as one that keeps awake
All night in the month of June,
That lies awake in bed to watch
The trees and great white moon.
For memories of love are more
Than the white moon there above,
And dearer than quiet moonshine
Are the thoughts of her I love.
III.
Last night I lingered long without
My last of loves to see.
Alas! the moon-white window-panes
Stared blindly back on me.
To-day I hold her very hand,
Her very waist embrace -
Like clouds across a pool, I read
Her thoughts upon her face.
And yet, as now, through her clear eyes
I seek the inner shrine -
I stoop to read her virgin heart
In doubt if it be mine -
O looking long and fondly thus,
What vision should I see?
No vision, but my own white face
That grins and mimics me.
IV.
Once more upon the same old seat
In the same sunshiny weather,
The elm-trees' shadows at their feet
And foliage move together.
The shadows shift upon the grass,
The dial point creeps on;
The clear sun shines, the loiterers pass,
As then they passed and shone.
But now deep sleep is on my heart,
Deep sleep and perfect rest.
Hope's flutterings now disturb no more
The quiet of my breast.
342
Ella Wheeler Wilcox
Queries
Well, how has it been with you since we met
That last strange time of a hundred times?
When we met to swear that we could forget—
I your caresses, and you my rhymes—
The rhyme of my lays that rang like a bell,
And the rhyme of my heart with yours, as well?
How has it been since we drank that last kiss,
That was bitter with lees of the wasted wine,
When the tattered remains of a threadbare bliss,
And the worn-out shreds of a joy divine,
With a year's best dreams and hopes, were cast
Into the rag-bag of the Past?
Since Time, the rag-buyer, hurried away,
With a chuckle of glee at a bargain made,
Did you discover, like me, one day,
That, hid in the folds of those garments frayed,
Were priceless jewels and diadems—
The soul's best treasures, the heart's best gems?
Have you, too, found that you could not supply
The place of those jewels so rare and chaste?
Do all that you borrow or beg or buy
Prove to be nothing but skilful paste?
Have you found pleasure, as I found art,
Not all-sufficient to fill your heart?
Do you sometimes sigh for the tattered shreds
Of the old delight that we cast away,
And find no worth in the silken threads
Of newer fabrics we wear to-day?
Have you thought the bitter of that last kiss
Better than sweets of a later bliss?
What idle queries!—or yes or no—
Whatever your answer, I understand
That there is no pathway by which we can go
Back to the dead past's wonderland;
And the gems he purchased from me, from you,
There is no rebuying from Time, the Jew
That last strange time of a hundred times?
When we met to swear that we could forget—
I your caresses, and you my rhymes—
The rhyme of my lays that rang like a bell,
And the rhyme of my heart with yours, as well?
How has it been since we drank that last kiss,
That was bitter with lees of the wasted wine,
When the tattered remains of a threadbare bliss,
And the worn-out shreds of a joy divine,
With a year's best dreams and hopes, were cast
Into the rag-bag of the Past?
Since Time, the rag-buyer, hurried away,
With a chuckle of glee at a bargain made,
Did you discover, like me, one day,
That, hid in the folds of those garments frayed,
Were priceless jewels and diadems—
The soul's best treasures, the heart's best gems?
Have you, too, found that you could not supply
The place of those jewels so rare and chaste?
Do all that you borrow or beg or buy
Prove to be nothing but skilful paste?
Have you found pleasure, as I found art,
Not all-sufficient to fill your heart?
Do you sometimes sigh for the tattered shreds
Of the old delight that we cast away,
And find no worth in the silken threads
Of newer fabrics we wear to-day?
Have you thought the bitter of that last kiss
Better than sweets of a later bliss?
What idle queries!—or yes or no—
Whatever your answer, I understand
That there is no pathway by which we can go
Back to the dead past's wonderland;
And the gems he purchased from me, from you,
There is no rebuying from Time, the Jew
342
James Whitcomb Riley
Old Man's Nursery Rhyme
I.
In the jolly winters
Of the long-ago,
It was not so cold as now--
O! No! No!
Then, as I remember,
Snowballs, to eat,
Were as good as apples now,
And every bit as sweet!
II.
In the jolly winters
Of the dead-and-gone,
Bub was warm as summer,
With his red mitts on,--
Just in his little waist
And-
pants all together,
Who ever heard him growl
About cold weather?
III.
In the jolly winters of the long-ago--
Was it _half_ so cold as now?
O! No! No!
Who caught his death o' cold,
Making prints of men
Flat-backed in snow that now's
Twice as cold again?
IV.
In the jolly winters
Of the dead-and-gone,
Startin' out rabbit-hunting
Early as the dawn,--
Who ever froze his fingers,
Ears, heels, or toes,-Or'd
a cared if he had?
Nobody knows!
V.
Nights by the kitchen-stove,
Shelling white and red
Corn in the skillet, and
Sleepin' four abed!
Ah! the jolly winters
Of the long-ago!
We were not so old as now-
O! No! No!
In the jolly winters
Of the long-ago,
It was not so cold as now--
O! No! No!
Then, as I remember,
Snowballs, to eat,
Were as good as apples now,
And every bit as sweet!
II.
In the jolly winters
Of the dead-and-gone,
Bub was warm as summer,
With his red mitts on,--
Just in his little waist
And-
pants all together,
Who ever heard him growl
About cold weather?
III.
In the jolly winters of the long-ago--
Was it _half_ so cold as now?
O! No! No!
Who caught his death o' cold,
Making prints of men
Flat-backed in snow that now's
Twice as cold again?
IV.
In the jolly winters
Of the dead-and-gone,
Startin' out rabbit-hunting
Early as the dawn,--
Who ever froze his fingers,
Ears, heels, or toes,-Or'd
a cared if he had?
Nobody knows!
V.
Nights by the kitchen-stove,
Shelling white and red
Corn in the skillet, and
Sleepin' four abed!
Ah! the jolly winters
Of the long-ago!
We were not so old as now-
O! No! No!
339
Ella Wheeler Wilcox
The Camp Fire
When night hung low and dew fell damp,
There fell athwart the shadows
The gleaming watchfires of the camp,
Like glow-worms on the meadows.
The sentinel his measured beat
With measured tread was keeping,
While like bronze statues at his feet
Lay tired soldiers, sleeping.
On some worn faces of the men
There crept a homesick yearning,
Which made it almost seem again,
The child-look was returning.
While on full many a youthful brow,
Till now to care a stranger,
The premature grave lines told how
They had grown old through danger.
One, in his slumber, laughed with joy,
The laughing echoes mocked him,
He thought beside his baby boy
He sat and gaily rocked him.
O pitying angels! Thou wert kind
To end this brief elysian,
He found what he no more could find
Save in a dreamer's vision.
The clear note of a mocking bird-
That star of sound-came falling
Down thro' the night; one, wakeful, heard
And answered to the calling,
And then upon the ear there broke
That sweet, pathetic measure,
That song that wakes-as then it woke,
Such mingled pain and pleasure.
One voice at first, and then the sound
Pulsed like a great bell's swinging,
'Tenting to-night on the old camp ground,'
The whole roused camp was singing.
The sense of warfare's discontent
Gave place to warfare's glory;
Right merrily the swift hours went
With song, and jest, and story.
They sang the song of Old John Brown,
Whose march goes on forever;
It made them thirsty for renown,
It fired them with endeavor.
So much of that great heart lives still,
So much of that great spirit-
His very name shoots like a thrill
Through all men when they hear it.
They found in tales of march and fight
New courage as they listened,
And while they watched the weird camp-light,
And while the still stars glistened,
Like some stern comrade's voice, there broke
And swept from hill to valley
'Til all the sleeping echoes woke,-
The bugle's call to rally!
'To arms! to arms! the foe is near!'
Ah, brave hearts were ye equal
To hearing through without one fear
The whole tale's bloody sequel?
The laurel wreath, the victor's cry,
These are not all of glory;
The gaping wound, the glazing eye,
They, too, are in the story.
And when again their tents were spread,
And by campfires they slumbered,
The missing faces of the dead
The living ones outnumbered.
And yet, their memories animate
The hearts that still survive them,
And holy seems the task, and great,
For one hour to revive them.
There fell athwart the shadows
The gleaming watchfires of the camp,
Like glow-worms on the meadows.
The sentinel his measured beat
With measured tread was keeping,
While like bronze statues at his feet
Lay tired soldiers, sleeping.
On some worn faces of the men
There crept a homesick yearning,
Which made it almost seem again,
The child-look was returning.
While on full many a youthful brow,
Till now to care a stranger,
The premature grave lines told how
They had grown old through danger.
One, in his slumber, laughed with joy,
The laughing echoes mocked him,
He thought beside his baby boy
He sat and gaily rocked him.
O pitying angels! Thou wert kind
To end this brief elysian,
He found what he no more could find
Save in a dreamer's vision.
The clear note of a mocking bird-
That star of sound-came falling
Down thro' the night; one, wakeful, heard
And answered to the calling,
And then upon the ear there broke
That sweet, pathetic measure,
That song that wakes-as then it woke,
Such mingled pain and pleasure.
One voice at first, and then the sound
Pulsed like a great bell's swinging,
'Tenting to-night on the old camp ground,'
The whole roused camp was singing.
The sense of warfare's discontent
Gave place to warfare's glory;
Right merrily the swift hours went
With song, and jest, and story.
They sang the song of Old John Brown,
Whose march goes on forever;
It made them thirsty for renown,
It fired them with endeavor.
So much of that great heart lives still,
So much of that great spirit-
His very name shoots like a thrill
Through all men when they hear it.
They found in tales of march and fight
New courage as they listened,
And while they watched the weird camp-light,
And while the still stars glistened,
Like some stern comrade's voice, there broke
And swept from hill to valley
'Til all the sleeping echoes woke,-
The bugle's call to rally!
'To arms! to arms! the foe is near!'
Ah, brave hearts were ye equal
To hearing through without one fear
The whole tale's bloody sequel?
The laurel wreath, the victor's cry,
These are not all of glory;
The gaping wound, the glazing eye,
They, too, are in the story.
And when again their tents were spread,
And by campfires they slumbered,
The missing faces of the dead
The living ones outnumbered.
And yet, their memories animate
The hearts that still survive them,
And holy seems the task, and great,
For one hour to revive them.
339
John Greenleaf Whittier
The Palatine
Leagues north, as fly the gull and auk,
Point Judith watches with eye of hawk;
Leagues south, thy beacon flames, Montauk!
Lonely and wind-shorn, wood-forsaken,
With never a tree for Spring to waken,
For tryst of lovers or farewells taken,
Circled by waters that never freeze,
Beaten by billow and swept by breeze,
Lieth the island of Manisees,
Set at the mouth of the Sound to hold
The coast lights up on its turret old,
Yellow with moss and sea-fog mould.
Dreary the land when gust and sleet
At its doors and windows howl and beat,
And Winter laughs at its fires of peat!
But in summer time, when pool and pond,
Held in the laps of valleys fond,
Are blue as the glimpses of sea beyond;
When the hills are sweet with the brier-rose,
And, hid in the warm, soft dells, unclose
Flowers the mainland rarely knows;
When boats to their morning fishing go,
And, held to the wind and slanting low,
Whitening and darkening the small sails show,-
Then is that lonely island fair;
And the pale health-seeker findeth there
The wine of life in its pleasant air.
No greener valleys the sun invite,
On smoother beaches no sea-birds light,
No blue waves shatter to foam more white!
There, circling ever their narrow range,
Quaint tradition and legend strange
Live on unchallenged, and know no change.
Old wives spinning their webs of tow,
Or rocking weirdly to and fro
In and out of the peat's dull glow,
And old men mending their nets of twine,
Talk together of dream and sign,
Talk of the lost ship Palatine,-
The ship that, a hundred years before,
Freighted deep with its goodly store,
In the gales of the equinox went ashore.
The eager islanders one by one
Counted the shots of her signal gun,
And heard the crash when she drove right on!
Into the teeth of death she sped
(May God forgive the hands that fed
The false lights over the rocky Head!)
O men and brothers! what sights were there!
White upturned faces, hands stretched in prayer!
Where waves had pity, could ye not spare?
Down swooped the wreckers, like birds of prey
Tearing the heart of the ship away,
And the dead had never a word to say.
And then, with ghastly shimmer and shine
Over the rocks and the seething brine,
They burned the wreck of the Palatine.
In their cruel hearts, as they homeward sped,
'The sea and the rocks are dumb,' they said
'There 'll be no reckoning with the dead.'
But the year went round, and when once more
Along their foam-white curves of shore
They heard the line-storm rave and roar,
Behold! again, with shimmer and shine,
Over the rocks and the seething brine,
The flaming wreck of the Palatine!
So, haply in fitter words than these,
Mending their nets on their patient knees
They tell the legend of Manisees.
Nor looks nor tones a doubt betray;
'It is known to us all,' they quietly say;
'We too have seen it in our day.'
Is there, then, no death for a word once spoken?
Was never a deed but left its token
Written on tables never broken?
Do the elements subtle reflections give?
Do pictures of all the ages live
On Nature's infinite negative,
Which, half in sport, in malice half,
She shows at times, with shudder or laugh,
Phantom and shadow in photograph?
For still, on many a moonless night,
From Kingston Head and from Montauk light
The spectre kindles and burns in sight.
Now low and dim, now clear and higher,
Leaps up the terrible Ghost of Fire,
Then, slowly sinking, the flames expire.
And the wise Sound skippers, though skies be fine,
Reef their sails when they see the sign
Of the blazing wreck of the Palatine!
. . . . .
'A fitter tale to scream than sing,'
The Book-man said. 'Well, fancy, then,'
The Reader answered, 'on the wing
The sea-birds shriek it, not for men,
But in the ear of wave and breeze!'
The Traveller mused: 'Your Manisees
Is fairy-land: off Narragansett shore
Who ever saw the isle or heard its name before?
''T is some strange land of Flyaway,
Whose dreamy shore the ship beguiles,
St. Brandan's in its sea-mist gray,
Or sunset loom of Fortunate Isles!'
'No ghost, but solid turf and rock
Is the good island known as Block,'
The Reader said. 'For beauty and for ease
I chose its Indian name, soft-flowing Manisees!
'But let it pass; here is a bit
Of unrhymed story, with a hint
Of the old preaching mood in it,
The sort of sidelong moral squint
Our friend objects to, which has grown,
I fear, a habit of my own.
'Twas written when the Asian plague drew near,
And the land held its breath and paled with sudden fear.'
Point Judith watches with eye of hawk;
Leagues south, thy beacon flames, Montauk!
Lonely and wind-shorn, wood-forsaken,
With never a tree for Spring to waken,
For tryst of lovers or farewells taken,
Circled by waters that never freeze,
Beaten by billow and swept by breeze,
Lieth the island of Manisees,
Set at the mouth of the Sound to hold
The coast lights up on its turret old,
Yellow with moss and sea-fog mould.
Dreary the land when gust and sleet
At its doors and windows howl and beat,
And Winter laughs at its fires of peat!
But in summer time, when pool and pond,
Held in the laps of valleys fond,
Are blue as the glimpses of sea beyond;
When the hills are sweet with the brier-rose,
And, hid in the warm, soft dells, unclose
Flowers the mainland rarely knows;
When boats to their morning fishing go,
And, held to the wind and slanting low,
Whitening and darkening the small sails show,-
Then is that lonely island fair;
And the pale health-seeker findeth there
The wine of life in its pleasant air.
No greener valleys the sun invite,
On smoother beaches no sea-birds light,
No blue waves shatter to foam more white!
There, circling ever their narrow range,
Quaint tradition and legend strange
Live on unchallenged, and know no change.
Old wives spinning their webs of tow,
Or rocking weirdly to and fro
In and out of the peat's dull glow,
And old men mending their nets of twine,
Talk together of dream and sign,
Talk of the lost ship Palatine,-
The ship that, a hundred years before,
Freighted deep with its goodly store,
In the gales of the equinox went ashore.
The eager islanders one by one
Counted the shots of her signal gun,
And heard the crash when she drove right on!
Into the teeth of death she sped
(May God forgive the hands that fed
The false lights over the rocky Head!)
O men and brothers! what sights were there!
White upturned faces, hands stretched in prayer!
Where waves had pity, could ye not spare?
Down swooped the wreckers, like birds of prey
Tearing the heart of the ship away,
And the dead had never a word to say.
And then, with ghastly shimmer and shine
Over the rocks and the seething brine,
They burned the wreck of the Palatine.
In their cruel hearts, as they homeward sped,
'The sea and the rocks are dumb,' they said
'There 'll be no reckoning with the dead.'
But the year went round, and when once more
Along their foam-white curves of shore
They heard the line-storm rave and roar,
Behold! again, with shimmer and shine,
Over the rocks and the seething brine,
The flaming wreck of the Palatine!
So, haply in fitter words than these,
Mending their nets on their patient knees
They tell the legend of Manisees.
Nor looks nor tones a doubt betray;
'It is known to us all,' they quietly say;
'We too have seen it in our day.'
Is there, then, no death for a word once spoken?
Was never a deed but left its token
Written on tables never broken?
Do the elements subtle reflections give?
Do pictures of all the ages live
On Nature's infinite negative,
Which, half in sport, in malice half,
She shows at times, with shudder or laugh,
Phantom and shadow in photograph?
For still, on many a moonless night,
From Kingston Head and from Montauk light
The spectre kindles and burns in sight.
Now low and dim, now clear and higher,
Leaps up the terrible Ghost of Fire,
Then, slowly sinking, the flames expire.
And the wise Sound skippers, though skies be fine,
Reef their sails when they see the sign
Of the blazing wreck of the Palatine!
. . . . .
'A fitter tale to scream than sing,'
The Book-man said. 'Well, fancy, then,'
The Reader answered, 'on the wing
The sea-birds shriek it, not for men,
But in the ear of wave and breeze!'
The Traveller mused: 'Your Manisees
Is fairy-land: off Narragansett shore
Who ever saw the isle or heard its name before?
''T is some strange land of Flyaway,
Whose dreamy shore the ship beguiles,
St. Brandan's in its sea-mist gray,
Or sunset loom of Fortunate Isles!'
'No ghost, but solid turf and rock
Is the good island known as Block,'
The Reader said. 'For beauty and for ease
I chose its Indian name, soft-flowing Manisees!
'But let it pass; here is a bit
Of unrhymed story, with a hint
Of the old preaching mood in it,
The sort of sidelong moral squint
Our friend objects to, which has grown,
I fear, a habit of my own.
'Twas written when the Asian plague drew near,
And the land held its breath and paled with sudden fear.'
338
Carl Sandburg
Upstairs
I too have a garret of old playthings.
I have tin soldiers with broken arms upstairs.
I have a wagon and the wheels gone upstairs.
I have guns and a drum, a jumping-jack and a magic lantern.
And dust is on them and I never look at them upstairs.
I too have a garret of old playthings.
I have tin soldiers with broken arms upstairs.
I have a wagon and the wheels gone upstairs.
I have guns and a drum, a jumping-jack and a magic lantern.
And dust is on them and I never look at them upstairs.
I too have a garret of old playthings.
338
Carl Sandburg
Under A Hat Rim
While the hum and the hurry
Of passing footfalls
Beat in my ear like the restless surf
Of a wind-blown sea,
A soul came to me
Out of the look on a face.
Eyes like a lake
Where a storm-wind roams
Caught me from under
The rim of a hat.
I thought of a midsea wreck
and bruised fingers clinging
to a broken state-room door.
Of passing footfalls
Beat in my ear like the restless surf
Of a wind-blown sea,
A soul came to me
Out of the look on a face.
Eyes like a lake
Where a storm-wind roams
Caught me from under
The rim of a hat.
I thought of a midsea wreck
and bruised fingers clinging
to a broken state-room door.
340
Carl Sandburg
Dusty Doors
Child of the Aztec gods,
how long must we listen here,
how long before we go?
The dust is deep on the lintels.
The dust is dark on the doors.
If the dreams shake our bones,
what can we say or do?
Since early morning we waited.
Since early, early morning, child.
There must be dreams on the way now.
There must be a song for our bones.
The dust gets deeper and darker.
Do the doors and lintels shudder?
How long must we listen here?
How long before we go?
how long must we listen here,
how long before we go?
The dust is deep on the lintels.
The dust is dark on the doors.
If the dreams shake our bones,
what can we say or do?
Since early morning we waited.
Since early, early morning, child.
There must be dreams on the way now.
There must be a song for our bones.
The dust gets deeper and darker.
Do the doors and lintels shudder?
How long must we listen here?
How long before we go?
338
Carl Sandburg
Localities
Wagon wheel gap is a place I never saw
And Red Horse Gulch and the chutes of Cripple Creek.
Red-shirted miners picking in the sluices,
Gamblers with red neckties in the night streets,
The fly-by-night towns of Bull Frog and Skiddoo,
The night-cool limestone white of Death Valley,
The straight drop of eight hundred feet
From a shelf road in the Hasiampa Valley:
Men and places they are I never saw.
I have seen three White Horse taverns,
One in Illinois, one in Pennsylvania,
One in a timber-hid road of Wisconsin.
I bought cheese and crackers
Between sun showers in a place called White Pigeon
Nestling with a blacksmith shop, a post-office,
And a berry-crate factory, where four roads cross.
On the Pecatonica River near Freeport
I have seen boys run barefoot in the leaves
Throwing clubs at the walnut trees
In the yellow-and-gold of autumn,
And there was a brown mash dry on the inside of their hands.
On the Cedar Fork Creek of Knox County
I know how the fingers of late October
Loosen the hazel nuts.
I know the brown eyes of half-open hulls.
I know boys named Lindquist, Swanson, Hildebrand.
I remember their cries when the nuts were ripe.
And some are in machine shops; some are in the navy;
And some are not on payrolls anywhere.
Their mothers are through waiting for them to come home.
And Red Horse Gulch and the chutes of Cripple Creek.
Red-shirted miners picking in the sluices,
Gamblers with red neckties in the night streets,
The fly-by-night towns of Bull Frog and Skiddoo,
The night-cool limestone white of Death Valley,
The straight drop of eight hundred feet
From a shelf road in the Hasiampa Valley:
Men and places they are I never saw.
I have seen three White Horse taverns,
One in Illinois, one in Pennsylvania,
One in a timber-hid road of Wisconsin.
I bought cheese and crackers
Between sun showers in a place called White Pigeon
Nestling with a blacksmith shop, a post-office,
And a berry-crate factory, where four roads cross.
On the Pecatonica River near Freeport
I have seen boys run barefoot in the leaves
Throwing clubs at the walnut trees
In the yellow-and-gold of autumn,
And there was a brown mash dry on the inside of their hands.
On the Cedar Fork Creek of Knox County
I know how the fingers of late October
Loosen the hazel nuts.
I know the brown eyes of half-open hulls.
I know boys named Lindquist, Swanson, Hildebrand.
I remember their cries when the nuts were ripe.
And some are in machine shops; some are in the navy;
And some are not on payrolls anywhere.
Their mothers are through waiting for them to come home.
336
William Butler Yeats
The Nineteenth Century And After
THOUGH the great song return no more
There's keen delight in what we have:
The rattle of pebbles on the shore
Under the receding wave.
There's keen delight in what we have:
The rattle of pebbles on the shore
Under the receding wave.
337
Robert Louis Stevenson
Duddingstone
WITH caws and chirrupings, the woods
In this thin sun rejoice.
The Psalm seems but the little kirk
That sings with its own voice.
The cloud-rifts share their amber light
With the surface of the mere -
I think the very stones are glad
To feel each other near.
Once more my whole heart leaps and swells
And gushes o'er with glee;
The fingers of the sun and shade
Touch music stops in me.
Now fancy paints that bygone day
When you were here, my fair -
The whole lake rang with rapid skates
In the windless winter air.
You leaned to me, I leaned to you,
Our course was smooth as flight -
We steered - a heel-touch to the left,
A heel-touch to the right.
We swung our way through flying men,
Your hand lay fast in mine:
We saw the shifting crowd dispart,
The level ice-reach shine.
I swear by yon swan-travelled lake,
By yon calm hill above,
I swear had we been drowned that day
We had been drowned in love.
In this thin sun rejoice.
The Psalm seems but the little kirk
That sings with its own voice.
The cloud-rifts share their amber light
With the surface of the mere -
I think the very stones are glad
To feel each other near.
Once more my whole heart leaps and swells
And gushes o'er with glee;
The fingers of the sun and shade
Touch music stops in me.
Now fancy paints that bygone day
When you were here, my fair -
The whole lake rang with rapid skates
In the windless winter air.
You leaned to me, I leaned to you,
Our course was smooth as flight -
We steered - a heel-touch to the left,
A heel-touch to the right.
We swung our way through flying men,
Your hand lay fast in mine:
We saw the shifting crowd dispart,
The level ice-reach shine.
I swear by yon swan-travelled lake,
By yon calm hill above,
I swear had we been drowned that day
We had been drowned in love.
337