Night and Moon
Percy Bysshe Shelley
Night
SWIFTLY walk o'er the western wave,
Spirit of Night!
Out of the misty eastern cave,--
Where, all the long and lone daylight,
Thou wovest dreams of joy and fear
Which make thee terrible and dear,--
Swift be thy flight!
Wrap thy form in a mantle grey,
Star-inwrought!
Blind with thine hair the eyes of Day;
Kiss her until she be wearied out.
Then wander o'er city and sea and land,
Touching all with thine opiate wand--
Come, long-sought!
When I arose and saw the dawn,
I sigh'd for thee;
When light rode high, and the dew was gone,
And noon lay heavy on flower and tree,
And the weary Day turn'd to his rest,
Lingering like an unloved guest,
I sigh'd for thee.
Thy brother Death came, and cried,
'Wouldst thou me?'
Thy sweet child Sleep, the filmy-eyed,
Murmur'd like a noontide bee,
'Shall I nestle near thy side?
Wouldst thou me?'--And I replied,
'No, not thee!'
Death will come when thou art dead,
Soon, too soon--
Sleep will come when thou art fled.
Of neither would I ask the boon
I ask of thee, beloved Night--
Swift be thine approaching flight,
Come soon, soon!
Spirit of Night!
Out of the misty eastern cave,--
Where, all the long and lone daylight,
Thou wovest dreams of joy and fear
Which make thee terrible and dear,--
Swift be thy flight!
Wrap thy form in a mantle grey,
Star-inwrought!
Blind with thine hair the eyes of Day;
Kiss her until she be wearied out.
Then wander o'er city and sea and land,
Touching all with thine opiate wand--
Come, long-sought!
When I arose and saw the dawn,
I sigh'd for thee;
When light rode high, and the dew was gone,
And noon lay heavy on flower and tree,
And the weary Day turn'd to his rest,
Lingering like an unloved guest,
I sigh'd for thee.
Thy brother Death came, and cried,
'Wouldst thou me?'
Thy sweet child Sleep, the filmy-eyed,
Murmur'd like a noontide bee,
'Shall I nestle near thy side?
Wouldst thou me?'--And I replied,
'No, not thee!'
Death will come when thou art dead,
Soon, too soon--
Sleep will come when thou art fled.
Of neither would I ask the boon
I ask of thee, beloved Night--
Swift be thine approaching flight,
Come soon, soon!
471
Boris Pasternak
‘Like a brazier’s bronze cinders,’
Like a brazier’s bronze cinders,
the sleepy garden’s beetles flowing.
Level with me, and my candle,
a flowering world is hanging.
As if into unprecedented faith,
I cross into this night,
where the poplar’s beaten grey
veils the moon’s rim from sight.
Where the pond’s an open secret,
where apple-trees whisper of waves,
where the garden hanging on piles,
holds the sky before its face.
the sleepy garden’s beetles flowing.
Level with me, and my candle,
a flowering world is hanging.
As if into unprecedented faith,
I cross into this night,
where the poplar’s beaten grey
veils the moon’s rim from sight.
Where the pond’s an open secret,
where apple-trees whisper of waves,
where the garden hanging on piles,
holds the sky before its face.
467
Johann Wolfgang von Goethe
To The Moon
BUSH and vale thou fill'st again
With thy misty ray,
And my spirit's heavy chain
Castest far away.
Thou dost o'er my fields extend
Thy sweet soothing eye,
Watching like a gentle friend,
O'er my destiny.
Vanish'd days of bliss and woe
Haunt me with their tone,
Joy and grief in turns I know,
As I stray alone.
Stream beloved, flow on! flow on!
Ne'er can I be gay!
Thus have sport and kisses gone,
Truth thus pass'd away.
Once I seem'd the lord to be
Of that prize so fair!
Now, to our deep sorrow, we
Can forget it ne'er.
Murmur, stream, the vale along,
Never cease thy sighs;
Murmur, whisper to my song
Answering melodies!
When thou in the winter's night
Overflow'st in wrath,
Or in spring-time sparklest bright,
As the buds shoot forth.
He who from the world retires,
Void of hate, is blest;
Who a friend's true love inspires,
Leaning on his breast!
That which heedless man ne'er knew,
Or ne'er thought aright,
Roams the bosom's labyrinth through,
Boldly into night.
With thy misty ray,
And my spirit's heavy chain
Castest far away.
Thou dost o'er my fields extend
Thy sweet soothing eye,
Watching like a gentle friend,
O'er my destiny.
Vanish'd days of bliss and woe
Haunt me with their tone,
Joy and grief in turns I know,
As I stray alone.
Stream beloved, flow on! flow on!
Ne'er can I be gay!
Thus have sport and kisses gone,
Truth thus pass'd away.
Once I seem'd the lord to be
Of that prize so fair!
Now, to our deep sorrow, we
Can forget it ne'er.
Murmur, stream, the vale along,
Never cease thy sighs;
Murmur, whisper to my song
Answering melodies!
When thou in the winter's night
Overflow'st in wrath,
Or in spring-time sparklest bright,
As the buds shoot forth.
He who from the world retires,
Void of hate, is blest;
Who a friend's true love inspires,
Leaning on his breast!
That which heedless man ne'er knew,
Or ne'er thought aright,
Roams the bosom's labyrinth through,
Boldly into night.
466
Ezra Pound
The Jewel Stairs' Grievance
The jewelled steps are already quite white with dew,
It is so late that the dew soaks my gauze stockings,
And I let down the crystal curtain
And watch the moon through the clear autumn.
It is so late that the dew soaks my gauze stockings,
And I let down the crystal curtain
And watch the moon through the clear autumn.
445
Safo
Awed by her splendor
Awed by her splendor
stars near the lovely
moon cover their own
bright faces
when she
is roundest and lights
earth with her silver
stars near the lovely
moon cover their own
bright faces
when she
is roundest and lights
earth with her silver
447
Matsuo Bashō
Staying at an inn
Staying at an inn
where prostitutes are also sleeping--
bush clover and the moon.
Translated by Robert Hass
where prostitutes are also sleeping--
bush clover and the moon.
Translated by Robert Hass
441
Novalis
Hymns to the Night
Before all the wondrous shows of the widespread space around him, what living,
sentient thing loves not the all-joyous light -- with its colors, its rays and undulations,
its gentle omnipresence in the form of the wakening Day? The giant-world of the
unresting constellations inhales it as the innermost soul of life, and floats dancing in its
blue flood -- the sparkling, ever-tranquil stone, the thoughtful, imbibing plant, and the
wild, burning multiform beast inhales it -- but more than all, the lordly stranger with
the sense-filled eyes, the swaying walk, and the sweetly closed, melodious lips. Like a
king over earthly nature, it rouses every force to countless transformations, binds and
unbinds innumerable alliances, hangs its heavenly form around every earthly
substance. -- Its presence alone reveals the marvelous splendor of the kingdoms of the
world.
Aside I turn to the holy, unspeakable, mysterious Night. Afar lies the world -- sunk in a
deep grave -- waste and lonely is its place. In the chords of the bosom blows a deep
sadness. I am ready to sink away in drops of dew, and mingle with the ashes. -- The
distances of memory, the wishes of youth, the dreams of childhood, the brief joys and
vain hopes of a whole long life, arise in gray garments, like an evening vapor after the
sunset. In other regions the light has pitched its joyous tents. What if it should never
return to its children, who wait for it with the faith of innocence?
What springs up all at once so sweetly boding in my heart, and stills the soft air of
sadness? Dost thou also take a pleasure in us, dark Night? What holdest thou under
thy mantle, that with hidden power affects my soul? Precious balm drips from thy hand
out of its bundle of poppies. Thou upliftest the heavy-laden wings of the soul. Darkly
and inexpressibly are we moved -- joy-startled, I see a grave face that, tender and
worshipful, inclines toward me, and, amid manifold entangled locks, reveals the
youthful loveliness of the Mother. How poor and childish a thing seems to me now the
Light -- how joyous and welcome the departure of the day -- because the Night turns
away from thee thy servants, you now strew in the gulfs of space those flashing
globes, to proclaim thy omnipotence -- thy return -- in seasons of thy absence. More
heavenly than those glittering stars we hold the eternal eyes which the Night hath
opened within us. Farther they see than the palest of those countless hosts -- needing
no aid from the light, they penetrate the depths of a loving soul -- that fills a loftier
region with bliss ineffable. Glory to the queen of the world, to the great prophet of the
holier worlds, to the guardian of blissful love -- she sends thee to me -- thou tenderly
beloved -- the gracious sun of the Night, -- now am I awake -- for now am I thine and
mine -- thou hast made me know the Night -- made of me a man -- consume with
spirit-fire my body, that I, turned to finer air, may mingle more closely with thee, and
then our bridal night endure forever.
sentient thing loves not the all-joyous light -- with its colors, its rays and undulations,
its gentle omnipresence in the form of the wakening Day? The giant-world of the
unresting constellations inhales it as the innermost soul of life, and floats dancing in its
blue flood -- the sparkling, ever-tranquil stone, the thoughtful, imbibing plant, and the
wild, burning multiform beast inhales it -- but more than all, the lordly stranger with
the sense-filled eyes, the swaying walk, and the sweetly closed, melodious lips. Like a
king over earthly nature, it rouses every force to countless transformations, binds and
unbinds innumerable alliances, hangs its heavenly form around every earthly
substance. -- Its presence alone reveals the marvelous splendor of the kingdoms of the
world.
Aside I turn to the holy, unspeakable, mysterious Night. Afar lies the world -- sunk in a
deep grave -- waste and lonely is its place. In the chords of the bosom blows a deep
sadness. I am ready to sink away in drops of dew, and mingle with the ashes. -- The
distances of memory, the wishes of youth, the dreams of childhood, the brief joys and
vain hopes of a whole long life, arise in gray garments, like an evening vapor after the
sunset. In other regions the light has pitched its joyous tents. What if it should never
return to its children, who wait for it with the faith of innocence?
What springs up all at once so sweetly boding in my heart, and stills the soft air of
sadness? Dost thou also take a pleasure in us, dark Night? What holdest thou under
thy mantle, that with hidden power affects my soul? Precious balm drips from thy hand
out of its bundle of poppies. Thou upliftest the heavy-laden wings of the soul. Darkly
and inexpressibly are we moved -- joy-startled, I see a grave face that, tender and
worshipful, inclines toward me, and, amid manifold entangled locks, reveals the
youthful loveliness of the Mother. How poor and childish a thing seems to me now the
Light -- how joyous and welcome the departure of the day -- because the Night turns
away from thee thy servants, you now strew in the gulfs of space those flashing
globes, to proclaim thy omnipotence -- thy return -- in seasons of thy absence. More
heavenly than those glittering stars we hold the eternal eyes which the Night hath
opened within us. Farther they see than the palest of those countless hosts -- needing
no aid from the light, they penetrate the depths of a loving soul -- that fills a loftier
region with bliss ineffable. Glory to the queen of the world, to the great prophet of the
holier worlds, to the guardian of blissful love -- she sends thee to me -- thou tenderly
beloved -- the gracious sun of the Night, -- now am I awake -- for now am I thine and
mine -- thou hast made me know the Night -- made of me a man -- consume with
spirit-fire my body, that I, turned to finer air, may mingle more closely with thee, and
then our bridal night endure forever.
431
William Carlos Williams
Peace on Earth
The Archer is wake!
The Swan is flying!
Gold against blue
An Arrow is lying.
There is hunting in heaven--
Sleep safe till tomorrow.
The Bears are abroad!
The Eagle is screaming!
Gold against blue
Their eyes are gleaming!
Sleep!
Sleep safe till tomorrow.
The Sisters lie
With their arms intertwining;
Gold against blue
Their hair is shining!
The Serpent writhes!
Orion is listening!
Gold against blue
His sword is glistening!
Sleep!
There is hunting in heaven--
Sleep safe till tomorrow.
The Swan is flying!
Gold against blue
An Arrow is lying.
There is hunting in heaven--
Sleep safe till tomorrow.
The Bears are abroad!
The Eagle is screaming!
Gold against blue
Their eyes are gleaming!
Sleep!
Sleep safe till tomorrow.
The Sisters lie
With their arms intertwining;
Gold against blue
Their hair is shining!
The Serpent writhes!
Orion is listening!
Gold against blue
His sword is glistening!
Sleep!
There is hunting in heaven--
Sleep safe till tomorrow.
425
Walt Whitman
The Torch
ON my northwest coast in the midst of the night, a fishermen's group
stands watching;
Out on the lake, that expands before them, others are spearing
salmon;
The canoe, a dim shadowy thing, moves across the black water,
Bearing a Torch a-blaze at the prow.
stands watching;
Out on the lake, that expands before them, others are spearing
salmon;
The canoe, a dim shadowy thing, moves across the black water,
Bearing a Torch a-blaze at the prow.
411
Emily Dickinson
I know some lonely Houses off the Road
I know some lonely Houses off the Road
A Robber'd like the look of-
Wooden barred,
And Windows hanging low,
Inviting to-
A Portico,
Where two could creep
One-
hand the Tools-
The other peep-
To make sure All's Asleep-
Old fashioned eyes-
Not easy to surprise!
How orderly the Kitchen'd look, by night,
With just a Clock-
But they could gag the Tick-
And Mice won't bark-
And so the Walls-don't tell
None-
will-
A pair of Spectacles ajar just stir-
An Almanac's aware-
Was it the Mat-winked,
Or a Nervous Star?
The Moon-slides down the stair,
To see who's there!
There's plunder-where-
Tankard, or SpoonEarring-
or Stone-
A Watch-Some Ancient Brooch
To match the Grandmama-
Staid sleeping-there
Day-rattles-too
Stealth's-slow-
The Sun has got as far
As the third Sycamore-
Screams Chanticleer
"Who's there"?
And Echoes-Trains away,
Sneer-"Where"!
While the old Couple, just astir,
Fancy the Sunrise-left the door ajar!
A Robber'd like the look of-
Wooden barred,
And Windows hanging low,
Inviting to-
A Portico,
Where two could creep
One-
hand the Tools-
The other peep-
To make sure All's Asleep-
Old fashioned eyes-
Not easy to surprise!
How orderly the Kitchen'd look, by night,
With just a Clock-
But they could gag the Tick-
And Mice won't bark-
And so the Walls-don't tell
None-
will-
A pair of Spectacles ajar just stir-
An Almanac's aware-
Was it the Mat-winked,
Or a Nervous Star?
The Moon-slides down the stair,
To see who's there!
There's plunder-where-
Tankard, or SpoonEarring-
or Stone-
A Watch-Some Ancient Brooch
To match the Grandmama-
Staid sleeping-there
Day-rattles-too
Stealth's-slow-
The Sun has got as far
As the third Sycamore-
Screams Chanticleer
"Who's there"?
And Echoes-Trains away,
Sneer-"Where"!
While the old Couple, just astir,
Fancy the Sunrise-left the door ajar!
389
Robert Louis Stevenson
Good-Night
Then the bright lamp is carried in,
The sunless hours again begin;
O'er all without, in field and lane,
The haunted night returns again.
Now we behold the embers flee
About the firelit hearth; and see
Our faces painted as we pass,
Like pictures, on the window glass.
Must we to bed indeed? Well then,
Let us arise and go like men,
And face with an undaunted tread
The long black passage up to bed.
Farewell, O brother, sister, sire!
O pleasant party round the fire!
The songs you sing, the tales you tell,
Till far to-morrow, fare you well!
The sunless hours again begin;
O'er all without, in field and lane,
The haunted night returns again.
Now we behold the embers flee
About the firelit hearth; and see
Our faces painted as we pass,
Like pictures, on the window glass.
Must we to bed indeed? Well then,
Let us arise and go like men,
And face with an undaunted tread
The long black passage up to bed.
Farewell, O brother, sister, sire!
O pleasant party round the fire!
The songs you sing, the tales you tell,
Till far to-morrow, fare you well!
386
Carl Sandburg
Back Yard
Shine on, O moon of summer.
Shine to the leaves of grass, catalpa and oak,
All silver under your rain to-night.
An Italian boy is sending songs to you to-night from an accordion.
A Polish boy is out with his best girl; they marry next month; to-night they are
throwing you kisses.
An old man next door is dreaming over a sheen that sits in a cherry tree in his back
yard.
The clocks say I must go—I stay here sitting on the back porch drinking white thoughts
you rain down.
Shine on, O moon,
Shake out more and more silver changes.
Shine to the leaves of grass, catalpa and oak,
All silver under your rain to-night.
An Italian boy is sending songs to you to-night from an accordion.
A Polish boy is out with his best girl; they marry next month; to-night they are
throwing you kisses.
An old man next door is dreaming over a sheen that sits in a cherry tree in his back
yard.
The clocks say I must go—I stay here sitting on the back porch drinking white thoughts
you rain down.
Shine on, O moon,
Shake out more and more silver changes.
380
Johann Wolfgang von Goethe
Proximity Of The Beloved One
I THINK of thee, whene'er the sun his beams
O'er ocean flings;
I think of thee, whene'er the moonlight gleams
In silv'ry springs.
I see thee, when upon the distant ridge
The dust awakes;
At midnight's hour, when on the fragile bridge
The wanderer quakes.
I hear thee, when yon billows rise on high,
With murmur deep.
To tread the silent grove oft wander I,
When all's asleep.
I'm near thee, though thou far away mayst be-Thou,
too, art near!
The sun then sets, the stars soon lighten me.
Would thou wert here!
O'er ocean flings;
I think of thee, whene'er the moonlight gleams
In silv'ry springs.
I see thee, when upon the distant ridge
The dust awakes;
At midnight's hour, when on the fragile bridge
The wanderer quakes.
I hear thee, when yon billows rise on high,
With murmur deep.
To tread the silent grove oft wander I,
When all's asleep.
I'm near thee, though thou far away mayst be-Thou,
too, art near!
The sun then sets, the stars soon lighten me.
Would thou wert here!
381
Sarojini Naidu
Leili
The serpents are asleep among the poppies,
The fireflies light the soundless panther's way
To tangled paths where shy gazelles are straying,
And parrot-plumes outshine the dying day.
O soft! the lotus-buds upon the stream
Are stirring like sweet maidens when they dream.
A caste-mark on the azure brows of Heaven,
The golden moon burns sacred, solemn, bright
The winds are dancing in the forest-temple,
And swooning at the holy feet of Night.
Hush! in the silence mystic voices sing
And make the gods their incense-offering.
The fireflies light the soundless panther's way
To tangled paths where shy gazelles are straying,
And parrot-plumes outshine the dying day.
O soft! the lotus-buds upon the stream
Are stirring like sweet maidens when they dream.
A caste-mark on the azure brows of Heaven,
The golden moon burns sacred, solemn, bright
The winds are dancing in the forest-temple,
And swooning at the holy feet of Night.
Hush! in the silence mystic voices sing
And make the gods their incense-offering.
379
Henry Wadsworth Longfellow
By The Seaside : Twilight
The twilight is sad and cloudy,
The wind blows wild and free,
And like the wings of sea-birds
Flash the white caps of the sea.
But in the fisherman's cottage
There shines a ruddier light,
And a little face at the window
Peers out into the night.
Close, close it is pressed to the window,
As if those childish eyes
Were looking into the darkness,
To see some form arise.
And a woman's waving shadow
Is passing to and fro,
Now rising to the ceiling,
Now bowing and bending low.
What tale do the roaring ocean,
And the night-wind, bleak and wild,
As they beat at the crazy casement,
Tell to that little child?
And why do the roaring ocean,
And the night-wind, wild and bleak,
As they beat at the heart of the mother,
Drive the color from her cheek?
The wind blows wild and free,
And like the wings of sea-birds
Flash the white caps of the sea.
But in the fisherman's cottage
There shines a ruddier light,
And a little face at the window
Peers out into the night.
Close, close it is pressed to the window,
As if those childish eyes
Were looking into the darkness,
To see some form arise.
And a woman's waving shadow
Is passing to and fro,
Now rising to the ceiling,
Now bowing and bending low.
What tale do the roaring ocean,
And the night-wind, bleak and wild,
As they beat at the crazy casement,
Tell to that little child?
And why do the roaring ocean,
And the night-wind, wild and bleak,
As they beat at the heart of the mother,
Drive the color from her cheek?
376
Dorothy Parker
Midnight
The stars are soft as flowers, and as near;
The hills are webs of shadow, slowly spun;
No separate leaf or single blade is here-
All blend to one.
No moonbeam cuts the air; a sapphire light
Rolls lazily. and slips again to rest.
There is no edged thing in all this night,
Save in my breast.
The hills are webs of shadow, slowly spun;
No separate leaf or single blade is here-
All blend to one.
No moonbeam cuts the air; a sapphire light
Rolls lazily. and slips again to rest.
There is no edged thing in all this night,
Save in my breast.
375
Emily Dickinson
She sweeps with many-colored brooms
She sweeps with many-colored brooms,
And leaves the shreds behind;
Oh, housewife in the evening west,
Come back, and dust the pond!
You dropped a purple ravelling in,
You dropped an amber thread;
And now you've littered all the East
With duds of emerald!
And still she plies her spotted brooms,
And still the aprons fly,
Till brooms fade softly into stars --
And then I come away.
And leaves the shreds behind;
Oh, housewife in the evening west,
Come back, and dust the pond!
You dropped a purple ravelling in,
You dropped an amber thread;
And now you've littered all the East
With duds of emerald!
And still she plies her spotted brooms,
And still the aprons fly,
Till brooms fade softly into stars --
And then I come away.
374
John Clare
The Winter's Come
Sweet chestnuts brown like soling leather turn;
The larch trees, like the colour of the Sun;
That paled sky in the Autumn seemed to burn,
What a strange scene before us now does run--
Red, brown, and yellow, russet, black, and dun;
White thorn, wild cherry, and the poplar bare;
The sycamore all withered in the sun.
No leaves are now upon the birch tree there:
All now is stript to the cold wintry air.
See, not one tree but what has lost its leaves--
And yet the landscape wears a pleasing hue.
The winter chill on his cold bed receives
Foliage which once hung oer the waters blue.
Naked and bare the leafless trees repose.
Blue-headed titmouse now seeks maggots rare,
Sluggish and dull the leaf-strewn river flows;
That is not green, which was so through the year
Dark chill November draweth to a close.
Tis Winter, and I love to read indoors,
When the Moon hangs her crescent up on high;
While on the window shutters the wind roars,
And storms like furies pass remorseless by.
How pleasant on a feather bed to lie,
Or, sitting by the fire, in fancy soar
With Dante or with Milton to regions high,
Or read fresh volumes we've not seen before,
Or oer old Burton's Melancholy pore.
The larch trees, like the colour of the Sun;
That paled sky in the Autumn seemed to burn,
What a strange scene before us now does run--
Red, brown, and yellow, russet, black, and dun;
White thorn, wild cherry, and the poplar bare;
The sycamore all withered in the sun.
No leaves are now upon the birch tree there:
All now is stript to the cold wintry air.
See, not one tree but what has lost its leaves--
And yet the landscape wears a pleasing hue.
The winter chill on his cold bed receives
Foliage which once hung oer the waters blue.
Naked and bare the leafless trees repose.
Blue-headed titmouse now seeks maggots rare,
Sluggish and dull the leaf-strewn river flows;
That is not green, which was so through the year
Dark chill November draweth to a close.
Tis Winter, and I love to read indoors,
When the Moon hangs her crescent up on high;
While on the window shutters the wind roars,
And storms like furies pass remorseless by.
How pleasant on a feather bed to lie,
Or, sitting by the fire, in fancy soar
With Dante or with Milton to regions high,
Or read fresh volumes we've not seen before,
Or oer old Burton's Melancholy pore.
373
Edna St. Vincent Millay
Night Is My Sister, And How Deep In Love
Night is my sister, and how deep in love,
How drowned in love and weedily washed ashore,
There to be fretted by the drag and shove
At the tide's edge, I lie—these things and more:
Whose arm alone between me and the sand,
Whose voice alone, whose pitiful breath brought near,
Could thaw these nostrils and unlock this hand,
She could advise you, should you care to hear.
Small chance, however, in a storm so black,
A man will leave his friendly fire and snug
For a drowned woman's sake, and bring her back
To drip and scatter shells upon the rug.
No one but Night, with tears on her dark face,
Watches beside me in this windy place.
How drowned in love and weedily washed ashore,
There to be fretted by the drag and shove
At the tide's edge, I lie—these things and more:
Whose arm alone between me and the sand,
Whose voice alone, whose pitiful breath brought near,
Could thaw these nostrils and unlock this hand,
She could advise you, should you care to hear.
Small chance, however, in a storm so black,
A man will leave his friendly fire and snug
For a drowned woman's sake, and bring her back
To drip and scatter shells upon the rug.
No one but Night, with tears on her dark face,
Watches beside me in this windy place.
370
Boris Pasternak
The garden scatters burnt-up beetles...
The garden scatters burnt-up beetles
Like brazen ash, from braziers burst.
I witness, by my lighted candle,
A newly blossomed universe.
And like a not yet known religion
I enter this unheard of night,
In which the shabbily-grey poplar
Has curtained off the lunar light.
The pond is a presented secret.
Oh, whispers of the appletree!
The garden hangs-a pile construction,
And holds the sky in front of me.
Like brazen ash, from braziers burst.
I witness, by my lighted candle,
A newly blossomed universe.
And like a not yet known religion
I enter this unheard of night,
In which the shabbily-grey poplar
Has curtained off the lunar light.
The pond is a presented secret.
Oh, whispers of the appletree!
The garden hangs-a pile construction,
And holds the sky in front of me.
371
Hilaire Belloc
The Night
Most Holy Night, that still dost keep
The keys of all the doors of sleep,
To me when my tired eyelids close
Give thou repose.
And let the far lament of them
That chaunt the dead day’s requiem
Make in my ears, who wakeful lie,
Soft lullaby.
Let them that guard the hornàed Moon
By my bedside their memories croon.
So shall I have new dreams and blest
In my brief rest.
Fold thy great wings about my face,
Hide day-dawn from my resting-place,
And cheat me with thy false delight,
Most Holy Night.
The keys of all the doors of sleep,
To me when my tired eyelids close
Give thou repose.
And let the far lament of them
That chaunt the dead day’s requiem
Make in my ears, who wakeful lie,
Soft lullaby.
Let them that guard the hornàed Moon
By my bedside their memories croon.
So shall I have new dreams and blest
In my brief rest.
Fold thy great wings about my face,
Hide day-dawn from my resting-place,
And cheat me with thy false delight,
Most Holy Night.
366
Carl Sandburg
Clark Street Bridge
Dust of the feet
And dust of the wheels,
Wagons and people going,
All day feet and wheels.
Now. . .
. . Only stars and mist
A lonely policeman,
Two cabaret dancers,
Stars and mist again,
No more feet or wheels,
No more dust and wagons.
Voices of dollars
And drops of blood
. . . . .
Voices of broken hearts,
. . Voices singing, singing,
. . Silver voices, singing,
Softer than the stars,
Softer than the mist.
And dust of the wheels,
Wagons and people going,
All day feet and wheels.
Now. . .
. . Only stars and mist
A lonely policeman,
Two cabaret dancers,
Stars and mist again,
No more feet or wheels,
No more dust and wagons.
Voices of dollars
And drops of blood
. . . . .
Voices of broken hearts,
. . Voices singing, singing,
. . Silver voices, singing,
Softer than the stars,
Softer than the mist.
359
Henry Wadsworth Longfellow
Italian Scenery
Night rests in beauty on Mont Alto.
Beneath its shade the beauteous Arno sleeps
In vallombrosa's bosom, and dark trees
Bend with a calm and quiet shadow down
Upon the beauty of that silent river.
Still in the west a melancholy smile
Mantles the lips of day, and twilight pale
Moves like a spectre in the dusky sky,
While eve's sweet star on the fast-fading year
Smiles calmly. Music steals at intervals
Across the water, with a tremulous swell,
From out the upland dingle of tall firs;
And a faint footfall sounds, where, dim and dark,
Hangs the gray willow from the river's brink,
O'ershadowing its current. Slowly there
The lover's gondola drops down the stream,
Silent, save when its dipping oar is heard,
Or in its eddy sighs the rippling wave.
Mouldering and moss-grown through the lapse of years,
In motionless beauty stands the giant oak;
Whilst those that saw its green and flourishing youth
Are gone and are forgotten. Soft the fount,
Whose secret springs the star-light pale discloses,
Gushes in hollow music; and beyond
The broader river sweeps its silent way,
Mingling a silver current with that sea,
Whose waters have no tides, coming nor going.
On noiseless wing along that fair blue sea
The halcyon flits; and where the wearied storm
Left a loud moaning, all is peace again.
A calm is on the deep. The winds that came
O'er the dark sea-surge with a tremulous breathing,
And mourned on the dark cliff where weeds grew rank,
And to the autumnal death-dirge the deep sea
Heaved its long billows, with a cheerless song
Have passed away to the cold earth again,
Like a wayfaring mourner. Silently
Up from the calm sea's dim and distant verge,
Full and unveiled, the moon's broad disk emerges.
On Tivoli, and where the fairy hues
Of autumn glow upon Abruzzi's woods,
The silver light is spreading. Far above,
Encompassed with their thin, cold atmosphere,
The Apennines uplift their snowy brows,
Glowing with colder beauty, where unheard
The eagle screams in the fathomless, ether,
And stays his wearied wing. Here let us pause.
The spirit of these solitudes -- the soul
That dwells within these steep and difficult places--
Spearks a mysterious language to mine own,
And brings unutterable musings. Earth
Sleeps in the shades of nightfall, and the sea
Spreads like a thin blue haze beneath my feet;
Whilst the gray columns and the mouldering tombs
Of the Imperial City, hidden deep
Beneath the mantle of their shadows, rest.
My spirit looks on earth. A heavnly voice
Comes silently: 'Dreamer, is earth thy dwelling?
Lo! Nursed within that fair and fruitful bosom,
Which has sustained thy being, and within
The colder breast of Ocean, lie the germs
Of thine own dissolution! E'en the air,
That fans the clear blue sky, and gives thee strength,
Up from the sullen lake of mouldering reeds,
And the wide waste of forest, where the osier
Thrives in the damp and motionless atmosphere,
Shall bring the dire and wasting pestilence,
And blight they cheek. Dram thou of higher things:
This world is not thy home!' And yet my eye
Rests upon earth again. How beautiful,
Where wild Velino heaves its sullen aves
Down the high cliff of gray and shapeless granite,
Hung on the curling mist, the moonlight bow
Arches the perilous river! A soft light
Silvers the Albanian mountains, and the haze
That rests upon their summits mellows down
The austerer features of their beauty. Faint
And dim-discovered glow, the Sabine hills;
And, listening to the sea's monotonous shell,
High on the cliffs of Terracina stands
The castle of the royal Goth* in ruins.
But night is in her wane: day's early flush
Glows like a hectic on her fading cheek,
Wasting its beauty. And the opening dawn
With cheerful luster lights the royal city,
Where, with its proud tiara of dark towers,
It sleeps upon its own romantic bay.
Beneath its shade the beauteous Arno sleeps
In vallombrosa's bosom, and dark trees
Bend with a calm and quiet shadow down
Upon the beauty of that silent river.
Still in the west a melancholy smile
Mantles the lips of day, and twilight pale
Moves like a spectre in the dusky sky,
While eve's sweet star on the fast-fading year
Smiles calmly. Music steals at intervals
Across the water, with a tremulous swell,
From out the upland dingle of tall firs;
And a faint footfall sounds, where, dim and dark,
Hangs the gray willow from the river's brink,
O'ershadowing its current. Slowly there
The lover's gondola drops down the stream,
Silent, save when its dipping oar is heard,
Or in its eddy sighs the rippling wave.
Mouldering and moss-grown through the lapse of years,
In motionless beauty stands the giant oak;
Whilst those that saw its green and flourishing youth
Are gone and are forgotten. Soft the fount,
Whose secret springs the star-light pale discloses,
Gushes in hollow music; and beyond
The broader river sweeps its silent way,
Mingling a silver current with that sea,
Whose waters have no tides, coming nor going.
On noiseless wing along that fair blue sea
The halcyon flits; and where the wearied storm
Left a loud moaning, all is peace again.
A calm is on the deep. The winds that came
O'er the dark sea-surge with a tremulous breathing,
And mourned on the dark cliff where weeds grew rank,
And to the autumnal death-dirge the deep sea
Heaved its long billows, with a cheerless song
Have passed away to the cold earth again,
Like a wayfaring mourner. Silently
Up from the calm sea's dim and distant verge,
Full and unveiled, the moon's broad disk emerges.
On Tivoli, and where the fairy hues
Of autumn glow upon Abruzzi's woods,
The silver light is spreading. Far above,
Encompassed with their thin, cold atmosphere,
The Apennines uplift their snowy brows,
Glowing with colder beauty, where unheard
The eagle screams in the fathomless, ether,
And stays his wearied wing. Here let us pause.
The spirit of these solitudes -- the soul
That dwells within these steep and difficult places--
Spearks a mysterious language to mine own,
And brings unutterable musings. Earth
Sleeps in the shades of nightfall, and the sea
Spreads like a thin blue haze beneath my feet;
Whilst the gray columns and the mouldering tombs
Of the Imperial City, hidden deep
Beneath the mantle of their shadows, rest.
My spirit looks on earth. A heavnly voice
Comes silently: 'Dreamer, is earth thy dwelling?
Lo! Nursed within that fair and fruitful bosom,
Which has sustained thy being, and within
The colder breast of Ocean, lie the germs
Of thine own dissolution! E'en the air,
That fans the clear blue sky, and gives thee strength,
Up from the sullen lake of mouldering reeds,
And the wide waste of forest, where the osier
Thrives in the damp and motionless atmosphere,
Shall bring the dire and wasting pestilence,
And blight they cheek. Dram thou of higher things:
This world is not thy home!' And yet my eye
Rests upon earth again. How beautiful,
Where wild Velino heaves its sullen aves
Down the high cliff of gray and shapeless granite,
Hung on the curling mist, the moonlight bow
Arches the perilous river! A soft light
Silvers the Albanian mountains, and the haze
That rests upon their summits mellows down
The austerer features of their beauty. Faint
And dim-discovered glow, the Sabine hills;
And, listening to the sea's monotonous shell,
High on the cliffs of Terracina stands
The castle of the royal Goth* in ruins.
But night is in her wane: day's early flush
Glows like a hectic on her fading cheek,
Wasting its beauty. And the opening dawn
With cheerful luster lights the royal city,
Where, with its proud tiara of dark towers,
It sleeps upon its own romantic bay.
359