Passion
Langston Hughes
Juke Box Love Song
I could take the Harlem night
and wrap around you,
Take the neon lights and make a crown,
Take the Lenox Avenue busses,
Taxis, subways,
And for your love song tone their rumble down.
Take Harlem's heartbeat,
Make a drumbeat,
Put it on a record, let it whirl,
And while we listen to it play,
Dance with you till day--
Dance with you, my sweet brown Harlem girl.
and wrap around you,
Take the neon lights and make a crown,
Take the Lenox Avenue busses,
Taxis, subways,
And for your love song tone their rumble down.
Take Harlem's heartbeat,
Make a drumbeat,
Put it on a record, let it whirl,
And while we listen to it play,
Dance with you till day--
Dance with you, my sweet brown Harlem girl.
418
William Butler Yeats
A Poet To His Beloved
I BRING you with reverent hands
The books of my numberless dreams,
White woman that passion has worn
As the tide wears the dove-grey sands,
And with heart more old than the horn
That is brimmed from the pale fire of time:
White woman with numberless dreams,
I bring you my passionate rhyme.
The books of my numberless dreams,
White woman that passion has worn
As the tide wears the dove-grey sands,
And with heart more old than the horn
That is brimmed from the pale fire of time:
White woman with numberless dreams,
I bring you my passionate rhyme.
418
Walt Whitman
To Thee, Old Cause!
TO thee, old Cause!
Thou peerless, passionate, good cause!
Thou stern, remorseless, sweet Idea!
Deathless throughout the ages, races, lands!
After a strange, sad war--great war for thee,
(I think all war through time was really fought, and ever will be
really fought, for thee;)
These chants for thee--the eternal march of thee.
Thou orb of many orbs!
Thou seething principle! Thou well-kept, latent germ! Thou centre!
Around the idea of thee the strange sad war revolving,
With all its angry and vehement play of causes,
(With yet unknown results to come, for thrice a thousand years,)
These recitatives for thee--my Book and the War are one,
Merged in its spirit I and mine--as the contest hinged on thee,
As a wheel on its axis turns, this Book, unwitting to itself,
Around the Idea of thee.
Thou peerless, passionate, good cause!
Thou stern, remorseless, sweet Idea!
Deathless throughout the ages, races, lands!
After a strange, sad war--great war for thee,
(I think all war through time was really fought, and ever will be
really fought, for thee;)
These chants for thee--the eternal march of thee.
Thou orb of many orbs!
Thou seething principle! Thou well-kept, latent germ! Thou centre!
Around the idea of thee the strange sad war revolving,
With all its angry and vehement play of causes,
(With yet unknown results to come, for thrice a thousand years,)
These recitatives for thee--my Book and the War are one,
Merged in its spirit I and mine--as the contest hinged on thee,
As a wheel on its axis turns, this Book, unwitting to itself,
Around the Idea of thee.
417
Johann Wolfgang von Goethe
New Love, New Life
HEART! my heart! what means this feeling?
What oppresseth thee so sore?
What strange life is o'er me stealing!
I acknowledge thee no more.
Fled is all that gave thee gladness,
Fled the cause of all thy sadness,
Fled thy peace, thine industry-
Ah, why suffer it to be?
Say, do beauty's graces youthful,
Does this form so fair and bright,
Does this gaze, so kind, so truthful,
Chain thee with unceasing might?
Would I tear me from her boldly,
Courage take, and fly her coldly,
Back to her. I'm forthwith led
By the path I seek to tread.
By a thread I ne'er can sever,
For 'tis 'twined with magic skill,
Doth the cruel maid for ever
Hold me fast against my will.
While those magic chains confine me,
To her will I must resign me.
Ah, the change in truth is great!
Love! kind love! release me straight!
What oppresseth thee so sore?
What strange life is o'er me stealing!
I acknowledge thee no more.
Fled is all that gave thee gladness,
Fled the cause of all thy sadness,
Fled thy peace, thine industry-
Ah, why suffer it to be?
Say, do beauty's graces youthful,
Does this form so fair and bright,
Does this gaze, so kind, so truthful,
Chain thee with unceasing might?
Would I tear me from her boldly,
Courage take, and fly her coldly,
Back to her. I'm forthwith led
By the path I seek to tread.
By a thread I ne'er can sever,
For 'tis 'twined with magic skill,
Doth the cruel maid for ever
Hold me fast against my will.
While those magic chains confine me,
To her will I must resign me.
Ah, the change in truth is great!
Love! kind love! release me straight!
417
Rudyard Kipling
Red Dog
For our white and our excellent nights--for the nights of swift
running,
Fair ranging, far seeing, good hunting, sure cunning!
For the smells of the dawning, untainted, ere dew has departed!
For the rush through the mist, and the quarry blind-started!
For the cry of our mates when the sambhur has wheeled and is
standing at bay!
For the risk and the riot of night!
For the sleep at the lair-mouth by day!
It is met, and we go to the fight.
Bay! O bay!
running,
Fair ranging, far seeing, good hunting, sure cunning!
For the smells of the dawning, untainted, ere dew has departed!
For the rush through the mist, and the quarry blind-started!
For the cry of our mates when the sambhur has wheeled and is
standing at bay!
For the risk and the riot of night!
For the sleep at the lair-mouth by day!
It is met, and we go to the fight.
Bay! O bay!
415
Claude Mckay
Commemoration
When first your glory shone upon my face
My body kindled to a mighty flame,
And burnt you yielding in my hot embrace
Until you swooned to love, breathing my name.
And wonder came and filled our night of sleep,
Like a new comet crimsoning the sky;
And stillness like the stillness of the deep
Suspended lay as an unuttered sigh.
I never again shall feel your warm heart flushed,
Panting with passion, naked unto mine,
Until the throbbing world around is hushed
To quiet worship at our scented shrine.
Nor will your glory seek my swarthy face,
To kindle and to change my jaded frame
Into a miracle of godlike grace,
Transfigured, bathed in your immortal flame.
My body kindled to a mighty flame,
And burnt you yielding in my hot embrace
Until you swooned to love, breathing my name.
And wonder came and filled our night of sleep,
Like a new comet crimsoning the sky;
And stillness like the stillness of the deep
Suspended lay as an unuttered sigh.
I never again shall feel your warm heart flushed,
Panting with passion, naked unto mine,
Until the throbbing world around is hushed
To quiet worship at our scented shrine.
Nor will your glory seek my swarthy face,
To kindle and to change my jaded frame
Into a miracle of godlike grace,
Transfigured, bathed in your immortal flame.
405
William Butler Yeats
Solomon And The Witch
AND thus declared that Arab lady:
'Last night, where under the wild moon
On grassy mattress I had laid me,
Within my arms great Solomon,
I suddenly cried out in a strange tongue
Not his, not mine.'
Who understood
Whatever has been said, sighed, sung,
Howled, miau-d, barked, brayed, belled, yelled, cried, crowed,
Thereon replied: 'A cockerel
Crew from a blossoming apple bough
Three hundred years before the Fall,
And never crew again till now,
And would not now but that he thought,
Chance being at one with Choice at last,
All that the brigand apple brought
And this foul world were dead at last.
He that crowed out eternity
Thought to have crowed it in again.
For though love has a spider's eye
To find out some appropriate pain --
Aye, though all passion's in the glance --
For every nerve, and tests a lover
With cruelties of Choice and Chance;
And when at last that murder's over
Maybe the bride-bed brings despair,
For each an imagined image brings
And finds a real image there;
Yet the world ends when these two things,
Though several, are a single light,
When oil and wick are burned in one;
Therefore a blessed moon last night
Gave Sheba to her Solomon.'
'Yet the world stays.'
'If that be so,
Your cockerel found us in the wrong
Although he thought it. worth a crow.
Maybe an image is too strong
Or maybe is not strong enough.'
'The night has fallen; not a sound
In the forbidden sacred grove
Unless a petal hit the ground,
Nor any human sight within it
But the crushed grass where we have lain!
And the moon is wilder every minute.
O! Solomon! let us try again.'
'Last night, where under the wild moon
On grassy mattress I had laid me,
Within my arms great Solomon,
I suddenly cried out in a strange tongue
Not his, not mine.'
Who understood
Whatever has been said, sighed, sung,
Howled, miau-d, barked, brayed, belled, yelled, cried, crowed,
Thereon replied: 'A cockerel
Crew from a blossoming apple bough
Three hundred years before the Fall,
And never crew again till now,
And would not now but that he thought,
Chance being at one with Choice at last,
All that the brigand apple brought
And this foul world were dead at last.
He that crowed out eternity
Thought to have crowed it in again.
For though love has a spider's eye
To find out some appropriate pain --
Aye, though all passion's in the glance --
For every nerve, and tests a lover
With cruelties of Choice and Chance;
And when at last that murder's over
Maybe the bride-bed brings despair,
For each an imagined image brings
And finds a real image there;
Yet the world ends when these two things,
Though several, are a single light,
When oil and wick are burned in one;
Therefore a blessed moon last night
Gave Sheba to her Solomon.'
'Yet the world stays.'
'If that be so,
Your cockerel found us in the wrong
Although he thought it. worth a crow.
Maybe an image is too strong
Or maybe is not strong enough.'
'The night has fallen; not a sound
In the forbidden sacred grove
Unless a petal hit the ground,
Nor any human sight within it
But the crushed grass where we have lain!
And the moon is wilder every minute.
O! Solomon! let us try again.'
401
Carl Sandburg
Gone
Everybody loved Chick Lorimer in our town.
Far off
Everybody loved her.
So we all love a wild girl keeping a hold
On a dream she wants.
Nobody knows now where Chick Lorimer went.
Nobody knows why she packed her trunk .. a few old things
And is gone,
Gone with her little chin
Thrust ahead of her
And her soft hair blowing careless
From under a wide hat,
Dancer, singer, a laughing passionate lover.
Were there ten men or a hundred hunting Chick?
Were there five men or fifty with aching hearts?
Everybody loved Chick Lorimer.
Nobody knows where she’s gone.
Far off
Everybody loved her.
So we all love a wild girl keeping a hold
On a dream she wants.
Nobody knows now where Chick Lorimer went.
Nobody knows why she packed her trunk .. a few old things
And is gone,
Gone with her little chin
Thrust ahead of her
And her soft hair blowing careless
From under a wide hat,
Dancer, singer, a laughing passionate lover.
Were there ten men or a hundred hunting Chick?
Were there five men or fifty with aching hearts?
Everybody loved Chick Lorimer.
Nobody knows where she’s gone.
402
William Butler Yeats
The Heart Of The Woman
O WHAT to me the little room
That was brimmed up with prayer and rest;
He bade me out into the gloom,
And my breast lies upon his breast.
O what to me my mother's care,
The house where I was safe and warm;
The shadowy blossom of my hair
Will hide us from the bitter storm.
O hiding hair and dewy eyes,
I am no more with life and death,
My heart upon his warm heart lies,
My breath is mixed into his breath.
That was brimmed up with prayer and rest;
He bade me out into the gloom,
And my breast lies upon his breast.
O what to me my mother's care,
The house where I was safe and warm;
The shadowy blossom of my hair
Will hide us from the bitter storm.
O hiding hair and dewy eyes,
I am no more with life and death,
My heart upon his warm heart lies,
My breath is mixed into his breath.
399
Claude Mckay
One Year After
I
Not once in all our days of poignant love,
Did I a single instant give to thee
My undivided being wholly free.
Not all thy potent passion could remove
The barrier that loomed between to prove
The full supreme surrendering of me.
Oh, I was beaten, helpless utterly
Against the shadow-fact with which I strove.
For when a cruel power forced me to face
The truth which poisoned our illicit wine,
That even I was faithless to my race
Bleeding beneath the iron hand of thine,
Our union seemed a monstrous thing and base!
I was an outcast from thy world and mine.
II
Adventure-seasoned and storm-buffeted,
I shun all signs of anchorage, because
The zest of life exceeds the bound of laws.
New gales of tropic fury round my head
Break lashing me through hours of soulful dread;
But when the terror thins and, spent, withdraws,
Leaving me wondering awhile, I pause--
But soon again the risky ways I tread!
No rigid road for me, no peace, no rest,
While molten elements run through my blood;
And beauty-burning bodies manifest
Their warm, heart-melting motions to be wooed;
And passion boldly rising in my breast,
Like rivers of the Spring, lets loose its flood.
Not once in all our days of poignant love,
Did I a single instant give to thee
My undivided being wholly free.
Not all thy potent passion could remove
The barrier that loomed between to prove
The full supreme surrendering of me.
Oh, I was beaten, helpless utterly
Against the shadow-fact with which I strove.
For when a cruel power forced me to face
The truth which poisoned our illicit wine,
That even I was faithless to my race
Bleeding beneath the iron hand of thine,
Our union seemed a monstrous thing and base!
I was an outcast from thy world and mine.
II
Adventure-seasoned and storm-buffeted,
I shun all signs of anchorage, because
The zest of life exceeds the bound of laws.
New gales of tropic fury round my head
Break lashing me through hours of soulful dread;
But when the terror thins and, spent, withdraws,
Leaving me wondering awhile, I pause--
But soon again the risky ways I tread!
No rigid road for me, no peace, no rest,
While molten elements run through my blood;
And beauty-burning bodies manifest
Their warm, heart-melting motions to be wooed;
And passion boldly rising in my breast,
Like rivers of the Spring, lets loose its flood.
396
Claude Mckay
On Broadway
About me young careless feet
Linger along the garish street;
Above, a hundred shouting signs
Shed down their bright fantastic glow
Upon the merry crowd and lines
Of moving carriages below.
Oh wonderful is Broadway -- only
My heart, my heart is lonely.
Desire naked, linked with Passion,
Goes trutting by in brazen fashion;
From playhouse, cabaret and inn
The rainbow lights of Broadway blaze
All gay without, all glad within;
As in a dream I stand and gaze
At Broadway, shining Broadway -- only
My heart, my heart is lonely.
Linger along the garish street;
Above, a hundred shouting signs
Shed down their bright fantastic glow
Upon the merry crowd and lines
Of moving carriages below.
Oh wonderful is Broadway -- only
My heart, my heart is lonely.
Desire naked, linked with Passion,
Goes trutting by in brazen fashion;
From playhouse, cabaret and inn
The rainbow lights of Broadway blaze
All gay without, all glad within;
As in a dream I stand and gaze
At Broadway, shining Broadway -- only
My heart, my heart is lonely.
392
Claude Mckay
A Memory of June
When June comes dancing o'er the death of May,
With scarlet roses tinting her green breast,
And mating thrushes ushering in her day,
And Earth on tiptoe for her golden guest,
I always see the evening when we met--
The first of June baptized in tender rain--
And walked home through the wide streets, gleaming wet,
Arms locked, our warm flesh pulsing with love's pain.
I always see the cheerful little room,
And in the corner, fresh and white, the bed,
Sweet scented with a delicate perfume,
Wherein for one night only we were wed;
Where in the starlit stillness we lay mute,
And heard the whispering showers all night long,
And your brown burning body was a lute
Whereon my passion played his fevered song.
When June comes dancing o'er the death of May,
With scarlet roses staining her fair feet,
My soul takes leave of me to sing all day
A love so fugitive and so complete.
With scarlet roses tinting her green breast,
And mating thrushes ushering in her day,
And Earth on tiptoe for her golden guest,
I always see the evening when we met--
The first of June baptized in tender rain--
And walked home through the wide streets, gleaming wet,
Arms locked, our warm flesh pulsing with love's pain.
I always see the cheerful little room,
And in the corner, fresh and white, the bed,
Sweet scented with a delicate perfume,
Wherein for one night only we were wed;
Where in the starlit stillness we lay mute,
And heard the whispering showers all night long,
And your brown burning body was a lute
Whereon my passion played his fevered song.
When June comes dancing o'er the death of May,
With scarlet roses staining her fair feet,
My soul takes leave of me to sing all day
A love so fugitive and so complete.
390
Johann Wolfgang von Goethe
Trilogy Of Passion 03 Atonement
PASSION brings reason--who can pacify
An anguish'd heart whose loss hath been so great?
Where are the hours that fled so swiftly by?
In vain the fairest thou didst gain from fate;
Sad is the soul, confused the enterprise;
The glorious world, how on the sense it dies!
In million tones entwined for evermore,
Music with angel-pinions hovers there,
To pierce man's being to its inmost core,
Eternal beauty has its fruit to bear;
The eye grows moist, in yearnings blest reveres
The godlike worth of music as of tears.
And so the lighten'd heart soon learns to see
That it still lives, and beats, and ought to beat,
Off'ring itself with joy and willingly,
In grateful payment for a gift so sweet.
And then was felt,--oh may it constant prove!--
The twofold bliss of music and of love.
An anguish'd heart whose loss hath been so great?
Where are the hours that fled so swiftly by?
In vain the fairest thou didst gain from fate;
Sad is the soul, confused the enterprise;
The glorious world, how on the sense it dies!
In million tones entwined for evermore,
Music with angel-pinions hovers there,
To pierce man's being to its inmost core,
Eternal beauty has its fruit to bear;
The eye grows moist, in yearnings blest reveres
The godlike worth of music as of tears.
And so the lighten'd heart soon learns to see
That it still lives, and beats, and ought to beat,
Off'ring itself with joy and willingly,
In grateful payment for a gift so sweet.
And then was felt,--oh may it constant prove!--
The twofold bliss of music and of love.
387
Claude Mckay
The Plateau
It was the silver, heart-enveloping view
Of the mysterious sea-line far away,
Seen only on a gleaming gold-white day,
That made it dear and beautiful to you.
And Laura loved it for the little hill,
Where the quartz sparkled fire, barren and dun,
Whence in the shadow of the dying sun,
She contemplated Hallow's wooden mill.
While Danny liked the sheltering high grass,
In which he lay upon a clear dry night,
To hear and see, screened skilfully from sight,
The happy lovers of the valley pass.
But oh! I loved it for the big round moon
That swung out of the clouds and swooned aloft,
Burning with passion, gloriously soft,
Lighting the purple flowers of fragrant June.
Of the mysterious sea-line far away,
Seen only on a gleaming gold-white day,
That made it dear and beautiful to you.
And Laura loved it for the little hill,
Where the quartz sparkled fire, barren and dun,
Whence in the shadow of the dying sun,
She contemplated Hallow's wooden mill.
While Danny liked the sheltering high grass,
In which he lay upon a clear dry night,
To hear and see, screened skilfully from sight,
The happy lovers of the valley pass.
But oh! I loved it for the big round moon
That swung out of the clouds and swooned aloft,
Burning with passion, gloriously soft,
Lighting the purple flowers of fragrant June.
384
Robert Louis Stevenson
Sonnet VII
The strong man's hand, the snow-cool head of age,
The certain-footed sympathies of youth -
These, and that lofty passion after truth,
Hunger unsatisfied in priest or sage
Or the great men of former years, he needs
That not unworthily would dare to sing
(Hard task!) black care's inevitable ring
Settling with years upon the heart that feeds
Incessantly on glory. Year by year
The narrowing toil grows closer round his feet;
With disenchanting touch rude-handed time
The unlovely web discloses, and strange fear
Leads him at last to eld's inclement seat,
The bitter north of life - a frozen clime.
The certain-footed sympathies of youth -
These, and that lofty passion after truth,
Hunger unsatisfied in priest or sage
Or the great men of former years, he needs
That not unworthily would dare to sing
(Hard task!) black care's inevitable ring
Settling with years upon the heart that feeds
Incessantly on glory. Year by year
The narrowing toil grows closer round his feet;
With disenchanting touch rude-handed time
The unlovely web discloses, and strange fear
Leads him at last to eld's inclement seat,
The bitter north of life - a frozen clime.
381
William Butler Yeats
Crazy Jane Grown Old Looks At The Dancers
I found that ivory image there
Dancing with her chosen youth,
But when he wound her coal-black hair
As though to strangle her, no scream
Or bodily movement did I dare,
Eyes under eyelids did so gleam;
Love is like the lion's tooth.
When She, and though some said she played
I said that she had danced heart's truth,
Drew a knife to strike him dead,
I could but leave him to his fate;
For no matter what is said
They had all that had their hate;
Love is like the lion's tooth.
Did he die or did she die?
Seemed to die or died they both?
God be with the times when I
Cared not a thraneen for what chanced
So that I had the limbs to try
Such a dance as there was danced -
Love is like the lion's tooth.
Dancing with her chosen youth,
But when he wound her coal-black hair
As though to strangle her, no scream
Or bodily movement did I dare,
Eyes under eyelids did so gleam;
Love is like the lion's tooth.
When She, and though some said she played
I said that she had danced heart's truth,
Drew a knife to strike him dead,
I could but leave him to his fate;
For no matter what is said
They had all that had their hate;
Love is like the lion's tooth.
Did he die or did she die?
Seemed to die or died they both?
God be with the times when I
Cared not a thraneen for what chanced
So that I had the limbs to try
Such a dance as there was danced -
Love is like the lion's tooth.
379
William Butler Yeats
The Lady's Third Song
WHEN you and my true lover meet
And he plays tunes between your feet.
Speak no evil of the soul,
Nor think that body is the whole,
For I that am his daylight lady
Know worse evil of the body;
But in honour split his love
Till either neither have enough,
That I may hear if we should kiss
A contrapuntal serpent hiss,
You, should hand explore a thigh,
All the labouring heavens sigh.
And he plays tunes between your feet.
Speak no evil of the soul,
Nor think that body is the whole,
For I that am his daylight lady
Know worse evil of the body;
But in honour split his love
Till either neither have enough,
That I may hear if we should kiss
A contrapuntal serpent hiss,
You, should hand explore a thigh,
All the labouring heavens sigh.
377
John Donne
The Canonization
For God's sake hold your tongue, and let me love,
Or chide my palsy, or my gout,
My five grey hairs, or ruin'd fortune flout,
With wealth your state, your mind with arts improve,
Take you a course, get you a place,
Observe his Honour, or his Grace,
Or the King's real, or his stamped face
Contemplate, what you will, approve,
So you will let me love.
Alas, alas, who's injur'd by my love?
What merchant's ships have my sighs drown'd?
Who says my tears have overflow'd his ground?
When did my colds a forward spring remove?
When did the heats which my veins fill
Add one more to the plaguy bill?
Soldiers find wars, and lawyers find out still
Litigious men, which quarrels move,
Though she and I do love.
Call us what you will, we are made such by love;
Call her one, me another fly,
We are tapers too, and at our own cost die,
And we in us find th' eagle and the dove.
The phoenix riddle hath more wit
By us; we two being one, are it.
So, to one neutral thing both sexes fit,
We die and rise the same, and prove
Mysterious by this love.
We can die by it, if not live by love,
And if unfit for tombs and hearse
Our legend be, it will be fit for verse;
And if no piece of chronicle we prove,
We'll build in sonnets pretty rooms;
As well a well-wrought urn becomes
The greatest ashes, as half-acre tombs,
And by these hymns all shall approve
Us canoniz'd for love;
And thus invoke us: "You, whom reverend love
Made one another's hermitage;
You, to whom love was peace, that now is rage;
Who did the whole world's soul contract, and drove
Into the glasses of your eyes
(So made such mirrors, and such spies,
That they did all to you epitomize)
Countries, towns, courts: beg from above
A pattern of your love!"
Or chide my palsy, or my gout,
My five grey hairs, or ruin'd fortune flout,
With wealth your state, your mind with arts improve,
Take you a course, get you a place,
Observe his Honour, or his Grace,
Or the King's real, or his stamped face
Contemplate, what you will, approve,
So you will let me love.
Alas, alas, who's injur'd by my love?
What merchant's ships have my sighs drown'd?
Who says my tears have overflow'd his ground?
When did my colds a forward spring remove?
When did the heats which my veins fill
Add one more to the plaguy bill?
Soldiers find wars, and lawyers find out still
Litigious men, which quarrels move,
Though she and I do love.
Call us what you will, we are made such by love;
Call her one, me another fly,
We are tapers too, and at our own cost die,
And we in us find th' eagle and the dove.
The phoenix riddle hath more wit
By us; we two being one, are it.
So, to one neutral thing both sexes fit,
We die and rise the same, and prove
Mysterious by this love.
We can die by it, if not live by love,
And if unfit for tombs and hearse
Our legend be, it will be fit for verse;
And if no piece of chronicle we prove,
We'll build in sonnets pretty rooms;
As well a well-wrought urn becomes
The greatest ashes, as half-acre tombs,
And by these hymns all shall approve
Us canoniz'd for love;
And thus invoke us: "You, whom reverend love
Made one another's hermitage;
You, to whom love was peace, that now is rage;
Who did the whole world's soul contract, and drove
Into the glasses of your eyes
(So made such mirrors, and such spies,
That they did all to you epitomize)
Countries, towns, courts: beg from above
A pattern of your love!"
374
John Donne
Love's Exchange
LOVE, any devil else but you
Would for a given soul give something too.
At court your fellows every day
Give th' art of rhyming, huntsmanship, or play,
For them which were their own before ;
Only I have nothing, which gave more,
But am, alas ! by being lowly, lower.
I ask no dispensation now,
To falsify a tear, or sigh, or vow ;
I do not sue from thee to draw
A non obstante on nature's law ;
These are prerogatives, they inhere
In thee and thine ; none should forswear
Except that he Love's minion were.
Give me thy weakness, make me blind,
Both ways, as thou and thine, in eyes and mind ;
Love, let me never know that this
Is love, or, that love childish is ;
Let me not know that others know
That she knows my paines, lest that so
A tender shame make me mine own new woe.
If thou give nothing, yet thou 'rt just,
Because I would not thy first motions trust ;
Small towns which stand stiff, till great shot
Enforce them, by war's law condition not ;
Such in Love's warfare is my case ;
I may not article for grace,
Having put Love at last to show this face.
This face, by which he could command
And change th' idolatry of any land,
This face, which, wheresoe'er it comes,
Can call vow'd men from cloisters, dead from tombs,
And melt both poles at once, and store
Deserts with cities, and make more
Mines in the earth, than quarries were before.
For this Love is enraged with me,
Yet kills not ; if I must example be
To future rebels, if th' unborn
Must learn by my being cut up and torn,
Kill, and dissect me, Love ; for this
Torture against thine own end is ;
Rack'd carcasses make ill anatomies.
Would for a given soul give something too.
At court your fellows every day
Give th' art of rhyming, huntsmanship, or play,
For them which were their own before ;
Only I have nothing, which gave more,
But am, alas ! by being lowly, lower.
I ask no dispensation now,
To falsify a tear, or sigh, or vow ;
I do not sue from thee to draw
A non obstante on nature's law ;
These are prerogatives, they inhere
In thee and thine ; none should forswear
Except that he Love's minion were.
Give me thy weakness, make me blind,
Both ways, as thou and thine, in eyes and mind ;
Love, let me never know that this
Is love, or, that love childish is ;
Let me not know that others know
That she knows my paines, lest that so
A tender shame make me mine own new woe.
If thou give nothing, yet thou 'rt just,
Because I would not thy first motions trust ;
Small towns which stand stiff, till great shot
Enforce them, by war's law condition not ;
Such in Love's warfare is my case ;
I may not article for grace,
Having put Love at last to show this face.
This face, by which he could command
And change th' idolatry of any land,
This face, which, wheresoe'er it comes,
Can call vow'd men from cloisters, dead from tombs,
And melt both poles at once, and store
Deserts with cities, and make more
Mines in the earth, than quarries were before.
For this Love is enraged with me,
Yet kills not ; if I must example be
To future rebels, if th' unborn
Must learn by my being cut up and torn,
Kill, and dissect me, Love ; for this
Torture against thine own end is ;
Rack'd carcasses make ill anatomies.
372
Khalil Gibran
Song of Love XXIV
I am the lover's eyes, and the spirit's
Wine, and the heart's nourishment.
I am a rose. My heart opens at dawn and
The virgin kisses me and places me
Upon her breast.
I am the house of true fortune, and the
Origin of pleasure, and the beginning
Of peace and tranquility. I am the gentle
Smile upon his lips of beauty. When youth
Overtakes me he forgets his toil, and his
Whole life becomes reality of sweet dreams.
I am the poet's elation,
And the artist's revelation,
And the musician's inspiration.
I am a sacred shrine in the heart of a
Child, adored by a merciful mother.
I appear to a heart's cry; I shun a demand;
My fullness pursues the heart's desire;
It shuns the empty claim of the voice.
I appeared to Adam through Eve
And exile was his lot;
Yet I revealed myself to Solomon, and
He drew wisdom from my presence.
I smiled at Helena and she destroyed Tarwada;
Yet I crowned Cleopatra and peace dominated
The Valley of the Nile.
I am like the ages -- building today
And destroying tomorrow;
I am like a god, who creates and ruins;
I am sweeter than a violet's sigh;
I am more violent than a raging tempest.
Gifts alone do not entice me;
Parting does not discourage me;
Poverty does not chase me;
Jealousy does not prove my awareness;
Madness does not evidence my presence.
Oh seekers, I am Truth, beseeching Truth;
And your Truth in seeking and receiving
And protecting me shall determine my
Behavior.
Wine, and the heart's nourishment.
I am a rose. My heart opens at dawn and
The virgin kisses me and places me
Upon her breast.
I am the house of true fortune, and the
Origin of pleasure, and the beginning
Of peace and tranquility. I am the gentle
Smile upon his lips of beauty. When youth
Overtakes me he forgets his toil, and his
Whole life becomes reality of sweet dreams.
I am the poet's elation,
And the artist's revelation,
And the musician's inspiration.
I am a sacred shrine in the heart of a
Child, adored by a merciful mother.
I appear to a heart's cry; I shun a demand;
My fullness pursues the heart's desire;
It shuns the empty claim of the voice.
I appeared to Adam through Eve
And exile was his lot;
Yet I revealed myself to Solomon, and
He drew wisdom from my presence.
I smiled at Helena and she destroyed Tarwada;
Yet I crowned Cleopatra and peace dominated
The Valley of the Nile.
I am like the ages -- building today
And destroying tomorrow;
I am like a god, who creates and ruins;
I am sweeter than a violet's sigh;
I am more violent than a raging tempest.
Gifts alone do not entice me;
Parting does not discourage me;
Poverty does not chase me;
Jealousy does not prove my awareness;
Madness does not evidence my presence.
Oh seekers, I am Truth, beseeching Truth;
And your Truth in seeking and receiving
And protecting me shall determine my
Behavior.
370
William Butler Yeats
The Travail Of Passion
WHEN the flaming lute-thronged angelic door is wide;
When an immortal passion breathes in mortal clay;
Our hearts endure the scourge, the plaited thorns, the way
Crowded with bitter faces, the wounds in palm and side,
The vinegar-heavy sponge, the flowers by Kedron stream;
We will bend down and loosen our hair over you,
That it may drop faint perfume, and be heavy with dew,
Lilies of death-pale hope, roses of passionate dream.
When an immortal passion breathes in mortal clay;
Our hearts endure the scourge, the plaited thorns, the way
Crowded with bitter faces, the wounds in palm and side,
The vinegar-heavy sponge, the flowers by Kedron stream;
We will bend down and loosen our hair over you,
That it may drop faint perfume, and be heavy with dew,
Lilies of death-pale hope, roses of passionate dream.
370
Langston Hughes
When Sue Wears Red
When Susanna Jones wears red
her face is like an ancient cameo
Turned brown by the ages.
Come with a blast of trumphets, Jesus!
When Susanna Jones wears red
A queen from some time-dead Egyptian night
Walks once again.
Blow trumphets, Jesus!
And the beauty of Susanna Jones in red
Burns in my heart a love-fire sharp like a pain.
Sweet silver trumphets, Jesus!
her face is like an ancient cameo
Turned brown by the ages.
Come with a blast of trumphets, Jesus!
When Susanna Jones wears red
A queen from some time-dead Egyptian night
Walks once again.
Blow trumphets, Jesus!
And the beauty of Susanna Jones in red
Burns in my heart a love-fire sharp like a pain.
Sweet silver trumphets, Jesus!
369
Ella Wheeler Wilcox
The Destroyer
With care, and skill, and cunning art
She parried Time's malicious dart,
And kept the years at bay,
Till passion entered in her heart
And aged her in a day!
She parried Time's malicious dart,
And kept the years at bay,
Till passion entered in her heart
And aged her in a day!
360
Emily Dickinson
The Love a Life can show Below
The Love a Life can show Below
Is but a filament, I know,
Of that diviner thing
That faints upon the face of Noon-
And smites the Tinder in the Sun-
And hinders Gabriel's Wing
'Tis this-in Music-hints and sways-
And far abroad on Summer days-
Distils uncertain pain'
Tis this enamors in the East-
And tints the Transit in the West
With harrowing Iodine
'Tis this-invites-appalls-endows
Flits-
glimmers-proves-dissolves
Returns-
suggests-convicts-enchants
Then-
flings in Paradise-
Is but a filament, I know,
Of that diviner thing
That faints upon the face of Noon-
And smites the Tinder in the Sun-
And hinders Gabriel's Wing
'Tis this-in Music-hints and sways-
And far abroad on Summer days-
Distils uncertain pain'
Tis this enamors in the East-
And tints the Transit in the West
With harrowing Iodine
'Tis this-invites-appalls-endows
Flits-
glimmers-proves-dissolves
Returns-
suggests-convicts-enchants
Then-
flings in Paradise-
356