Animals and Nature

The ant has made herself illustrious
By constant industry industrious.
So what? Would you be calm and placid
If you were full of formic acid?

Wisdom and Spirit of the universe!
Thou Soul, that art the Eternity of thought!
And giv'st to forms and images a breath
And everlasting motion! not in vain,
By day or star-light, thus from my first dawn
Of childhood didst thou intertwine for me
The passions that build up our human soul;
Not with the mean and vulgar works of Man;
But with high objects, with enduring things,
With life and nature; purifying thus
The elements of feeling and of thought,
And sanctifying by such discipline
Both pain and fear,--until we recognise
A grandeur in the beatings of the heart.
Nor was this fellowship vouchsafed to me
With stinted kindness. In November days,
When vapours rolling down the valleys made
A lonely scene more lonesome; among woods
At noon; and 'mid the calm of summer nights,
When, by the margin of the trembling lake,
Beneath the gloomy hills, homeward I went
In solitude, such intercourse was mine:
Mine was it in the fields both day and night,
And by the waters, all the summer long.
And in the frosty season, when the sun
Was set, and, visible for many a mile,
The cottage-windows through the twilight blazed,
I heeded not the summons: happy time
It was indeed for all of us; for me
It was a time of rapture! Clear and loud
The village-clock tolled six--I wheeled about,
Proud and exulting like an untired horse
That cares not for his home.--All shod with steel
We hissed along the polished ice, in games
Confederate, imitative of the chase
And woodland pleasures,--the resounding horn,
The pack loud-chiming, and the hunted hare.
So through the darkness and the cold we flew,
And not a voice was idle: with the din
Smitten, the precipices rang aloud;
The leafless trees and every icy crag
Tinkled like iron; while far-distant hills
Into the tumult sent an alien sound
Of melancholy, not unnoticed while the stars,
Eastward, were sparkling clear, and in the west
The orange sky of evening died away.
Not seldom from the uproar I retired
Into a silent bay, or sportively
Glanced sideway, leaving the tumultuous throng,
To cut across the reflex of a star;
Image, that, flying still before me, gleamed
Upon the glassy plain: and oftentimes,


When we had given our bodies to the wind,
And all the shadowy banks on either side
Came sweeping through the darkness, spinning still
The rapid line of motion, then at once
Have I, reclining back upon my heels,
Stopped short; yet still the solitary cliffs
Wheeled by me--even as if the earth had rolled
With visible motion her diurnal round!
Behind me did they stretch in solemn train,
Feebler and feebler, and I stood and watched
Till all was tranquil as a summer sea.

Arming down along the stream,
Along the sparkling water,
And past the pool where lilies gleam,
There comes the squatter’s daughter.


Her eyes are kind; her lips are warm;
And like a flower her face is;
The habit shows her bonny form
As graceful as a Grace’s.


O I’ll be mad of love, I know;
My head she’ll surely addle;
O Cupid, Cupid; get your bow;
And shoot her from the saddle!


For, like a bird on breezes waft,
She quickly, quickly passes;
O Cupid, Cupid, draw your shaft;
And bring her to the grasses!


O she is worthy game for you;
And there is none to match her.
So, Cupid, send your arrow true;
And I’ll be there to catch her!

"Begone, thou fond presumptuous Elf,"
Exclaimed an angry Voice,
"Nor dare to thrust thy foolish self
Between me and my choice!"
A small Cascade fresh swoln with snows
Thus threatened a poor Briar-rose,
That, all bespattered with his foam,
And dancing high and dancing low,
Was living, as a child might know,
In an unhappy home.
II
"Dost thou presume my course to block?
Off, off! or, puny Thing!
I'll hurl thee headlong with the rock
To which thy fibres cling."
The Flood was tyrannous and strong;
The patient Briar suffered long,
Nor did he utter groan or sigh,
Hoping the danger would be past;
But, seeing no relief, at last,
He ventured to reply.
III
"Ah!" said the Briar, "blame me not;
Why should we dwell in strife?
We who in this sequestered spot
Once lived a happy life!
You stirred me on my rocky bed--
What pleasure through my veins you spread
The summer long, from day to day,
My leaves you freshened and bedewed;
Nor was it common gratitude
That did your cares repay.
IV
"When spring came on with bud and bell,
Among these rocks did I
Before you hang my wreaths to tell
That gentle days were nigh!
And in the sultry summer hours,
I sheltered you with leaves and flowers;
And in my leaves--now shed and gone,
The linnet lodged, and for us two
Chanted his pretty songs, when you
Had little voice or none.
V


"But now proud thoughts are in your breast--
What grief is mine you see,
Ah! would you think, even yet how blest
Together we might be!
Though of both leaf and flower bereft,
Some ornaments to me are left--
Rich store of scarlet hips is mine,
With which I, in my humble way,
Would deck you many a winter day,
A happy Eglantine!"
VI
What more he said I cannot tell,
The Torrent down the rocky dell
Came thundering loud and fast;
I listened, nor aught else could hear;
The Briar quaked--and much I fear
Those accents were his last.

It was just a very
Merry fairy dream!--
All the woods were airy
With the gloom and gleam;
Crickets in the clover
Clattered clear and strong,
And the bees droned over
Their old honey-song.


In the mossy passes,
Saucy grasshoppers
Leapt about the grasses
And the thistle-burs;
And the whispered chuckle
Of the katydid
Shook the honeysuckle
Blossoms where he hid.


Through the breezy mazes
Of the lazy June,
Drowsy with the hazes
Of the dreamy noon,
Little Pixy people
Winged above the walk,
Pouring from the steeple
Of a mullein-stalk.


One--a gallant fellow--
Evidently King,--
Wore a plume of yellow
In a jewelled ring
On a pansy bonnet,
Gold and white and blue,
With the dew still on it,
And the fragrance, too.


One--a dainty lady,--
Evidently Queen,--
Wore a gown of shady
Moonshine and green,
With a lace of gleaming
Starlight that sent
All the dewdrops dreaming
Everywhere she went.


One wore a waistcoat
Of roseleaves, out and in,
And one wore a faced-coat
Of tiger-lily-skin;
And one wore a neat coat
Of palest galingale;
And one a tiny street-coat,



And one a swallow-tail.


And Ho! sang the King of them,
And Hey! sang the Queen;
And round and round the ring of them
Went dancing o'er the green;
And Hey! sang the Queen of them,
And Ho! sang the King--
And all that I had seen of them
--Wasn't anything!


It was just a very
Merry fairy dream!--
All the woods were airy
With the gloom and gleam;
Crickets in the clover
Clattered clear and strong,
And the bees droned over
Their old honey-song!

PRELUDE
ALONG the roadside, like the flowers of gold
That tawny Incas for their gardens wrought,
Heavy with sunshine droops the golden-rod,
And the red pennons of the cardinal-flowers
Hang motionless upon their upright staves.
The sky is hot and hazy, and the wind,
Vying-weary with its long flight from the south,
Unfelt; yet, closely scanned, yon maple leaf
With faintest motion, as one stirs in dreams,
Confesses it. The locust by the wall
Stabs the noon-silence with his sharp alarm.
A single hay-cart down the dusty road
Creaks slowly, with its driver fast asleep
On the load’s top. Against the neighboring hill,
Huddled along the stone wall’s shady side,
The sheep show white, as if a snowdrift still
Defied the dog-star. Through the open door
A drowsy smell of flowers-gray heliotrope,
And white sweet clover, and shy mignonette—
Comes faintly in, and silent chorus lends
To the pervading symphony of peace.
No time is this for hands long over-worn
To task their strength; and (unto Him be praise
Who giveth quietness!) the stress and strain
Of years that did the work of centuries
Have ceased, and we can draw our breath once more
Freely and full. So, as yon harvesters
Make glad their nooning underneath the elms
With tale and riddle and old snatch of song,
I lay aside grave themes, and idly turn
The leaves of memory’s sketch-book, dreaming o’er
Old summer pictures of the quiet hills,
And human life, as quiet, at their feet.

And yet not idly all. A farmer’s son,
Proud of field-lore and harvest craft, and feeling
All their fine possibilities, how rich
And restful even poverty and toil
Become when beauty, harmony, and love
Sit at their humble hearth as angels sat
At evening in the patriarch’s tent, when man
Makes labor noble, and his farmer’s frock
The symbol of a Christian chivalry
Tender and just and generous to her
Who clothes with grace all duty; still, I know
Too well the picture has another side,—
How wearily the grind of toil goes on
Where love is wanting, how the eye and ear
And heart are starved amidst the plenitude
Of nature, and how hard and colorless
Is life without an atmosphere. I look


Across the lapse of half a century,
And call to mind old homesteads, where no flower
Told that the spring had come, but evil weeds,
Nightshade and rough-leaved burdock in the place
Of the sweet doorway greeting of the rose
And honeysuckle, where the house walls seemed
Blistering in sun, without a tree or vine
To cast the tremulous shadow of its leaves
Across the curtainless windows, from whose panes
Fluttered the signal rags of shiftlessness.
Within, the cluttered kitchen-floor, unwashed
(Broom-clean I think they called it); the best room
Stifling with cellar damp, shut from the air
In hot midsummer, bookless, pictureless,
Save the inevitable sampler hung
Over the fireplace, or a mourning piece,
A green-haired woman, peony-cheeked, beneath
Impossible willows; the wide-throated hearth
Bristling with faded pine-boughs half concealing
The piled-up rubbish at the chimney’s back;
And, in sad keeping with all things about them,
Shrill, querulous-women, sour and sullen men,
Untidy, loveless, old before their time,
With scarce a human interest save their own
Monotonous round of small economies,
Or the poor scandal of the neighborhood;
Blind to the beauty everywhere revealed,
Treading the May-flowers with regardless feet;
For them the song-sparrow and the bobolink
Sang not, nor winds made music in the leaves;
For them in vain October’s holocaust
Burned, gold and crimson, over all the hills,
The sacramental mystery of the woods.
Church-goers, fearful of the unseen Powers,
But grumbling over pulpit-tax and pew-rent,
Saving, as shrewd economists, their souls
And winter pork with the least possible outlay
Of salt and sanctity; in daily life
Showing as little actual comprehension
Of Christian charity and love and duty,
As if the Sermon on the Mount had been
Outdated like a last year’s almanac
Rich in broad woodlands and in half-tilled fields,
And yet so pinched and bare and comfortless,
The veriest straggler limping on his rounds,
The sun and air his sole inheritance,
Laughed at a poverty that paid its taxes,
And hugged his rags in self-complacency!


Not such should be the homesteads of a land
Where whoso wisely wills and acts may dwell
As king and lawgiver, in broad-acred state,



With beauty, art, taste, culture, books, to make
His hour of leisure richer than a life
Of fourscore to the barons of old time,
Our yeoman should be equal to his home
Set in the fair, green valleys, purple walled,
A man to match his mountains, not to creep
Dwarfed and abased below them. I would fain
In this light way (of which I needs must own
With the knife-grinder of whom Canning sings,
“Story, God bless you! I have none to tell you!”)
Invite the eye to see and heart to feel
The beauty and the joy within their reach,—
Home, and home loves, and the beatitudes
Of nature free to all. Haply in years
That wait to take the places of our own,
Heard where some breezy balcony looks down
On happy homes, or where the lake in the moon
Sleeps dreaming of the mountains, fair as Ruth,
In the old Hebrew pastoral, at the feet
Of Boaz, even this simple lay of mine
May seem the burden of a prophecy,
Finding its late fulfilment in a change
Slow as the oak’s growth, lifting manhood up
Through broader culture, finer manners, love,
And reverence, to the level of the hills.

O Golden Age, whose light is of the dawn,
And not of sunset, forward, not behind,
Flood the new heavens and earth, and with thee bring
All the old virtues, whatsoever things
Are pure and honest and of good repute,
But add thereto whatever bard has sung
Or seer has told of when in trance and dream
They saw the Happy Isles of prophecy
Let Justice hold her scale, and Truth divide
Between the right and wrong; but give the heart
The freedom of its fair inheritance;
Let the poor prisoner, cramped and starved so long,
At Nature’s table feast his ear and eye
With joy and wonder; let all harmonies
Of sound, form, color, motion, wait upon
The princely guest, whether in soft attire
Of leisure clad, or the coarse frock of toil,
And, lending life to the dead form of faith,
Give human nature reverence for the sake
Of One who bore it, making it divine
With the ineffable tenderness of God;
Let common need, the brotherhood of prayer,
The heirship of an unknown destiny,
The unsolved mystery round about us, make
A man more precious than the gold of Ophir.
Sacred, inviolate, unto whom all things


Should minister, as outward types and signs
Of the eternal beauty which fulfils
The one great purpose of creation, Love,
The sole necessity of Earth and Heaven!


. . . . .
For weeks the clouds had raked the hills
And vexed the vales with raining,
And all the woods were sad with mist,
And all the brooks complaining.
At last, a sudden night-storm tore
The mountain veils asunder,
And swept the valleys clean before
The bosom of the thunder.


Through Sandwich notch the west-wind sang
Good morrow to the cotter;
And once again Chocorua’s horn
Of shadow pierced the water.


Above his broad lake Ossipee,
Once more the sunshine wearing,
Stooped, tracing on that silver shield
His grim armorial bearing.


Clear drawn against the hard blue sky,
The peaks had winter’s keenness;
And, close on autumn’s frost, the vales
Had more than June’s fresh greenness.


Again the sodden forest floors
With golden lights were checkered,
Once more rejoicing leaves in wind
And sunshine danced and flickered.


It was as if the summer’s late
Atoning for it’s sadness
Had borrowed every season’s charm
To end its days in gladness.


I call to mind those banded vales
Of shadow and of shining,
Through which, my hostess at my side,
I drove in day’s declining.


We held our sideling way above
The river’s whitening shallows,
By homesteads old, with wide-flung barns
Swept through and through by swallows,—


By maple orchards, belts of pine
And larches climbing darkly



The mountain slopes, and, over all,
The great peaks rising starkly.


You should have seen that long hill-range
With gaps of brightness riven,—
How through each pass and hollow streamed
The purpling lights of heaven,—


Rivers of gold-mist flowing down
From far celestial fountains,—
The great sun flaming through the rifts
Beyond the wall of mountains.


We paused at last where home-bound cows
Brought down the pasture’s treasure,
And in the barn the rhythmic flails
Beat out a harvest measure.


We heard the night-hawk’s sullen plunge,
The crow his tree-mates calling:
The shadows lengthening down the slopes
About our feet were falling.


And through them smote the level sun
In broken lines of splendor,
Touched the gray rocks and made the green
Of the shorn grass more tender.


The maples bending o’er the gate,
Their arch of leaves just tinted
With yellow warmth, the golden glow
Of coming autumn hinted.


Keen white between the farm-house showed,
And smiled on porch and trellis,
The fair democracy of flowers
That equals cot and palace.


And weaving garlands for her dog,
’Twixt chidings and caresses,
A human flower of childhood shook
The sunshine from her tresses.


On either hand we saw the signs
Of fancy and of shrewdness,
Where taste had wound its arms of vines
Round thrift’s uncomely rudeness.


The sun-brown farmer in his frock
Shook hands, and called to Mary
Bare-armed, as Juno might, she came,
White-aproned from her dairy.



Her air, her smile, her motions, told
Of womanly completeness;
A music as of household songs
Was in her voice of sweetness.


Not fair alone in curve and line,
But something more and better,
The secret charm eluding art,
Its spirit, not its letter;—


An inborn grace that nothing lacked
Of culture or appliance,
The warmth of genial courtesy,
The calm of self-reliance.


Before her queenly womanhood
How dared our hostess utter
The paltry errand of her need
To buy her fresh-churned butter?


She led the way with housewife pride,
Her goodly store disclosing,
Full tenderly the golden balls
With practised hands disposing.


Then, while along the western hills
We watched the changeful glory
Of sunset, on our homeward way,
I heard her simple story.


The early crickets sang; the stream
Plashed through my friend’s narration:
Her rustic patois of the hills
Lost in my free-translation.


“More wise,” she said, “than those who swarm
Our hills in middle summer,
She came, when June’s first roses blow,
To greet the early comer.


“From school and ball and rout she came,
The city’s fair, pale daughter,
To drink the wine of mountain air
Beside the Bearcamp Water.


“Her step grew firmer on the hills
That watch our homesteads over;
On cheek and lip, from summer fields,
She caught the bloom of clover.


“For health comes sparkling in the streams



From cool Chocorua stealing:
There’s iron in our Northern winds;
Our pines are trees of healing.


“She sat beneath the broad-armed elms
That skirt the mowing-meadow,
And watched the gentle west-wind weave
The grass with shine and shadow.


“Beside her, from the summer heat
To share her grateful screening,
With forehead bared, the farmer stood,
Upon his pitchfork leaning.


“Framed in its damp, dark locks, his face
Had nothing mean or common,—
Strong, manly, true, the tenderness
And pride beloved of woman.


“She looked up, glowing with the health
The country air had brought her,
And, laughing, said: ‘You lack a wife,
Your mother lacks a daughter.


“‘To mend your frock and bake your bread
You do not need a lady:
Be sure among these brown old homes
Is some one waiting ready,—


“‘Some fair, sweet girl with skilful hand
And cheerful heart for treasure,
Who never played with ivory keys,
Or danced the polka’s measure.’


“He bent his black brows to a frown,
He set his white teeth tightly.
‘’T is well,’ he said, ‘for one like you
To choose for me so lightly.


“You think, because my life is rude
I take no note of sweetness:
I tell you love has naught to do
With meetness or unmeetness.


“‘Itself its best excuse, it asks
No leave of pride or fashion
When silken zone or homespun frock
It stirs with throbs of passion.


“‘You think me deaf and blind: you bring
Your winning graces hither
As free as if from cradle-time



We two had played together.


“‘You tempt me with your laughing eyes,
Your cheek of sundown’s blushes,
A motion as of waving grain,
A music as of thrushes.


“‘The plaything of your summer sport,
The spells you weave around me
You cannot at your will undo,
Nor leave me as you found me.


“‘You go as lightly as you came,
Your life is well without me;
What care you that these hills will close
Like prison-walls about me?


“‘No mood is mine to seek a wife,
Or daughter for my mother
Who loves you loses in that love
All power to love another!


“‘I dare your pity or your scorn,
With pride your own exceeding;
I fling my heart into your lap
Without a word of pleading.’


“She looked up in his face of pain
So archly, yet so tender
‘And if I lend you mine,’ she said,
‘Will you forgive the lender?


“‘Nor frock nor tan can hide the man;
And see you not, my farmer,
How weak and fond a woman waits
Behind this silken armor?


“‘I love you: on that love alone,
And not my worth, presuming,
Will you not trust for summer fruit
The tree in May-day blooming?’


“Alone the hangbird overhead,
His hair-swung cradle straining,
Looked down to see love’s miracle,—
The giving that is gaining.


“And so the farmer found a wife,
His mother found a daughter
There looks no happier home than hers
On pleasant Bearcamp Water.



“Flowers spring to blossom where she walks
The careful ways of duty;
Our hard, stiff lines of life with her
Are flowing curves of beauty.


“Our homes are cheerier for her sake,
Our door-yards brighter blooming,
And all about the social air
Is sweeter for her coming.


“Unspoken homilies of peace
Her daily life is preaching;
The still refreshment of the dew
Is her unconscious teaching.


“And never tenderer hand than hers
Unknits the brow of ailing;
Her garments to the sick man’s ear
Have music in their trailing.


“And when, in pleasant harvest moons,
The youthful huskers gather,
Or sleigh-drives on the mountain ways
Defy the winter weather,—


“In sugar-camps, when south and warm
The winds of March are blowing,
And sweetly from its thawing veins
The maple’s blood is flowing,—


“In summer, where some lilied pond
Its virgin zone is baring,
Or where the ruddy autumn fire
Lights up the apple-paring,—


“The coarseness of a ruder time
Her finer mirth displaces,
A subtler sense of pleasure fills
Each rustic sport she graces.


“Her presence lends its warmth and health
To all who come before it.
If woman lost us Eden, such
As she alone restore it.


“For larger life and wiser aims
The farmer is her debtor;
Who holds to his another’s heart
Must needs be worse or better.


“Through her his civic service shows
A purer-toned ambition;



No double consciousness divides
The man and politician.


“In party’s doubtful ways he trusts
Her instincts to determine;
At the loud polls, the thought of her
Recalls Christ’s Mountain Sermon.


“He owns her logic of the heart,
And wisdom of unreason,
Supplying, while he doubts and weighs,
The needed word in season.


“He sees with pride her richer thought,
Her fancy’s freer ranges;
And love thus deepened to respect
Is proof against all changes.


“And if she walks at ease in ways
His feet are slow to travel,
And if she reads with cultured eyes
What his may scarce unravel,


“Still clearer, for her keener sight
Of beauty and of wonder,
He learns the meaning of the hills
He dwelt from childhood under.


“And higher, warmed with summer lights,
Or winter-crowned and hoary,
The ridged horizon lifts for him
Its inner veils of glory.


“He has his own free, bookless lore,
The lessons nature taught him,
The wisdom which the woods and hills
And toiling men have brought him:


“The steady force of will whereby
Her flexile grace seems sweeter;
The sturdy counterpoise which makes
Her woman’s life completer.


“A latent fire of soul which lacks
No breath of love to fan it;
And wit, that, like his native brooks,
Plays over solid granite.


“How dwarfed against his manliness
She sees the poor pretension,
The wants, the aims, the follies, born
Of fashion and convention.



“How life behind its accidents
Stands strong and self-sustaining,
The human fact transcending all
The losing and the gaining.


“And so in grateful interchange
Of teacher and of hearer,
Their lives their true distinctness keep
While daily drawing nearer.


“And if the husband or the wife
In home’s strong light discovers
Such slight defaults as failed to meet
The blinded eyes of lovers,


“Why need we care to ask?—who dreams
Without their thorns of roses,
Or wonders that the truest steel
The readiest spark discloses?


“For still in mutual sufferance lies
The secret of true living;
Love scarce is love that never knows
The sweetness of forgiving.


“We send the Squire to General Court,
He takes his young wife thither;
No prouder man election day
Rides through the sweet June weather.


“He sees with eyes of manly trust
All hearts to her inclining;
Not less for him his household light
That others share its shining.”


Thus, while my hostess spake, there grew
Before me, warmer tinted
And outlined with a tenderer grace,
The picture that she hinted.


The sunset smouldered as we drove
Beneath the deep hill-shadows.
Below us wreaths of white fog walked
Like ghosts the haunted meadows.


Sounding the summer night, the stars
Dropped down their golden plummets;
The pale arc of the Northern lights
Rose o’er the mountain summits,—


Until, at last, beneath its bridge,



We heard the Bearcamp flowing,
And saw across the mapled lawn
The welcome home lights glowing;—


And, musing on the tale I heard,
’T were well, thought I, if often
To rugged farm-life came the gift
To harmonize and soften;—


If more and more we found the troth
Of fact and fancy plighted,
And culture’s charm and labor’s strength
In rural homes united,—


The simple life, the homely hearth,
With beauty’s sphere surrounding,
And blessing toil where toil abounds
With graces more abounding.

I
Among twenty snowy mountains,
The only moving thing
Was the eye of the black bird.
II
I was of three minds,
Like a tree
In which there are three blackbirds.
III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.
IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.
V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.
VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.
VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?
VIII


I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.
IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.
X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.
XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.
XII
The river is moving.
The blackbird must be flying.
XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.

Beauty-be not caused-It Is-
Chase it, and it ceases-
Chase it not, and it abides-

Overtake the Creases

In the Meadow-when the Wind
Runs his fingers thro' it-
Deity will see to it
That You never do it-

Ecstatic bird songs pound
the hollow vastness of the sky
with metallic clinkings--
beating color up into it
at a far edge,--beating it, beating it
with rising, triumphant ardor,--
stirring it into warmth,
quickening in it a spreading change,--
bursting wildly against it as
dividing the horizon, a heavy sun
lifts himself--is lifted--
bit by bit above the edge
of things,--runs free at last
out into the open--!lumbering
glorified in full release upward--
songs cease.

O little mouse, why dost thou cry
While merry stars laugh in the sky?


Alas! alas! my lord is dead!
Ah, who will ease my bitter pain?
He went to seek a millet-grain
In the rich farmer's granary shed;
They caught him in a baited snare,
And slew my lover unaware:
Alas! alas! my lord is dead.


O little deer, why dost thou moan,
Hid in thy forest-bower alone?


Alas! alas! my lord is dead!
Ah! who will quiet my lament?


At fall of eventide he went
To drink beside the river-head;
A waiting hunter threw his dart,
And struck my lover through the heart.
Alas! alas! my lord is dead.


O little bride, why dost thou weep
With all the happy world asleep?


Alas! alas! my lord is dead!
Ah, who will stay these hungry tears,
Or still the want of famished years,
And crown with love my marriage-bed?
My soul burns with the quenchless fire
That lit my lover's funeral pyre:
Alas! alas! my lord is dead.

THE angler rose, he took his rod,
He kneeled and made his prayers to God.
The living God sat overhead:
The angler tripped, the eels were fed

Warm and still is the summer night,
As here by the river's brink I wander;
White overhead are the stars, and white
The glimmering lamps on the hillside yonder.


Silent are all the sounds of day;
Nothing I hear but the chirp of crickets,
And the cry of the herons winging their way
O'er the poet's house in the Elmwood thickets.


Call to him, herons, as slowly you pass
To your roosts in the haunts of the exiled thrushes,
Sing him the song of the green morass;
And the tides that water the reeds and rushes.


Sing him the mystical Song of the Hern,
And the secret that baffles our utmost seeking;
For only a sound of lament we discern,
And cannot interpret the words you are speaking.


Sing of the air, and the wild delight
Of wings that uplift and winds that uphold you,
The joy of freedom, the rapture of flight
Through the drift of the floating mists that infold you.


Of the landscape lying so far below,
With its towns and rivers and desert places;
And the splendor of light above, and the glow
Of the limitless, blue, ethereal spaces.


Ask him if songs of the Troubadours,
Or of Minnesingers in old black-letter,
Sound in his ears more sweet than yours,
And if yours are not sweeter and wilder and better.


Sing to him, say to him, here at his gate,
Where the boughs of the stately elms are meeting,
Some one hath lingered to meditate,
And send him unseen this friendly greeting;


That many another hath done the same,
Though not by a sound was the silence broken;
The surest pledge of a deathless name
Is the silent homage of thoughts unspoken.

I love the hour that comes, with dusky hair
And dewy feet, along the Alpine dells
To lead the cattle forth. A thousand bells
Go chiming after her across the fair
And flowery uplands, while the rosy flare
Of sunset on the snowy mountain dwells,
And valleys darken, and the drowsy spells
Of peace are woven through the purple air.


Dear is the magic of this hour: she seems
To walk before the dark by falling rills,
And lend a sweeter song to hidden streams;
She opens all the doors of night, and fills
With moving bells the music of my dreams,
That wander far among the sleeping hills.

Elephants are contagious!
Be careful how you tread.
An Elephant that's been trodden on
Should be confined to bed!
Leopards are contagious too.
Be careful tiny tots.
They don't give you a temperature
But lots and lots - of spots.
The Herring is a lucky fish
From all disease inured.
Should he be ill when caught at sea;
Immediately - he's cured!

A stone face higher than six horses stood five thousand years gazing at the world
seeming to clutch a secret.
A boy passes and throws a niggerhead that chips off the end of the nose from the
stone face; he lets fly a mud ball that spatters the right eye and cheek of the old
looker-on.
The boy laughs and goes whistling “ee-ee-ee ee-ee-ee.” The stone face stands silent,
seeming to clutch a secret.

The flags of war like storm birds fly,
The charging trumpets blow;
Yet rolls no thunder in the sky,
No earthquake strives below.


And, calm and patient, Nature keeps
Her ancient promises well,
Though o'er her bloom and greenness sweeps,
The battle's breath of hell.


And still she walks in golden hours,
Through harvest-happy farms,
And still she wears her fruits and flowers
Like jewels on her arms.


What means the gladness of the plain,
This joy of eve and morn,
The mirth that shakes the bread of grain
And yellow locks of corn?


Ah! eyes may well be full of tears,
And hearts with hate are hot;
But even-paced come round the years,
And nature changes not.


She meets with smiles our bitter grief,
With songs our groans of pain;
She mocks with tints of flowers and leaf,
The war-field's crimson stain.


Still, in the cannon's pause, we hear
Her sweet thanksgiving psalm;
Too near to God for doubt or fear,
She shares the eternal calm.


She knows the seed lies safe below
The fires that blast and burn;
For all the tears of blood we sow
She waits the rich return.


She sees with clearer eye than ours
The good of suffering born,
The hearts that blossom like her flowers
And ripen like her corn.


Oh, give to us, in times like these,
The vision of her eyes;
And make her fields and fruited trees
Our golden prophecies.


Oh, give to us her finer ear;
Above this stormy din,



We, too, would hear the bells of cheer
Ring peace and freedom in.

The Crankadox leaned o'er the edge of the moon
And wistfully gazed on the sea
Where the Gryxabodill madly whistled a tune
To the air of 'Ti-fol-de-ding-dee.'
The quavering shriek of the Fly-up-the-creek
Was fitfully wafted afar
To the Queen of the Wunks as she powdered her cheek
With the pulverized rays of a star.


The Gool closed his ear on the voice of the Grig,
And his heart it grew heavy as lead
As he marked the Baldekin adjusting his wing
On the opposite side of his head,
And the air it grew chill as the Gryxabodill
Raised his dank, dripping fins to the skies,
And plead with the Plunk for the use of her bill
To pick the tears out of his eyes.


The ghost of the Zhack flitted by in a trance,
And the Squidjum hid under a tub
As he heard the loud hooves of the Hooken advance
With a rub-a-dub--dub-a-dub--dub!
And the Crankadox cried, as he lay down and died,
'My fate there is none to bewail,'
While the Queen of the Wunks drifted over the tide
With a long piece of crape to her tail.

Bee! I'm expecting you!
Was saying Yesterday
To Somebody you know
That you were due-

The Frogs got Home last Week-
Are settled, and at work-
Birds, mostly back-
The Clover warm and thick


You'll get my Letter by
The seventeenth; Reply
Or better, be with me-
Yours, Fly.

Tell me, O Octopus, I begs
Is those things arms, or is they legs?
I marvel at thee, Octopus;
If I were thou, I'd call me Us.

Swift swallows sailing from the Spanish main,
O rain-birds racing merrily away
From hill-tops parched with heat and sultry plain
Of wilting plants and fainting flowers, say--


When at the noon-hour from the chapel school
The children dash and scamper down the dale,
Scornful of teacher's rod and binding rule
Forever broken and without avail,


Do they still stop beneath the giant tree
To gather locusts in their childish greed,
And chuckle when they break the pods to see
The golden powder clustered round the seed?

The Himmaleh was known to stoop
Unto the Daisy low-
Transported with Compassion
That such a Doll should grow
Where Tent by Tent-Her Universe
Hung out its Flags of Snow-

Whenever Auntie moves around,
Her dresses make a curious sound,
They trail behind her up the floor,
And trundle after through the door.

The Skies can't keep their secret!
They tell it to the Hills-
The Hills just tell the Orchards-
And they-the Daffodils!


A Bird-by chance-that goes that way-
Soft overhears the whole-
If I should bribe the little Bird-
Who knows but she would tell?


I think I won't-however
It's
finer-not to know-
If Summer were an Axiom-
What sorcery had Snow?


So keep your secret-Father!
I would not-if I could,
Know what the Sapphire Fellows, do,
In your new-fashioned world!

How sweetly on the wood-girt town
The mellow light of sunset shone!
Each small, bright lake, whose waters still
Mirror the forest and the hill,
Reflected from its waveless breast
The beauty of a cloudless west,
Glorious as if a glimpse were given
Within the western gates of heaven,
Left, by the spirit of the star
Of sunset's holy hour, ajar!


Beside the river's tranquil flood
The dark and low-walled dwellings stood,
Where many a rood of open land
Stretched up and down on either hand,
With corn-leaves waving freshly green
The thick and blackened stumps between.
Behind, unbroken, deep and dread,
The wild, untravelled forest spread,
Back to those mountains, white and cold,
Of which the Indian trapper told,
Upon whose summits never yet
Was mortal foot in safety set.


Quiet and calm without a fear,
Of danger darkly lurking near,
The weary laborer left his plough,
The milkmaid carolled by her cow;
From cottage door and household hearth
Rose songs of praise, or tones of mirth.


At length the murmur died away,
And silence on that village lay.
-So slept Pompeii, tower and hall,
Ere the quick earthquake swallowed all,
Undreaming of the fiery fate
Which made its dwellings desolate.


Hours passed away. By moonlight sped
The Merrimac along his bed.
Bathed in the pallid lustre, stood
Dark cottage-wall and rock and wood,
Silent, beneath that tranquil beam,
As the hushed grouping of a dream.
Yet on the still air crept a sound,
No bark of fox, nor rabbit's bound,
Nor stir of wings, nor waters flowing,
Nor leaves in midnight breezes blowing.


Was that the tread of many feet,
Which downward from the hillside beat?
What forms were those which darkly stood



Just on the margin of the wood?
Charred
tree-stumps in the moonlight dim,
Or paling rude, or leafless limb?
No,-through the trees fierce eyeballs glowed,
Dark human forms in moonshine showed,
Wild from their native wilderness,
With painted limbs and battle-dress.


A yell the dead might wake to hear
Swelled on the night air, far and clear;
Then smote the Indian tomahawk
On crashing door and shattering lock;


Then rang the rifle-shot, and then
The shrill death-scream of stricken men,
Sank
the red axe in woman's brain,
And childhood's cry arose in vain.
Bursting through roof and window came,
Red, fast, and fierce, the kindled flame,
And blended fire and moonlight glared
On still dead men and scalp-knives bared.


The morning sun looked brightly through
The river willows, wet with dew.
No sound of combat filled the air,
No shout was heard, nor gunshot there;
Yet still the thick and sullen smoke
From smouldering ruins slowly broke;
And on the greensward many a stain,
And, here and there, the mangled slain,
Told how that midnight bolt had sped
Pentucket, on thy fated head.


Even now the villager can tell
Where Rolfe beside his hearthstone fell,
Still show the door of wasting oak,
Through which the fatal death-shot broke,
And point the curious stranger where
De Rouville's corse lay grim and bare;
Whose hideous head, in death still feared,
Bore not a trace of hair or beard;
And still, within the churchyard ground,
Heaves darkly up the ancient mound,
Whose grass-grown surface overlies
The victims of that sacrifice.