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Dreams and Imagination

Percy Bysshe Shelley

Percy Bysshe Shelley

The Two Spirits: An Allegory

FIRST SPIRIT
O thou, who plum'd with strong desire
Wouldst float above the earth, beware!
A Shadow tracks thy flight of fire--
Night is coming!
Bright are the regions of the air,
And among the winds and beams
It were delight to wander there--
Night is coming!SECOND SPIRIT
The deathless stars are bright above;
If I would cross the shade of night,
Within my heart is the lamp of love,
And that is day!
And the moon will smile with gentle light
On my golden plumes where'er they move;
The meteors will linger round my flight,
And make night day.FIRST SPIRIT
But if the whirlwinds of darkness waken
Hail, and lightning, and stormy rain;
See, the bounds of the air are shaken--
Night is coming!
The red swift clouds of the hurricane
Yon declining sun have overtaken,
The clash of the hail sweeps over the plain--
Night is coming!SECOND SPIRIT
I see the light, and I hear the sound;
I'll sail on the flood of the tempest dark,
With the calm within and the light around
Which makes night day:
And thou, when the gloom is deep and stark,
Look from thy dull earth, slumber-bound,
My moon-like flight thou then mayst mark
On high, far away.----
Some say there is a precipice
Where one vast pine is frozen to ruin
O'er piles of snow and chasms of ice
Mid Alpine mountains;
And that the languid storm pursuing
That winged shape, for ever flies
Round those hoar branches, aye renewing
Its aëry fountains.
Some say when nights are dry and dear,
And the death-dews sleep on the morass,
Sweet whispers are heard by the traveller,
Which make night day:
And a silver shape like his early love doth pass
Upborne by her wild and glittering hair,
And when he awakes on the fragrant grass,


He finds night day.
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Ezra Pound

Ezra Pound

Homage To Sextus Propertius - X

.Light, light of my eyes, at an exceeding late hour I was wandering,
And intoxicated,
and no servant was leading me,
And a minute crowd of small boys came from opposite,
I do not know what boys,
And I am afraid of numerical estimate,
And some of them shook little torches,
and others held onto arrows,
And the rest laid their chains upon me,
and they were naked, the lot of them,
And one of the lot was given to lust.


'That incensed female has consigned him to our pleasure.'
So spoke. And the noose was over my neck.
And another said 'Get him plumb in the middle!
'Shove along there, shove along!'
And another broke in upon this:
'He thinks that we are not gods,'
'And she has been waiting for the scoundrel,
and in a new Sidonian night cap,
And with more than Arabian odours,
God knows where he has been.
She could scarcely keep her eyes open
enter that much for his bail.
Get along now!'


We were coming near to the house,
and they gave another yank to my cloak,
And it was morning, and I wanted to see if she was alone and resting,
And Cynthia was alone in her bed.
I was stupefied.
I had never seen her looking so beautiful,
No, not when she was tunick'd in purple.


Such aspect was presented to me, me recently emerged from my visions,
You will observe that pure form has its value.


‘You are a very early inspector of mistresses.
‘Do you think I have adopted your habits?'
There were upon the bed no signs of a voluptuous encounter,
No signs of a second incumbent.


She continued:
'No incubus has crushed his body against me,
‘Though spirits are celebrated for adultery.
‘And I am going to the temple of Vesta . . .'
and so on.


Since that day I have had no pleasant nights.
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Carl Sandburg

Carl Sandburg

Work Gangs

Box cars run by a mile long. 
And I wonder what they say to each other
When they stop a mile long on a sidetrack.
Maybe their chatter goes:
I came from Fargo with a load of wheat up to the danger line.
I came from Omaha with a load of shorthorns and they splintered my boards.
I came from Detroit heavy with a load of fivers.
I carried apples from the Hood river last year and this year bunches of bananas from
Florida; they look for me with watermelons from Mississippi next year.


Hammers and shovels of work gangs sleep in shop corners
when the dark stars come on the sky and the night watchmen walk and look.


Then the hammer heads talk to the handles,
then the scoops of the shovels talk,
how the day’s work nicked and trimmed them,
how they swung and lifted all day,
how the hands of the work gangs smelled of hope.
In the night of the dark stars
when the curve of the sky is a work gang handle,
in the night on the mile long sidetracks,
in the night where the hammers and shovels sleep in corners,
the night watchmen stuff their pipes with dreams—
and sometimes they doze and don’t care for nothin’,
and sometimes they search their heads for meanings, stories, stars.
The stuff of it runs like this:
A long way we come; a long way to go; long rests and long deep sniffs for our lungs on
the way.
Sleep is a belonging of all; even if all songs are old songs and the singing heart is
snuffed out like a switchman’s lantern with the oil gone, even if we forget our names
and houses in the finish, the secret of sleep is left us, sleep belongs to all, sleep is the
first and last and best of all.


People singing; people with song mouths connecting with song hearts; people who
must sing or die; people whose song hearts break if there is no song mouth; these are
my people.

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Robert Browning

Robert Browning

Women And Roses

I.
I dream of a red-rose tree.
And which of its roses three
Is the dearest rose to me?
II.
Round and round, like a dance of snow
In a dazzling drift, as its guardians, go
Floating the women faded for ages,
Sculptured in stone, on the poet's pages.
Then follow women fresh and gay,
Living and loving and loved to-day.
Last, in the rear, flee the multitude of maidens,
Beauties yet unborn. And all, to one cadence,
They circle their rose on my rose tree.
III.
Dear rose, thy term is reached,
Thy leaf hangs loose and bleached:
Bees pass it unimpeached.
IV.
Stay then, stoop, since I cannot climb,
You, great shapes of the antique time!
How shall I fix you, fire you, freeze you,
Break my heart at your feet to please you?
Oh, to possess and be possessed!
Hearts that beat 'neath each pallid breast!
Once but of love, the poesy, the passion,
Drink but once and die!---In vain, the same fashion,
They circle their rose on my rose tree.
V.
Dear rose, thy joy's undimmed,
Thy cup is ruby-rimmed,
Thy cup's heart nectar-brimmed.
VI.
Deep, as drops from a statue's plinth
The bee sucked in by the hyacinth,
So will I bury me while burning,
Quench like him at a plunge my yearning,
Eyes in your eyes, lips on your lips!
Fold me fast where the cincture slips,
Prison all my soul in eternities of pleasure,
Girdle me for once! But no---the old measure,


They circle their rose on my rose tree.
VII.
Dear rose without a thorn,
Thy bud's the babe unborn:
First streak of a new morn.
VIII.
Wings, lend wings for the cold, the clear!
What is far conquers what is near.
Roses will bloom nor want beholders,
Sprung from the dust where our flesh moulders.
What shall arrive with the cycle's change?
A novel grace and a beauty strange.
I will make an Eve, be the artist that began her,
Shaped her to his mind!---Alas! in like manner
They circle their rose on my rose tree.
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William Butler Yeats

William Butler Yeats

The Double Vision Of Michael Robartes

I
ON the grey rock of Cashel the mind's eye
Has called up the cold spirits that are born
When the old moon is vanished from the sky
And the new still hides her horn.
Under blank eyes and fingers never still
The particular is pounded till it is man.
When had I my own will?
O not since life began.
Constrained, arraigned, baffled, bent and unbent
By these wire-jointed jaws and limbs of wood,
Themselves obedient,
Knowing not evil and good;
Obedient to some hidden magical breath.
They do not even feel, so abstract are they.
So dead beyond our death,
Triumph that we obey.
On the grey rock of Cashel I suddenly saw
A Sphinx with woman breast and lion paw.
A Buddha, hand at rest,
Hand lifted up that blest;
And right between these two a girl at play
That, it may be, had danced her life away,
For now being dead it seemed
That she of dancing dreamed.
Although I saw it all in the mind's eye
There can be nothing solider till I die;
I saw by the moon's light
Now at its fifteenth night.
One lashed her tail; her eyes lit by the moon
Gazed upon all things known, all things unknown,
In triumph of intellect
With motionless head erect.
That other's moonlit eyeballs never moved,
Being fixed on all things loved, all things unloved.
Yet little peace he had,
For those that love are sad.
Little did they care who danced between,
And little she by whom her dance was seen
So she had outdanced thought.
Body perfection brought,
For what but eye and ear silence the mind
With the minute particulars of mankind?
Mind moved yet seemed to stop
As 'twere a spinning-top.
In contemplation had those three so wrought
Upon a moment, and so stretched it out
That they, time overthrown,
Were dead yet flesh and bone.
I knew that I had seen, had seen at last
That girl my unremembering nights hold fast
Or else my dreams that fly



If I should rub an eye,
And yet in flying fling into my meat
A crazy juice that makes the pulses beat
As though I had been undone
By Homer's Paragon
Who never gave the burning town a thought;
To such a pitch of folly I am brought,
Being caught between the pull
Of the dark moon and the full,
The commonness of thought and images
That have the frenzy of our western seas.
Thereon I made my moan,
And after kissed a stone,
And after that arranged it in a song
Seeing that I, ignorant for So long,
Had been rewarded thus
In Cormac's ruined house.


MICHAEL ROBARTES AND THE DANCER


He. Opinion is not worth a rush;
In this altar-piece the knight,
Who grips his long spear so to push
That dragon through the fading light,
Loved the lady; and it's plain
The half-dead dragon was her thought,
That every morning rose again
And dug its claws and shrieked and fought.
Could the impossible come to pass
She would have time to turn her eyes,
Her lover thought, upon the glass
And on the instant would grow wise.
She. You mean they argued.
He. Put it so;
But bear in mind your lover's wage
Is what your looking-glass can show,
And that he will turn green with rage
At all that is not pictured there.
She. May I not put myself to college?
He. Go pluck Athene by the hair;
For what mere book can grant a knowledge
With an impassioned gravity
Appropriate to that beating breast,
That vigorous thigh, that dreaming eye?
And may the Devil take the rest.
She. And must no beautiful woman be
Learned like a man?
He. Paul Veronese
And all his sacred company
Imagined bodies all their days
By the lagoon you love so much,
For proud, soft, ceremonious proof



That all must come to sight and touch;
While Michael Angelo's Sistine roof,
His 'Morning' and his 'Night' disclose
How sinew that has been pulled tight,
Or it may be loosened in repose,
Can rule by supernatural right
Yet be but sinew.
She. I have heard said
There is great danger in the body.
He. Did God in portioning wine and bread
Give man His thought or His mere body?
She. My wretched dragon is perplexed.
Hec. I have principles to prove me right.
It follows from this Latin text
That blest souls are not composite,
And that all beautiful women may
Live in uncomposite blessedness,
And lead us to the like -- if they
Will banish every thought, unless
The lineaments that please their view
When the long looking-glass is full,
Even from the foot-sole think it too.
She. They say such different things at school.
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William Butler Yeats

William Butler Yeats

The Fairy Pendant

Scene: A circle of Druidic stones

First Fairy: Afar from our lawn and our levee,
O sister of sorrowful gaze!
Where the roses in scarlet are heavy
And dream of the end of their days,
You move in another dominion
And hang o'er the historied stone:
Unpruned in your beautiful pinion
Who wander and whisper alone.


All: Come away while the moon's in the woodland,
We'll dance and then feast in a dairy.
Though youngest of all in our good band,
You are wasting away, little fairy.


Second Fairy: Ah! cruel ones, leave me alone now
While I murmur a little and ponder
The history here in the stone now;
Then away and away I will wander,
And measure the minds of the flowers,
And gaze on the meadow-mice wary,
And number their days and their hours--


All: You're wasting away, little fairy.


Second Fairy: O shining ones, lightly with song pass,
Ah! leave me, I pray you and beg.
My mother drew forth from the long grass
A piece of a nightingle's egg,
And cradled me here where are sung,
Of birds even, longings for aery
Wild wisdoms of spirit and tongue.


All: You're wasting away, little fairy.


First Fairy [turning away]: Though the tenderest roses were round you,
The soul of this pitiless place
With pitiless magic has bound you--
Ah! woe for the loss of your face,
And the loss of your laugh with its lightness--
Ah! woe for your wings and your head--
Ah! woe for your eyes and their brightness--
Ah! woe for your slippers of red.


We'll dance and then feast in a dairy.
Though youngest of all in our good band,
She's wasting away, little fairy.
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