Poems List

To Maecenas

To Maecenas
MAECENAS, you, beneath the myrtle shade,
Read o'er what poets sung, and shepherds play'd.
What felt those poets but you feel the same?
Does not your soul possess the sacred flame?
Their noble strains your equal genius shares
In softer language, and diviner airs.
While Homer paints, lo! circumfus'd in air,
Celestial Gods in mortal forms appear;
Swift as they move hear each recess rebound,
Heav'n quakes, earth trembles, and the shores resound.
Great Sire of verse, before my mortal eyes,
The lightnings blaze across the vaulted skies,
And, as the thunder shakes the heav'nly plains,
A deep felt horror thrills through all my veins.
When gentler strains demand thy graceful song,
The length'ning line moves languishing along.
When great Patroclus courts Achilles' aid,
The grateful tribute of my tears is paid;
Prone on the shore he feels the pangs of love,
And stern Pelides tend'rest passions move.
Great Maro's strain in heav'nly numbers flows,
The Nine inspire, and all the bosom glows.
O could I rival thine and Virgil's page,
Or claim the Muses with the Mantuan Sage;
Soon the same beauties should my mind adorn,
And the same ardors in my soul should burn:
Then should my song in bolder notes arise,
And all my numbers pleasingly surprise;
But here I sit, and mourn a grov'ling mind,
That fain would mount, and ride upon the wind.
Not you, my friend, these plaintive strains become,
Not you, whose bosom is the Muses home;
When they from tow'ring Helicon retire,
They fan in you the bright immortal fire,
But I less happy, cannot raise the song,
The fault'ring music dies upon my tongue.
The happier Terence* all the choir inspir'd,
His soul replenish'd, and his bosom fir'd;
But say, ye Muses, why this partial grace,
To one alone of Afric's sable race;
From age to age transmitting thus his name
With the finest glory in the rolls of fame?
Thy virtues, great Maecenas! shall be sung
In praise of him, from whom those virtues sprung:
While blooming wreaths around thy temples spread,
I'll snatch a laurel from thine honour'd head,
While you indulgent smile upon the deed.
*He was an African by birth.
As long as Thames in streams majestic flows,
Or Naiads in their oozy beds repose


While Phoebus reigns above the starry train
While bright Aurora purples o'er the main,
So long, great Sir, the muse thy praise shall sing,
So long thy praise shal' make Parnassus ring:
Then grant, Maecenas, thy paternal rays,
Hear me propitious, and defend my lays.
211

To His Honour the Lieutenant-Governor

To His Honour the Lieutenant-Governor
All-Conquering Death! by thy resistless pow'r,
Hope's tow'ring plumage falls to rise no more!
Of scenes terrestrial how the glories fly,
Forget their splendors, and submit to die!
Who ere escap'd thee, but the saint of old
Beyond the flood in sacred annals told,
And the great sage, whom fiery coursers drew
To heav'n's bright portals from Elisha's view;
Wond'ring he gaz'd at the refulgent car,
Then snatch'd the mantle floating on the air.
From Death these only could exemption boast,
And without dying gain'd th' immortal coast.
Not falling millions sate the tyrant's mind,
Nor can the victor's progress be confin'd.
But cease thy strife with Death, fond Nature, cease:
He leads the virtuous to the realms of peace;
His to conduct to the immortal plains,
Where heav'n's Supreme in bliss and glory reigns.
There sits, illustrious Sir, thy beauteous spouse;
A gem-blaz'd circle beaming on her brows.
Hail'd with acclaim among the heav'nly choirs,
Her soul new-kindling with seraphic fires,
To notes divine she tunes the vocal strings,
While heav'n's high concave with the music rings.
Virtue's rewards can mortal pencil paint?
No--all descriptive arts, and eloquence are faint;
Nor canst thou, Oliver, assent refuse
To heav'nly tidings from the Afric muse.
As soon may change thy laws, eternal fate,
As the saint miss the glories I relate;
Or her Benevolence forgotten lie,
Which wip'd the trick'ling tear from Misry's eye.
Three amiable Daughters who died when just arrived to Womens Estate.
Whene'er the adverse winds were known to blow,
When loss to loss * ensu'd, and woe to woe,
Calm and serene beneath her father's hand
She sat resign'd to the divine command.
No longer then, great Sir, her death deplore,
And let us hear the mournful sigh no more,
Restrain the sorrow streaming from thine eye,
Be all thy future moments crown'd with joy!
Nor let thy wishes be to earth confin'd,
But soaring high pursue th' unbodied mind.
Forgive the muse, forgive th' advent'rous lays,
That fain thy soul to heav'nly scenes would raise.
191

To A Lady On The Death Of The Three Relations

To A Lady On The Death Of The Three Relations
WE trace the pow'r of Death from tomb to tomb,
And his are all the ages yet to come.
'Tis his to call the planets from on high,
To blacken Phoebus, and dissolve the sky;
His too, when all in his dark realms are hurl'd,
From its firm base to shake the solid world;
His fatal sceptre rules the spacious whole,
And trembling nature rocks from pole to pole.
Awful he moves, and wide his wings are spread:
Behold thy brother number'd with the dead!
From bondage freed, the exulting spirit flies
Beyond Olympus, and these starry skies.
Lost in our woe for thee, blest shade, we mourn
In vain; to earth thou never must return.
Thy sisters too, fair mourner, feel the dart
Of Death, and with fresh torture rend thine heart.
Weep not for them, and leave the world behind.
As a young plant by hurricanes up torn,
So near its parent lies the newly born--
But 'midst the bright ehtereal train behold
It shines superior on a throne of gold:
Then, mourner, cease; let hope thy tears restrain,
Smile on the tomb, and sooth the raging pain.
On yon blest regions fix thy longing view,
Mindless of sublunary scenes below;
Ascend the sacred mount, in thought arise,
And seek substantial and immortal joys;
Where hope receives, where faith to vision springs,
And raptur'd seraphs tune th' immortal strings
To strains extatic. Thou the chorus join,
And to thy father tune the praise divine.
201

To Captain H-----d, of the th Regiment

To Captain H-----d, of the th Regiment
Say, muse divine, can hostile scenes delight
The warrior's bosom in the fields of fight?
Lo! here the christian and the hero join
With mutual grace to form the man divine.
In H-----D see with pleasure and surprise,
Where valour kindles, and where virtue lies:
Go, hero brave, still grace the post of fame,
And add new glories to thine honour'd name,
Still to the field, and still to virtue true:
Britannia glories in no son like you.
158

To A Lady On Her Coming To North-America With Her Son, For The Recovery

To A Lady On Her Coming To North-America With Her Son, For The Recovery
Of Her Health
INDULGENT muse! my grov'ling mind inspire,
And fill my bosom with celestial fire.
See from Jamaica's fervid shore she moves,
Like the fair mother of the blooming loves,
When from above the Goddess with her hand
Fans the soft breeze, and lights upon the land;
Thus she on Neptune's wat'ry realm reclin'd
Appear'd, and thus invites the ling'ring wind.
"Arise, ye winds, America explore,
"Waft me, ye gales, from this malignant shore;
"The Northern milder climes I long to greet,
"There hope that health will my arrival meet."
Soon as she spoke in my ideal view
The winds assented, and the vessel flew.
Madam, your spouse bereft of wife and son,
In the grove's dark recesses pours his moan;
Each branch, wide-spreading to the ambient sky,
Forgets its verdure, and submits to die.
From thence I turn, and leave the sultry plain,
And swift pursue thy passage o'er the main:
The ship arrives before the fav'ring wind,
And makes the Philadelphian port assign'd,
Thence I attend you to Bostonia's arms,
Where gen'rous friendship ev'ry bosom warms:
Thrice welcome here! may health revive again,
Bloom on thy cheek, and bound in ev'ry vein!
Then back return to gladden ev'ry heart,
And give your spouse his soul's far dearer part,
Receiv'd again with what a sweet surprise,
The tear in transport starting from his eyes!
While his attendant son with blooming grace
Springs to his father's ever dear embrace.
With shouts of joy Jamaica's rocks resound,
With shouts of joy the country rings around.
193

To A Lady On Her Remarkable Preservation In A Hurrican In North-Carolina

To A Lady On Her Remarkable Preservation In A Hurrican In North-Carolina
THOUGH thou did'st hear the tempest from afar,
And felt'st the horrors of the wat'ry war,
To me unknown, yet on this peaceful shore
Methinks I hear the storm tumultuous roar,
And how stern Boreas with impetuous hand
Compell'd the Nereids to usurp the land.
Reluctant rose the daughters of the main,
And slow ascending glided o'er the plain,
Till AEolus in his rapid chariot drove
In gloomy grandeur from the vault above:
Furious he comes. His winged sons obey
Their frantic sire, and madden all the sea.
The billows rave, the wind's fierce tyrant roars,
And with his thund'ring terrors shakes the shores:
Broken by waves the vessel's frame is rent,
And strows with planks the wat'ry element.
But thee, Maria, a kind Nereid's shield
Preserv'd from sinking, and thy form upheld:
And sure some heav'nly oracle design'd
At that dread crisis to instruct thy mind
Things of eternal consequence to weigh,
And to thine heart just feelings to convey
Of things above, and of the future doom,
And what the births of the dread world to come.
From tossing seas I welcome thee to land.
"Resign her, Nereid," 'twas thy God's command.
Thy spouse late buried, as thy fears conceiv'd,
Again returns, thy fears are all reliev'd:
Thy daughter blooming with superior grace
Again thou see'st, again thine arms embrace;
O come, and joyful show thy spouse his heir,
And what the blessings of maternal care!
238

To A Lady And Her Children, On The Death Of Her Son And Their Brother

To A Lady And Her Children, On The Death Of Her Son And Their Brother
O'ERWHELMING sorrow now demands my song:
From death the overwhelming sorrow sprung.
What flowing tears? What hearts with grief opprest?
What sighs on sighs heave the fond parent's breast?
The brother weeps, the hapless sisters join
Th' increasing woe, and swell the crystal brine;
The poor, who once his gen'rous bounty fed,
Droop, and bewail their benefactor dead.
In death the friend, the kind companion lies,
And in one death what various comfort dies!
Th' unhappy mother sees the sanguine rill
Forget to flow, and nature's wheels stand still,
But see from earth his spirit far remov'd,
And know no grief recals your best-belov'd:
He, upon pinions swifter than the wind,
Has left mortality's sad scenes behind
For joys to this terrestial state unknown,
And glories richer than the monarch's crown.
Of virtue's steady course the prize behold!
What blissful wonders to his mind unfold!
But of celestial joys I sing in vain:
Attempt not, muse, the too advent'rous strain.
No more in briny show'rs, ye friends around,
Or bathe his clay, or waste them on the ground:
Still do you weep, still wish for his return?
How cruel thus to wish, and thus to mourn?
No more for him the streams of sorrow pour,
But haste to join him on the heav'nly shore,
On harps of gold to tune immortal lays,
And to your God immortal anthems raise.
289

To A Gentleman On His Voyage To Great-Britain For The Recovery Of His

To A Gentleman On His Voyage To Great-Britain For The Recovery Of His
Health
WHILE others chant of gay Elysian scenes,
Of balmy zephyrs, and of flow'ry plains,
My song more happy speaks a greater name,
Feels higher motives and a nobler flame.
For thee, O R-----, the muse attunes her strings,
And mounts sublime above inferior things.
I sing not now of green embow'ring woods,
I sing not now the daughters of the floods,
I sing not of the storms o'er ocean driv'n,
And how they howl'd along the waste of heav'n.
But I to R----- would paint the British shore,
And vast Atlantic, not untry'd before:
Thy life impair'd commands thee to arise,
Leave these bleak regions and inclement skies,
Where chilling winds return the winter past,
And nature shudders at the furious blast.
O thou stupendous, earth-enclosing main
Exert thy wonders to the world again!
If ere thy pow'r prolong'd the fleeting breath,
Turn'd back the shafts, and mock'd the gates of death,
If ere thine air dispens'd an healing pow'r,
Or snatch'd the victim from the fatal hour,
This equal case demands thine equal care,
And equal wonders may this patient share.
But unavailing, frantic is the dream
To hope thine aid without the aid of him
Who gave thee birth and taught thee where to flow,
And in thy waves his various blessings show.
May R----- return to view his native shore
Replete with vigour not his own before,
Then shall we see with pleasure and surprise,
And own thy work, great Ruler of the skies!
211

To A Gentleman And Lady On The Death Of The Lady's Brother And Sister, And

To A Gentleman And Lady On The Death Of The Lady's Brother And Sister, And
A Child Of The Name Of Avis, Aged One Year
ON Death's domain intent I fix my eyes,
Where human nature in vast ruin lies:
With pensive mind I search the drear abode,
Where the great conqu'ror has his spoils bestow'd;
There there the offspring of six thousand years
In endless numbers to my view appears:
Whole kingdoms in his gloomy den are thrust,
And nations mix with their primeval dust:
Insatiate still he gluts the ample tomb;
His is the present, his the age to come.
See here a brother, here a sister spread,
And a sweet daughter mingled with the dead.
But, Madam, let your grief be laid aside,
And let the fountain of your tears be dry'd,
In vain they flow to wet the dusty plain,
Your sighs are wafted to the skies in vain,
Your pains they witness, but they can no more,
While Death reigns tyrant o'er this mortal shore.
The glowing stars and silver queen of light
At last must perish in the gloom of night:
Resign thy friends to that Almighty hand,
Which gave them life, and bow to his command;
Thine Avis give without a murm'ring heart,
Though half thy soul be fated to depart.
To shining guards consign thine infant care
To waft triumphant through the seas of air:
Her soul enlarg'd to heav'nly pleasure springs,
She feeds on truth and uncreated things.
Methinks I hear her in the realms above,
And leaning forward with a filial love,
Invite you there to share immortal bliss
Unknown, untasted in a state like this.
With tow'ring hopes, and growing grace arise,
And seek beatitude beyond the skies.
236

To A Clergyman On The Death Of His Lady

To A Clergyman On The Death Of His Lady
WHERE contemplation finds her sacred spring,
Where heav'nly music makes the arches ring,
Where virtue reigns unsully'd and divine,
Where wisdom thron'd, and all the graces shine,
There sits thy spouse amidst the radiant throng,
While praise eternal warbles from her tongue;
There choirs angelic shout her welcome round,
With perfect bliss, and peerless glory crown'd.
While thy dear mate, to flesh no more confin'd,
Exults a blest, an heav n-ascended mind,
Say in thy breast shall floods of sorrow rise?
Say shall its torrents overwhelm thine eyes?
Amid the seats of heav'n a place is free,
And angels open their bright ranks for thee;
For thee they wait, and with expectant eye
Thy spouse leans downward from th' empyreal sky:
"O come away," her longing spirit cries,
"And share with me the raptures of the skies.
"Our bliss divine to mortals is unknown;
"Immortal life and glory are our own.
"There too may the dear pledges of our love
"Arrive, and taste with us the joys above;
"Attune the harp to more than mortal lays,
"And join with us the tribute of their praise
"To him, who dy'd stern justice to stone,
"And make eternal glory all our own.
"He in his death slew ours, and, as he rose,
"He crush'd the dire dominion of our foes;
"Vain were their hopes to put the God to flight,
"Chain us to hell, and bar the gates of light."
She spoke, and turn'd from mortal scenes her eyes,
Which beam'd celestial radiance o'er the skies.
Then thou dear man, no more with grief retire,
Let grief no longer damp devotion's fire,
But rise sublime, to equal bliss aspire,
Thy sighs no more be wafted by the wind,
No more complain, but be to heav'n resign'd
'Twas thine t' unfold the oracles divine,
To sooth our woes the task was also thine;
Now sorrow is incumbent on thy heart,
Permit the muse a cordial to impart;
Who can to thee their tend'rest aid refuse?
To dry thy tears how longs the heav'nly muse!
183

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Identification and basic context

Phillis Wheatley Peters, commonly known as Phillis Wheatley, was an American poet of African descent. She was born in West Africa, likely in the Gambia region, around 1753. She was brought to America as a slave and purchased by the Wheatley family of Boston. She died in Boston on December 5, 1784. Her family background is unknown due to her enslavement, but she was of Senegambian origin. She was enslaved for most of her life and wrote in English. Her life and work took place during the pre-Revolutionary and Revolutionary periods of American history, a time of intense debate over liberty and enslavement.

Childhood and education

Wheatley was kidnapped from her home in West Africa at a young age, likely around seven years old. She was transported across the Atlantic in the Middle Passage and sold into slavery to John Wheatley in Boston. The Wheatley family, particularly Susanna Wheatley, recognized her intelligence and provided her with an exceptional education, including Latin and Greek, literature, and the Bible. This education was highly unusual for an enslaved person at the time. Her early influences were the classical texts she studied and the religious teachings of her enslavers.

Literary trajectory

Wheatley began writing poetry at a young age. Her first published poem appeared in the *Newport Mercury* in 1767. Her literary success culminated in the publication of 'Poems on Various Subjects, Religious and Moral' in London in 1773, making her the first African American to publish a book of poetry. This achievement was extraordinary, as she had to prove her authorship to skeptical white audiences. She also contributed poems to newspapers and other publications. She did not engage significantly in literary criticism or translation.

Works, style, and literary characteristics

Her major work is 'Poems on Various Subjects, Religious and Moral' (1773). Dominant themes include religious faith, virtue, liberty, the African experience, and reflections on life and death. Her style is largely neoclassical, characterized by rhyming couplets, iambic pentameter, and formal diction, reflecting her classical education. Her poetic voice is often eloquent and reasoned, though it carries the implicit critique of slavery through its very existence and intellectual merit. Her language is refined and elevated. Wheatley's innovation lay in her existence as a Black poet in America, challenging racial stereotypes through her literary accomplishments.

Cultural and historical context

Wheatley's life and work are inextricably linked to the context of colonial America and the growing abolitionist sentiment. She lived during a period when the hypocrisy of fighting for American liberty while upholding slavery was becoming increasingly apparent. Her ability to publish a book of poetry was a significant event that drew attention to the intellectual capabilities of enslaved people. She was a contemporary of figures like Benjamin Franklin and George Washington, with whom she corresponded. She belonged to no specific literary movement but operated within the broader Neoclassical tradition.

Personal life

Wheatley's personal life was defined by her enslaved status, though she experienced a degree of freedom and intellectual engagement within the Wheatley household. She formed a close bond with Susanna Wheatley. After gaining her freedom, she married John Peters, a free Black man. Her later life was marked by hardship, including financial struggles and the loss of her children. Her personal experiences of enslavement, the yearning for freedom, and her religious convictions profoundly shaped her poetry.

Recognition and reception

Wheatley received considerable recognition during her lifetime, both in America and Great Britain. Her trip to London was facilitated by the Wheatleys to promote her book. She received praise from prominent figures, including Benjamin Franklin and the Earl of Dartmouth. However, she also faced skepticism about her authorship, necessitating a document signed by prominent Bostonians attesting to her abilities. Her place in American literature is foundational as the first African American poet. Her reception has evolved from an anomaly to a celebrated literary figure.

Influences and legacy

Wheatley was influenced by classical poets like Homer and Virgil, as well as Enlightenment thinkers and the Bible. Her legacy is immense as a pioneering figure who broke racial barriers in American literature. She inspired subsequent generations of African American writers and poets, proving that Black individuals possessed intellectual and artistic capabilities. Her work continues to be studied for its literary merit and its historical significance.

Interpretation and critical analysis

Wheatley's poetry is often analyzed for its subtle critiques of slavery, its exploration of religious themes, and its engagement with the ideals of the American Revolution. Critical debates sometimes focus on the extent to which her work directly challenged the institution of slavery versus her more restrained expressions.

Curiosities and lesser-known aspects

A curious aspect of Wheatley's life is the extraordinary educational opportunities afforded to her while enslaved. Her journey to London to publish her book was a significant undertaking. Despite gaining freedom, her later years were marked by poverty, a stark contrast to the intellectual acclaim she had received earlier.

Death and memory

Phillis Wheatley died in poverty in Boston in 1784, shortly after giving birth to her third child, who also died. Her memory is honored through her enduring literary work, which has been revived and celebrated, ensuring her place as a crucial figure in American literary history.