Poems List

One Being Brought From Africa To America

One Being Brought From Africa To America
'TWAS mercy brought me from my Pagan land,
Taught my benighted soul to understand
That there's a God, that there's a Saviour too:
Once I redemption neither sought now knew,
Some view our sable race with scornful eye,
'Their colour is a diabolic die.'
Remember, Christians, Negroes, black as Cain,
May be refin'd, and join th' angelic train.
384

On the Death of the Rev. Mr. George Whitefield,

On the Death of the Rev. Mr. George Whitefield,
Hail, happy saint, on thine immortal throne,
Possest of glory, life, and bliss unknown;
We hear no more the music of thy tongue,
Thy wonted auditories cease to throng.
Thy sermons in unequall'd accents flow'd,
And ev'ry bosom with devotion glow'd;
Thou didst in strains of eloquence refin'd
Inflame the heart, and captivate the mind.
Unhappy we the setting sun deplore,
So glorious once, but ah! it shines no more.
Behold the prophet in his tow'ring flight!
He leaves the earth for heav'n's unmeasur'd height,
And worlds unknown receive him from our sight.
There Whitefield wings with rapid course his way,
And sails to Zion through vast seas of day.
Thy pray'rs, great saint, and thine incessant cries
Have pierc'd the bosom of thy native skies.
Thou moon hast seen, and all the stars of light,
How he has wrestled with his God by night.
He pray'd that grace in ev'ry heart might dwell,
He long'd to see America excell;
He charg'd its youth that ev'ry grace divine
Should with full lustre in their conduct shine;
That Saviour, which his soul did first receive,
The greatest gift that ev'n a God can give,
He freely offer'd to the num'rous throng,
That on his lips with list'ning pleasure hung.
"Take him, ye wretched, for your only good,
"Take him ye starving sinners, for your food;
"Ye thirsty, come to this life-giving stream,
"Ye preachers, take him for your joyful theme;
"Take him my dear Americans, he said,
"Be your complaints on his kind bosom laid:
"Take him, ye Africans, he longs for you,
"Impartial Saviour is his title due:
"Wash'd in the fountain of redeeming blood,
"You shall be sons, and kings, and priests to God.
Great Countess, we Americans revere
Thy name, and mingle in thy grief sincere;
New England deeply feels, the Orphans mourn,
Their more than father will no more return.
But, though arrested by the hand of death,
Whitefield no more exerts his lab'ring breath,
Yet let us view him in th' eternal skies,
Let ev'ry heart to this bright vision rise;
While the tomb safe retains its sacred trust,
Till life divine re-animates his dust.

207

On The Death Of Rev. Mr. George Whitefield

On The Death Of Rev. Mr. George Whitefield
HAIL, happy saint, on thine immortal throne,
Possest of glory, life, and bliss unknown;
We hear no more the music of thy tongue,
Thy wonted auditories cease to throng.
Thy sermons in unequall'd accents flow'd,
And ev'ry bosom with devotion glow'd;
Thou didst in strains of eloquence refin'd
Inflame the heart, and captivate the mind.
Unhappy we the setting sun deplore,
So glorious once, but ah! it shines no more.
Behold the prophet in his tow'ring flight!
He leaves the earth for heav'n's unmeasur'd height,
And worlds unknown receive him from our sight.
There Whitefield wings with rapid course his way,
And sails to Zion through vast seas of day.
Thy pray'rs, great saint, and thine incessant cries
Have pierc'd the bosom of thy native skies.
Thou moon hast seen, and all the stars of light,
How he has wrestled with his God by night.
He pray'd that grace in ev'ry heart might dwell,
He long'd to see America excell;
He charg'd its youth that ev'ry grace divine
Should with full lustre in their conduct shine;
That Saviour, which his soul did first receive,
The greatest gift that ev'n a God can give,
He freely offer'd to the num'rous throng,
That on his lips with list'ning pleasure hung.
"Take him, ye wretched, for your only good,
"Take him ye starving sinners, for your food;
"Ye thirsty, come to this life-giving stream,
"Ye preachers, take him for your joyful theme;
"Take him my dear Americans, he said,
"Be your complaints on his kind bosom laid:
"Take him, ye Africans, he longs for you,
"Impartial Saviour is his title due:
"Wash'd in the fountain of redeeming blood,
"You shall be sons, and kings, and priests to God."
Great Countess,* we Americans revere
Thy name, and mingle in thy grief sincere;
New England deeply feels, the Orphans mourn,
Their more than father will no more return.
But, though arrested by the hand of death,
Whitefield no more exerts his lab'ring breath,
Yet let us view him in th' eternal skies,
Let ev'ry heart to this bright vision rise;
While the tomb safe retains its sacred trust,
Till life divine re-animates his dust.
*The Countess of Huntingdon, to whom Mr. Whitefield was
Chaplain.
236

On The Death Of J. C. An Infant

On The Death Of J. C. An Infant
NO more the flow'ry scenes of pleasure rife,
Nor charming prospects greet the mental eyes,
No more with joy we view that lovely face
Smiling, disportive, flush'd with ev'ry grace.
The tear of sorrow flows from ev'ry eye,
Groans answer groans, and sighs to sighs reply;
What sudden pangs shot thro' each aching heart,
When, Death, thy messenger dispatch'd his dart?
Thy dread attendants, all-destroying Pow'r,
Hurried the infant to his mortal hour.
Could'st thou unpitying close those radiant eyes?
Or fail'd his artless beauties to surprise?
Could not his innocence thy stroke controul,
Thy purpose shake, and soften all thy soul?
The blooming babe, with shades of Death o'erspread,
No more shall smile, no more shall raise its head,
But, like a branch that from the tree is torn,
Falls prostrate, wither'd, languid, and forlorn.
"Where flies my James?" 'tis thus I seem to hear
The parent ask, "Some angel tell me where
"He wings his passage thro' the yielding air?"
Methinks a cherub bending from the skies
Observes the question, and serene replies,
"In heav'ns high palaces your babe appears:
"Prepare to meet him, and dismiss your tears."
Shall not th' intelligence your grief restrain,
And turn the mournful to the cheerful strain?
Cease your complaints, suspend each rising sigh,
Cease to accuse the Ruler of the sky.
Parents, no more indulge the falling tear:
Let Faith to heav'n's refulgent domes repair,
There see your infant, like a seraph glow:
What charms celestial in his numbers flow
Melodious, while the foul-enchanting strain
Dwells on his tongue, and fills th' ethereal plain?
Enough--for ever cease your murm'ring breath;
Not as a foe, but friend converse with Death,
Since to the port of happiness unknown
He brought that treasure which you call your own.
The gift of heav'n intrusted to your hand
Cheerful resign at the divine command:
Not at your bar must sov'reign Wisdom stand.
216

On The Death Of A Young Lady Of Five Years Of Age

On The Death Of A Young Lady Of Five Years Of Age
FROM dark abodes to fair etherial light
Th' enraptur'd innocent has wing'd her flight;
On the kind bosom of eternal love
She finds unknown beatitude above.
This known, ye parents, nor her loss deplore,
She feels the iron hand of pain no more;
The dispensations of unerring grace,
Should turn your sorrows into grateful praise;
Let then no tears for her henceforward flow,
No more distress'd in our dark vale below,
Her morning sun, which rose divinely bright,
Was quickly mantled with the gloom of night;
But hear in heav'n's blest bow'rs your Nancy fair,
And learn to imitate her language there.
"Thou, Lord, whom I behold with glory crown'd,
"By what sweet name, and in what tuneful sound
"Wilt thou be prais'd? Seraphic pow'rs are faint
"Infinite love and majesty to paint.
"To thee let all their graceful voices raise,
"And saints and angels join their songs of praise."
Perfect in bliss she from her heav'nly home
Looks down, and smiling beckons you to come;
Why then, fond parents, why these fruitless groans?
Restrain your tears, and cease your plaintive moans.
Freed from a world of sin, and snares, and pain,
Why would you wish your daughter back again?
No--bow resign'd. Let hope your grief control,
And check the rising tumult of the soul.
Calm in the prosperous, and adverse day,
Adore the God who gives and takes away;
Eye him in all, his holy name revere,
Upright your actions, and your hearts sincere,
Till having sail'd through life's tempestuous sea,
And from its rocks, and boist'rous billows free,
Yourselves, safe landed on the blissful shore,
Shall join your happy babe to part no more.
369

On The Death Of A Youn Gentleman

On The Death Of A Youn Gentleman
WHO taught thee conflict with the pow'rs of night,
To vanquish satan in the fields of light?
Who strung thy feeble arms with might unknown,
How great thy conquest, and how bright thy crown!
War with each princedom, throne, and pow'r is o'er,
The scene is ended to return no more.
O could my muse thy seat on high behold,
How deckt with laurel, how enrich'd with gold!
O could she hear what praise thine harp employs,
How sweet thine anthems, how divine thy joys!
What heav'nly grandeur should exalt her strain!
What holy raptures in her numbers reign!
To sooth the troubles of the mind to peace,
To still the tumult of life's tossing seas,
To ease the anguish of the parents heart,
What shall my sympathizing verse impart?
Where is the balm to heal so deep a wound?
Where shall a sov'reign remedy be found?
Look, gracious Spirit, from thine heav'nly bow'r,
And thy full joys into their bosoms pour;
The raging tempest of their grief control,
And spread the dawn of glory through the soul,
To eye the path the saint departed trod,
And trace him to the bosom of his God.
198

On Imagination

On Imagination
THY various works, imperial queen, we see,
How bright their forms! how deck'd with pomp
by thee!
Thy wond'rous acts in beauteous order stand,
And all attest how potent is thine hand.
From Helicon's refulgent heights attend,
Ye sacred choir, and my attempts befriend:
To tell her glories with a faithful tongue,
Ye blooming graces, triumph in my song.
Now here, now there, the roving Fancy flies,
Till some lov'd object strikes her wand'ring eyes,
Whose silken fetters all the senses bind,
And soft captivity involves the mind.
Imagination! who can sing thy force?
Or who describe the swiftness of thy course?
Soaring through air to find the bright abode,
Th' empyreal palace of the thund'ring God,
We on thy pinions can surpass the wind,
And leave the rolling universe behind:
From star to star the mental optics rove,
Measure the skies, and range the realms above.
There in one view we grasp the mighty whole,
Or with new worlds amaze th' unbounded soul.
Though Winter frowns to Fancy's raptur'd eyes
The fields may flourish, and gay scenes arise;
The frozen deeps may break their iron bands,
And bid their waters murmur o'er the sands.
Fair Flora may resume her fragrant reign,
And with her flow'ry riches deck the plain;
Sylvanus may diffuse his honours round,
And all the forest may with leaves be crown'd:
Show'rs may descend, and dews their gems disclose,
And nectar sparkle on the blooming rose.
Such is thy pow'r, nor are thine orders vain,
O thou the leader of the mental train:
In full perfection all thy works are wrought,
And thine the sceptre o'er the realms of thought.
Before thy throne the subject-passions bow,
Of subject-passions sov'reign ruler thou;
At thy command joy rushes on the heart,
And through the glowing veins the spirits dart.
Fancy might now her silken pinions try
To rise from earth, and sweep th' expanse on high:
From Tithon's bed now might Aurora rise,
Her cheeks all glowing with celestial dies,
While a pure stream of light o'erflows the skies.
The monarch of the day I might behold,
And all the mountains tipt with radiant gold,
But I reluctant leave the pleasing views,
Which Fancy dresses to delight the Muse;
Winter austere forbids me to aspire,
And northern tempests damp the rising fire;


They chill the tides of Fancy's flowing sea,
Cease then, my song, cease the unequal lay.
272

Ode To Neptune

Ode To Neptune
On Mrs. W-----'s Voyage to England.
I.
WHILE raging tempests shake the shore,
While AElus' thunders round us roar,
And sweep impetuous o'er the plain
Be still, O tyrant of the main;
Nor let thy brow contracted frowns betray,
While my Susanna skims the wat'ry way.
II.
The Pow'r propitious hears the lay,
The blue-ey'd daughters of the sea
With sweeter cadence glide along,
And Thames responsive joins the song.
Pleas'd with their notes Sol sheds benign his ray,
And double radiance decks the face of day.
III.
To court thee to Britannia's arms
Serene the climes and mild the sky,
Her region boasts unnumber'd charms,
Thy welcome smiles in ev'ry eye.
Thy promise, Neptune keep, record my pray'r,
Not give my wishes to the empty air.
251

Niobe In Distress For Her Children Slain By Apollo, From Ovid's

Niobe In Distress For Her Children Slain By Apollo, From Ovid's
Metamorphoses, Book VI. And Fro
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255

Isaiah Lxiii -------

Isaiah Lxiii -------
SAY, heav'nly muse, what king or mighty God,
That moves sublime from Idumea's road?
In Bosrah's dies, with martial glories join'd,
His purple vesture waves upon the wind.
Why thus enrob'd delights he to appear
In the dread image of the Pow'r of war?
Compres'd in wrath the swelling wine-press groan'd,
It bled, and pour'd the gushing purple round.
"Mine was the act," th' Almighty Saviour said,
And shook the dazzling glories of his head,
"When all forsook I trod the press alone,
"And conquer'd by omnipotence my own;
"For man's release sustain'd the pond'rous load,
"For man the wrath of an immortal God:
"To execute th' Eternal's dread command
"My soul I sacrific'd with willing hand;
"Sinless I stood before the avenging frown,
"Atoning thus for vices not my own."
His eye the ample field of battle round
Survey'd, but no created succours found;
His own omnipotence sustain'd the right,
His vengeance sunk the haughty foes in night;
Beneath his feet the prostrate troops were spread,
And round him lay the dying, and the dead.
Great God, what light'ning flashes from thine eyes?
What pow'r withstands if thou indignant rise?
Against thy Zion though her foes may rage,
And all their cunning, all their strength engage,
Yet she serenely on thy bosom lies,
Smiles at their arts, and all their force defies.
202

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Identification and basic context

Phillis Wheatley Peters, commonly known as Phillis Wheatley, was an American poet of African descent. She was born in West Africa, likely in the Gambia region, around 1753. She was brought to America as a slave and purchased by the Wheatley family of Boston. She died in Boston on December 5, 1784. Her family background is unknown due to her enslavement, but she was of Senegambian origin. She was enslaved for most of her life and wrote in English. Her life and work took place during the pre-Revolutionary and Revolutionary periods of American history, a time of intense debate over liberty and enslavement.

Childhood and education

Wheatley was kidnapped from her home in West Africa at a young age, likely around seven years old. She was transported across the Atlantic in the Middle Passage and sold into slavery to John Wheatley in Boston. The Wheatley family, particularly Susanna Wheatley, recognized her intelligence and provided her with an exceptional education, including Latin and Greek, literature, and the Bible. This education was highly unusual for an enslaved person at the time. Her early influences were the classical texts she studied and the religious teachings of her enslavers.

Literary trajectory

Wheatley began writing poetry at a young age. Her first published poem appeared in the *Newport Mercury* in 1767. Her literary success culminated in the publication of 'Poems on Various Subjects, Religious and Moral' in London in 1773, making her the first African American to publish a book of poetry. This achievement was extraordinary, as she had to prove her authorship to skeptical white audiences. She also contributed poems to newspapers and other publications. She did not engage significantly in literary criticism or translation.

Works, style, and literary characteristics

Her major work is 'Poems on Various Subjects, Religious and Moral' (1773). Dominant themes include religious faith, virtue, liberty, the African experience, and reflections on life and death. Her style is largely neoclassical, characterized by rhyming couplets, iambic pentameter, and formal diction, reflecting her classical education. Her poetic voice is often eloquent and reasoned, though it carries the implicit critique of slavery through its very existence and intellectual merit. Her language is refined and elevated. Wheatley's innovation lay in her existence as a Black poet in America, challenging racial stereotypes through her literary accomplishments.

Cultural and historical context

Wheatley's life and work are inextricably linked to the context of colonial America and the growing abolitionist sentiment. She lived during a period when the hypocrisy of fighting for American liberty while upholding slavery was becoming increasingly apparent. Her ability to publish a book of poetry was a significant event that drew attention to the intellectual capabilities of enslaved people. She was a contemporary of figures like Benjamin Franklin and George Washington, with whom she corresponded. She belonged to no specific literary movement but operated within the broader Neoclassical tradition.

Personal life

Wheatley's personal life was defined by her enslaved status, though she experienced a degree of freedom and intellectual engagement within the Wheatley household. She formed a close bond with Susanna Wheatley. After gaining her freedom, she married John Peters, a free Black man. Her later life was marked by hardship, including financial struggles and the loss of her children. Her personal experiences of enslavement, the yearning for freedom, and her religious convictions profoundly shaped her poetry.

Recognition and reception

Wheatley received considerable recognition during her lifetime, both in America and Great Britain. Her trip to London was facilitated by the Wheatleys to promote her book. She received praise from prominent figures, including Benjamin Franklin and the Earl of Dartmouth. However, she also faced skepticism about her authorship, necessitating a document signed by prominent Bostonians attesting to her abilities. Her place in American literature is foundational as the first African American poet. Her reception has evolved from an anomaly to a celebrated literary figure.

Influences and legacy

Wheatley was influenced by classical poets like Homer and Virgil, as well as Enlightenment thinkers and the Bible. Her legacy is immense as a pioneering figure who broke racial barriers in American literature. She inspired subsequent generations of African American writers and poets, proving that Black individuals possessed intellectual and artistic capabilities. Her work continues to be studied for its literary merit and its historical significance.

Interpretation and critical analysis

Wheatley's poetry is often analyzed for its subtle critiques of slavery, its exploration of religious themes, and its engagement with the ideals of the American Revolution. Critical debates sometimes focus on the extent to which her work directly challenged the institution of slavery versus her more restrained expressions.

Curiosities and lesser-known aspects

A curious aspect of Wheatley's life is the extraordinary educational opportunities afforded to her while enslaved. Her journey to London to publish her book was a significant undertaking. Despite gaining freedom, her later years were marked by poverty, a stark contrast to the intellectual acclaim she had received earlier.

Death and memory

Phillis Wheatley died in poverty in Boston in 1784, shortly after giving birth to her third child, who also died. Her memory is honored through her enduring literary work, which has been revived and celebrated, ensuring her place as a crucial figure in American literary history.