Robert Louis Stevenson

Robert Louis Stevenson

1850–1894 · lived 44 years GB GB

Robert Louis Stevenson was a Scottish poet, novelist, and travel writer, best known for "Treasure Island" and "Strange Case of Dr Jekyll and Mr Hyde." His work often explores themes of duality, adventure, and the supernatural, blending romanticism with a keen psychological insight. Stevenson's vivid prose and compelling narratives have secured his place as a significant figure in English literature.

n. 1850-11-13, Edimburgo · m. 1894-12-03, Vailima

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You Looked So Tempting In The Pew

You Looked So Tempting In The Pew
YOU looked so tempting in the pew,
You looked so sly and calm -
My trembling fingers played with yours
As both looked out the Psalm.
Your heart beat hard against my arm,
My foot to yours was set,
Your loosened ringlet burned my cheek
Whenever they two met.
O little, little we hearkened, dear,
And little, little cared,
Although the parson sermonised,
The congregation stared.
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Bio

Identification and basic context

Robert Louis Balfour Stevenson was a prolific Scottish writer. He is celebrated for his novels, novellas, poems, and travel writings. His most famous works include "Treasure Island," "Strange Case of Dr Jekyll and Mr Hyde," and "Kidnapped." Stevenson's writing often delves into the complexities of human nature, the allure of adventure, and the darker aspects of the psyche. His contributions span various genres, leaving a lasting impact on literature.

Childhood and education

Born into a family of prominent civil engineers, Stevenson's early life was marked by a frail constitution and frequent illnesses, including respiratory problems. Despite his physical challenges, he received a rigorous education. He attended the University of Edinburgh, initially studying engineering and then law, though his passion for writing led him to pursue literature. His childhood was filled with stories and a vivid imagination, which would later fuel his creative endeavors. He was exposed to a wide range of literature and intellectual discussions within his family and social circles.

Literary trajectory

Stevenson's literary career began to gain momentum in the 1870s. His early works included essays and travelogues, such as "An Inland Voyage" and "Travels with a Donkey in the Cévennes." He gained significant recognition with the publication of "Treasure Island" in 1883, followed by "Strange Case of Dr Jekyll and Mr Hyde" in 1886. His output was prolific, encompassing novels, short stories, poetry, and essays. His work evolved over time, moving from travel writing and essays to powerful fictional narratives that explored moral and psychological themes. He also contributed to various periodicals and collaborated on plays.

Works, style, and literary characteristics

Stevenson's major works include "Treasure Island" (1883), "Strange Case of Dr Jekyll and Mr Hyde" (1886), "Kidnapped" (1886), and "The Master of Ballantrae" (1889). His dominant themes often revolve around adventure, morality, the duality of human nature, the supernatural, and the exotic. His style is characterized by clarity, vivid imagery, and a strong narrative drive. He masterfully employed storytelling techniques, creating memorable characters and compelling plots. His poetic works, such as "A Child's Garden of Verses," showcase a different, more lyrical and imaginative side. He was adept at creating suspense and exploring psychological depths within his characters. His language is precise and evocative, contributing to the immersive quality of his stories. While often associated with adventure fiction, his works also carry profound philosophical and moral undertones.

Cultural and historical context

Stevenson lived during the Victorian era, a period of significant social, industrial, and intellectual change in Britain. His work often reflects the era's fascination with exploration, empire, and the contrasting forces of progress and tradition. He was part of a literary scene that included contemporaries like George Meredith and Andrew Lang. His adventurous spirit and extensive travels also positioned him as a chronicler of different cultures and landscapes, engaging with the burgeoning interest in anthropology and geography of his time. His exploration of the darker side of human nature and societal hypocrisy can be seen as a commentary on the complexities of Victorian society.

Personal life

Stevenson's personal life was marked by his ongoing struggles with ill health, which significantly influenced his writing and his choice of residence. He married Fanny Vandegrift Osbourne, an American woman he met in France. Their relationship was a source of support and inspiration for him. His travels, often undertaken in search of a healthier climate, led him to live in various parts of the world, including the United States, Samoa, and the South Pacific. These experiences deeply enriched his understanding of different cultures and provided settings for his later works. He maintained friendships with other writers and artists, though his health often limited his social engagements.

Recognition and reception

During his lifetime, Stevenson achieved considerable fame and critical acclaim, particularly for his adventure novels. He was recognized as a significant literary voice of his generation. Posthumously, his reputation continued to grow, cementing his status as a classic author. His works have been widely translated and have remained consistently in print, appealing to both young and adult readers. While some critics have focused on his adventure elements, others have delved into the deeper psychological and philosophical aspects of his writing.

Influences and legacy

Stevenson was influenced by a range of authors, including Sir Walter Scott, Charles Dickens, and Edgar Allan Poe. His own work, in turn, has had a profound influence on countless writers, particularly in the genres of adventure, gothic, and children's literature. His innovative narrative techniques and explorations of character have left an indelible mark on storytelling. "Treasure Island" remains a cornerstone of adventure fiction, and "Dr Jekyll and Mr Hyde" has become a cultural touchstone for exploring themes of duality. His legacy endures through his enduring popularity and his continued presence in educational curricula and popular culture.

Interpretation and critical analysis

Stevenson's works are often analyzed for their exploration of moral dilemmas, the conflict between civilization and savagery, and the nature of identity. The duality presented in "Dr Jekyll and Mr Hyde" has been interpreted in various ways, from psychoanalytic perspectives to broader social commentary on repression and freedom. Critics often examine his use of symbolism, his engagement with themes of the uncanny, and his ability to create gripping narratives that also provoke thought. His exploration of the exotic and the 'other' in works like "The Beach of Falesá" also invites critical discussion regarding colonialism and cultural representation.

Curiosities and lesser-known aspects

Stevenson was known for his distinctive appearance, often wearing a velvet jacket and a jaunty hat. He had a lifelong fascination with the macabre and the supernatural, which informed much of his fiction. His intense desire to write and create, despite his chronic ill health, is a testament to his determination. He was also a keen observer of human nature and social customs, which he captured vividly in his writings. His nomadic lifestyle, dictated by his health, allowed him to experience a wide array of environments and cultures, shaping his unique perspective.

Death and memory

Robert Louis Stevenson died of a cerebral hemorrhage in 1894. He was buried on Mount Vaea in Samoa, overlooking the Pacific Ocean. His tomb is marked by an inscription of his own poem, "Requiem." His death was mourned by many, and his legacy has been preserved through his enduring literary works, which continue to be read, studied, and adapted worldwide.

Poems

108

De Hortis Julii Martialis

De Hortis Julii Martialis
MY Martial owns a garden, famed to please,
Beyond the glades of the Hesperides;
Along Janiculum lies the chosen block
Where the cool grottos trench the hanging rock.
The moderate summit, something plain and bare,
Tastes overhead of a serener air;
And while the clouds besiege the vales below,
Keeps the clear heaven and doth with sunshine glow.
To the June stars that circle in the skies
The dainty roofs of that tall villa rise.
Hence do the seven imperial hills appear;
And you may view the whole of Rome from here;
Beyond, the Alban and the Tuscan hills;
And the cool groves and the cool falling rills,
Rubre Fidenae, and with virgin blood
Anointed once Perenna's orchard wood.
Thence the Flaminian, the Salarian way,
Stretch far broad below the dome of day;
And lo! the traveller toiling towards his home;
And all unheard, the chariot speeds to Rome!
For here no whisper of the wheels; and tho'
The Mulvian Bridge, above the Tiber's flow,
Hangs all in sight, and down the sacred stream
The sliding barges vanish like a dream,
The seaman's shrilling pipe not enters here,
Nor the rude cries of porters on the pier.
And if so rare the house, how rarer far
The welcome and the weal that therein are!
So free the access, the doors so widely thrown,
You half imagine all to be your own.
429

De Coenatione Micae

De Coenatione Micae
LOOK round: You see a little supper room;
But from my window, lo! great Caesar's tomb!
And the great dead themselves, with jovial breath
Bid you be merry and remember death.
350

Come, Here Is Adieu To The City

Come, Here Is Adieu To The City
COME, here is adieu to the city
And hurrah for the country again.
The broad road lies before me
Watered with last night's rain.
The timbered country woos me
With many a high and bough;
And again in the shining fallows
The ploughman follows the plough.
The whole year's sweat and study,
And the whole year's sowing time,
Comes now to the perfect harvest,
And ripens now into rhyme.
For we that sow in the Autumn,
We reap our grain in the Spring,
And we that go sowing and weeping
Return to reap and sing.
344

Block City

Block City
What are you able to build with your blocks?
Castles and palaces, temples and docks.
Rain may keep raining, and others go roam,
But I can be happy and building at home.
Let the sofa be mountains, the carpet be sea,
There I'll establish a city for me:
A kirk and a mill and a palace beside,
And a harbor as well where my vessels may ride.
Great is the palace with pillar and wall,
A sort of a tower on top of it all,
And steps coming down in an orderly way
To where my toy vessels lie safe in the bay.
This one is sailing and that one is moored:
Hark to the song of the sailors on board!
And see on the steps of my palace, the kings
Coming and going with presents and things!
660

Away With Funeral Music

Away With Funeral Music
AWAY with funeral music - set
The pipe to powerful lips -
The cup of life's for him that drinks
And not for him that sips.
366

Before This Little Gift Was Come

Before This Little Gift Was Come
BEFORE this little gift was come
The little owner had made haste for home;
And from the door of where the eternal dwell,
Looked back on human things and smiled farewell.
O may this grief remain the only one!
O may our house be still a garrison
Of smiling children, and for evermore
The tune of little feet be heard along the floor!
273

At Last She Comes

At Last She Comes
AT last she comes, O never more
In this dear patience of my pain
To leave me lonely as before,
Or leave my soul alone again.
325

Auntie's Skirts

Auntie's Skirts
Whenever Auntie moves around,
Her dresses make a curious sound,
They trail behind her up the floor,
And trundle after through the door.
312

As In Their Flight The Birds Of Song

As In Their Flight The Birds Of Song
AS in their flight the birds of song
Halt here and there in sweet and sunny dales,
But halt not overlong;
The time one rural song to sing
They pause; then following bounteous gales
Steer forward on the wing:
Sun-servers they, from first to last,
Upon the sun they wait
To ride the sailing blast.
So he awhile in our contested state,
Awhile abode, not longer, for his Sun -
Mother we say, no tenderer name we know -
With whose diviner glow
His early days had shone,
Now to withdraw her radiance had begun.
Or lest a wrong I say, not she withdrew,
But the loud stream of men day after day
And great dust columns of the common way
Between them grew and grew:
And he and she for evermore might yearn,
But to the spring the rivulets not return
Nor to the bosom comes the child again.
And he (O may we fancy so!),
He, feeling time forever flow
And flowing bear him forth and far away
From that dear ingle where his life began
And all his treasure lay -
He, waxing into man,
And ever farther, ever closer wound
In this obstreperous world's ignoble round,
From that poor prospect turned his face away.
330

Apologetic Postscript Of A Year Later

Apologetic Postscript Of A Year Later
IF you see this song, my dear,
And last year's toast,
I'm confoundedly in fear
You'll be serious and severe
About the boast.
Blame not that I sought such aid
To cure regret.
I was then so lowly laid
I used all the Gasconnade
That I could get.
Being snubbed is somewhat smart,
Believe, my sweet;
And I needed all my art
To restore my broken heart
To its conceit.
Come and smile, dear, and forget
I boasted so,
I apologise - regret -
It was all a jest; - and - yet -
I do not know.
287

Quotes

40

Videos

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