Robert W. Service

Robert W. Service

1874–1958 · lived 84 years -- --

Robert W. Service was a poet and writer celebrated for his vivid and often humorous verses depicting life in the Yukon during the Klondike Gold Rush. His work captured the spirit of adventure, hardship, and camaraderie of the era, making him immensely popular. He is best known for narrative poems that tell compelling stories with a strong rhythm and memorable characters.

n. 1874-01-16, Preston · m. 1958-09-11, Lancieux

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Your Poem

Your Poem

My poem may be yours indeed

In melody and tone,

If in its rhythm you can read

A music of your own;

If in its pale woof you can weave

Your lovelier design,

'Twill make my lyric, I believe,
More yours than mine.

I'm but a prompter at the best;

Crude cues are all I give.

In simple stanzas I suggest


'Tis you who make them live.

My bit of rhyme is but a frame,

And if my lines you quote,

I think, although they bear my name,
'Tis you who wrote.

Yours is the beauty that you see

In any words I sing;

The magic and the melody

'Tis you, dear friend, who bring.

Yea, by the glory and the gleam,

The loveliness that lures

Your thought to starry heights of dream,
The poem's yours.
Read full poem
Bio

Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.

Poems

416

Spartan Mother

Spartan Mother

My mother loved her horses and
Her hounds of pedigree;
She did not kiss the baby hand
I held to her in glee.
Of course I had a sweet nou-nou
Who tended me with care,
And mother reined her nag to view
Me with a critic air.

So I went to a famous school,
But holidays were short;
My mother thought me just a fool,
Unfit for games and sport.
For I was fond of books and art,
And hated hound and steed:
Said Mother, 'Boy, you break my heart!
You are not of our breed.'

Then came the War. The Mater said:
'Thank God, a son I give
To King and Country,'--well, I'm dead
Who would have loved to live.
'For England's sake,' said she, 'he died.
For that my boy I bore.'
And now she talks of me with pride.
A hero of the War.

Mother, I think that you are glad
I ended up that way.
Your horses and your dogs you had,
And still you have today.
Your only child you say you gave
Your Country to defend . . .
Dear Mother, from a hero's grave
I--curse you in the end.
242

Spanish Peasant

Spanish Peasant

We have no aspiration vain
For paradise Utopian,
And here in our sun-happy Spain,
Though man exploit his fellow man,
To high constraint we humbly yield,
And turn from politics to toil,
Content to till a kindly field
And bring forth bounty from the soil.


They tell us wars will never cease;
They sy the world is out of joint.
How well we Know! But peace is peace
Even imposed at pistol point.
And we have learnt our lesson well,
By many a death, by many a tear;
So let us live a feudal spell, -
The cost of freedom is too dear.


Let us be the cattle kind,
Praying the goad be not a sword;
In servitude obeying blind
The tyrant ruling of our Lord.
His army can be swift to slay,
His Church teach us humility . . .
But never never will we pay
Again blood-price for Liberty.
157

Someone's Mother

Someone's Mother

Someone's Mother trails the street
Wrapt in rotted rags;
Broken slippers on her feet
Drearily she drags;
Drifting in the bitter night,
Gnawing gutter bread,
With a face of tallow white,
Listless as the dead.


Someone's Mother in the dim
Of the grey church wall
Hears within a Christmas hymn,
One she can recall
From the h so long ago,
When divinely far,
in the holy alter glow
She would kneel in prayer.


Someone's Mother, huddled there,
Had so sweet a dream;
Seemed the sky was Heaven's stair,
Golden and agleam,
Robed in gown Communion bright,
Singingly she trod
Up and up the stair of light,
And thee was waiting - God.


Someone's Mother cowers down
By the old church wall;
Soft above the sleeping town
Snow begins to fall;
Now her rags are lily fair,
but unproud is she:
Someone's Mother is not there . . .
Lo! she climbs the starry stair
Only angels see.
302

Song Of The Sardine

Song Of The Sardine

A fat man sat in an orchestra stall and his cheeks were wet with tears,
As he gazed at the primadonna tall, whom he hadn't seen in years.
"Oh don't you remember" he murmured low "that Spring in Montparnasse,
When hand in hand we used to go to our nightly singing class.
Ah me those days so gay and glad, so full of hope and cheer.
And that little super that we had of tinned sardines and beer.
When you looked so like a little queen with your proud and haughty air,
That I took from the box the last sardine and I twined it in your hair."


Alas I am only a stockbroker now while you are high and great,
The laurels of fame adorn your brow while on you Princes wait.
And as I sit so sadly here and list to your thrilling tones,
You cannot remember I sadly fear if my name is Smith or jones.
Yet Oh those days of long ago, when I had scarce a sou.
And as my bitter tears down flow I think again of you.
And once again I seem to see that mad of sweet sixteen,
Within whose tresses tenderly I twined that bright sardine.


Chorus:
Oh that sardine in your hair, I can see it shining there,
As I took it from its box, And I twined it in your locks.
Silver sardine in your hair. Like a jewel rich and rare,
Oh that little silver sardine in your hair.
214

Slugging Saint

Slugging Saint

'Twas in a pub in Battersea
They call the "Rose and Crown,"
Quite suddenly, it seemed to me,
The Lord was looking down;
The Lord was looking from above,

And shiny was His face,
And I was filled with gush of love
For all the human race.


Anon I saw three ancient men
Who reckoned not of bliss,
And they looked quite astonished when
I gave them each a kiss.
I kissed each on his balding spot
With heart of Heaven grace . . .
And then it seemed there was a lot
Of trouble round the place.

They had me up before the beak,
But though I told my tale,
He sentanced me to spend a week
In Yard of Scotland Gaol.


So when they kindly set me free
Please don't think it amiss,
If Battling Bill of Battersea,
For love of all humanity
Gives you a kiss.
209

Sinister Sooth

Sinister Sooth

You say I am the slave of Fate
Bound by unalterable laws.
I harken, but your words I hate,
Your damnable Effect and Cause.
If there's no hope for happy Chance
Give me the bliss of ignorance.


You say my life ends with the tomb;
This brain, my mind machine, will rot;
Its many million cells that room
My personality and thought
Will in the Dark Destroyer's term
Provide a banquet for the worm.


You say--yet though your wisdom wells,
To it I am unreconciled;
My mind admits, my heart rebels . . .
O let me listen like a child
To Him who spoke with blessed breath
From bench of toil in Nazareth!
218

Silence

Silence


When I was cub reporter I
Would interview the Great,
And sometimes they would make reply,
And sometimes hesitate;
But often they would sharply say,
With bushy eyebrows bent:
"Young man, your answer for to-day


Is - No Comment."

Nigh sixty years have called the tune,
And silver is my pate;
No longer do I importune
Important men of state;
But time has made me wise, and so
When button-holed I shake
My head and say: "To-day, I've no

Comment to make."

Oh, silence is a mighty shield,
Verbosity is vain;
let others wordy warfare wield,
From arguments abstain;
When faced with dialectic foes
Just shrug and turn away:
Be sure your wisest words are those


You do not say.

Yea, Silence is a gleaming sword
Whose wounds are hard to heal;
Its quiet stuns the spoken word
More than a thunder peal;
Against it there is no defense,
For like the grave-yard sod
Its hush is Heaven's eloquence,


The VOICE OF GOD.
228

Shakespeare And Cervantes

Shakespeare And Cervantes

Obit 23rd April 1616

Is it not strange that on this common date,
Two titans of their age, aye of all Time,
Together should renounce this mortal state,
And rise like gods, unsullied and sublime?
Should mutually render up the ghost,
And hand n hand join Jove's celestial host?


What wondrous welcome from the scribes on high!
Homer and Virgil would be waiting there;
Plato and Aristotle standing nigh;
Petrarch and Dante greet the peerless pair:
And as in harmony they make their bow,
Horace might quip: "Great timing, you'll allow."


Imagine this transcendant team arrive
At some hilarious banquet of the gods!
Their nations battled when they were alive,
And they were bitter foes - but what's the odd?
Actor and soldier, happy hand in hand,
By death close-linked, like loving brothers stand.


But how diverse! Our Will had gold and gear,
Chattels and land, the starshine of success;
The bleak Castilian fought with casque and spear,
Passing his life in prisons - more or less.
The Bard of Avon was accounted rich;
Cervantes often bedded in a ditch.


Yet when I slough this flesh, if I could meet
By sweet, fantastic fate one of these two,
In languorous Elysian retreat,
Which would I choose? Fair reader, which would you?
Well, though our William more divinely wrote,
By gad! the lousy Spaniard has my vote.
227

Seven

Seven


If on water and sweet bread
Seven years I'll add to life,
For me will no blood be shed,
No lamb know the evil knife;
Excellently will I dine
On a crust and Adam's wine.


If a bed in monkish cell
Well mean old of age to me,
Let me in a convent dwell,
And from fellow men be free;
Let my mellow sunset days
Pass in piety and praise.


For I love each hour I live,
Wishing it were twice as long;
Dawn my gratitude I give,
Laud the Lord with evensong:
Now that moons are sadly few
How I grudge the grave its due!


Yet somehow I seem to know
Seven Springs are left to me;
Seven Mays may cherry tree
Will allume with sudden snow . . .
Then let seven candles shine
Silver peace above my shrine.
284

Sentimental Hangman

Sentimental Hangman

'Tis hard to hang a husky lad
When larks are in the sky;
It hurts when daffydills are glad
To wring a neck awry,
When joy o' Spring is in the sap
And cheery in the sun,
'Tis sad to string aloft a chap,
No matter what he done.


And sittin' in the pub o' night
I hears that prison bell,
And wonders if it's reely right
To haste a man to hell,


For doin' what he had to do,
Through greed, or lust, or hate . . .
Aye, them seem rightful words to you,
But me, I calls it - Fate.


Lots more would flout the gallows tree,
But that they are afraid;
And so to save society,
I ply my grisly trade.
Yet as I throttle eager breath
And plunge to his hell-home
Some cringin' cove, to me his death
Seems more like martyrdom.


For most o' us have held betime
Foul murder in the heart;
And them sad blokes I swung for crime
Were doomed right from the start.
Of wilful choosing they had none,
For freedom's most a fraud,
And maybe in the end the one
Responsible is - God.
204

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