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The Aftermath

The Aftermath

Although my blood I've shed
In war's red wrath,
Oh how I darkly dread
Its aftermath!
Oh how I fear the day
Of my release,
When I must face the fray
Of phoney peace!

When I must fend again
In labour strife;
And toil with sweat and strain
For kids and wife.
The world is so upset
I battled for,
That grimly I regret
The peace of war.

The wounds are hard to heal
Of shell and shard,
But O the way to weal
Is bitter hard!
Though looking back I see
A gory path,
How bloody black can be
War's Aftermath!
168

Teddy Bear

Teddy Bear

O Teddy Bear! with your head awry
And your comical twisted smile,
You rub your eyes -- do you wonder why
You've slept such a long, long while?
As you lay so still in the cupboard dim,
And you heard on the roof the rain,
Were you thinking . . . what has become of him?
And when will he play again?


Do you sometimes long for a chubby hand,
And a voice so sweetly shrill?
O Teddy Bear! don't you understand
Why the house is awf'ly still?
You sit with your muzzle propped on your paws,
And your whimsical face askew.
Don't wait, don't wait for your friend . . . because
He's sleeping and dreaming too.


Aye, sleeping long. . . . You remember how
He stabbed our hearts with his cries?
And oh, the dew of pain on his brow,
And the deeps of pain in his eyes!
And, Teddy Bear! you remember, too,
As he sighed and sank to his rest,
How all of a sudden he smiled to you,
And he clutched you close to his breast.


I'll put you away, little Teddy Bear,
In the cupboard far from my sight;
Maybe he'll come and he'll kiss you there,
A wee white ghost in the night.
But me, I'll live with my love and pain
A weariful lifetime through;
And my Hope: will I see him again, again?
Ah, God! If I only knew!
240

The Actor

The Actor

Enthusiastic was the crowd
That hailed him with delight;
The wine was bright, the laughter loud
And glorious the night.
But when at dawn he drove away
With echo of their cheer,
To where his little daughter lay,
Then he knew-- Fear.

How strangely still the house! He crept
On tip-toe to the bed;
And there she lay as if she slept
With candles at her head.
Her mother died to give her birth,
An angel child was she;
To him the dearest one on earth . . .
How could it be?

'O God! If she could only live,'
He thought with bitter pain,
'How gladly, gladly would I give
My glory and my gain.
I have created many a part,
And many a triumph known;
Yet here is one with breaking heart
I play alone.'

Beside the hush of her his breath
Came with a sobbing sigh.
He babbled: 'Sweet, you play at death . . .
'Tis I who die.'
184

Take It Easy

Take It Easy

When I was boxing in the ring
In 'Frisco back in ninety-seven,
I used to make five bucks a fling
To give as good as I was given.
But when I felt too fighting gay,
And tried to be a dinger-donger,
My second, Mike Muldoon. would say:
"Go easy, kid; you'll stay the longer."


When I was on the Yukon trail
The boys would warn, when things were bleakest,
The weakest link's the one to fail -
Said I: "by Gosh! I won't be weakest."
So I would strain with might and main,
Striving to prove I was the stronger,
Till Sourdough Sam would snap: "Goddam!
Go easy, son; you'' last the longer."
So all you lads of eighty odd
Take my advice - you'll never rue it:
Be quite prepared to meet your God,
But don't stampede yourselves to do it.
Just cultivate a sober gait;
Don't emulate the lively conger;
No need to race, slow down the pace,
Go easy, Pals - you'll linger longer.
189

Susie

Susie


My daughter Susie, aged two,
Apes me in every way,

For as my household chores I do
With brooms she loves to play.

A scrubbing brush to her is dear;
Ah! Though my soul it vex,

My bunch of cuteness has, I fear,
Kitchen complex.

My dream was that she might go far,
And play or sing or dance;
Aye, even be a movie star
Of glamour and romance.
But no more with such hope I think,
For now her fondest wish is
To draw a chair up to the sink
And wash the dishes.

Yet when you put it to a test
In ups and downs of life,
A maiden's mission may be best
To make a good house-wife;
To bake, to cook, to knit, to lave:
And so I pray that Sue
Will keep a happy hearth and have
A baby too.
180

Suppose?

Suppose?


It's mighty nice at shut of day
With weariness to hit the hey,
To close your eyes, tired through and through,
And just forget that "you are you."


It's mighty sweet to wake again
When sunshine floods the window pain;
I love in cosy couch to lie,
And re-discover "I am I."


It would be grand could we conceive
A heaven in which to believe,
And in a better life to be be,
Find out with joy "we still are we."


Though we assume with lapsing breath
Eternal is the sleep of death,
Would it not be divinely odd
To wake and find that - "God is God."
198

Successful Failure

Successful Failure

I wonder if successful men
Are always happy?

And do they sing with gusto when
Springtime is sappy?
Although I am of snow-white hair


And nighly mortal,
Each time I sniff the April air
I chortle.

I wonder if a millionaire

Jigs with enjoyment,
Having such heaps of time to spare
For daft employment.


For as I dance the Highland Fling
My glee is muckle,
And doping out new songs to sing
I chuckle.

I wonder why so soon forgot
Are fame and riches;
Let cottage comfort be my lot
With well-worn britches.
As in a pub a poor unknown,
Brown ale quaffing,
To think of all I'll never own,-I'm
laughing.
236

Stupidity

Stupidity


Stupidity, woe's anodyne,
Be kind and comfort me in mine;
Smooth out the furrows of my brow,
Make me as carefree as a cow,
Content to sleep and eat and drink


And never think

Stupidity, let me be blind
To all the ills of humankind;
Fill me with simple sentiment
To walk the way my father went;
School me to sweat with robot folk

Beneath the yoke.

Stupidity, keep in their place
The moiling masses of my race,
And bid the lowly multitude
Be humble as a people should;
Learn us with patient hearts, I pray,


Lords to obey.

Stupidity and Ignorance,
Be you our buffers 'mid mischance;
Endoctrine us to do your will,
And other stupid people kill;
Fool us with hope of Life to be,
Great god to whom we bow the knee,


--STUPIDITY.
227

Strip Teaser

Strip Teaser

My precious grand-child, aged two,
Is eager to unlace one shoe,

And then the other;
Her cotton socks she'll deftly doff
Despite the mild reproaches of

Her mother.

Around the house she loves to fare,
And with her rosy tootsies bare,

Pit-pat the floor;
And though remonstrances we make
She presently decides to take

Off something more.

Her pinafore she next unties,
And then before we realise,

Her dress drops down;
Her panties and her brassiere,
Her chemise and her underwear

Are round her strown.

And now she dances all about,
As naked as a new-caught trout,

With impish glee;
And though she's beautiful like that,
(A cherubim, but not so fat),

Quite shocked are we.

And so we dread with dim dismay
Some day she may her charms display

In skimpy wear;
Aye, even in a gee-string she
May frolic on the stage of the

Folies-Bèrgere

But e'er she does, I hope she'll read
This worldly wise and warning screed,

That to conceal,
Unto the ordinary man
Is often more alluring than

To ALL reveal.
237

Spartan Mother

Spartan Mother

My mother loved her horses and
Her hounds of pedigree;
She did not kiss the baby hand
I held to her in glee.
Of course I had a sweet nou-nou
Who tended me with care,
And mother reined her nag to view
Me with a critic air.

So I went to a famous school,
But holidays were short;
My mother thought me just a fool,
Unfit for games and sport.
For I was fond of books and art,
And hated hound and steed:
Said Mother, 'Boy, you break my heart!
You are not of our breed.'

Then came the War. The Mater said:
'Thank God, a son I give
To King and Country,'--well, I'm dead
Who would have loved to live.
'For England's sake,' said she, 'he died.
For that my boy I bore.'
And now she talks of me with pride.
A hero of the War.

Mother, I think that you are glad
I ended up that way.
Your horses and your dogs you had,
And still you have today.
Your only child you say you gave
Your Country to defend . . .
Dear Mother, from a hero's grave
I--curse you in the end.
227

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Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.