Poems List

Sentimental Hangman

Sentimental Hangman

'Tis hard to hang a husky lad
When larks are in the sky;
It hurts when daffydills are glad
To wring a neck awry,
When joy o' Spring is in the sap
And cheery in the sun,
'Tis sad to string aloft a chap,
No matter what he done.


And sittin' in the pub o' night
I hears that prison bell,
And wonders if it's reely right
To haste a man to hell,


For doin' what he had to do,
Through greed, or lust, or hate . . .
Aye, them seem rightful words to you,
But me, I calls it - Fate.


Lots more would flout the gallows tree,
But that they are afraid;
And so to save society,
I ply my grisly trade.
Yet as I throttle eager breath
And plunge to his hell-home
Some cringin' cove, to me his death
Seems more like martyrdom.


For most o' us have held betime
Foul murder in the heart;
And them sad blokes I swung for crime
Were doomed right from the start.
Of wilful choosing they had none,
For freedom's most a fraud,
And maybe in the end the one
Responsible is - God.
192

Segregation

Segregation


I stood beside the silken rope,
Five dollars in my hand,
And waited in my patient hope
To sit anear the Band,
And hear the famous Louie play
The best hot trumpet of today.

And then a waiter loafing near
Says in a nasty tone:
"Old coon, we don't want darkies here,
Beat it before you're thrown."
So knowin' nothin' I could do
I turned to go and--there was Lou.

I think he slapped that Dago's face;
His voice was big an' loud;
An' then he leads me from my place


Through all that tony crowd.
World-famous Louie by the hand
Took me to meet his famous Band.

"Listen, you folks," I heard him say.
"Here's Grand-papa what's come.
Savin' he teached me how to play,
I mighta been a bum.
Come on, Grand-pop, git up an' show
How you kin trumpet Ol' Black Joe."

Tremblin' I played before his Band:
You should have heard the cheers.
Them swell folks gave me such a hand
My cheeks was wet wi' tears . . .
An' now I'm off to tell the wife
The proudest night o' all ma life.
249

Secretary

Secretary


My Master is a man of might
With manners like a hog;

He makes me slave from morn to night
And treats me like a dog.

He thinks there's nothing on this earth
His money cannot buy,

And claims to get full wages worth
From hirelings such as I.

But does he? Though a Man of State,
And fabulously rich,

He little guesses that his mate
Is just a bonny bitch.

For he is grey and gross and fat,
While I am tall and slim,

And when he's gone it happens that
I take the place of him.

Oh God! The beauty of the blow
When I will blast his life;

When I will laugh and let him know
My mistress is his wife.

Today a doormat for his feet,
He loves to see me squirm . . .

Tomorrow,--how revenge is sweet!
The turning of the worm.
173

Sailor Son

Sailor Son

When you come home I'll not be round
To welcome you.

They'll take you to a grassy mound
So neat and new;

Where I'll be sleeping--O so sound!
The ages through.

I'll not be round to broom the hearth,
To feed the chicks;

And in the wee room of your birth
Your bed to fix;

Rose room that knew your baby mirth
Your tiny tricks.

I'll not be round . . . The garden still
With bees will hum;

To cheerful you the throstle's bill
Will not be dumb;

The rambler rose will overspill
When you will come.

Bird, bee and bloom, they'll greet you all
With scented sound;

Yet though the joy of your footfall
Will thrill the ground

Your mother with her old grey shawl-Will
not be round.
212

Schizophrenic

Schizophrenic


Each morning as I catch my bus,
A-fearing I'll be late,
I think: there are in all of us
Two folks quite separate;
As one I greet the office staff
With grim, official mien;
The other's when I belly-laugh,
And Home Sweet Home's the scene.


I've half a hundred men to boss,
And take my job to heart;
You'll never find me at a loss,
So well I play my part.
My voice is hard, my eye is cold,
My mouth is grimly set;
They all consider me, I'm told,
A "bloody martinet."


But when I reach my home at night
I'm happy as a boy;
My kiddies kiss me with delight,
And dance a jig of joy.
I slip into my oldest cloths,
My lines of care uncrease;
I mow the lawn, unhook the hose,
And glow with garden peace.


It's then I wonder which I am,
the boss with hard-boiled eye,
Or just the gay don't care-a-damn
Go-lucky garden guy?
Am I the starchy front who rants
As round his weight he throws,
or just old Pop with patchy pants,
Who sings and sniffs a rose?
137

Roulette

Roulette


I'll wait until my money's gone
Before I take the sleeping pills;
Then when they find me in the dawn,
Remote from earthly ails and ills
They'll say: "She's broke, the foreign bitch!"
And dump me in the common ditch.


So thought I, of all hope bereft,
And by my evil fate obsessed;
A thousand franks was all I'd left
Of that fair fortune I possessed.
...I throw it on the table there,
And wait, with on my lips a prayer.


I fear my very life's at stake;
My note is lying on the Red . . .
I know I'll lose it, then I'll take
My pills and sleep until I'm dead . . .
Oh God of mercy, understand!
In pity guide the croupier's hand.


My heart beats hard, my lips are dry;
I feel I cannot bear to look.
I dread to hear the croupier's cry,
I'll sit down in this quiet nook.
The lights go dim, my senses reel . . .
See! Jesus Christ is at the wheel.


* * * * * * *

Kind folks arouse me from my trance.
"The Red has come ten times," they say.
"Oh do not risk another chance;
Please, Lady, take your gains away,
And to the Lord of Luck give thanks You've
won nigh half a million franks."


Aye, call me just a daft old dame;
I knit and sew to make my bread,
And nevermore I'll play that game,
For I've a glory in my head. . . .
Ah well I know, to stay my fall,
'Twas our dear Lord who spun the ball.
268

Ruins

Ruins


Ruins in Rome are four a penny,
And here along the Appian Way
I see the monuments of many
Esteemed almighty in their day. . . .
Or so he makes me understand -
My glib guide of the rubber bus,
And tells me with a gesture grand:
"Behold! the tomb of Romulus."


Whereat I stared with eyes of awe,
And yet a whit dismayed was I,
When on its crumbling wall I saw
A washing hanging out to dry;
Yea, that relict of slow decay,
With peristyle and gnarly frieze,
Was garnished with a daft display
Of bifurcation and chemise.


But as we went our Southward way
Another ruin soon I saw;
No antique tower, gaunt and grey,
But modern manor rubbled raw;
And on its sill a maiden sat,
And told me in a tone of rue:
It was your allied bombs did that . . .
But do not think we're blaming you."


Thought I: Time is more kind than we
Who blot out beauty with a blow;
And truly it was sad to see
A gracious mansion levelled low . . .
While moulderings of ancient Rome
Still serve the peasants for their swine,
We do not leave a lovely home
A wall to hang a washing line.
220

Rose Leaves

Rose Leaves

When they shall close my careless eyes
And look their last upon my face,
I fear that some will say: "her lies

A man of deep disgrace;
His thoughts were bare, his words were brittle,
He dreamed so much, he did so little.

When they shall seal y coffin lid
And this worn mask I know as ME,
Shall from the sight of man be hid

To all eternity -
Some one may say: "His sins were many,
His virtues - really, had he any?"

When I shall lie beneath my tomb,
Oh do not grave it with my name
But let one rose-bush o'er me bloom,

And heedless of my shame,
With velvet shade and loving laugh,
In petals write my epitaph.
216

Room 7: The Coco-Fiend

Room 7: The Coco-Fiend

I look at no one, me;
I pass them on the stair;
Shadows! I don't see;
Shadows! everywhere.
Haunting, taunting, staring, glaring,
Shadows! I don't care.
Once my room I gain
Then my life begins.
Shut the door on pain;
How the Devil grins!
Grin with might and main;
Grin and grin in vain;
Here's where Heav'n begins:
Cocaine! Cocaine!


A whiff! Ah, that's the thing.
How it makes me gay!
Now I want to sing,
Leap, laugh, play.
Ha! I've had my fling!
Mistress of a king
In my day.
Just another snuff . . .
Oh, the blessed stuff!
How the wretched room
Rushes from my sight;
Misery and gloom
Melt into delight;
Fear and death and doom
Vanish in the night.
No more cold and pain,
I am young again,
Beautiful again,
Cocaine! Cocaine!


Oh, I was made to be good, to be good,
For a true man's love and a life that's sweet;
Fireside blessings and motherhood.
Little ones playing around my feet.
How it all unfolds like a magic screen,
Tender and glowing and clear and glad,
The wonderful mother I might have been,
The beautiful children I might have had;
Romping and laughing and shrill with glee,
Oh, I see them now and I see them plain.
Darlings! Come nestle up close to me,
You comfort me so, and you're just . . . Cocaine.


It's Life that's all to blame:
We can't do what we will;
She robes us with her shame,
She crowns us with her ill.



I do not care, because
I see with bitter calm,
Life made me what I was,
Life makes me what I am.
Could I throw back the years,
It all would be the same;
Hunger and cold and tears,
Misery, fear and shame,
And then the old refrain,
Cocaine! Cocaine!


A love-child I, so here my mother came,
Where she might live in peace with none to blame.
And how she toiled! Harder than any slave,
What courage! patient, hopeful, tender, brave.
We had a little room at Lavilette,
So small, so neat, so clean, I see it yet.
Poor mother! sewing, sewing late at night,
Her wasted face beside the candlelight,
This Paris crushed her. How she used to sigh!
And as I watched her from my bed I knew
She saw red roofs against a primrose sky
And glistening fields and apples dimmed with dew.
Hard times we had. We counted every sou,
We sewed sacks for a living. I was quick . . .
Four busy hands to work instead of two.
Oh, we were happy there, till she fell sick. . . .


My mother lay, her face turned to the wall,
And I, a girl of sixteen, fair and tall,
Sat by her side, all stricken with despair,
Knelt by her bed and faltered out a prayer.
A doctor's order on the table lay,
Medicine for which, alas! I could not pay;
Medicine to save her life, to soothe her pain.
I sought for something I could sell, in vain . . .
All, all was gone! The room was cold and bare;
Gone blankets and the cloak I used to wear;
Bare floor and wall and cupboard, every shelf --
Nothing that I could sell . . . except myself.


I sought the street, I could not bear
To hear my mother moaning there.
I clutched the paper in my hand.
'Twas hard. You cannot understand . . .
I walked as martyr to the flame,
Almost exalted in my shame.
They turned, who heard my voiceless cry,
"For Sale, a virgin, who will buy?"
And so myself I fiercely sold,
And clutched the price, a piece of gold.
Into a pharmacy I pressed;



I took the paper from my breast.
I gave my money . . . how it gleamed!
How precious to my eyes it seemed!
And then I saw the chemist frown,
Quick on the counter throw it down,
Shake with an angry look his head:
"Your louis d'or is bad," he said.


Dazed, crushed, I went into the night,
I clutched my gleaming coin so tight.
No, no, I could not well believe
That any one could so deceive.
I tried again and yet again --
Contempt, suspicion and disdain;
Always the same reply I had:
"Get out of this. Your money's bad."


Heart broken to the room I crept,
To mother's side. All still . . . she slept . . .
I bent, I sought to raise her head . . .
"Oh, God, have pity!" she was dead.


That's how it all began.
Said I: Revenge is sweet.
So in my guilty span
I've ruined many a man.
They've groveled at my feet,
I've pity had for none;
I've bled them every one.
Oh, I've had interest for
That worthless louis d'or.


But now it's over; see,
I care for no one, me;
Only at night sometimes
In dreams I hear the chimes
Of wedding-bells and see
A woman without stain
With children at her knee.
Ah, how you comfort me,
Cocaine! . . .
172

Romance

Romance


In Paris on a morn of May
I sent a radio transalantic
To catch a steamer on the way,
But oh the postal fuss was frantic;
They sent me here, they sent me there,
They were so courteous yet so canny;
Then as I wilted in despair
A Frenchman flipped me on the fanny.


'Twas only juts a gentle pat,
Yet oh what sympathy behind it!
I don't let anyone do that,
But somehow then I didn't mind it.
He seemed my worry to divine,
With kindly smile, that foreign mannie,
And as we stood in waiting line
With tender touch he tapped my fanny.


It brought a ripple of romance
Into that postal bureau dreary;
He gave me such a smiling glance
That somehow I felt gay and cheery.
For information on my case
The postal folk searched nook and cranny;
He gently tapped, with smiling face,
His reassurance on my fanny.


So I'll go back to Tennessee,
And they will ask: "How have you spent your
Brief holiday in gay Paree?"
But I'll not speak of my adventure.
Oh say I'm spectacled and grey,
Oh say I'm sixty and a grannie -
But say that morn of May
A Frenchman flipped me on the fanny!
240

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Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.