Poems List

Regret

Regret


It's not for laws I've broken
That bitter tears I've wept,
But solemn vows I've spoken
And promises unkept;
It's not for sins committed
My heart is full of rue,
but gentle acts omitted,
Kind deeds I did not do.


I have outlived the blindness,
The selfishness of youth;
The canker of unkindness,
The cruelty of truth;
The searing hurt of rudeness . . .
By mercies great and small,
I've come to reckon goodness
The greatest gift of all.


Let us be helpful ever
to those who are in need,
And each new day endeavour
To do some gentle deed;
For faults beyond our grieving,
What kindliness atone;
On earth by love achieving
A Heaven of our own.
250

Property

Property


The red-roofed house of dream design
Looks three ways on the sea;

For fifty years I've made it mine,
And held it part of me.
The pines I planted in my youth


Triumpantly are tall . . .
Yet now I know with sorry sooth
I have to leave it all.

Hard-hewn from out the living rock
And salty from the tide,
My house has braved the tempest shock
With hardihood and pride.
Each nook is memoried to me;
I've loved its every stone,
And cried to it exultantly:
"My own, my very own!"

Poor fool! To think that I possess.
I have but cannot hold;
And all that's mine is less and less


My own as I grow old.
My home shall ring with childish cheers
When I shall leave it lone;
My house will bide a hundred years
When I am in the bone.

Alas! No thing can be my own:
At most a life-long lease
Is all I hold, a little loan
From Time, that soon will cease.
For now by faint and failing breath
I feel that I must go . . .
Old House! You've never known a death,-Well,
now's your hour to know.
259

Quatrains

Quatrains


One said: Thy life is thine to make or mar,
To flicker feebly, or to soar, a star;
It lies with thee -- the choice is thine, is thine,
To hit the ties or drive thy auto-car.

I answered Her: The choice is mine -- ah, no!
We all were made or marred long, long ago.
The parts are written; hear the super wail:
"Who is stage-managing this cosmic show?"

Blind fools of fate and slaves of circumstance,
Life is a fiddler, and we all must dance.
From gloom where mocks that will-o'-wisp, Free-will
I heard a voice cry: "Say, give us a chance."

Chance! Oh, there is no chance! The scene is set.
Up with the curtain! Man, the marionette,
Resumes his part. The gods will work the wires.
They've got it all down fine, you bet, you bet!

It's all decreed -- the mighty earthquake crash,
The countless constellations' wheel and flash;
The rise and fall of empires, war's red tide;
The composition of your dinner hash.

There's no haphazard in this world of ours.
Cause and effect are grim, relentless powers.
They rule the world. (A king was shot last night;
Last night I held the joker and both bowers.)

From out the mesh of fate our heads we thrust.
We can't do what we would, but what we must.
Heredity has got us in a cinch -(
Consoling thought when you've been on a "bust".)

Hark to the song where spheral voices blend:
"There's no beginning, never will be end."
It makes us nutty; hang the astral chimes!
The tables spread; come, let us dine, my friend.
210

Priscilla

Priscilla


Jerry MacMullen, the millionaire,
Driving a red-meat bus out there --
How did he win his Croix de Guerre?
Bless you, that's all old stuff:
Beast of a night on the Verdun road,
Jerry stuck with a woeful load,
Stalled in the mud where the red lights glowed,
Prospect devilish tough.


"Little Priscilla" he called his car,
Best of our battered bunch by far,
Branded with many a bullet scar,
Yet running so sweet and true.
Jerry he loved her, knew her tricks;
Swore: "She's the beat of the best big six,
And if ever I get in a deuce of a fix
Priscilla will pull me through."


"Looks pretty rotten right now," says he;
"Hanged if the devil himself could see.
Priscilla, it's up to you and me
To show 'em what we can do."
Seemed that Priscilla just took the word;
Up with a leap like a horse that's spurred,
On with the joy of a homing bird,
Swift as the wind she flew.


Shell-holes shoot at them out of the night;
A lurch to the left, a wrench to the right,
Hands grim-gripping and teeth clenched tight,
Eyes that glare through the dark.
"Priscilla, you're doing me proud this day;
Hospital's only a league away,
And, honey, I'm longing to hit the hay,
So hurry, old girl. . . . But hark!"


Howl of a shell, harsh, sudden, dread;
Another . . . another. . . . "Strike me dead
If the Huns ain't strafing the road ahead
So the convoy can't get through!
A barrage of shrap, and us alone;
Four rush-cases -- you hear 'em moan?
Fierce old messes of blood and bone. . . .
Priscilla, what shall we do?"


Again it seems that Priscilla hears.
With a rush and a roar her way she clears,
Straight at the hell of flame she steers,
Full at its heart of wrath.
Fury of death and dust and din!
Havoc and horror! She's in, she's in;
She's almost over, she'll win, she'll win!



Woof! Crump! right in the path.


Little Priscilla skids and stops,
Jerry MacMullen sways and flops;
Bang in his map the crash he cops;
Shriek from the car: "Mon Dieu!"
One of the blessés hears him say,
Just at the moment he faints away:
"Reckon this isn't my lucky day,
Priscilla, it's up to you."


Sergeant raps on the doctor's door;
"Car in the court with couchés four;
Driver dead on the dashboard floor;
Strange how the bunch got here."
"No," says the Doc, "this chap's alive;
But tell me, how could a man contrive
With both arms broken, a car to drive?
Thunder of God! it's queer."


Same little blessé makes a spiel;
Says he: "When I saw our driver reel,
A Strange Shape leapt to the driving wheel
And sped us safe through the night."
But Jerry, he says in his drawling tone:
"Rats! Why, Priscilla came in on her own.
Bless her, she did it alone, alone. . . ."
Hanged if I know who's right.
294

Procreation

Procreation


It hurts my pride that I should be
The issue of a night of lust;
Yet even Bishops, you'll agree,
Obey the biologic 'must';
Though no doubt with more dignity
Than we of layman dust.

I think the Lord made a mistake
When he designed the human race,
That man and angel in the make
Should have brutality for base.
Jehovah might have planned at least
Not to confound us with the beast.

So with humiliation I
Think of my basic origin;
And yet with some relief I sigh,-I
might have been conceived in sin;
Instead of being, I believe,
The offspring of a nuptial eve.

So when I look in beauty's face,
Or that of king or saint or sage,
It seems to me I darkly trace
Their being to a rutting rage . . .
Had I been Deity's adviser
Meseems I might have planned it wiser.
241

Pragmatic

Pragmatic


When young I was an Atheist,
Yea, pompous as a pigeon
No opportunity I missed
To satirize religion.

I sneered at Scripture, scoffed at Faith,
I blasphemed at believers:
Said I: "There's nothing after Death,-


Your priests are just deceivers."

In middle age I was not so
Contemptuous and caustic.
Thought I: "There's much I do not know:
I'd better be agnostic.
The hope of immortality
'Tis foolish to be flouting."
So in the end I came to be
A doubter of my doubting.

Now I am old, with steps inclined
To hesitate and falter;
I find I get such peace of mind
Just sitting by an altar.
So Friends, don't scorn the family pew,
The preachments of the kirks:
Religion may be false or true,
But by the Lord!--it works.
204

Prelude

Prelude


To smite Apollo's lyre I am unable;
Of loveliness, alas! I cannot sing.
My lot it i, across the tavern table,
To start a chorus to the strumming string.
I have no gift to touch your heart to pity;
I have no power to ring the note of pain:
All I can do is pipe a pot-house ditty,
Or roar a Rabelaisian refrain.


Behold yon minstrel of the empty belly,
Who seeks to please the bored and waiting throng,
Outside the Opera with ukulele,
And raucous strains of syncopated song.
His rag-time mocks their eager hearts a-hunger
For golden voices, melody divine:
Yet . . . throw a penny to the ballad-monger;
Yet . . . listen idly to this song of mine.


For with a humble heart I clank rhyme's fetters,
And bare my buttocks to the critic knout;
A graceless hobo in the Land of Letters,
Piping my ditties of the down-and-out.
A bar-room bard . . . so if a coin you're flinging,
Pay me a pot, and let me dream and booze;
To stars of scorn my dour defiance ringing,
With battered banjo and a strumpet Muse.
187

Poor Poet

Poor Poet

'A man should write to please himself,'
He proudly said.

Well, see his poems on the shelf,
Dusty, unread.

When he came to my shop each day,
So peaked and cold,

I'd sneak one of his books away
And say 'twas sold.

And then by chance he looked below,
And saw a stack

Of his own work,--speechless with woe
He came not back.

I hate to think he took to drink,
And passed away;

I have not heard of him a word
Unto this day.

A man must write to please himself,
Of all it's true;

But happy they who spurning pelf-Please
people too.
260

Portrait

Portrait


Because life's passing show
Is little to his mind,
There is a man I know
Indrawn from human kind.
His dearest friends are books;
Yet oh how glad he talks
To birds and trees and brooks
On lonely walks.
He takes the same still way
By grove and hill and sea;
He lives that each new day
May like the last one be.
He hates all kinds of change;
His step is sure and slow:
Though life has little range
He loves it so.

He makes it his one aim
His pleasure to repeat;
To always do the same,
Since sameness is so sweet;
In simple things to find
The dearest to his mood.
His true life in his mind
Is oh so good!

Please leave him to his dream,
This old, unweary man,
Who shuns the busy stream
And has outlived his span.
Just leave him on his shelf
To watch the world go by . . .
Because he is--myself:
Yea, such be I.
201

Poor Kid

Poor Kid

Mumsie and Dad are raven dark
And I am lily blonde.

''Tis strange,' I once heard nurse remark,
'You do not correspond.'

And yet they claim me as their own,
Born of their flesh and bone.

To doubt their parenthood I dread,
But now to girlhood grown,

The thought is haunting in my head
That I am not their own:

If so, my radiant bloom of youth
Would wither in the truth.

'Twould give me anguish deep to know
A fondling babe was I;

And that a maid in wedless woe
Left me to live or die:

I'd rather Mother lied and lied
To save my pride.

I love them both and they love me;
I am their all, they say.

Yet though the sweetest home have we,
To know I'm theirs I pray.

If not, please dear ones, never tell . . .
The truth would be of hell.
189

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Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.