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Room 5: The Concert Singer

Room 5: The Concert Singer

I'm one of these haphazard chaps
Who sit in cafes drinking;
A most improper taste, perhaps,
Yet pleasant, to my thinking.
For, oh, I hate discord and strife;
I'm sadly, weakly human;
And I do think the best of life
Is wine and song and woman.


Now, there's that youngster on my right
Who thinks himself a poet,
And so he toils from morn to night
And vainly hopes to show it;
And there's that dauber on my left,
Within his chamber shrinking --
He looks like one of hope bereft;
He lives on air, I'm thinking.


But me, I love the things that are,
My heart is always merry;
I laugh and tune my old guitar:
Sing ho! and hey-down-derry.
Oh, let them toil their lives away
To gild a tawdry era,
But I'll be gay while yet I may:
Sing tira-lira-lira.


I'm sure you know that picture well,
A monk, all else unheeding,
Within a bare and gloomy cell
A musty volume reading;
While through the window you can see
In sunny glade entrancing,
With cap and bells beneath a tree
A jester dancing, dancing.


Which is the fool and which the sage?
I cannot quite discover;
But you may look in learning's page
And I'll be laughter's lover.
For this our life is none too long,
And hearts were made for gladness;
Let virtue lie in joy and song,
The only sin be sadness.


So let me troll a jolly air,
Come what come will to-morrow;
I'll be no cabotin of care,
No souteneur of sorrow.
Let those who will indulge in strife,
To my most merry thinking,
The true philosophy of life



Is laughing, loving, drinking.

And there's that weird and ghastly hag
Who walks head bent, with lips a-mutter;
With twitching hands and feet that drag,
And tattered skirts that sweep the gutter.
An outworn harlot, lost to hope,
With staring eyes and hair that's hoary
I hear her gibber, dazed with dope:
I often wonder what's her story.
167

Ripeness

Ripeness


With peace and rest
And wisdom sage,
Ripeness is best
Of every age.
With hands that fold
In pensive prayer,
For grave-yard mold

Prepare.

From fighting free
With fear forgot,
Let ripeness be,
Before the rot.
With heart of cheer
At eighty odd,
How man grows near


To God!

With passion spent
And life nigh run
Let us repent
The ill we've done.
And as we bless
With happy heart
Life's mellowness

--Depart.
185

Rich Poor Man

Rich Poor Man

We pitied him because
He lived alone;
His tiny cottage was
His only own.
His little garden had
A wall around;
Yet never was so glad
A bit of ground.


It seemed to fair rejoice
With flowers and fruit;
With blooms it found a voice
When ours was muts.
It smiled without a pause
In gracious glow:
I think it was because
He loved it so.


He had no news to read,
No rent to pay;
His vegetable need
He plucked each day.
His grateful garden gave
Him ample fare;
He lived without a crave,
Without a care.


His bread and milk and tea
Were all he bought;
To us he seemed to be
A sorry lot . . .
But when we're dead and gone,
With all our fuss,
I guess he'll carry on,
And laugh at us.
197

Rhyme For My Tomb

Rhyme For My Tomb

Here lyeth one
Who loved the sun;
Who lived with zest,
Whose work was done,
Reward, dear Lord,
Thy weary son:
May he be blest
With peace and rest,
Nor wake again,


Amen.
231

Reverence

Reverence


I saw the Greatest Man on Earth,
Aye, saw him with my proper eyes.
A loin-cloth spanned his proper girth,
But he was naked otherwise,
Excepting for his grey sombrero;
And when his domelike head he bared,
With reverence I stared and stared,
As mummified as any Pharaoh.


He leaned upon a little cane,
A big cigar was in his mouth;
Through spectacles of yellow stain
He gazed and gazed toward the South;
And then he dived into the sea,
As if to Corsica to swim;
His side stroke was so strong and free
I could not help but envy him.


A fitter man than I, I said,
Although his age is more than mine;
And I was strangely comforted
To see him battle in the brine.
Thought I: We have no cause for sorrow;
For one so dynamic to-day
Will gird him for the future fray
And lead us lion-like to-morrow.


The Greatest Man in all the world
Lay lazing like you or me,
Within a flimsy bathrobe curled
Upon a mattress by the sea:
He reached to pat a tou-tou's nose,
And scratched his torso now and then,
And scribbled with a fountain pen
What I assumed was jewelled prose.


And then methought he looked at me,
And hailed me with a gesture grand;
His fingers made the letter "V,"
So I, too, went to raise my hand; -
When nigh to me the barman glided
With liquid gold, and then I knew
He merely called for cock-tails two,
And so abjectly I subsided.


Yet I have had my moment's glory,
A-squatting nigh that Mighty Tory,
Proud Hero of our Island Story.
162

Resignation

Resignation


I'd hate to be centipede (of legs I've only two),
For if new trousers I should need (as oftentimes I do),
The bill would come to such a lot 'twould tax an Astorbilt,
Or else I'd have to turn a Scot and caper in a kilt.


I'm jolly glad I haven't got a neck like a giraffe.
I'd want to tie it in a knot and shorten it by half.
or, as I wear my collars high, how laundry men would gloat!
And what a lot of beer I'd buy to lubricate my throat!


I'd hate to be a goldfish, snooping round a crystal globe,
A naughty little bold fish, that distains chemise of robe.
The public stare I couldn't bear, if naked as a stone,
And when my toilet I prepare, I'd rather be alone.


I'd hate to be an animal, an insect or a fish.
To be the least like bird or beast I've not the slightest wish.
It's best I find to be resigned, and stick to Nature's plan:
Content am I to live and die, just - Ordinary MAN.
203

Retired

Retired


I used to sing, when I was young,
The joy of idleness;
But now I'm grey I hold my tongue,
For frankly I confess
If I had not some job to do
I would be bored to death;
So I must toil until I'm through
With this asthmatic breath.


Where others slothfully would brood


beg for little chores,
To peel potatoes, chop the wood,
And even scrub the floors.
When slightly useful I can be,
I'm happy as a bboy;
Dish-washing is a boon to me,
And brushing boots a joy.


The young folks tell me: "Grandpa, please,
Don't be so manual;
You certainly have earned your ease -
Why don't you rest a spell?"
Say I: I'll have a heap of rest
On my sepulchral shelf;
So now please let me do my best


To justify myself."

For one must strive or one will die,
And work's our dearest friend;
God meant it so, and that is why
I'll toil unto the end.
I thank the Lord I'm full of beans,
So let me heft a hoe,
And I will don my garden jeans
And help the beans to grow.
249

Repentance

Repentance


"If you repent," the Parson said,"
Your sins will be forgiven.
Aye, even on your dying bed
You're not too late for heaven."


That's just my cup of tea, I thought,
Though for my sins I sorrow;
Since salvation is easy bought
I will repent . . . to-morrow.


To-morrow and to-morrow went,
But though my youth was flying,
I was reluctant to repent,
having no fear of dying.


'Tis plain, I mused, the more I sin,
(To Satan's jubilation)
When I repent the more I'll win
Celestial approbation.


So still I sin, and though I fail
To get snow-whitely shriven,
My timing's good: I home to hail
The last bus up to heaven.
188

Relax

Relax


Do you recall that happy bike
With bundles on our backs?
How near to heaven it was like
To blissfully relax!
In cosy tavern of good cheer
To doff our heavy packs,
And with a mug of foamy beer
Relax.

Learn to relax: to clean the mind
Of fear and doubt and care,
And in vacuity to find
The perfect peace that's there.
With lassitude of heart and hand,
When every sinew slacks,
How good to rest the old bean and
Relax, relax.

Just sink back in an easy chair
For forty winks or so,
And fold your hands as if in prayer,
--That helps a lot, you know.
Forget that you are you awhile,

And pliable as wax,
Just beatifically smile . . .
Relax, relax, relax.
208

Raising The Flag

Raising The Flag

Behold! the Spanish flag they're raising
Before the Palace courtyard gate;
To watch its progress bold and blazing
Two hundred patient people wait.
Though bandsmen play the anthem bravely
The silken emblem seems to lag;
Two hundred people watch it gravely -
But only two salute the flag.


Fine-clad and arrogant of manner
The twain are like dark dons of old,
And to that high and haughty banner
Uplifted palms they proudly hold.
The others watch them glumly, grimly;
No sullen proletariat these,
but middle-class, well clad though dimly,
Who seem to live in decent ease.


Then sadly they look at each other,
And sigh ans shrug and turn away.
What is the feeling that they smother?
I wonder, but it's none too gay.
And as with puzzlement I bide me,
Beneath that rich, resplendent rag,
I hear a bitter voice beside me:
"It isn't ours - it's Franco's flag.


"I'm Right: I have no Left obsession.
I hate the Communists like hell,
But after ten years of oppression
I hate our Franco twice as well.
And hush! I keep (do not reprove me)
His portrait in a private place,
And every time my bowels move me
I - spit in El Caudillo's face."


These were the words I heard, I swear,
But when I turned around to stare,
Believe me - there was no one there.
221

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Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.