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Miracles

Miracles


Each time that I switch on the light
A Miracle it seems to me
That I should rediscover sight
And banish dark so utterly.
One moment I am bleakly blind,
The next--exultant life I find.


Below the sable of the sky
My eyelids double darkness make.
Sleep is divine, yet oh how I
Am glad with wonder to awake!
To welcome, glimmery and wan
The mighty Miracle of Dawn.


For I've mad moments when I seem,
With all the marvel of a child,
To dwell within a world of dream,
To sober fact unreconciled.
Each simple act has struck me thus--
Incredibly miraculous.


When everything I see and do
So magical can seem to me,
How vain it is to seek the True,
The riddle of Reality . . .
So let me with joy lyrical
Proclaim all Life a Miracle!
230

Men Of The High North

Men Of The High North

Men of the High North, the wild sky is blazing;
Islands of opal float on silver seas;
Swift splendors kindle, barbaric, amazing;
Pale ports of amber, golden argosies.
Ringed all around us the proud peaks are glowing;
Fierce chiefs in council, their wigwam the sky;
Far, far below us the big Yukon flowing,
Like threaded quicksilver, gleams to the eye.

Men of the High North, you who have known it;
You in whose hearts its splendors have abode;
Can you renounce it, can you disown it?
Can you forget it, its glory and its goad?
Where is the hardship, where is the pain of it?
Lost in the limbo of things you've forgot;
Only remain the guerdon and gain of it;
Zest of the foray, and God, how you fought!

You who have made good, you foreign faring;
You money magic to far lands has whirled;
Can you forget those days of vast daring,
There with your soul on the Top o' the World?
Nights when no peril could keep you awake on
Spruce boughs you spread for your couch in the snow;
Taste all your feasts like the beans and the bacon
Fried at the camp-fire at forty below?

Can you remember your huskies all going,
Barking with joy and their brushes in air;
You in your parka, glad-eyed and glowing,
Monarch, your subjects the wolf and the bear?
Monarch, your kingdom unravisht and gleaming;
Mountains your throne, and a river your car;
Crash of a bull moose to rouse you from dreaming;
Forest your couch, and your candle a star.

You who this faint day the High North is luring
Unto her vastness, taintlessly sweet;
You who are steel-braced, straight-lipped, enduring,
Dreadless in danger and dire in defeat:
Honor the High North ever and ever,
Whether she crown you, or whether she slay;
Suffer her fury, cherish and love her-He
who would rule he must learn to obey.

Men of the High North, fierce mountains love you;
Proud rivers leap when you ride on their breast.
See, the austere sky, pensive above you,
Dons all her jewels to smile on your rest.
Children of Freedom, scornful of frontiers,
We who are weaklings honor your worth.
Lords of the wilderness, Princes of Pioneers,


Let's have a rouse that will ring round the earth.
206

Mazie's Ghost

Mazie's Ghost

In London City I evade
For charming Burlington Arcade -
For thee in youth I met a maid

By name of Mazie,
Who lost no time in telling me
The Ritz put up a topping tea,
But having only shillings three

My smile was hazy.

:Instead," said I, "it might be sport
To take a bus to Hampton Court,"
(Her manner, I remarked, was short,)

But she assented.
We climbed on top, and all the way
I held her hand, I felt quite gay,
Bu Mazie, I regret to say,

Seemed discontented.

In fact we almost had a tiff.
It's true it rained and she was stiff,
And all she did was sneeze and sniff


And shudder coldly.
So I said: "Mazzie, there's the maze;
Let's frolic in its leafy ways,"
And buying tickets where one pays

I entered boldly.

The, as the game is, we were lots;
We dashed and darted, crissed and crossed,
But Mazie she got vexed and sauced


Me rather smartly.
There wasn't but us two about;
We hollered, no one heard our shout;
The rain poured down: "Oh let's get out,"

Cried Mazie tartly.

"Keep cool, says I. "You fool," says she;
"I'm sopping wet, I want my tea,
Please take me home," she wailed to me


In accents bitter.
Again we tried, this way and that,
Yet came to where we started at,
And Mazie acted like a cat,

A champion spitter.

She stomped and romped till all was blue,
Then sought herself to find the clue,
And when I saw her next 'twas through


A leafy screening;
"Come on, she cooed, "and join me here;
You'll take me to the Savoy, dear,
And Heidsieck shall our spirits cheer."


I got her meaning.

And yet I sought her everywhere;
I hurried here, I scurried there,
I took each likely lane, I swar,


As I surmised it:
The suddenly I saw once more,
Confronting me, the exit door,
And I was dashing through before

I realized it.

And there I spied a passing bus.
Thinks I: "It's mean to leave her thus,
But after all her fret and fuss

I can't abide her.
So I sped back to London town
And grubbed alone for half-a-crown,
On steak and kidney pie washed down

With sparkling cider.

But since I left that damsel fair,
The thought she may have perished there,
Of cold, starvation and dispair


Nigh drives me crazy.
So, stranger, if you should invade
The charming Burlington Arcade,
Tell me if you behold a shade,
Ghost of a most unhappy maid

By name of Mazie.
245

Maternity

Maternity


There once was a Square, such a square little Square,
And he loved a trim Triangle;
But she was a flirt and around her skirt
Vainly she made him dangle.
Oh he wanted to wed and he had no dread
Of domestic woes and wrangles;
For he thought that his fate was to procreate
Cute little Squares and Triangles.


Now it happened one day on that geometric way
There swaggered a big bold Cube.
With a haughty stare and he made that Square
Have the air of a perfect boob;
To his solid spell the Triangle fell,
And she thrilled with love's sweet sickness,
For she took delight in his breadth and height -
But how she adored his thickness!


So that poor little Square just died of despair,
For his love he could not strangle;
While the bold Cube led to the bridal bed
That cute and acute Triangle.
The Square's sad lot she has long forgot,
And his passionate pretensions . . .
For she dotes on her kids-Oh such cute Pyramids
In a world of three dimensions.
160

Marie Antoinette

Marie Antoinette

They told to Marie Antoinette:
"The beggers at your gate
Have eyes too sad for tears to wet,
And for your pity wait."
But Marie only laughed and said:
"My heart they will not ache:
If people starve for want of bread
Let them eat cake."

The Court re-echoed her bon mot;
It rang around the land,
Till masses wakened from their woe
With scyth and pick in hand.

It took a careless, callous phrase
To rouse the folk forlorn:
A million roared the Marseillaise:


Freedom was born.

And so to Marie Antoinette
Let's pay a tribute due;
Humanity owes her a debt,
(Ironical, it's true).
She sparked world revolution red,
And as with glee they bore
Upon a pike her lovely head
--Her curls dripped gore.
212

Mammy

Mammy


I often wonder how
Life clicks because

They don't make women now
Like Mammy was.

When broods of two or three
Content most men,

How wonderful was she
With children ten!

Though sixty years have gone,
As I look back,

I see her rise at dawn,
Our boots to black;

Pull us from drowsy bed,
Wet sponge to pass,

And speed us porridge fed
To morning class.

Our duds to make and mend,
Far into night,

O'er needle she would spend
By bleary light.

Yet as her head drooped low,
With withered hair,

It seemed the candle glow
Made halo there.

And so with silvered pow
I sigh because

They don't make women now
Like Mammy was.
188

Maids In May

Maids In May

Three maids there were in meadow bright,
The eldest less then seven;
Their eyes were dancing with delight,
And innocent as Heaven.


Wild flowers they wound with tender glee,
Their cheeks with rapture rosy;
All radiant they smiled at me,
When I besought a posy.


She gave me a columbine,
And one a poppy brought me;
The tiniest, with eyes ashine,
A simple daisy sought me.


And as I went my sober way,
I heard their careless laughter;
Their hearts too happy with to-day
To care for what comes after.


. . . . . . .

That's long ago; they're gone, all three,
To walk amid the shadows;
Forgotten is their lyric glee
In still and sunny meadows.


For Columbine loved life too well,
And went adventure fairing;
And sank into the pit of hell,
And passed but little caring.
While Poppy was a poor man's wife,
And children had a-plenty;
And went, worn out with toil and strife
When she was five-and-twenty.


And Daisy died while yet a child,
As fragile blossoms perish,
When Winter winds are harsh and wild,
With none to shield and cherish.


Ah me! How fate is dark and dour
To little Children of the Poor.
176

Lucindy Jane

Lucindy Jane

When I was young I was too proud
To wheel my daughter in her pram.
"It's infra dig," I said aloud,-Bot
now I'm old, behold I am
Perambulating up and down
Grand-daughter through the town.

And when I come into the Square,
Beside the fountain I will stop;
And as to rest I linger there,
The dames will say: "How do, Grand-pop!
Lucindy Jane with eyes so blue
Looks more and more like you."

And sure it's pleased as Punch I get,
And take Lucindy on my knee;
Aye, at the risk of getting wet,
I blether to the girls a wee:
Then as we have a bottle date
Home we perambulate.

Gosh! That's the joy of all my day;
And as I play the part of nurse:
"She's got your nose," I hear them say.
Thinks I: "Well now, she might have worse."

And how I dream I'll live to see
A great-grandchild upon my knee,
Whom folks say looks like me!
249

Mad Maria

Mad Maria

Mad Maria in the Square
Sits upon a wicker chair.
When the keeper asks the price
Mad Maria counts her lice.
No pesito can she pay,
So he shrugs and goes away;
Hopes she'll pay him with her prayers,
Shabby keeper of the chairs.


Mad Maria counts her lice,
Cracks them once and cracks them twice,
Combs them from her sunny hair;
People stop to turn and stare.
Innocent in thought and deed
Mad Maria pays no heed,
And the Cross upon her breast
Proves her blessed of the blest.


So she sings her little song,
Happy as the day is long,
hunting in her camisole
Shy partakers of her dole;
thinking: Heaven please forgive -
Even lice have leave to live;
(But sweet Reader, do not blame,
For she kills them just the same.)


Mad Maria goes unchid,
Mildest maid in all Madrid;


While around in serried ranks
Rear the bold facades of Banks;
But when wrath of Heaven smites
Hosts of Mammon's parasites,
Mad Maria will not fall,
Being oh so very small.


Pariahs to God belong,
to be weak is to be strong;
Fools are richer than the wise,
And who see with shining eyes
Angels in the sordid street
Deem their happiness complete. . . .
Mad Maria counts her beads,
Cracks her lice and - Heaven heeds.
240

Lowly Laureate

Lowly Laureate

O Sacred Muse, my lyre excuse! -
My verse is vagrant singing;
Rhyme I invoke for simple folk
Of penny-wise upbringing:
For Grannies grey to paste away
Within an album cover;
For maids in class to primly pass,
And lads to linger over.


I take the clay of every day
And mould it in my fashion;
I seek to trace the commonplace
With humor and compassion.
Of earth am I, and meekly try
To be supremely human:
To please, I plan, the little man,
And win the little women.


No evil theme shall daunt my dream
Of fellow-love and pity;
I tune my lute to prostitute,
To priest I pipe my ditty.
Through gutter-grime be in my rhyme,
I bow to altars holy. . . .
Lord, humble me, so I may be
A Laureate of the Lowly.
214

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Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.