Robert W. Service

Robert W. Service

1874–1958 · lived 84 years -- --

Robert W. Service was a poet and writer celebrated for his vivid and often humorous verses depicting life in the Yukon during the Klondike Gold Rush. His work captured the spirit of adventure, hardship, and camaraderie of the era, making him immensely popular. He is best known for narrative poems that tell compelling stories with a strong rhythm and memorable characters.

n. 1874-01-16, Preston · m. 1958-09-11, Lancieux

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Your Poem

Your Poem

My poem may be yours indeed

In melody and tone,

If in its rhythm you can read

A music of your own;

If in its pale woof you can weave

Your lovelier design,

'Twill make my lyric, I believe,
More yours than mine.

I'm but a prompter at the best;

Crude cues are all I give.

In simple stanzas I suggest


'Tis you who make them live.

My bit of rhyme is but a frame,

And if my lines you quote,

I think, although they bear my name,
'Tis you who wrote.

Yours is the beauty that you see

In any words I sing;

The magic and the melody

'Tis you, dear friend, who bring.

Yea, by the glory and the gleam,

The loveliness that lures

Your thought to starry heights of dream,
The poem's yours.
Read full poem
Bio

Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.

Poems

416

Infidelity

Infidelity


Three Triangles

TRIANGLE ONE

My husband put some poison in my beer,
And fondly hoped that I would drink it up.
He would get rid of me - no bloody fear,
For when his back was turned I changed the cup.
He took it all, and if he did not die,
Its just because he's heartier than I.


And now I watch and watch him night and day
dreading that he will try it on again.
I'm getting like a skeleton they say,
And every time I feel the slightest pain
I think: he's got me this time. . . . Oh the beast!
He might have let me starve to death, at least.


But all he thinks of is that shell-pink nurse.
I know as well as well that they're in loe.
I'm sure they kiss, and maybe do things worse,
Although she looks as gentle as a dove.
I see their eyes with passion all aglow:
I know they only wait for me to go.


Ah well, I'll go (I have to, anyway),


But they will pay the price of lust and sin.
I've sent a letter to the police to say:
"If I should die its them have dome me in."
And now a lot of vernal I'll take,
And go to sleep, and never, never wake.


But won't I laugh! Aye, even when I'm dead,
To think of them both hanging by the head.


TRIANGLE TWO


My wife's a fancy bit of stuff it's true;
But that's no reason she should do me dirt.
Of course I know a girl is tempted to,
With mountain men a-fussin' round her skirt.
A 'andome women's bound to 'ave a 'eart,
But that's no reason she should be a tart.


I didn't oughter give me 'ome address
To sergeant when 'e last went on 'is leave;
And now the 'ole shebang's a bloody mess;
I didn't think the missis would deceive.
And 'ere was I, a-riskin' of me life,
And thee was 'e, a-sleepin' wiv me wife.



Go blimy, but this thing 'as got to stop.
Well, next time when we makes a big attack,
As soon as we gets well across the top,
I'll plug 'em (accidental) in the back.
'E'll cop a blinkin' packet in 'is spine,
And that'll be the end of 'im, the swine.


It's easy in the muck-up of a fight;
And all me mates'll think it was the foe.
And 'oo can say it doesn't serve 'im right?
And I'll go 'ome and none will ever know,
My missis didn't oughter do that sort o' thing,
Seein' as 'ow she wears my weddin' ring.


Well, we'll be just as 'appy as before,
When otherwise she might a' bin a 'ore.


TRIANGLE THREE


It's fun to see Joe fuss around that kid.
I know 'e loves 'er more than all the rest,
Because she's by a lot the prettiest.
'E wouldn't lose 'er for a 'undred quid.
I love 'er too, because she isn't his'n;
But Jim, his brother's, wot they've put in prision.


It's 'ard to 'ave a 'usband wot you 'ate;
So soft that if 'e knowed you'd 'ad a tup,
'E wouldn't 'ave the guts to beat you up.
Now Jim - 'e's wot I call a proper mate.
I daren't try no monkey tricks wiv 'im.
'E'd flay be 'ide off (quite right, too) would Jim.


I won't let on to Jim when 'e comes out;
But Joe - each time I see 'im kissin' Nell,
I 'ave to leave the room and laughlike 'ell.
"E'll 'ave the benefit (damn little) of the doubt.
So let 'im kiss our Nellie fit to smother;
There ain't no proof 'er father is 'is brother.


Well, anyway I've no remorse. You see,
I've kept my frailty in the family.
198

Innocence

Innocence


The height of wisdom seems to me
That of a child;

So let my ageing vision be
Serene and mild.

The depth of folly, I aver,
Is to fish deep

In that dark pool of science where
Truth-demons sleep.

Let me not be a bearded sage
Seeing too clear;

In issues of the atom age
Man-doom I fear.

So long as living's outward show
To me is fair,

What lies behind I do not know,
And do not care.

Of woeful fears of future ill
That earth-folk haunt,

Let me, as radiant meadow rill,
Be ignorant.

Aye, though a sorry dunce I be
In learning's school,

Lord, marvellously make of me
Your Happy Fool!
224

Include Me Out

Include Me Out

I grabbed the new Who's Who to see

My name - but it was not.
Said I: "The form they posted me

I filled and sent - so what?"

I searched the essies," dour with doubt . . .

Darn! It was plain as day
The scurvy knaves had left me out . . .

Oh was I mad? I'll say.

Then all at once I sensed the clue;

'Twas simple, you'll allow . . .
The book I held was Who WAS Who


Oh was I glad - and how!
225

Imagination

Imagination


A gaunt and hoary slab of stone
I found in desert place,
And wondered why it lay alone
In that abandoned place.
Said I: 'Maybe a Palace stood
Where now the lizards crawl,
With courts of musky quietude
And turrets tall.

Maybe where low the vultures wing
'Mid mosque and minaret,
The proud pavilion of a King
Was luminously set.
'Mid fairy fountains, alcoves dim,
Upon a garnet throne
He ruled,--and now all trace of him
Is just this stone.

Ah well, I've done with wandering,
But from a blousy bar
I see with drunk imagining
A Palace like a star.
I build it up from one grey stone
With gardens hanging high,
And dream . . . Long, long ere Babylon
It's King was I.
212

Ignorance

Ignorance


Oh happy he who cannot see
With scientific eyes;
Who does not know how flowers grow,
And is not planet wise;
Content to find with simple mind
Joys as they are:
To whom a rose is just a rose,
A star--a star.

It is not good, I deem, to brood
On things beyond our ken;
A rustic I would live and die,
Aloof from learned men;
And laugh and sing with zest of Spring
In life's exultant scene,--
For vain my be philosophy,
And what does meaning mean?

I'm talking rot,--I'm really not
As dumb as I pretend;
But happiness, I dimly guess,


Is what counts in the end.
To educate is to dilate
The nerves of pain:
So let us give up books and live
Like hinds again.

The best of wisdom surely is
To be not overwise;
For may not thought be evil fraught,
And truth less kind than lies?
So let me praise the golden days
I played a gay guitar,
And deemed a rose was just a rose,
A star--a star.
186

I Will Not Fight

I Will Not Fight

I will not fight: though proud of pith
I hold no one worth striving with;
And should resentment burn my breast
I deem that silence serves me best:
So having not a word to say,
Contemptuous I turn away.


I will not fret: my rest of life
Free I will keep from hate and strife;
Let lust and sin and anger sleep,
I will not delve the subsoil deep,
But be content with inch of earth,
Where daisies have their birth.


I will not grieve: Till day be done
I will be tranquil in the sun,
With garden glow and quiet nook,
And song of bird and spell of book . . .
God bless you all! I will not fight,
But love and dream until--Goodnight!
199

I Have Some Friends

I Have Some Friends

I have some friends, some worthy friends,
And worthy friends are rare:
These carpet slippers on my feet,
That padded leather chair;
This old and shabby dressing-gown,
So well the worse of wear.


I have some friends, some honest friends,
And honest friends are few;
My pipe of briar, my open fire,
A book that's not too new;
My bed so warm, the nights of storm
I love to listen to.


I have some friends, some good, good friends,
Who faithful are to me:
My wrestling partner when I rise,
The big and burly sea;
My little boat that's riding there
So saucy and so free.


I have some friends, some golden friends,
Whose worth will not decline:
A tawny Irish terrier, a purple shading pine,
A little red-roofed cottage that
So proudly I call mine.


All other friends may come and go,
All other friendships fail;
But these, the friends I've worked to win,
Oh, they will never stale;
And comfort me till Time shall write
The finish to my tale.
212

Hot Digitty Dog

Hot Digitty Dog

Hot digitty dog! Now, ain't it queer,
I've been abroad for over a year;
Seen a helluva lot since then,
Killed, I reckon, a dozen men;
Six was doubtful, but six was sure,
Three in Normandy, three in the Ruhr.
Four I got with a hand grenade,
Two I shot in a midnight raid:
Oh, I ain't sorry, except perhaps
To think that my jerries wasn't japs.


Hot digitty dog! Now ain't it tough;
I oughta be handed hero stuff -
Bands and banquets, and flags and flowers,
Speeches, peaches, confetti showers;
"Welcome back to the old home town,
Colour Sargent Josephus Brown.
Fought like a tiger, one of our best,
Medals and ribands on his chest.
cheers for a warrior, fresh from the fight . . ."
Sure I'd 'a got 'em - - had I been white.


Hot digitty dog! It's jist too bad,
Gittin' home an' nobody gald;
Sneakin' into the Owl Drug Store
Nobody knowin' me any more;
Admirin' my uniform fine and fit -
Say, I've certainly changed a bit
From the lanky lad who used to croon
To a battered banjo in Shay's Saloon;
From the no-good nigger who runned away
After stickin' his knife into ol' man Shay.


They's a lynched me, for he was white,
But he raped my sister one Sunday night;
So I did what a proper man should do,
And I sunk his body deep in the slough.
Oh, he taunted me to my dark disgrace,
Called me a nigger, spat in my face;
So I buried my jack-knife in his heart,
Laughin' to see the hot blood start;
Laughin' still, though it's long ago,
And nobody's ever a-gonna know.


Nobody's ever a-gonna tell
How Ol' Man Shay went straight to hell;
nobody's gonna make me confess -
And what is a killin' more or less.
My skin may be black, but by Christ! I fight;
I've slain a dozen, and each was white,
And none of 'em ever did me no harm,
And my conscience is clear - I've no alarm;



So I'll go where I sank Ol' Man Shay in the bog,
And spit in the water . . . Hot digitty dog!
258

Home And Love

Home And Love

Just Home and Love! the words are small
Four little letters unto each;
And yet you will not find in all
The wide and gracious range of speech
Two more so tenderly complete:
When angels talk in Heaven above,
I'm sure they have no words more sweet

Than Home and Love.

Just Home and Love! it's hard to guess
Which of the two were best to gain;
Home without Love is bitterness;
Love without Home is often pain.
No! each alone will seldom do;
Somehow they travel hand and glove:
If you win one you must have two,


Both Home and Love.

And if you've both, well then I'm sure
You ought to sing the whole day long;
It doesn't matter if you're poor
With these to make divine your song.
And so I praisefully repeat,
When angels talk in Heaven above,
There are no words more simply sweet


Than Home and Love.
292

His Boys

His Boys

"I'm going, Billy, old fellow. Hist, lad! Don't make any noise.
There's Boches to beat all creation, the pitch of a bomb away.
I've fixed the note to your collar, you've got to get back to my Boys,
You've got to get back to warn 'em before it's the break of day."


The order came to go forward to a trench-line traced on the map;
I knew the brass-hats had blundered, I knew and I told 'em so;
I knew if I did as they ordered I would tumble into a trap,
And I tried to explain, but the answer came like a pistol: "Go."


Then I thought of the Boys I commanded -- I always called them "my Boys" --
The men of my own recruiting, the lads of my countryside;
Tested in many a battle, I knew their sorrows and joys,
And I loved them all like a father, with more than a father's pride.


To march my Boys to a shambles as soon as the dawn of day;
To see them helplessly slaughtered, if all that I guessed was true;
My Boys that trusted me blindly, I thought and I tried to pray,
And then I arose and I muttered: "It's either them or it's you."


I rose and I donned my rain-coat; I buckled my helmet tight.
I remember you watched me, Billy, as I took my cane in my hand;
I vaulted over the sandbags into the pitchy night,
Into the pitted valley that served us as No Man's Land.


I strode out over the hollow of hate and havoc and death,
From the heights the guns were angry, with a vengeful snarling of steel;
And once in a moment of stillness I heard hard panting breath,
And I turned . . . it was you, old rascal, following hard on my heel.


I fancy I cursed you, Billy; but not so much as I ought!
And so we went forward together, till we came to the valley rim,
And then a star-shell sputtered . . . it was even worse than I thought,
For the trench they told me to move in was packed with Boche to the brim.


They saw me too, and they got me; they peppered me till I fell;
And there I scribbled my message with my life-blood ebbing away;
"Now, Billy, you fat old duffer, you've got to get back like hell;
And get them to cancel that order before it's the dawn of day.


"Billy, old boy, I love you, I kiss your shiny black nose;
Now, home there. . . . Hurry, you devil, or I'll cut you to ribands. . . . See . . ."
Poor brute! he's off! and I'm dying. . . . I go as a soldier goes.
I'm happy. My Boys, God bless 'em! . . . It had to be them or me.
235

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