Poems List

Inspiration

Inspiration


How often have I started out
With no thought in my noodle,
And wandered here and there about,
Where fancy bade me toddle;
Till feeling faunlike in my glee
I've voiced some gay distiches,
Returning joyfully to tea,
A poem in my britches.


A-squatting on a thymy slope
With vast of sky about me,
I've scribbled on an envelope
The rhymes the hills would shout me;
The couplets that the trees would call,
The lays the breezes proffered . . .
Oh no, I didn't think at all -
I took what Nature offered.


For that's the way you ought to write -
Without a trace of trouble;
Be super-charged with high delight
And let the words out-bubble;
Be voice of vale and wood and stream
Without design or proem:
Then rouse from out a golden dream
To find you've made a poem.


So I'll go forth with mind a blank,
And sea and sky will spell me;
And lolling on a thymy bank
I'll take down what they tell me;
As Mother Nature speaks to me
Her words I'll gaily docket,
So I'll come singing home to tea
A poem in my pocket.
153

Infidelity

Infidelity


Three Triangles

TRIANGLE ONE

My husband put some poison in my beer,
And fondly hoped that I would drink it up.
He would get rid of me - no bloody fear,
For when his back was turned I changed the cup.
He took it all, and if he did not die,
Its just because he's heartier than I.


And now I watch and watch him night and day
dreading that he will try it on again.
I'm getting like a skeleton they say,
And every time I feel the slightest pain
I think: he's got me this time. . . . Oh the beast!
He might have let me starve to death, at least.


But all he thinks of is that shell-pink nurse.
I know as well as well that they're in loe.
I'm sure they kiss, and maybe do things worse,
Although she looks as gentle as a dove.
I see their eyes with passion all aglow:
I know they only wait for me to go.


Ah well, I'll go (I have to, anyway),


But they will pay the price of lust and sin.
I've sent a letter to the police to say:
"If I should die its them have dome me in."
And now a lot of vernal I'll take,
And go to sleep, and never, never wake.


But won't I laugh! Aye, even when I'm dead,
To think of them both hanging by the head.


TRIANGLE TWO


My wife's a fancy bit of stuff it's true;
But that's no reason she should do me dirt.
Of course I know a girl is tempted to,
With mountain men a-fussin' round her skirt.
A 'andome women's bound to 'ave a 'eart,
But that's no reason she should be a tart.


I didn't oughter give me 'ome address
To sergeant when 'e last went on 'is leave;
And now the 'ole shebang's a bloody mess;
I didn't think the missis would deceive.
And 'ere was I, a-riskin' of me life,
And thee was 'e, a-sleepin' wiv me wife.



Go blimy, but this thing 'as got to stop.
Well, next time when we makes a big attack,
As soon as we gets well across the top,
I'll plug 'em (accidental) in the back.
'E'll cop a blinkin' packet in 'is spine,
And that'll be the end of 'im, the swine.


It's easy in the muck-up of a fight;
And all me mates'll think it was the foe.
And 'oo can say it doesn't serve 'im right?
And I'll go 'ome and none will ever know,
My missis didn't oughter do that sort o' thing,
Seein' as 'ow she wears my weddin' ring.


Well, we'll be just as 'appy as before,
When otherwise she might a' bin a 'ore.


TRIANGLE THREE


It's fun to see Joe fuss around that kid.
I know 'e loves 'er more than all the rest,
Because she's by a lot the prettiest.
'E wouldn't lose 'er for a 'undred quid.
I love 'er too, because she isn't his'n;
But Jim, his brother's, wot they've put in prision.


It's 'ard to 'ave a 'usband wot you 'ate;
So soft that if 'e knowed you'd 'ad a tup,
'E wouldn't 'ave the guts to beat you up.
Now Jim - 'e's wot I call a proper mate.
I daren't try no monkey tricks wiv 'im.
'E'd flay be 'ide off (quite right, too) would Jim.


I won't let on to Jim when 'e comes out;
But Joe - each time I see 'im kissin' Nell,
I 'ave to leave the room and laughlike 'ell.
"E'll 'ave the benefit (damn little) of the doubt.
So let 'im kiss our Nellie fit to smother;
There ain't no proof 'er father is 'is brother.


Well, anyway I've no remorse. You see,
I've kept my frailty in the family.
181

Include Me Out

Include Me Out

I grabbed the new Who's Who to see

My name - but it was not.
Said I: "The form they posted me

I filled and sent - so what?"

I searched the essies," dour with doubt . . .

Darn! It was plain as day
The scurvy knaves had left me out . . .

Oh was I mad? I'll say.

Then all at once I sensed the clue;

'Twas simple, you'll allow . . .
The book I held was Who WAS Who


Oh was I glad - and how!
199

Imagination

Imagination


A gaunt and hoary slab of stone
I found in desert place,
And wondered why it lay alone
In that abandoned place.
Said I: 'Maybe a Palace stood
Where now the lizards crawl,
With courts of musky quietude
And turrets tall.

Maybe where low the vultures wing
'Mid mosque and minaret,
The proud pavilion of a King
Was luminously set.
'Mid fairy fountains, alcoves dim,
Upon a garnet throne
He ruled,--and now all trace of him
Is just this stone.

Ah well, I've done with wandering,
But from a blousy bar
I see with drunk imagining
A Palace like a star.
I build it up from one grey stone
With gardens hanging high,
And dream . . . Long, long ere Babylon
It's King was I.
202

Ignorance

Ignorance


Oh happy he who cannot see
With scientific eyes;
Who does not know how flowers grow,
And is not planet wise;
Content to find with simple mind
Joys as they are:
To whom a rose is just a rose,
A star--a star.

It is not good, I deem, to brood
On things beyond our ken;
A rustic I would live and die,
Aloof from learned men;
And laugh and sing with zest of Spring
In life's exultant scene,--
For vain my be philosophy,
And what does meaning mean?

I'm talking rot,--I'm really not
As dumb as I pretend;
But happiness, I dimly guess,


Is what counts in the end.
To educate is to dilate
The nerves of pain:
So let us give up books and live
Like hinds again.

The best of wisdom surely is
To be not overwise;
For may not thought be evil fraught,
And truth less kind than lies?
So let me praise the golden days
I played a gay guitar,
And deemed a rose was just a rose,
A star--a star.
175

I Have Some Friends

I Have Some Friends

I have some friends, some worthy friends,
And worthy friends are rare:
These carpet slippers on my feet,
That padded leather chair;
This old and shabby dressing-gown,
So well the worse of wear.


I have some friends, some honest friends,
And honest friends are few;
My pipe of briar, my open fire,
A book that's not too new;
My bed so warm, the nights of storm
I love to listen to.


I have some friends, some good, good friends,
Who faithful are to me:
My wrestling partner when I rise,
The big and burly sea;
My little boat that's riding there
So saucy and so free.


I have some friends, some golden friends,
Whose worth will not decline:
A tawny Irish terrier, a purple shading pine,
A little red-roofed cottage that
So proudly I call mine.


All other friends may come and go,
All other friendships fail;
But these, the friends I've worked to win,
Oh, they will never stale;
And comfort me till Time shall write
The finish to my tale.
198

I Will Not Fight

I Will Not Fight

I will not fight: though proud of pith
I hold no one worth striving with;
And should resentment burn my breast
I deem that silence serves me best:
So having not a word to say,
Contemptuous I turn away.


I will not fret: my rest of life
Free I will keep from hate and strife;
Let lust and sin and anger sleep,
I will not delve the subsoil deep,
But be content with inch of earth,
Where daisies have their birth.


I will not grieve: Till day be done
I will be tranquil in the sun,
With garden glow and quiet nook,
And song of bird and spell of book . . .
God bless you all! I will not fight,
But love and dream until--Goodnight!
191

Hot Digitty Dog

Hot Digitty Dog

Hot digitty dog! Now, ain't it queer,
I've been abroad for over a year;
Seen a helluva lot since then,
Killed, I reckon, a dozen men;
Six was doubtful, but six was sure,
Three in Normandy, three in the Ruhr.
Four I got with a hand grenade,
Two I shot in a midnight raid:
Oh, I ain't sorry, except perhaps
To think that my jerries wasn't japs.


Hot digitty dog! Now ain't it tough;
I oughta be handed hero stuff -
Bands and banquets, and flags and flowers,
Speeches, peaches, confetti showers;
"Welcome back to the old home town,
Colour Sargent Josephus Brown.
Fought like a tiger, one of our best,
Medals and ribands on his chest.
cheers for a warrior, fresh from the fight . . ."
Sure I'd 'a got 'em - - had I been white.


Hot digitty dog! It's jist too bad,
Gittin' home an' nobody gald;
Sneakin' into the Owl Drug Store
Nobody knowin' me any more;
Admirin' my uniform fine and fit -
Say, I've certainly changed a bit
From the lanky lad who used to croon
To a battered banjo in Shay's Saloon;
From the no-good nigger who runned away
After stickin' his knife into ol' man Shay.


They's a lynched me, for he was white,
But he raped my sister one Sunday night;
So I did what a proper man should do,
And I sunk his body deep in the slough.
Oh, he taunted me to my dark disgrace,
Called me a nigger, spat in my face;
So I buried my jack-knife in his heart,
Laughin' to see the hot blood start;
Laughin' still, though it's long ago,
And nobody's ever a-gonna know.


Nobody's ever a-gonna tell
How Ol' Man Shay went straight to hell;
nobody's gonna make me confess -
And what is a killin' more or less.
My skin may be black, but by Christ! I fight;
I've slain a dozen, and each was white,
And none of 'em ever did me no harm,
And my conscience is clear - I've no alarm;



So I'll go where I sank Ol' Man Shay in the bog,
And spit in the water . . . Hot digitty dog!
241

Home And Love

Home And Love

Just Home and Love! the words are small
Four little letters unto each;
And yet you will not find in all
The wide and gracious range of speech
Two more so tenderly complete:
When angels talk in Heaven above,
I'm sure they have no words more sweet

Than Home and Love.

Just Home and Love! it's hard to guess
Which of the two were best to gain;
Home without Love is bitterness;
Love without Home is often pain.
No! each alone will seldom do;
Somehow they travel hand and glove:
If you win one you must have two,


Both Home and Love.

And if you've both, well then I'm sure
You ought to sing the whole day long;
It doesn't matter if you're poor
With these to make divine your song.
And so I praisefully repeat,
When angels talk in Heaven above,
There are no words more simply sweet


Than Home and Love.
272

Hero Worship

Hero Worship

Said he: "You saw the Master clear;
By Rushy Pond alone he sat,
Serene and silent as a seer,
in tweedy coat and seedy hat.
you tell me you did not intrude,
(Although his book was in your hand,)
Upon his melancholy mood . . .


I do not understand.

"You did not tell him: 'I have come
From o'er the sea to speak to you.'
You did not dare, your lips were dumb . . .
You thought a little zephyr blew
From Rushy Pond a touch of him
You'll cherish to your dying day,
Perhaps with tears your eyes were dim . . .


And then - you went away.

"And down the years you will proclaim:
'O call me dullard, dub me dunce!
But let this be my meed of fame:
I looked on Thomas Hardy once.
Aye, by a stile I stood a span
And with these eyes did plainly see
A little, shrinking, shabby man . . .


But Oh a god to me!'"

Said I: "'Tis true, I scarce dared look,
yet he would have been kind, I'm sure;
But though I clutched his precious book
I feared to beg his signature.
Ah yes, my friend, I merit mirth.
You're bold, you have the right to laugh,
And if Christ came again to earth


You'd cadge his autograph."
169

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Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.