Poems List

God's Grief

God's Grief

"Lord God of Hosts," the people pray,
"Make strong our arms that we may slay
Our cursed foe and win the day."
"Lord God of Battles," cries the foe,
"Guide us to strike a bloody blow,
And lay the adversary low."


But brooding o'er the battle smother
Bewails the Lord: "Brother to brother,
Why must ye slaughter one another?
When will ye come to understand
My peace, and hand reach out to hand,
In every race, in every land?"


And yet, his weary words despite,
Went murderously on the fight,
Till God from mankind hid His sight,
Saying: "Poor children, must you gain
To brotherhood through millions slain?
--Was anguish on the Cross in vain?"
190

Gipsy

Gipsy


The poppies that in Spring I sow,
In rings of radiance gleam and glow,
Like lords and ladies gay.
A joy are they to dream beside,
As in the air of eventide
They flutter, dip and sway.


For some are scarlet, some are gold,
While some in fairy flame unfold,
And some are rose and white.
There's pride of breeding in their glance,
And pride of beauty as they dance
Cotillions of delight.


Yet as I lift my eyes I see
Their swarthy kindred wild and free.
Who flaunt it in the field.
"Begone, you Romanies!" I say,
"Lest you defile this bright array
Whose loveliness I shield."


My poppies are a sheen of light;
They take with ecstasy the sight,
And hold the heart elate . . . .
Yet why do I so often turn
To where their outcast brothers burn
With passion at my gate?


My poppies are my joy and pride;
Yet wistfully I gaze outside
To where their sisters yearn;
Their blowzy crimson cups afire,
Their lips aflutter with desire
To give without return.


My poppies dance a minuet;
Like courtiers in silk they set
My garden all aglow . . . .
Yet O the vagrants at my gate!
The gipsy trulls who peer and wait! . . .
Calling the heart they know.
207

Ghosts

Ghosts


I to a crumpled cabin came
upon a hillside high,
And with me was a withered dame
As weariful as I.
"It used to be our home," she said;
"How well I remember well!
Oh that our happy hearth should be
Today an empty shell!"


The door was flailing in the storm
That deafed us with its din;
The roof that kept us once so warm
Now let the snow-drift in.
The floor sagged to the sod below,
The walls caved crazily;
We only heard the wind of woe
Where once was glow and glee.


So there we stood disconsolate
Beneath the Midnight Dome,
And ancient miner and his mate,
Before our wedded home,
Where we had know such love and cheer . . .
I sighed, then soft she said:
"Do not regret - remember, dear,


We, too, are dead."
247

Funk

Funk


When your marrer bone seems 'oller,
And you're glad you ain't no taller,

And you're all a-shakin' like you 'ad the chills;
When your skin creeps like a pullet's,
And you're duckin' all the bullets,

And you're green as gorgonzola round the gills;
When your legs seem made of jelly,
And you're squeamish in the belly,

And you want to turn about and do a bunk:
For Gawd's sake, kid, don't show it!
Don't let your mateys know it -


You're just sufferin' from funk, funk, funk.

Of course there's no denyin'
That it ain't so easy tryin'

To grin and grip your rifle by the butt,
When the 'ole world rips asunder,
And you sees yer pal go under,

As a bunch of shrapnel sprays 'im on the nut;
I admit it's 'ard contrivin'
When you 'ears the shells arrivin',

To discover you're a bloomin' bit o' spunk;
But, my lad, you've got to do it,
And your God will see you through it,

For wot 'E 'ates is funk, funk, funk.

So stand up, son; look gritty,
And just 'um a lively ditty,

And only be afraid to be afraid;
Just 'old yer rifle steady,
And 'ave yer bay'nit ready,

For that's the way good soldier-men is made.
And if you 'as to die,
As it sometimes 'appens, why,

Far better die a 'ero than a skunk;
A-doin' of yer bit,
And so -- to 'ell with it,

There ain't no bloomin' funk, funk, funk.
231

Gangrene

Gangrene


So often in the mid of night
I wake me in my bed
With utter panic of affright
To find my feet are dead;
And pace the floor to easy my pain
And make them live again.

The folks at home are so discreet;
They see me walk and walk
To keep the blood-flow in my feet,
And though they never talk
I've heard them whisper: 'Mother may
Have them cut off some day.'

Cut off my feet! I'd rather die . . .
And yet the years of pain,
When in the darkness I will lie

And pray to God in vain,
Thinking in agony: Oh why
Can doctors not annul our breath

In honourable death?
245

Frustration

Frustration


Gazing to gold seraph wing,
With wistful wonder in my eyes,
A blue-behinded ape, I swing
Upon the palms of Paradise.


A parakeet of gaudy hue
Upon a flame tree smugly rocks;
Oh, we're a precious pair, we two,
I gibber while the parrot squawks.


"If I had but your wings," I sigh,
"How ardently would I aspire
To soar celestially high
And mingle with yon angel choir."


His beady eye is bitter hard;
Right mockingly he squints at me;
As critic might review a bard
His scorn is withering to see.


And as I beat my brest and howl,
"Poor fool," he shrills, my bliss to wreck.
So . . . so I steal behind that fowl
And grab his claw and screw his neck.


And swift his scarlet wings I tear;
Seeking to soar, with hope divine,
I frantically beat the air,
And crash to earth and - snap my spine.


Yet as I lie with shaken breaths
Of pain I watch my seraph throng. . . .
Oh, I would die a dozen deaths
Could I but sing one deathless song!
181

Freedom's Fool

Freedom's Fool

To hell with Government I say;
I'm sick of all the piddling pack.
I'd like to scram, get clean away,
And never, nevermore come back.
With heart of hope I long to go
To some lost island of the sea,
And there get drunk with joy to know
No one on earth is over me.


There will be none to say me nay,
So from my lexicon I can
Obliterate the word "obey",
And mock the meddling laws of man.
The laws of Nature and of God
Are good enough for guys like me,
Who scorn to kiss the scarlet rod
Of office and authority.


No Stars and Stripes nor Union Jack,
Nor tri-colour nor crimson rag
Shall claim my love, I'll turn my back
On every land, on every flag.
My banner shall be stainless white,
An emblem of the Golden Rule,
Yet for its freedom I will fight
And die - like any other fool.


Oh Government's a bitter pill!
No force or fear shall forge my fate;
I'll bow to no communal will,
For I myself shall be the State.
Uncurst by man-curb and control,
my Isle shall be emparadised,
And I will re-possess my soul . . .
Mad Anarchist! - Well, wasn't Christ?
238

Forward

Forward


I've tinkered at my bits of rhymes
In weary, woeful, waiting times;
In doleful hours of battle-din,
Ere yet they brought the wounded in;
Through vigils of the fateful night,
In lousy barns by candle-light;
In dug-outs, sagging and aflood,
On stretchers stiff and bleared with blood;
By ragged grove, by ruined road,
By hearths accurst where Love abode;
By broken altars, blackened shrines
I've tinkered at my bits of rhymes.


I've solaced me with scraps of song
The desolated ways along:
Through sickly fields all shrapnel-sown,
And meadows reaped by death alone;
By blazing cross and splintered spire,
By headless Virgin in the mire;
By gardens gashed amid their bloom,
By gutted grave, by shattered tomb;
Beside the dying and the dead,
Where rocket green and rocket red,
In trembling pools of poising light,
With flowers of flame festoon the night.
Ah me! by what dark ways of wrong
I've cheered my heart with scraps of song.


So here's my sheaf of war-won verse,
And some is bad, and some is worse.
And if at times I curse a bit,
You needn't read that part of it;
For through it all like horror runs
The red resentment of the guns.
And you yourself would mutter when
You took the things that once were men,
And sped them through that zone of hate
To where the dripping surgeons wait;
And wonder too if in God's sight
War ever, ever can be right.


Yet may it not be, crime and war
But effort misdirected are?
And if there's good in war and crime,
There may be in my bits of rhyme,
My songs from out the slaughter mill:
So take or leave them as you will.
217

Forgotten Master

Forgotten Master

As you gaze beyond the bay
With such wanness in your eyes,
You who have out-stayed your day,
Seeing other stars arise,
Slender though your lifehold be,
Still you dream beside the sea.


We, alas! may live too long,
Know the best part of us die;
Echo of your even-song
Hushes down the darkling sky . . .
But your greatness would be less
If you cherished bitterness.


I am sure you do not care
Though the rabble turn thumbs down;
Their neglect you well can bear,
knowing you have won your crown,
proudly given of your best . . .
Masterlinck, leave God the rest.
181

Florrie

Florrie


Because I was a wonton wild
And welcomed many a lover,
Who is the father of my child
I wish I could discover.
For though I know it is not right
In tender arms to tarry,
A barmaid has to be polite
To Tom and Dick and Harry.

My truest love was Poacher Jim:
I wish my babe was his'n.
Yet I can't father it on him
Because he was in prison.
As uniforms I like, I had
A soldier and a sailor;
Then there was Pete the painter lad,
And Timothy the tailor.

Though virtue hurt you vice ain't nice;
They say to err is human;
Alas! one pays a bitter price,
It's hell to be a woman.
Oh dear! Why was I born a lass
Who hated to say: No, sir.
I'd better in my sorry pass
Blame Mister Simms, the grocer.
196

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Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.