Robert W. Service

Robert W. Service

1874–1958 · lived 84 years -- --

Robert W. Service was a poet and writer celebrated for his vivid and often humorous verses depicting life in the Yukon during the Klondike Gold Rush. His work captured the spirit of adventure, hardship, and camaraderie of the era, making him immensely popular. He is best known for narrative poems that tell compelling stories with a strong rhythm and memorable characters.

n. 1874-01-16, Preston · m. 1958-09-11, Lancieux

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Your Poem

Your Poem

My poem may be yours indeed

In melody and tone,

If in its rhythm you can read

A music of your own;

If in its pale woof you can weave

Your lovelier design,

'Twill make my lyric, I believe,
More yours than mine.

I'm but a prompter at the best;

Crude cues are all I give.

In simple stanzas I suggest


'Tis you who make them live.

My bit of rhyme is but a frame,

And if my lines you quote,

I think, although they bear my name,
'Tis you who wrote.

Yours is the beauty that you see

In any words I sing;

The magic and the melody

'Tis you, dear friend, who bring.

Yea, by the glory and the gleam,

The loveliness that lures

Your thought to starry heights of dream,
The poem's yours.
Read full poem
Bio

Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.

Poems

416

Drifter

Drifter


God gave you guts: don't let Him down;
Brace up, be worthy of His giving.
The road's a rut, the sky's a frown;
I know you're plumb fed up with living.
Fate birches you, and wry the rod . . .
Snap out, you fool! Don't let down God.


Oh, yes, you're on misfortune's shift,
And weary is the row your hoeing;
You have no home, you drift and drift,
Seems folks don't care the way you're going . . .
Well, make them care - you're not afraid:
Step on the gas - you'll make the grade.


Believe that God has faith in you,
In you His loving light is shining;
All of you that is fine and true
Is part of Him, so quit your whining . . .
buck up, son, for your Maker's sake:
Don't let Him down - give God a break.
254

Dreams

Dreams


I had a dream, a dream of dread:
I thought that horror held the house;
A burglar bent above my bed,
He moved as quiet as a mouse.
With hairy hand and naked knife
He poised to plunge a bloody stroke,
Until despairful of my life
I shrieked with terror - and awoke.


I had a dream of weary woes:
In weather that was fit to freeze,
I thought that I had lost my cloths,
And only wore a short chemise.
The wind was wild; so catch a train
I ran, but no advance did make;
My legs were pistoning in vain -
How I was happy to awake!


I had a dream: Upon the stair
I met a maid who kissed my lips;
A nightie was her only wear,
We almost came to loving grips.
And then she opened wide a door,
And pointed to a bonny bed . . .
Oh blast! I wakened up before
I could discover - were we wed?


Alas! Those dreams of broken bliss,
Of wakenings too sadly soon!
With memories of sticky kiss,
And limbs so languidly a-swoon!
Alas those nightmares devil driven!
Those pantless prowlings in Pall Mall!
Oh why should some dreams be like heaven
And others so resemble hell?
239

Don't Cheer

Don't Cheer

Don't cheer, damn you! Don't cheer!
Silence! Your bitterest tear
Is fulsomely sweet to-day. . . .
Down on your knees and pray.


See, they sing as they go,
Marching row upon row.
Who will be spared to return,
Sombre and starkly stern?
Chaps whom we knew - s0 strange,
Distant and dark with change;
Silent as those they slew,
Something in them dead too.
Who will return this way,
To sing as they sing to-day.


Send to the glut of the guns
Bravest and best of you sons.
Hurl a million to slaughter,
Blood flowing like Thames water;
Pile up pyramid high
Your dead to the anguished sky;
A monument down all time
Of hate and horror and crime.
Weep, rage, pity, curse, fear -
Anything, but . . . don't cheer.


Sow to the ploughing guns
Seed of your splendid sons.
Let your heroic slain
Richly manure the plain.
What will the harvest be?
Unborn of Unborn will see. . . .


Dark is the sky and drear. . . .
For the pity of God don't cheer.
Dark and dread is their way.
Who sing as they march to-day. . . .
Humble your hearts and pray.
247

Dolls

Dolls


She said: "I am too old to play
With dolls," and put them all away,
Into a box, one rainy day.


I think she must have felt some pain,
She looked so long into the rain,
Then sighed: "I'll bring you out again;


"For I'll have little children too,
With sunny hair and eyes of blue
And they will play and play with you.


"And now good-bye, my pretty dears;
There in the dark for years and years,
Dream of your little mother's tears."


Eglantine, Pierrot and Marie Claire,
Topsy and Tiny and Teddy Bear,
Side by side in the coffer there.


Time went by; one day she kneeled
By a wooden Cross in Flanders Field,
And wept for the One the earth concealed;


And made a vow she would never wed,
But always be true to the deathless dead,
Until the span of her life be sped.


* *
* * *
* *

More years went on and they made her wise
By sickness and pain and sacrifice,
With greying tresses and tired eyes.


And then one evening of weary rain,
She opened the old oak box again,
And her heart was clutched with an ancient pain


For there in the quiet dark they lay,
Just as they were when she put them away...
O but it seemed like yesterday!


Topsy and Tiny and Teddy Bear,
Eglantine, Pierrot and Marie Claire,
Ever so hopefully waiting there.


But she looked at them through her blinding tears,
And she said: "You've been patient, my pretty dears;
You've waited and waited all these years.



"I've broken a promise I made so true;
But my heart, my darlings, is broken too:
No little Mothers have I for you.


"My hands are withered, my hair is grey;
Yet just for a moment I'll try to play
With you as I did that long dead day...


"Ah no, I cannot. I try in vain . . .
I stare and I stare into the rain . . .
I'll put you back in your box again.


"Bless you, darlings, perhaps one day,
Some little Mother will find you and play,
And once again you'll be glad and gay.


"But when in the friendly dark I lie,
No one will ever love you as I . . . .
My little children . . . good-bye . . . good-bye."
188

Divine Detachment

Divine Detachment

One day the Great Designer sought
His Clerk of Birth and Death.
Said he: "Two souls are in my thought,
to whom I gave life-breath.
I deemed my work was fitly done,
But yester-eve I saw
That in the finished brain of one
There was a tiny flaw.


"It worried me, and I would know,
Since I am all to blame,
What happened to them down below,
Of honour or of shame;
For if the later did befall,
My sorrow will be grave . . ."
Then numbers astronomical
unto the Clerk he gave.


The Keeper of the Rolls replied:
"Of them I've little trace;
But one he was a Prince of pride
And one of lowly race.
One was a Holy Saint proclaimed;
For one no hell sufficed . . . .
Let's see - the last was Nero named,
The other . . . Jesus Christ."
232

Dedication To Providence

Dedication To Providence

I loved to toy with tuneful rhyme,
My fancies into verse to weave;
For as I walked my words would chime
So bell-like I could scarce believe;
My rhymes rippled like a brook,
My stanzas bloomed like blossoms gay:
And that is why I dream this book


A verseman's holiday.

The palm-blades brindle in the blaze
Of sunsets splendouring the sea;
The Gloaming is a lilac haze
That impish stars stab eagerly. . . .
O Land of Song! Oh golden clime!
O happy me, whose work is play!
Please take this tribute of my rhymes:


A verseman's holiday.
223

Detachment

Detachment


As I go forth from fair to mart
With racket ringing,
Who would divine that in my heart
Mad larks are singing.
As I sweet sympathy express,
Lest I should pain them,
The money-mongers cannot guess
How I disdain them.


As I sit at some silly tea
And flirt and flatter
How I abhor society
And female chatter.
As I with wonderment survey
Their peacock dresses,
My mind is wafted far away
To wildernesses.


As I sit in some raucous pub,
Taboo to women,
And treat myself to greasy grub
I feel quite human.
Yet there I dream, despite the din,
Of God's green spaces,
And sweetly dwell the peace within
Of sylvan graces.


And so I wear my daily mask
Of pleasant seeming,
And nobody takes me to task
For distant dreaming;
A happy hypocrite am I
Of ambiance inner,
Who smiling make the same reply
To saint and sinner.
194

Decorations

Decorations


My only medals are the scars
I've won in weary, peacetime wars,
A-fighting for my little brood,
To win them shelter, shoon and food;
But most of all to give them faith
In God's good mercy unto death.


My sons have medals gleaming bright,
Proud trophies won in foreign fight;
But though their crosses bravely shine,
My boys can show no wounds like mine -
Grim gashes dolorously healed,
And inner ailings unrevealed.


Life-lasting has my battle been,
My enemy a fierce machine;
And I am marked by many a blow
In conflict with a tireless foe,
Till warped and bent beneath the beat
Of life's unruth I own defeat.


Yet strip me bare and you will see
A worthy warrior I be;
Although no uniform I've worn,
By wounds of labour I am torn;
Leave the their ribbands and their stars . . .
Behold! I proudly prize my scars.
293

Death's Way

Death's Way

Old Man Death's a lousy heel who will not play the game:
Let Graveyard yawn and doom down crash, he'll sneer and turn away.
But when the sky with rapture rings and joy is like a flame,
Then Old Man Death grins evilly, and swings around to slay.


Jack Duval was my chosen pal in the ranks of the Reckless Men.
Thick as thieves they used to say, and it may be that we were:
Where the price of life is a naked knife and dammed are nine in ten,
It doesn't do to be curious in the Legion Etrangère.


So when it came to a hidden shame our mugs were zippered tight;
He never asked me what I'd done, and he would never tell;
But though like men we revelled, when it came to bloody fight
I knew that I could bank on him clear to the hubs of hell.


They still tell how we held the Fort back on the blasted bled,
And blazed from out the shambles till the fagged relief arrived.
"The garrison are slaughtered all," the Captain grimly said:
Piped Jack: "Give us a slug of hooch and say that TWO survived."


Then was that time we were lost, canteen and carcase dry,
As on we staggered with the thought: "Here's where our story ends."
Ten desert days delirious, when black against the sky,
We saw a line of camels, and the Arabs were our friends.


And last of all, the lurid night we crashed the gates of hell
And stemmed the Teuton torrent as it roared on every side;
And we were left in blood and mud to rot on the Moselle -
Two lacerated Legionaires, whom all supposed had died.


Three times death thought to take us and three times he stayed his hand;
But when we left the Legion what a happy pair we were,
Then reckless roving up and down the sunny land,
I found Jack eating bouillabaisse back on the Cannebière.


"Next week I wed," he gaily said, "the sweetest girl on earth.
I wonder why did Death pass by just then and turn to gloat?
"Oh I'm so happy! You must come and join us in our mirth."...
Death struck ... Jack gasped and choked and - died:


A fishbone in his throat.
214

Days

Days


I am a Day . . .

My sky is grey,

My wind is wild,

My sea high-piled:

In year of days the first

In misery . . .

Oh pity me!

I am a Day
Accurst.

"Sweet Day, not curst but blest:

Behold upon my breast

My baby born

Your early morn.

Safe in my arms alway . . .

Oh precious Day,

let tempest be,

You are to me

In heart of mine
Divine."

* * * * * * *

I am a Day . . .

From dawn's pure ray

Like to a peerless gem

In summer's diadem,

My sky so softly dreams,

my breeze is bland:

My sea is blue and creams

Upon the sand,

Behold! Of days the Queen
I reign serene.

"Oh Day, not blest but curst!

Let savage storm-rack burst,

i will not care . . .

For Lo! I bear

My baby's coffin to the height.

Ah! Would it were the foulest night

To match my mood''s

Ingratitude.

I cannot not pray . . .

Go your fell way,
Accursed Day!"
153

Quotes

10

Videos

50

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