Poems List

Failure

Failure


He wrote a play; by day and night
He strove with passion and delight;
Yet knew, long ere the curtain drop,
His drama was a sorry flop.


In Parliament he sought a seat;
Election Day brought dire defeat;
Yet he had wooed with word and pen
Prodigiously his fellow men.


And then he wrote a lighter play
That made him famous in a day.
He won a seat in Parliament,
And starry was the way he went.


Yet as he neared the door of death
They heard him say with broken breath:
'For all I've spoken, planned and penned,
I'm just a wash-out in the end.'


So are we all; our triumphs won
Are mean by what we might have done.
Our victories that men applaud
Are sordid in the sight of God.
254

Euthansia

Euthansia


A sea-gull with a broken wing,
I found upon the kelp-strewn shore.
It sprawled and gasped; I sighed: "Poor thing!
I fear your flying days are o'er;
Sad victim of a savage gun,
So ends your soaring in the sun."


I only wanted to be kind;
Its icy legs I gently caught,
Thinking its fracture I might bind,
But fiercely in its fear it fought;
Till guessing that I meant no ill,
It glared and gaped, but lay quite still.


I took it home and gave it food,
And nursed its wing day after day.
Alas for my solicitude,
It would not eat, but pined away.
And so at last with tender hands
I took it to its native sands.
"I'll leave it where its kindred are,"
I thought, "And maybe they will cheer
And comfort it": I watched afar,
I saw them wheeling swiftly near. . . .
Awhile they hovered overhead,
Then darted down and - stabbed it dead.


When agonized is human breath,
And there's of living not a chance,
Could it not be that gentle death
Might mean divine deliverance?
Might it not seep into our skulls
To be as merciful as gulls?
208

Expectation

Expectation


My flask of wine was ruby red
And swift I ran my sweet to see;
With eyes that snapped delight I said:
"How mad with love a lad can be!"
The moon was laughing overhead;
I danced as nimbly as a flea.


Thought I: In two weeks time we'll wed;
No more a lonesome widow she;
For I have bought a double bed
And I will father children three.
So singing like a lark I sped
To her who ne'er expected me.


And then I went with wary tread,
Her sweet surprise to greet with glee;
To where her lamplit lattice shed
A rosy radiance on the lea:
. . . And then my heart sank low like lead,
Two shadows on the blind to see.


A man was sitting on the bed,
And she was nudely on his knee. . . .
I saw her face drain white with dread,
I saw her lover madly flee. . . .
Oh how her blood is ruby red,
And I await the gallows tree
215

Ernie Pyle

Ernie Pyle

I wish I had a simple style
In writing verse,

As in his prose had Ernie Pyle,
So true and terse;

Springing so forthright from the heart
With guileless art.

I wish I could put back a dram
As Ernie could;

I wish that I could cuss and damn
As soldier should;

And fain with every verse would I
Ernie outvie.

Alas! I cannot claim his high
Humanity;

Nor emulate his pungent, dry
Profanity;

Nor share his love of common folk
Who bear life's yolk.

Oh Ernie, who on earth I knew
In war and wine,

Though frail of fame, in soul how you
Were pure and fine!

I'm proud that once when we were plastered
You called me 'bastard.'
151

Equality

Equality


The Elders of the Tribe were grouped
And squatted in the Council Cave;
They seemed to be extremely pooped,
And some were grim, but all were grave:
The subject of their big To-do
Was axe-man Chow, the son of Choo.


Then up spoke Tribal Wiseman Waw:
"Brothers, today I talk to grieve:
As an upholder of the Law
You know how deeply we believe
In Liberty, Fraternity,
And likewise Equality.


"A chipper of the flint am I;
I make the weapons that you use,
And though to hunt I never try,
To bow to hunters I refuse:
But stalwart Chow, the son of Choo
Is equal to us any two.


"He is the warrior supreme,
The Super-caveman, one might say;
The pride of youth, the maiden's dream,
And in the chase the first to slay.
Where we are stunted he is tall:
In short, a menace to us all.


"He struts with throwing stone and spear;
And is he not the first to wear
Around his waist with bully leer
The pelt of wolf and baby bear!
Admitting that he made the kill
Why should he so exploit his skill?


"Comrades, grave counsel we must take,
And as he struts with jest and jibe,
Let us act swiftly lest he make
Himself Dictator of our Tribe:
The Gods have built him on their plan:
Let us reduce him to a man."


And so they seized him in the night,
And on the sacrificial stone
The axe-men of the Tribe did smite,
Until one limb he ceased to own.
There! They had equalized the odds,
Foiling unfairness of the Gods.


So Chow has lost his throwing arm,
And goes around like every one;
No longer does he threaten harm,



And tribal justice has been done.
For men are equal, let us seek
To grade the Strong down to the weak.
144

Einstein

Einstein


A little mousey man he was
With board, and chalk in hand;
And millions were awestruck because
They couldn't understand.
Said he: 'E equals Mc2:
I'll prove it true.'

No doubt you can, your marvel man,
But will it serve our good?
Will it prolong our living span
And multiply our food?
Will it bring peace between the nations
To make equations?

Our thanks are due no doubt to you
For truth beyond our ken;
But after all what did you do
To ease the lot of men?
How can a thousand 'yous' be priced
Beside a Christ?
221

Enemy Conscript

Enemy Conscript

What are we fighting for,
We fellows who go to war?
fighting for Freedom's sake!
(You give me the belly-ache.)
Freedom to starve or slave!
Freedom! aye, in the grave.
Fighting for "hearth and home,"
Who haven't an inch of loam?
Hearth? Why even a byre
Can only be ours for hire.
Dying for future peace?
Killing that killing cease?
To hell with such tripe, I say.
"Sufficient unto the day."


It isn't much fun being dead.
Better to le in bed,
Cuddle up to the wife,
Making, not taking life.
To the corpse that stinks in the clay,
Does it matter who wins the day?
What odds if tyrants reign?
They can't put irons on the brain.
One always can eat one's grub,
Smoke and drink in a pub.
There's happiness in a glass,
A pipe and the kiss of a lass.
It's the best we get anyhow,
In the life we are living now.


Who's wanting a hero's fate?
To the dead cheers come too late.
Flesh is softer than steel;
Wounds are weary to heal.
In the maniac hell of the fray
Who is there dares to say?
"Hate will be vanquished by Love;
God's in His Heaven above."


When those who govern us lead
The lads they command to bleed;
When rulers march at the head,
And statesmen fall with the dead;
When Kings leap into the fray,
Fight in the old-time way,
Perish beside their men,
Maybe, O maybe then
War will be part of the past,
Peace will triumph at last.


Meantime such lads as I,
Who wouldn't have harmed a fly,



Have got to get out and kill
Lads whom we bear no ill;
As simple as we, no doubt,
Who seek what it's all about;
Who die in defence of - what?
Homes that they haven't got;
Who perish when all they ask
is to finish the daily task;
Make bread for the little ones,
Not feed the greed of the guns,
When fields of battle are red,
And diplomats die in bed.
206

Each Day A Life

Each Day A Life

I count each day a little life,
With birth and death complete;
I cloister it from care and strife
And keep it sane and sweet.

With eager eyes I greet the morn,
Exultant as a boy,
Knowing that I am newly born
To wonder and to joy.

And when the sunset splendours wane
And ripe for rest am I,
Knowing that I will live again,
Exultantly I die.

O that all Life were but a Day
Sunny and sweet and sane!
And that at Even I might say:
"I sleep to wake again."
184

Dylan

Dylan


And is it not a gesture grand
To drink oneself to death?

Oh sure 'tis I can understand,
Being of sober breath.
And so I do not sing success,


But dirge the damned who fall,
And who contempt for life express
Through alcohol.

Of Stephen Foster and of Poe,
Of Burns and Wilde I think;
And weary men who dared to go
The wanton way of drink.
Strange mortals blind to bitter blame,
And deaf to loud delight,
Who from the shades of sin and shame
Enstar our night.

Among those dupes of destiny
Add D.T. to my list,
Although his verse you may agree
Leaves one in mental mist . . .
Oh ye mad poets, loth of life,
Who peace in death divine,
Pass not by pistol, poison, knife,-Drown,
drown in wine!
189

Drifter

Drifter


God gave you guts: don't let Him down;
Brace up, be worthy of His giving.
The road's a rut, the sky's a frown;
I know you're plumb fed up with living.
Fate birches you, and wry the rod . . .
Snap out, you fool! Don't let down God.


Oh, yes, you're on misfortune's shift,
And weary is the row your hoeing;
You have no home, you drift and drift,
Seems folks don't care the way you're going . . .
Well, make them care - you're not afraid:
Step on the gas - you'll make the grade.


Believe that God has faith in you,
In you His loving light is shining;
All of you that is fine and true
Is part of Him, so quit your whining . . .
buck up, son, for your Maker's sake:
Don't let Him down - give God a break.
237

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Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.