Poems List

Days

Days


I am a Day . . .

My sky is grey,

My wind is wild,

My sea high-piled:

In year of days the first

In misery . . .

Oh pity me!

I am a Day
Accurst.

"Sweet Day, not curst but blest:

Behold upon my breast

My baby born

Your early morn.

Safe in my arms alway . . .

Oh precious Day,

let tempest be,

You are to me

In heart of mine
Divine."

* * * * * * *

I am a Day . . .

From dawn's pure ray

Like to a peerless gem

In summer's diadem,

My sky so softly dreams,

my breeze is bland:

My sea is blue and creams

Upon the sand,

Behold! Of days the Queen
I reign serene.

"Oh Day, not blest but curst!

Let savage storm-rack burst,

i will not care . . .

For Lo! I bear

My baby's coffin to the height.

Ah! Would it were the foulest night

To match my mood''s

Ingratitude.

I cannot not pray . . .

Go your fell way,
Accursed Day!"
137

Dark Trinity

Dark Trinity

Said I to Pain: "You would not dare
Do ill to me."
Said Pain: "Poor fool! Why should I care
Whom you may be?
To clown and king alike I bring
My meed of bane;
Why should you shirk my chastening?"
Said Pain.

Said I to Grief: "No tears have I,
Go on your way."
Said Grief: "Why should I pass you by,
While others pay?
All men must know the way of woe,
From saint to thief,
And tears were meant to overflow,"
Said Grief.

Said I to Death: "From ail and fret
Grant me relief."
Said Death: "I know you are beset
By Pain and Grief.
But my good will you must await
Since human breath
To suffering is consecrate,"
Said Death.

Said I to God: "Pale Sister Grief,
Bleak Brother Pain,
Bedevil me beyond belief,
And Death's unfain . . ."
Said God: "Curse not that blessed Three,
Poor human clod!
Have faith! Believe the One with Me,"
Said God.
224

Dance-Hall Girls

Dance-Hall Girls

Where are the dames I used to know
In Dawson in the days of yore?
Alas, it's fifty years ago,
And most, I guess, have "gone before."
The swinging scythe is swift to mow
Alike the gallant and the fair;
And even I, with gouty toe,
Am glad to fill a rocking chair.


Ah me, I fear each gaysome girl
Who in champagne I used to toast,
or cozen in the waltz's whirl,
In now alas, a wistful ghost.
Oh where is Touch The Button Nell?
Or Minnie Dale or Rosa Lee,
Or Lorna Doone or Daisy Bell?
And where is Montreal Maree?


Fair ladies of my lusty youth,
I fear that you are dead and gone:
Where's Gertie of the Diamond Tooth,
And where the Mare of Oregon?
What's come of Violet de Vere,
Claw-fingered Kate and Gumboot Sue?
They've crossed the Great Divide, I fear;
Remembered now by just a few.


A few who like myself can see
Through half a century of haze
A heap of goodness in their glee
And kindness in their wanton ways.
Alas, my sourdough days are dead,
Yet let me toss a tankard down . . .
Here's hoping that you wed and bred,
And lives of circumspection led,
Gay dance-hall girls o Dawson Town!
186

Cowardice

Cowardice


Although you deem it far from nice,
And it perchance may hurt you,
Let me suggest that cowardice
Can masquerade as virtue;
And many a maid remains a maid
Because she is afraid.

And many a man is chaste because
He fears the house of sin;
And though before the door he pause,
He dare not enter in:
So worse than being dissolute
At home he plays the flute.

And many an old cove such as I
Is troubled with the jitters,
And being as he's scared to die
Gives up his gin and bitters;
While dreading stomach ulcers he
Chucks dinner for high tea.

Well, we are wise. When life begins
To look so dour and dark
'Tis good to jettison our sins
And keep afloat the bark:
But don't let us claim lack of vice
For what's plumb cowardice!
208

Convicts Love Canaries

Convicts Love Canaries

Dick's dead! It was the Polack guard
Put powdered glass into his cage
When I was tramping round the yard,--
I could have killed him in my rage.
I slugged him with that wrench I stole:
That's why I'm rotting in the Hole.


Dick's dead! Sure I wish I was too.
His honey breast, his lacy claws
I kissed and cried, for well I knew
They murdered him. I cursed because
He was my only chum on earth . . .
Oh how he cheered me with his mirth!


Dick's dead! I know he cared for me.
Being I'm Irish I love song,
And there was heaven in his glee;
I'd bless his heart the dour day long.
I'd let him flutter round the cell;
He'd light upon my hand . . . Oh hell!


Dick's dead! They've thrown me in the Hole.
To break our spirits how they try!
My bed a plank, blind as a mole,
Sure I'll be nuts before I die . . .
Here in the night, dark as the Pit
I'm seeing sunny wings aflit.
Here in the silence, hark his song!
--Poor Dick! Oh Christ, how long, how long!
185

Contentment

Contentment


Bed and bread are all I need
In my happy day;
Love of Nature is my creed,
Unto her I pray;
Sun and sky my spirit feed
On my happy way.

To no man I bow the head,
None may master me;
I will eat my crust of bread
Lauding liberty;
And upon my truckle bed
Glory to be free.

You who grab for sordid gold,
You who fight for fame,
Shiny dross your fingers hold,
Empty is your aim.
--Soon we fatten graveyard mould,
Rich and poor the same.

So from world of want and woe
I retreat with dread;
Tuned to Nature glad I go
With my bite of bread:
Praising God I lay me low
On my truckle bed.
249

Confetti In The Wind

Confetti In The Wind

He wrote a letter in his mind
To answer one a maid had sent;
He sought the fitting word to find,
As on by hill and rill he went.
By bluebell wood and hawthorn lane,
The cadence sweet and silken phrase
He incubated in his brain
For days and days.

He wrote his letter on a page
Of paper with a satin grain;
It did not ring, so in a rage
He tore it up and tried again.
Time after time he drafted it;
He polished it all through the night;
He tuned and pruned till bit by bit
He got it right.

He took his letter to the post,
Yet long he held it in his hand.
Strangely his mood had veered, almost
Reversed,--he could not understand.
The girl was vague, the words were vain;
April romance had come to grief . . .
He tore his letter up again,-Oh
blest relief!
207

Comfort

Comfort


Say! You've struck a heap of trouble -Bust
in business, lost your wife;
No one cares a cent about you,
You don't care a cent for life;
Hard luck has of hope bereft you,
Health is failing, wish you'd die --
Why, you've still the sunshine left you
And the big, blue sky.

Sky so blue it makes you wonder
If it's heaven shining through;

Earth so smiling 'way out yonder,
Sun so bright it dazzles you;
Birds a-singing, flowers a-flinging


All their fragrance on the breeze;
Dancing shadows, green, still meadows -Don't
you mope, you've still got these.

These, and none can take them from you;
These, and none can weigh their worth.
What! you're tired and broke and beaten? -Why,
you're rich -- you've got the earth!
Yes, if you're a tramp in tatters,
While the blue sky bends above
You've got nearly all that matters -You've
got God, and God is love.
249

Compensation Pete

Compensation Pete

He used to say: There ain't a doubt
Misfortune is a bitter pill,
But if you only pry it out
You'll find there's good in every ill.
There's comfort in the worst of woe,
There's consolation in defeat . . .
Oh what a solace-seeker! So
We called him Compensation Pete.


He lost his wealth - but was he pipped?
Why no - "That's fine," he used to say.
"I've got the government plumb gypped -
No more damn income tax to pay.
From cares of property set free,
And with no pesky social ties,
Why, even poverty may be
A benediction in disguise."


He lost his health: "Okay," he said;
"I'm getting on, may be the best.
I've always loved to lie abed,
And now I have the right to rest.
Such heaps o' things I want to do,
I'll have no time to fret or brood.
I'll read the dam ol' Bible through:
Guess it'll do me plenty good."


He has that line of sunny shine
That makes a blessing of a curse,
And he would say: "Don't let's repine,
Though things are bad they might be worse."
And so he cherished to the end
Philosophy so sane and sweet
That everybody was his friend . . .
With optimism hard to beat -
God bless old Compensation Pete.
187

Clemenceau

Clemenceau


His frown brought terror to his foes,
But now in twilight of his days
The pure perfection of a rose
Can kindle rapture in his gaze.
Where once he swung the sword of wrath
And peoples trembled at his word,
With hoe he trims a pansied path
And listens to a bird.

His large of life was lived with noise,
With war and strife and crash of kings:
But now he hungers for the joys
Of peace, and hush of homely things.
His old dog nuzzles by his knee,
And seems to say: 'Oh Master dear,
Please do not ever part from me!
We are so happy here.'

His ancient maid, as sky draws dim,
Calls to him that the soup grows cold.
She tyrannises over him
Who once held armies in his hold.
With slippers, old skull-cap and shawl
He dreams and dozes by the fire,
Sighing: 'Behold the end of all,
Sweet rest my sole desire.

'My task is done, my pen is still;
My Book is there for all to see,--
The final triumph of my will,
Ineffably, my victory.
A Tiger once, but now a lamb,

With frailing hand my gate I close.
How hushed my heart! My life how calm!
--Its crown a Rose.'
247

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Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.