Robert W. Service

Robert W. Service

1874–1958 · lived 84 years -- --

Robert W. Service was a poet and writer celebrated for his vivid and often humorous verses depicting life in the Yukon during the Klondike Gold Rush. His work captured the spirit of adventure, hardship, and camaraderie of the era, making him immensely popular. He is best known for narrative poems that tell compelling stories with a strong rhythm and memorable characters.

n. 1874-01-16, Preston · m. 1958-09-11, Lancieux

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Your Poem

Your Poem

My poem may be yours indeed

In melody and tone,

If in its rhythm you can read

A music of your own;

If in its pale woof you can weave

Your lovelier design,

'Twill make my lyric, I believe,
More yours than mine.

I'm but a prompter at the best;

Crude cues are all I give.

In simple stanzas I suggest


'Tis you who make them live.

My bit of rhyme is but a frame,

And if my lines you quote,

I think, although they bear my name,
'Tis you who wrote.

Yours is the beauty that you see

In any words I sing;

The magic and the melody

'Tis you, dear friend, who bring.

Yea, by the glory and the gleam,

The loveliness that lures

Your thought to starry heights of dream,
The poem's yours.
Read full poem
Bio

Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.

Poems

416

Clemenceau

Clemenceau


His frown brought terror to his foes,
But now in twilight of his days
The pure perfection of a rose
Can kindle rapture in his gaze.
Where once he swung the sword of wrath
And peoples trembled at his word,
With hoe he trims a pansied path
And listens to a bird.

His large of life was lived with noise,
With war and strife and crash of kings:
But now he hungers for the joys
Of peace, and hush of homely things.
His old dog nuzzles by his knee,
And seems to say: 'Oh Master dear,
Please do not ever part from me!
We are so happy here.'

His ancient maid, as sky draws dim,
Calls to him that the soup grows cold.
She tyrannises over him
Who once held armies in his hold.
With slippers, old skull-cap and shawl
He dreams and dozes by the fire,
Sighing: 'Behold the end of all,
Sweet rest my sole desire.

'My task is done, my pen is still;
My Book is there for all to see,--
The final triumph of my will,
Ineffably, my victory.
A Tiger once, but now a lamb,

With frailing hand my gate I close.
How hushed my heart! My life how calm!
--Its crown a Rose.'
261

Charity

Charity


The Princess was of ancient line,
Of royal race was she;
Like cameo her face was fine,
With sad serentiy:
Yet bent she toiled with dimming eye,
Her rice and milk to buy.

With lacework that for pity plead,
So out of date it seemed,
She sought to make her daily bread,
As of her past she dreamed:
And though sometimes I heard her sigh,
I never knew her cry.

Her patient heart was full of hope,
For health she gave God thanks,
Till one day in an envelope
I sealed a thousand francs,
And 'neath her door for her to see
I slipped it secretly.

'Twas long after, I came to know
My gift she never spent,
But gave to one of greater woe,


And wearily she went . . .
To be of charity a part,-That
stabbed her to the heart.

For one dark day we found her dead:
Oh she was sweet to see!
Exalted in her garret bed
With face like ivory . . .
Aye, though from lack of food she died,
Unflawed she flagged her pride.
270

Child Lover

Child Lover

Drunk or sober Uncle Jim
Played the boy;

Never glum or sour or grim,
Oozin' joy.

Most folks thought he was no good,
Blamin' him;

But where kiddies were, you could
Bank on Jim.

Sure he allus hated work,
Lovin' play.

"Jest a good fer nuthin' jerk,"
Lots would say.

Yet how the children fell for him,
Whooped with glee:

Guys so popular as Jim
Seldom be.

How old songs, sweet as a bell,
He would sing!

What grand stories he would tell,
Gesturin'!

Elders reckoned him a sot,
Sighin' sad;

But with tiny toddlers what
Sport he had!

Might have had a brood, they said,
Of his own;

Lost his wife in childbirth bed,
Left him lone . . .

Well, now he is cold an' still,
Here's to him:

Kids an' mothers always will
Bless old Jim.
208

Careers

Careers


I knew three sisters,--all were sweet;
Wishful to wed was I,
And wondered which would mostly meet
The matrimonial tie.
I asked the first what fate would she
Wish joy of life to bring to her.
She answered: 'I would like to be
A concert singer.'

I asked the second, for my mind
Was set on nuptial noosing,
Unto what lot was she inclined
If she could have the choosing?
Said she: 'For woman I can see
No fortune finer,
Than to go in for Art and be
A dress designer.'

With heavy heart I asked the third
What was her life ambition;
A maiden she in look and word
Of modest disposition.
'Alas, I dearly wish,' said she,
'My aims were deeper:
My highest hope it is to be
A good house-keeper.'

Which did I choose? Look at my home,-The
answer's there;
As neat and sweet as honeycomb,
With children fair.
And so it humbly seems to me,
In common life,
A woman's glory is to be
A good house-wife.
232

Causation

Causation


Said darling daughter unto me:
"oh Dad, how funny it would be
If you had gone to Mexico
A score or so of years ago.
Had not some whimsey changed your plan
I might have been a Mexican.
With lissome form and raven hair,
Instead of being fat and fair.


"Or if you'd sailed the Southern Seas
And mated with a Japanese
I might have been a squatty girl
With never golden locks to curl,
Who flirted with a painted fan,
And tinkled on a samisan,
And maybe slept upon a mat I'm
very glad I don't do that.


"When I consider the romance
Of all your youth of change and chance
I might, I fancy, just as well
Have bloomed a bold Tahitian belle,
Or have been born . . . but there - ah no!
I draw the line - and Esquimeaux.
It scares me stiff to think of what
I might have been - thank God! I'm not."


Said I: "my dear, don't be absurd,
Since everything that has occurred,
Through seeming fickle in your eyes,
Could not a jot be otherwise.
For in this casual cosmic biz
The world can be but what it is;
And nobody can dare deny
Part of this world is you and I.


Or call it fate or destiny
No other issue could there be.
Though half the world I've wandered through
Cause and effect have linked us two.
Aye, all the aeons of the past
Conspired to bring us here at last,
And all I ever chanced to do
Inevitably led to you.


To you, to make you what you are,
A maiden in a Morris car,
IN Harris tweeds, an airedale too,
But Anglo-Saxon through and through.
And all the good and ill I've done
In every land beneath the sun
Magnificently led to this



A country cottage and - your kiss."
268

Café Comedy

Café Comedy

She

I'm waiting for the man I hope to wed.
I've never seen him - that's the funny part.
I promised I would wear a rose of red,
Pinned on my coat above my fluttered heart,
So that he'd know me - a precaution wise,
Because I wrote him I was twenty-three,
And Oh such heaps and heaps of silly lies. . .
So when we meet what will he think of me?


It's funny, but it has its sorry side;
I put an advert. in the evening Press:
"A lonely maiden fain would be a bride."
Oh it was shameless of me, I confess.
But I am thirty-nine and in despair,
Wanting a home and children ere too late,
And I forget I'm no more young and fair I'll
hide my rose and run...No, no, I'll wait.


An hour has passed and I am waiting still.
I ought to feel relieved, but I'm so sad.
I would have liked to see him, just to thrill,
And sigh and say: "There goes my lovely lad!
My one romance!" Ah, Life's malign mishap!
"Garcon, a cafè creme." I'll stay till nine. . .
The cafè's empty, just an oldish chap
Who's sitting at the table next to mine. . .


He

I'm waiting for the girl I mean to wed.
She was to come at eight and now it's nine.
She'd pin upon her coat a rose of red,
And I would wear a marguerite in mine.
No sign of her I see...It's true my eyes
Need stronger glasses than the ones I wear,
But Oh I feel my heart would recognize
Her face without the rose - she is so fair.


Ah! what deceivers are we aging men!
What vanity keeps youthful hope aglow!
Poor girl! I sent a photo taken when
I was a student, twenty years ago.
(Hers is so Springlike, Oh so blossom sweet!)
How she will shudder when she sees me now!
I think I'd better hide that marguerite -
How can I age and ugliness avow?


She does not come. It's after nine o'clock.
What fools we fogeys are! I'll try to laugh;
(Garcon, you might bring me another bock)



Falling in love, just from a photograph.
Well, that's the end. I'll go home and forget,
Then realizing I am over ripe
I'll throw away this silly cigarette
And philosophically light my pipe.


* * * * *

The waiter brought the coffee and the beer,
And there they sat, so woe-begone a pair,
And seemed to think: "Why do we linger here?"
When suddenly they turned, to start and stare.
She spied a marguerite, he glimpsed a rose;
Their eyes were joined and in a flash they knew. . .
The sleepy waiter saw, when time to close,
The sweet romance of those deceiving two,
Whose lips were joined, their hearts, their future too.
175

Captivity

Captivity


O meadow lark, so wild and free,
It cannot be, it cannot be,
That men to merchandise your spell
Do close you in a wicker hell!


O hedgerow thrush so mad with glee,
it cannot be, it cannot be,
They rape you from your hawthorn foam
To make a cell of steel your home!


O blackbird in the orchard tree,
In cannot be, it cannot be,
That devils in a narrow cage
Would prison your melodic rage!


O you who live for liberty,
Can you believe that it can be,
That we of freedom's faith destroy
In dungeons, innocence and joy?


O decent folk who read this page,
If you should own a bird in cage,
Throw wide the door, - God gave it wings:
Then hear how in your heart it sings!
201

Breton Wife

Breton Wife

A Wintertide we had been wed
When Jan went off to sea;
And now the laurel rose is red
And I wait on the quay.
His berthing boat I watch with dread,
For where, oh where is he?


"Weep not, brave lass," the Skipper said;
"Return to you he will;
In hospital he lies abed
In Rio in Brazil;
But though I know he is not dead,
I do not know his ill."


The Seaman's Hospital I wrote,
And soon there came reply.
The nurse's very words I quote:
"Your husband will not die;
But you must wait a weary boat -
I cannot tell you why."


The months of sun went snailing by.
I wrote by every mail,
Yet ever came the same reply:
"Your patience must not fail.
But though your good lad will not die,
We cannot tell his ail."


* * * * * * * * *


Ten months have gone - he's back again,
But aged by years a score,
And tells me with a look of pain
He'll never voyage more;
And at the tide, with longing vain,
He stares from out the door.


And in his sleep he turns from me
And moans with bitter blame
Of Spanish jades beyond the sea
Who wrought him evil shame,
So ever in him bleak will be
The Ill That Has No Name.
279

Breakfast

Breakfast


Of all the meals that glad my day
My morning one's the best;
Purveyed me on a silver tray,
Immaculately dressed.
I rouse me when the dawn is bright;
I leap into the sea,
Returning with a rare delight
To honey, toast and tea.


My appetite was razor edged
When I was in my prime;
To eggs and bacon I was pledged . . .
Ala! the March of Time;
For now a genial old gent
With journal on my knee,
I sip and take with vast content
My honey, toast and tea.


So set me up for my delight
The harvest of the bee;
Brown, crispy toast with butter bright,
Ceylon - two cups or three.
Let others lunch or dinner praise,
But I regale with glee,
As I regard with grateful gaze
Just honey, toast and tea.
387

Brave Coward

Brave Coward

Elisabeth imagines I've
A yellow streak

She deems I have no dash and drive,
Jest dogoned weak.

'A man should be a man,' says Liz
'Trade blow for blow.'

Poor kid! What my position is
She jest don't know.

She jest don't know my old man killed,
Yea, slew and slew.

As steamy blood he sweetly spilled,
So could I too.

And though no wrath of heart I show
When I see red,

I fear no S. O. B. but oh
Myself I dread.

Though fellers reckon me a dope
And trigger-shy,

'Tain't nice to dangle on a rope,
And like Pa die.

So as I belly to the bar
Meek is my breath . . .

No guts! --Don't needle me too far,
Elizabeth!
253

Quotes

10

Videos

50

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